Pianist Mike Garson was David Bowie's most frequent musician, on record and onstage throughout Bowie's life. They played over a thousand shows together between 1972 and 2004, and Garson is featured on over 20 of Bowie's albums. Bowie's Piano Man is the first-ever biography of Mike Garson, written by Clifford Slapper, a fellow pianist who also played for Bowie, working closely with him on his last-ever television appearance. The book explores the special relationship between Garson and Bowie, beginning with the extraordinary story of how Garson went overnight from playing in tiny jazz clubs to touring the world on arena rock tours with Bowie after one short phone call and audition. A noted master of jazz, classical, and other genres, Garson has composed thousands of original works and has taught countless students, acting as mentor to many. Bowie's Piano Man explores his roots and childhood in Brooklyn, his ongoing strong presence in the jazz world, and his collaborations with a huge range of other artists in addition to Bowie. Touring and recording with the Smashing Pumpkins and Nine Inch Nails are given in-depth attention, as is his approach to teaching and creating music. Explored in detail in particular is his commitment to improvisation as a form of composition, a manifestation of his more general dedication to living in the moment and always moving forward – a trait he shared with Bowie.
(Book). Pianist Mike Garson was David Bowie's most frequent musician, on record and onstage throughout Bowie's life. They played over a thousand shows together between 1972 and 2004, and Garson is featured on over 20 of Bowie's albums. Bowie's Piano Man is the first-ever biography of Mike Garson, written by Clifford Slapper, a fellow pianist who also played for Bowie, working closely with him on his last-ever television appearance. The book explores the special relationship between Garson and Bowie, beginning with the extraordinary story of how Garson went overnight from playing in tiny jazz clubs to touring the world on arena rock tours with Bowie after one short phone call and audition. A noted master of jazz, classical, and other genres, Garson has composed thousands of original works and has taught countless students, acting as mentor to many. Bowie's Piano Man explores his roots and childhood in Brooklyn, his ongoing strong presence in the jazz world, and his collaborations with a huge range of other artists in addition to Bowie. Touring and recording with the Smashing Pumpkins and Nine Inch Nails are given in-depth attention, as is his approach to teaching and creating music. Explored in detail in particular is his commitment to improvisation as a form of composition, a manifestation of his more general dedication to living in the moment and always moving forward a trait he shared with Bowie.
Within ecclesiastical circles, both from the perspective of legal practice and ordinary relational matters between ecclesiastical entities, the theme of contract very scarcely occupies a place of prominence. It is a situation that is due on the one hand, and to a large extent, to the fact that the canonisation of civil law on contracts (c. 1290 CIC/1983) has had the consequence of transferring the preoccupation of the entities on this matter to the domain of civil law. Besides, and still connected to the above, is the tendency to attribute a merely pastoral relevance to their relationships, with little or no reference to the juridic aspects inherent in these relationships. It is a situation that is largely responsible for the crisis which do not uncommonly characterise some of these relationships as verified over the centuries; particularly in the relationship between dioceses and religious institutes. The issuance of various papal and conciliar exhortations before and after Vatican II, as well as the normative instructions and legal provisions contained in various juridic documents, most prominently cc. 271, 520, 681 and 790 of CIC/1983, has gone a long way to dissipate some of the tensions of the past. However, the true nature of how the contractual relationship between ecclesiastical entities, including the attendant issues of conceptual understanding, civil status of ecclesiastical entities, resolution of contractual disputes, etc., remains a matter of investigative interest for the canonist. This is, in a nutshell, the substance of this research work. The conclusions arrived at offer the reader an insight into the available untapped resources within the ecclesiastical legal system, as well as some considerable possibilities which remain to be explored to the benefit of the subjects of canon law.
Alphabetically arranged entries cover the personalities, issues, legal concept phrases, forensic technology, and details associated with the murder trial of O.J. Simpson.
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