Clementine Hunter (1887--1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her -- glass snuff bottles, discarded roofing shingles, ironing boards -- as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her paintings also reflect the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric François Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style. The book also highlights Hunter's impact on the modern art world and provides insight into a decades-long forgery operation that Tom Whitehead helped uncover. This recent attention reinforced the uniqueness of Hunter's art and confirmed her place in the international art community, which continues to be inspired by the life and work of Clementine Hunter.
Clementine Hunter (1887--1988) painted every day from the 1930s until several days before her death at age 101. As a cook and domestic servant at Louisiana's Melrose Plantation, she painted on hundreds of objects available around her -- glass snuff bottles, discarded roofing shingles, ironing boards -- as well as on canvas. She produced between five and ten thousand paintings, including her most ambitious work, the African House Murals. Scenes of cotton planting and harvesting, washdays, weddings, baptisms, funerals, Saturday night revelry, and zinnias depict experiences of everyday plantation life along the Cane River. More than a personal record of Hunter's life, her paintings also reflect the social, material, and cultural aspects of the area's larger African American community. Drawing on archival research, interviews, personal files, and a close relationship with the artist, Art Shiver and Tom Whitehead offer the first comprehensive biography of this self-taught painter, who attracted the attention of the world. Shiver and Whitehead trace Hunter's childhood, her encounters at Melrose with artists and writers, such as Alberta Kinsey and Lyle Saxon, and the role played by eccentric François Mignon, who encouraged and promoted her art. The authors include rare paintings and photographs to illustrate Hunter's creative process and discuss the evolution of her style. The book also highlights Hunter's impact on the modern art world and provides insight into a decades-long forgery operation that Tom Whitehead helped uncover. This recent attention reinforced the uniqueness of Hunter's art and confirmed her place in the international art community, which continues to be inspired by the life and work of Clementine Hunter.
Troubled by PTSD and struggling to reintegrate into society. ex-Marine Evan Hunter is a haunted man. When a sailing trip ends in disaster, he's stranded in a secret ocean facility called the Dome. And now he's hallucinating. Mermaids don't exist...do they? Then his colleagues begin disappearing. Some show up strangely maimed. Trapped deep below the waves, Evan isn't sure who he can trust. That includes the mysterious beauty he's falling in love with. Sariana has her own mission: revenge. But the closer she gets to Evan, the more she begins doubting herself. Do all the humans deserve her vengeance? Time is running out for Evan and Sariana. Both must pick a side to fight for. But what happens if they don't choose the same one?
Where have all the gargoyles gone? Cambridge's number one supersleuth, Sesame Seade, is back and out to catch a thief! When several ferocious gargoyles go missing from the Cambridge university rooftops, Sesame is soon looking for clues at dangerous and dizzying heights. But there's plenty for her to investigate at ground level too, as a spooky set of footprints, a midnight tsunami of scurrying mice, and a bout of strange behavior from Sesame's cat, Peter Mortimer, all point to even more nefarious activity around town. Can Sesame sort it all out before more gargoyles go AWOL? In this riotous follow-up to Sleuth on Skates, the whole gang -- including Mr. Halitosis -- is back as Sesame pits her wits against a truly devious burglar and a second troublemaker who's been up to no good--right under Sesame's nose!
The first and greatest book of regional American cuisine, now revised for today’s home cook. Imagine a person with the culinary acumen of Julia Child, the inquisitiveness of Margaret Mead, and the daring of Amelia Earhart. This is Clementine Paddleford, America’s first food journalist. In the 1930s, Paddleford set out to do something no one had done before: chronicle regional American food. Writing for the New York Herald Tribune, Gourmet, and This Week, she crisscrossed the nation, piloting a propeller plane, to interview real home cooks and discover their local specialties. The Great American Cookbook is the culmination of Paddleford’s career. A best seller when first published in 1960 as How America Eats, this coveted classic has been out of print for thirty years. Here are more than 500 of Paddleford’s best recipes, all adapted for contemporary kitchens. From New England there is Real Clam Chowder; from the South, Fresh Peach Ice Cream; from the Southwest, Albondigas Soup; from California, Arroz con Pollo. Behind all the recipes are extraordinary stories, which make this not just a cookbook but also a portrait of America.
Winner of France's biggest prize for teen and young adult fiction: A wickedly funny and life-affirming coming-of-age road trip story Awarded the Gold, Silver and Bronze trotters after a vote by their classmates on Facebook, Mireille, Astrid and Hakima are officially the three ugliest girls in their school, but does that mean they're going to sit around crying about it? Well . . . yes, a bit, but not for long! Climbing aboard their bikes, the trio set off on a summer road trip to Paris, their goal: a garden party with the French president. As news of their trip spreads they become stars of social media and television. With the eyes of the nation upon them the girls find fame, friendship and happiness, and still have time to consume an enormous amount of food along the way. “One of the loveliest reading experiences I’ve had in years.” —Jennifer Niven, New York Times-bestselling author of All the Bright Places and Holding up the Universe
This book presents a cultural history of human-animal relations in Germany, Japan, Russia and the United States, with a focus on the uses of animals for comfort, healing and in developing a sense of well-being. Fujimura and Nommensen discuss the contexts in which the culture of wellbeing has developed and incorporated alternative therapies with animals. The authors turn to qualitative research conducted over a period of two years in veterinary clinics, hospices, reading programs, search and rescue organizations as well as an extensive review of existing literature on cultural studies of human-animal relations to inform their analysis of complex ways in which humans and animals interact. The extent to which animals are accepted either as members of society or, in contrast, as mere material possessions poses a cultural contradiction leading to questions of the ethical treatment of animals.
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