A Sea of Love presents 95 letters exchanged between Hamburg and Antebellum USA by the famous Berlin born scholar, encyclopedist, and knowledge broker Francis Lieber (1798-1872) and his wife, Hamburg born Mathilde in 1839-1845. Their letters offer rare insights in the privacy of marriage and family life, self perceptions, notions of surroundings, as well as mental settings of the spouses. Beyond genuine individual phenomena of their Atlantic emotions their epistles show ways and methods of international communication and networking. Their writings reflect general notions and ideas shared by well-educated citizens of an Atlantic Republic of Letters connected by culture, interests, and emotions.
In Hitler's Face Claudia Schmölders reverses the normal protocol of biography: instead of using visual representations as illustrations of a life, she takes visuality as her point of departure to track Adolf Hitler from his first arrival in Munich as a nattily dressed young man to his end in a Berlin bunker—and beyond. Perhaps never before had the image of a political leader been so carefully engineered and manipulated, so broadly disseminated as was Hitler's in a new age of mechanical reproduction. There are no extant photographs of him visiting a concentration camp, or standing next to a corpse, or even with a gun in his hand. If contemporary caricatures spoke to the calamitous thoughts, projects, and actions of the man, officially sanctioned photographs, paintings, sculptures, and film overwhelmingly projected him as an impassioned orator or heroically isolated figure. Schmölders demonstrates how the adulation of Hitler's face stands at the conjunction of one line stretching back to the eighteenth-century belief that character could be read in the contours of the head and another dating back to the late nineteenth-century quest to sanctify German greatness in a gallery of national heroes. In Nazi ideology, nationalism was conjoined to a forceful belief in the determinative power of physiognomy . The mad veneration of the idealized German face in all its various aspects, and the fanatical devotion to Hitler's face in particular, was but one component of a project that also encouraged the ceaseless contemplation of supposedly degenerate "Jewish" physical traits to advance its goals.
Nearly all in translation for the first time, these documents shed special light on Dietrich Bonhoeffer's work from the time of his underground seminary teaching, through his sojourn at New York City, and his return to the church struggle in Germany.
The Nazi conscience is not an oxymoron. In fact, the perpetrators of genocide had a powerful sense of right and wrong, based on civic values that exalted the moral righteousness of the ethnic community and denounced outsiders. Claudia Koonz's latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Her careful reading of the voluminous Nazi writings on race traces the transformation of longtime Nazis' vulgar anti-Semitism into a racial ideology that seemed credible to the vast majority of ordinary Germans who never joined the Nazi Party. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk. From 1933 to 1939, Nazi public culture was saturated with a blend of racial fear and ethnic pride that Koonz calls ethnic fundamentalism. Ordinary Germans were prepared for wartime atrocities by racial concepts widely disseminated in media not perceived as political: academic research, documentary films, mass-market magazines, racial hygiene and art exhibits, slide lectures, textbooks, and humor. By showing how Germans learned to countenance the everyday persecution of fellow citizens labeled as alien, Koonz makes a major contribution to our understanding of the Holocaust. The Nazi Conscience chronicles the chilling saga of a modern state so powerful that it extinguished neighborliness, respect, and, ultimately, compassion for all those banished from the ethnic majority.
How can we, in our times, understand the biblical concept that human beings have been created in the image of an invisible God? This is a perennial but increasingly pressing question that lies at the heart of theological anthropology. Humanity in God's Image: An Interdisciplinary Exploration clarifies the meaning of this concept, traces different Jewish and Christian interpretations of being created in God's image, and reconsiders the significance of the imago Dei in a post-Holocaust context. As normative, counter-factual notions, human dignity and the imago Dei challenge us to see more. Claudia Welz offers an interdisciplinary exploration of theological and ethical 'visions' of the invisible. By analysing poetry and art, Welz exemplifies human self-understanding in the interface between the visual and the linguistic. The content of the imago Dei cannot be defined apart from the image carrier: an embodied creature. Compared to verbal, visual, and mental images, how does this creature as a 'living image' refer to God--like a metaphor, a mimetic mirror, or an elusive trace? Combining hermeneutical and phenomenological perspectives with philosophy of religion and philosophy of language, semiotics, art history, and literary studies, Welz regards the imago Dei as a complex sign that is at once iconic, indexical, and symbolical--pointing beyond itself.
