From 24-hour-a-day "girl cam" sites on the World Wide Web to trash-talk television shows like "Jerry Springer" and reality television programs like "Cops," we've become a world of voyeurs. We like to watch others as their intimate moments, private facts, secrets, and dirty laundry are revealed. Voyeur Nation traces the evolution and forces driving what the author calls the 'voyeurism value.' Calvert argues that although spectatorship and sensationalism are far from new phenomena, today a confluence of factors-legal, social, political, and technological-pushes voyeurism to the forefront of our image-based world. The First Amendment increasingly is called on to safeguard our right, via new technologies and recording devices, to peer into the innermost details of others' lives without fear of legal repercussion. But Calvert argues that the voyeurism value contradicts the value of discourse in democracy and First Amendment theory, since voyeurism by its very nature involves merely watching without interacting or participating. It privileges watching and viewing media images over participating and interacting in democracy.
This current and comprehensive market-leading textbook addresses the most relevant and important aspects of mass media law in the United States, stretching from the history and adoption of the First Amendment to the most recent judicial opinions, statutory enactments and regulatory controversies affecting speech across the print, broadcast, cable and Internet media. From the laws of libel and privacy to the regulation of advertising and telecommunications, Mass Media Law 2009/2010 examines timely issues that are shaping the United States’ legal system and the future of media content. The new edition has been streamlined to include new opinions and updated coverage of important current media law concerns, including the right of reporters to protect their sources, censorship problems related to terrorism, file sharing, and the law of privacy.
From 24-hour-a-day "girl cam" sites on the World Wide Web to trash-talk television shows like "Jerry Springer" and reality television programs like "Cops," we've become a world of voyeurs. We like to watch others as their intimate moments, private facts, secrets, and dirty laundry are revealed. Voyeur Nation traces the evolution and forces driving what the author calls the 'voyeurism value.' Calvert argues that although spectatorship and sensationalism are far from new phenomena, today a confluence of factors-legal, social, political, and technological-pushes voyeurism to the forefront of our image-based world. The First Amendment increasingly is called on to safeguard our right, via new technologies and recording devices, to peer into the innermost details of others' lives without fear of legal repercussion. But Calvert argues that the voyeurism value contradicts the value of discourse in democracy and First Amendment theory, since voyeurism by its very nature involves merely watching without interacting or participating. It privileges watching and viewing media images over participating and interacting in democracy.
(Applause Books). In Rest Area , Clay McLeod Chapman offered a view into the lives of Southern Gothic monstrosities. Now, the 40 tales of Nothing Untoward delve into the depraved minds of those madmen and women who drift along the periphery of humankind. Sometimes darkly humorous, sometimes strangely heartbreaking, these stories explore the domestic horrors of the everyday, finding terror within our own households. Haunting and hilarious, these sharply tuned diatribes are more than simple horror stories in the traditional sense. These offbeat psychological portraits are presented from the perspectives of the very monsters themselves. The heroes of these tales are murderers, loners, and drifters. Spanning over 20 years of the rigorous storytelling session "The Pumpkin Pie Show," the tales collected here are to be read out loud or to yourself, if you're brave enough. The oral tradition is alive and well with these stories, captured on the page for you to share around the campfire, or flip through in bed late at night. These are ghost stories for people who don't believe in ghosts, haunted by their own crumbling minds and wounded hearts. A perfect mixture of tongue-and-cheek gallows humor, psychological terror, and character-based storytelling, Nothing Untoward: Stories from "The Pumpkin Pie Show" focuses on the darker side of domesticity and won't let go.
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