It may be the most interesting and yet loneliest spot on earth: a volcanic rock surrounded by a million square miles of ocean, named for the day Dutch explorers discovered it, Easter Sunday, April 5, 1722. Here people created a complex society, sophisticated astronomy, exquisite wood sculpture, monumental stone architecture, roads, and a puzzling ideographic script. And then they went about sculpting amazing, giant human figures in stone. This richly illustrated book of the history, culture, and art of Easter Island is the first to examine in detail the island’s vernacular architecture, often overshadowed by its giant stone statues. It shows the conjecturally reconstructed prehistoric pole houses; the ahu, the sculptures’ platform, as a spectacular expression of prehistoric megalithic architecture; and the Easter Island Statue Project’s inventory of the colossal moai sculptures. This publication is made possible in part by a generous contribution from Furthermore: a program of the J. M. Kaplan Fund.
Extricating liberalism from the haze of anti-modernist and anti-European caricature, this book traces the role of liberal philosophy in the building of a new nation. It examines the role of toleration, rights, and mediation in the postcolony. Through the biographies of four Filipino scholar-bureaucrats—Camilo Osias, Salvador Araneta, Carlos P. Romulo, and Salvador P. Lopez—Lisandro E. Claudio argues that liberal thought served as the grammar of Filipino democracy in the 20th century. By looking at various articulations of liberalism in pedagogy, international affairs, economics, and literature, Claudio not only narrates an obscured history of the Philippine state, he also argues for a new liberalism rooted in the postcolonial experience, a timely intervention considering current developments in politics in Southeast Asia.
It may be the most interesting and yet loneliest spot on earth: a volcanic rock surrounded by a million square miles of ocean, named for the day Dutch explorers discovered it, Easter Sunday, April 5, 1722. Here people created a complex society, sophisticated astronomy, exquisite wood sculpture, monumental stone architecture, roads, and a puzzling ideographic script. And then they went about sculpting amazing, giant human figures in stone. This richly illustrated book of the history, culture, and art of Easter Island is the first to examine in detail the island’s vernacular architecture, often overshadowed by its giant stone statues. It shows the conjecturally reconstructed prehistoric pole houses; the ahu, the sculptures’ platform, as a spectacular expression of prehistoric megalithic architecture; and the Easter Island Statue Project’s inventory of the colossal moai sculptures. This publication is made possible in part by a generous contribution from Furthermore: a program of the J. M. Kaplan Fund.
This richly illustrated book of the history, culture, and art of Easter Island is the first to examine in detail the island's vernacular architecture, often overshadowed by its giant stone statues"--Provided by publisher.
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