A powerful biography that presents analysis of a black working-class woman who rose from a tenement slum in intensely racialized British Guiana to become a leading anti-colonialism, workers' rights and women's liberation activist in Britain. Jessica Huntley's Pan-African Life celebrates Huntley's importance as a leading figure in the Windrush-era resistance to the multiple, racialized injustices faced by black settlers, children and communities in Britain. Claudia Tomlinson details how Huntley became the elder stateswoman of radical black activism of her era through participation in decolonization movements and actions such as the Black Parents Movement and the International Bookfair of Radical Black and Third World Books, as well as her foundational role at Bogle L'Ouverture Publications, the leading black-led, pan-African publishing house and its associated radical bookshop. Based on extensive archival research and over 40 interviews with Huntley's closest family members, associates, comrades, authors, artists and friends, this book affords readers an opportunity to take a long-lensed view of the historical roots of the many contemporary racial injustices re-invigorated in recent debates. Tomlinson re-writes the history of a period and a struggle often told through a master discourse that is male, middle-class and privileged. In so doing, she shows how Jessica Huntley's fight for justice and the rights of all black people in Britain provides a useful lens into UK-based, black literary and cultural expression in the 20th century.
A family of twentieth-century nobles trying to survive in a medieval castle observed by the castle janitor. Just below the castle, an atomic plant changing the course of little Bergland forever. Schweinstein Castle is never what it seems to be. Schweinstein Castle is the third multimedia novel of journalist and author Claudia Grechi Steiner. Ms. Steiner was born and raised in Brazil, but has been living in Switzerland since 2003.
Grab a cup of hot chocolate and cozy up with this collection of six holiday themed mysteries! HOLIDAY GRIND: A Coffeehouse Mystery by Cleo Coyle When Village Blend manager and head barista Clare Cosi finds a red-suited body in the snow, she adds solving Santa’s slaying to her coffeehouse menu. MRS. JEFFRIES & THE YULETIDE WEDDINGS: A Victorian Mystery by Emily Brightwell The week before Christmas, Inspector Gerald Witherspoon’s staff prepares for the long-awaited wedding of Betsy and Smythe. But an unwelcome surprise falls in his lap: a Yuletide murder. MRS. JEFFRIES & THE FEAST OF ST. STEPHEN: A Victorian Mystery by Emily Brightwell When the host of a Yuletide dinner drops dead before the second course, Mrs. Jeffries and the busy sleuths must rally in support of their overworked Inspector. A CAROL FOR A CORPSE: A Hemlock Falls Mystery by Claudia Bishop To save their inn from a lawsuit, the Quilliam sisters need to prove a skier's death was no accident. But the slope-side slayer has a message for Meg and Quill: You better watch out... YOU BETTER KNOT DIE: A Crochet Mystery by Betty Hechtman When the husband of Molly Pink’s neighbor has gone missing, the crochet fiend gets hooked on unraveling another mystery. FLEECE NAVIDAD: A Knitting Mystery by Maggie Sefton When a librarian is murdered, Kelly Flynn and her knitting crew try to separate the lion from the lambs—before someone else gets fleeced.
The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.
What distinguishes evils from ordinary wrongs? Is hatred a necessarily evil? Are some evils unforgivable? Are there evils we should tolerate? What can make evils hard to recognize? Are evils inevitable? How can we best respond to and live with evils? Claudia Card offers a secular theory of evil that responds to these questions and more. Evils, according to her theory, have two fundamental components. One component is reasonably foreseeable intolerable harm -- harm that makes a life indecent and impossible or that makes a death indecent. The other component is culpable wrongdoing. Atrocities, such as genocides, slavery, war rape, torture, and severe child abuse, are Card's paradigms because in them these key elements are writ large. Atrocities deserve more attention than secular philosophers have so far paid them. They are distinguished from ordinary wrongs not by the psychological states of evildoers but by the seriousness of the harm that is done. Evildoers need not be sadistic:they may simply be negligent or unscrupulous in pursuing their goals. Card's theory represents a compromise between classic utilitarian and stoic alternatives (including Kant's theory of radical evil). Utilitarians tend to reduce evils to their harms; Stoics tend to reduce evils to the wickedness of perpetrators: Card accepts neither reduction. She also responds to Nietzsche's challenges about the worth of the concept of evil, and she uses her theory to argue that evils are more important than merely unjust inequalities. She applies the theory in explorations of war rape and violence against intimates. She also takes up what Primo Levi called "the gray zone", where victims become complicit in perpetrating on others evils that threaten to engulf themselves. While most past accounts of evil have focused on perpetrators, Card begins instead from the position of the victims, but then considers more generally how to respond to -- and live with -- evils, as victims, as perpetrators, and as those who have become both.
