Explores the controversial idea that cancer can be caught, examining the proposed viral and bacterial causes of the disease and how it might be prevented.
Catching Cancer introduces readers to the investigators who created a medical revolution--a new way of looking at cancer and its causes. Featuring interviews with notable scientists such as Harald zur Hausen, Barry Marshall, Robin Warren, and others, the book tells the story of their struggles, their frustrations, and finally the breakthroughs that helped form some of the most profound changes in the way we view cancer. Claudia Cornwall takes readers inside the lab to reveal the long and winding path to discoveries that have changed and continue to alter the course of medical approaches to one of the most confounding diseases mankind has known. She tells the stories of families who have benefited from this new knowledge, of the researchers who made the revolution happen, and the breakthroughs that continue to change our lives. For years, we've thought cancer was the result of lifestyle choices, environmental factors, or genetic mutations. But pioneering scientists have begun to change that picture. We now know that infections cause 20 percent of cancers, including liver, stomach, and cervical cancer, which together kill almost 1.8 million people every year. While the idea that you can catch cancer may sound unsettling, it is actually good news. It means antibiotics and vaccines can be used to combat this most dreaded disease. With this understanding, we have new methods of preventing cancer, and perhaps we may be able to look forward to a day when we will no more fear cancer than we do polio or rubella.
Prominently located on the Arx, the northern summit of the Capitoline hill, S. Maria in Aracoeli is the most significant medieval church of Rome to survive to the present day. Second major church of the Lesser Brothers or fratres minores in the Italian peninsula, and Roman headquarters of the Order, the Aracoeli played a vital role in the interaction between the Franciscans and the papacy, the friars and the laity, and the religious and civic authorities, as reflected in its art and architecture. On the basis of an interdisciplinary approach combining archaeological analysis with the finding of new archival evidence, reinterpretation of documents and literary and epigraphic sources, this book offers a reconstruction of the original church, its monuments and its Benedictine as well as eighth/ninth-century predecessors, which differs radically from earlier hypotheses. This reassessment in turn allows the author to revisit a number of major questions, including the Franciscans’ physical and theoretical appropriation of the past, the adaptation of an ancient site by a ‘modern’ religious order, the use and functions of space, the interaction between friars, laity and artists, and the contribution of the Roman Franciscans to the development of Marian devotion, thus shedding new light on the social, political and religious history of late-medieval Italy and its impact beyond the peninsula, from England to Bohemia and the Holy Land.
In June 2013, Gordon Cornwall’s melanoma went metastatic and spread to his brain. He and his wife, Claudia, thought it was “game-over.” But his oncologist encouraged them to look for a clinical trial that might work for his form of melanoma. After embarking on a continent-wide search, they found a study in Texas with spots for just two more patients. They scrambled to get Gordon enrolled, and in August 2013, three days after he had his first infusion, he was astonished to see a lump on his shoulder softening and shrinking. Three months later, in November, a CT-scan revealed that all his tumors had disappeared. This story of one couple’s battle to beat melanoma illustrates how a new treatment, immunotherapy, can defeat even aggressive forms of the disease. It also shows how patients can access the most advanced therapies by enrolling in clinical trials. Claudia describes Gordon’s case and learns from conversations with eminent researchers. She paints a portrait of an illness that is difficult but not impossible to combat. With vivid firsthand accounts from their diaries, as well as Claudia’s intimate narrative of the ups and downs of cancer treatment, this book will be a ready resource for melanoma patients and their families. It demonstrates how they can fight the disease medically as well as support each other emotionally and physically.
Like many British Columbians in 2017, Claudia Cornwall found herself glued to the news about the disastrous wildfires across the province. Her worry was personal: her cabin at Sheridan Lake had been in the family for sixty years and was now in danger of destruction. Cornwall, a long-time writer, was stricken not just by her own experience, but by the many moving stories she came across about the fires—so she began collecting them. She met with people from BC communities of Sheridan Lake, Ashcroft, Cache Creek, 16 Mile House, Lac La Hache, Quesnel, Williams Lake, Hanceville-Riske Creek and Clinton. She hoped to be a conduit for the voices she heard—for those who fought the fires raging around them, those who were evacuated and displaced, and those who could do nothing but watch as their homes burned. She conducted over fifty hours of interviews with ranchers, cottagers, Indigenous residents, RCMP officers, evacuees, store and resort owners, search and rescue volunteers, firefighters and local government officials. Presented in British Columbia in Flames are stories that illustrate the importance of community. During the 2017 wildfires, people looked after strangers who had no place to go. They shared information. They helped each other rescue and shelter animals. They kept stores open day and night to supply gas, food and comfort to evacuees. This memoir, at once journalistic and deeply personal, highlights the strength with which BC communities can and will come together to face a terrifying force of nature.
There is a great deal of rhetoric and no shortage of ideas about sustainable development. However, note Cooper and Vargas (both of the U. of Vermont), there has also been an implementation gap. Saying that implementation is the art of the feasible, they present a feasibility framework for profes
This book tells the story of how the monarchy aimed at creating a new capital city in a remote and forgotten area of the empire. It also shows how the local Creole bourgeoisie rapidly assumed the role of urban developers, and enhanced their economic status by investing in and controlling the Buenos Aires’ property market. In a short period, from 1776 to 1810, the urban transformation of Buenos Aires helped increase the Crown’s revenues and considerably reduced contraband trade. Nevertheless, urban changes generated an internal struggle for power for the control of the city between the Spanish loyalist and the local wealthier Creoles. As this book concludes, for an empire such as the Spanish, which was built upon a network of cities, the Crown’s loss of the control of Buenos Aires’ urban space was a serious threat to its power that foreshadowed Argentina’s wars of independence.
Displays of devout religious faith are very much in evidence in nineteenth-century sentimental novels such as Uncle Tom's Cabin and Little Women, but the precise theological nature of this piety has been little examined. In the first dedicated study of the religious contents of sentimental literature, Claudia Stokes counters the long-standing characterization of sentimental piety as blandly nondescript and demonstrates that these works were in fact groundbreaking, assertive, and highly specific in their theological recommendations and endorsements. The Altar at Home explores the many religious contexts and contents of sentimental literature of the American nineteenth century, from the growth of Methodism in the Second Great Awakening and popular millennialism to the developing theologies of Mormonism and Christian Science. Through analysis of numerous contemporary religious debates, Stokes demonstrates how sentimental writers, rather than offering simple depictions of domesticity, instead manipulated these scenes to advocate for divergent new beliefs and bolster their own religious authority. On the one hand, the comforting rhetoric of domesticity provided a subtle cover for sentimental writers to advance controversial new beliefs, practices, and causes such as Methodism, revivalism, feminist theology, and even the legitimacy of female clergy. On the other hand, sentimentality enabled women writers to bolster and affirm their own suitability for positions of public religious leadership, thereby violating the same domestic enclosure lauded by the texts. The Altar at Home offers a fascinating new historical perspective on the dynamic role sentimental literature played in the development of innumerable new religious movements and practices, many of which remain popular today.
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