First published in 1993, this is a new edition of the classic text in which Clenora Hudson-Weems sets out a paradigm for women of African descent. Examining the status, struggles and experiences of the Africana woman forced into exile in Europe, Latin America, the United States or at Home in Africa, the theory outlines the experience of Africana women as unique and separate from that of some other women of color, and, of course, from white women. Differentiating itself from the problematic theories of Western feminisms, Africana Womanism allows an establishment of cultural identity and relationship directly to ancestry and land. This new edition includes five new chapters as well as an evolution of the classic Africana womanist paradigm, to that of Africana-Melanated Womanism. It shows how race, class and gender must be prioritized in the fight against every day racial dominance. Africana Womanism: Reclaiming Ourselves offers a new term and paradigm for women of African descent. A family-centered concept, prioritizing race, class and gender, it offers eighteen features of the Africana womanist (self-namer, self-definer, family-centered, genuine in sisterhood, strong, in concert with male in the liberation struggle, whole, authentic, flexible role player, respected, recognized, spiritual, male compatible, respectful of elders, adaptable, ambitious, mothering, nurturing), applying them to characters in novels by Hurston, Bâ, Marshall, Morrison and McMillan. It evolves from Africana Womanism to Africana-Melanated Womanism. This is an important work and essential reading for researchers and students in women and gender studies, Africana studies, African-American studies, literary studies and cultural studies, particularly with the emergence of family centrality (community and collective engagement), the very cornerstone of Africana Womanism since its inception.
So help me God, until my dying day, Im going to be fighting this thing. Im not going to be fighting color. Im not going to be fighting creed. Im not going to be fighting anyones belief, so long as its a safe and sound one, so long as it doesnt reach out and destroy me or destroy someone else. . . . We should stand up, we should make a stand once and for all, we should say that were going to live as men and women. (Excerpt, Mamies 2nd speaking engagement in South Bend, IN, following the trial in Money, MS , OCT 1955--Hudson-Weems, Emmett Till: Sacrificial Lamb of the Civil Rights Movement, 1994, p. 240) The fervent prayers of Tills mother, Mamie Till Mobley, for everlasting justice and transcendent mercy have been finally answered through this gripping narrative by Dr. Clenora Hudson-Weems. Emmett speaks eternal truth to power. Dr. Benjamin F. Chavis Jr.--President and CEO National Newspaper Publishers Association (NNPA) Truly we have witnessed it all. We have seen the anger, felt the pain, endured the violence. From submissiveness, to rebellion, to assimilation, at last Emmetts story and Whittens redemption bring true heroes and iconic models for us all. Aubrey Bruce--Senior Sports Columnist New Pittsburgh Courier In Emmett, Clenora gives us all that we need to advance to positive 21st. century race relations, which could greatly curtail racial domination thus, escalating to racial healing. A cause clbre, coming on the heels of The Butler, 12 Years a Slave and Selma, Emmett no doubt is both timely and urgent! Barry Morrow--Oscar Award Winning Co-Writer of Rain Man and Producer
Gale Researcher Guide for: Amiri Baraka and the Black Arts Movement is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
First published in 1993, this is a new edition of the classic text in which Clenora Hudson-Weems sets out a paradigm for women of African descent. Examining the status, struggles and experiences of the Africana woman forced into exile in Europe, Latin America, the United States or at Home in Africa, the theory outlines the experience of Africana women as unique and separate from that of some other women of color, and, of course, from white women. Differentiating itself from the problematic theories of Western feminisms, Africana Womanism allows an establishment of cultural identity and relationship directly to ancestry and land. This new edition includes five new chapters as well as an evolution of the classic Africana womanist paradigm, to that of Africana-Melanated Womanism. It shows how race, class and gender must be prioritized in the fight against every day racial dominance. Africana Womanism: Reclaiming Ourselves offers a new term and paradigm for women of African descent. A family-centered concept, prioritizing race, class and gender, it offers eighteen features of the Africana womanist (self-namer, self-definer, family-centered, genuine in sisterhood, strong, in concert with male in the liberation struggle, whole, authentic, flexible role player, respected, recognized, spiritual, male compatible, respectful of elders, adaptable, ambitious, mothering, nurturing), applying them to characters in novels by Hurston, Bâ, Marshall, Morrison and McMillan. It evolves from Africana Womanism to Africana-Melanated Womanism. This is an important work and essential reading for researchers and students in women and gender studies, Africana studies, African-American studies, literary studies and cultural studies, particularly with the emergence of family centrality (community and collective engagement), the very cornerstone of Africana Womanism since its inception.
So help me God, until my dying day, Im going to be fighting this thing. Im not going to be fighting color. Im not going to be fighting creed. Im not going to be fighting anyones belief, so long as its a safe and sound one, so long as it doesnt reach out and destroy me or destroy someone else. . . . We should stand up, we should make a stand once and for all, we should say that were going to live as men and women. (Excerpt, Mamies 2nd speaking engagement in South Bend, IN, following the trial in Money, MS , OCT 1955--Hudson-Weems, Emmett Till: Sacrificial Lamb of the Civil Rights Movement, 1994, p. 240) The fervent prayers of Tills mother, Mamie Till Mobley, for everlasting justice and transcendent mercy have been finally answered through this gripping narrative by Dr. Clenora Hudson-Weems. Emmett speaks eternal truth to power. Dr. Benjamin F. Chavis Jr.--President and CEO National Newspaper Publishers Association (NNPA) Truly we have witnessed it all. We have seen the anger, felt the pain, endured the violence. From submissiveness, to rebellion, to assimilation, at last Emmetts story and Whittens redemption bring true heroes and iconic models for us all. Aubrey Bruce--Senior Sports Columnist New Pittsburgh Courier In Emmett, Clenora gives us all that we need to advance to positive 21st. century race relations, which could greatly curtail racial domination thus, escalating to racial healing. A cause clbre, coming on the heels of The Butler, 12 Years a Slave and Selma, Emmett no doubt is both timely and urgent! Barry Morrow--Oscar Award Winning Co-Writer of Rain Man and Producer
Gale Researcher Guide for: Amiri Baraka and the Black Arts Movement is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
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