Robert Schumann was a unique personality in 19th century music: a celebrated music critic and champion of new composers as well as a talented performer and composer himself, he did much to modernize the literature and performance style for the piano. This book covers the key period of c. 1815-55, exploring how the generation that came after Beethoven was central in reshaping and refining the conception of the concerto style, and particularly the piano concerto. It relates Schumann's own compositional development to his musical environment, recreating the exciting milieu in which Schumann and his contemporaries lived and worked. Written in scholarly, but non-technical language, Robert Schumann and the Development of the Piano Concerto will appeal to college and conservatory teachers and students, as well as music connoisseurs. Also includes 60 musical examples.
In this book Claudia Frank discusses how Melanie Klein began to develop her psychoanalysis of children. Melanie Klein in Berlin: Her First Psychoanalyses of Children offers a detailed comparative analysis of both published and unpublished material from the Melanie Klein Archives. By using previously unpublished studies, Frank demonstrates how Klein enriched the concept of negative transference and laid the basis for the innovations on both technique and theory that eventually led not only to changes in child analysis, but also to changes in the analysis of adults. Frank also uncovers the influence that this had on Klein's later theories of the paranoid-schizoid and depressive positions, and on her understanding of psychotic anxieties. The first seven chapters in the book provide an explanation of the essence of Klein's approach to child psychoanalysis covering topics including: the inevitability and usefulness of negative transference development of play early conscious and unconscious phantasies. Part two provides a translation of Klein's unpublished notes on the treatments of four of the children she analysed in Berlin: 7-year-old Grete, 2-year-old Rita, 7-year-old Inge and 6-year-old Erna. Melanie Klein in Berlin is the first text to make extensive use of Klein's unpublished papers, clinical notes, diaries and manuscripts. It will appeal to anyone involved in child psychoanalysis and the development of Melanie Klein's thinking.
Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballoons" and Trio's "Da Da Da"-and then left as quickly as it came. Conventional wisdom among artists dictates that it's better to burn out than fade away, but this doesn't tell the full story of NDW-the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end. The genre has international influences but still demonstrates a uniquely German desire to build a new, sanitized identity in the aftermath of World War II. Originally quite subversive and underground, NDW became exponentially more mainstream until it could no longer sustain itself creatively. And rather than disappearing, it helped give rise to the post-Cold War rave craze and is still an important touchstone in music history.
Urban development and housing projects in Berlin and Naples in the post-war era – A comparison: Theoretical models, implemented projects, social and political impacts today
Urban development and housing projects in Berlin and Naples in the post-war era – A comparison: Theoretical models, implemented projects, social and political impacts today
In the post-war period, Berlin and Naples experienced a phase of profound changes, essentially influenced by external factors: the less rigid urban structure which had been ruined by World War II, resulting in severe changes in the social and economic structure, an uncritical reception and implementation of largely theoretical models of functionalism in urban planning, and in the design of the new public building interventions. On the one hand, between the 1940s and the 1980s, Berlin experienced a considerable loss in population, a political isolation and an urban splitting, as the urban planning institutions, deeply influenced by relevant politics, slowly and thoroughly changed the cityscape. On the other hand, Naples suffered from a new phase of immigration as well as from the parallel densification of the old suburbs and the physical expansion of the city limits without consistent and socially appropriate urban planning measures. This phase of change, so full of contrasts, coincided with the establishment of new democratic systems in the Federal Republic of Germany and Italy, and with the fundamental goal of socially adequate housing in both the West and the East. The research involved a series of historical analyses of the relationship between urban development and social housing for critical reflection and to allow an informed evaluation of the contemporary condition. In particular, it investigated housing settlements realised in Berlin and Naples in the first four decades of the post-war period, which corresponds to the period in which public housing was central in both political and urban planning terms. The book focuses on places of living, the city and the house. Consequently, it investigates the scale of the project and that of the intervention, the relationship between innovation and the cultural reception of urban phenomena and, again, between the stage of the project and the realisation and upkeep of the interventions, between democratic expectations and the adequacy of the administration system. These steps have a direct effect on the social identity that inspires, structures and transforms the planned and then built city, that continuous dialogue between form and content (the past) that occurs, in general, through progressive and mutual adaptations. In the selection of the case studies, we have favoured interventions on the “periphery,” which are those in which theoretical and aesthetic trends have best manifested themselves and in which planning and design cultures could develop most widely. However, the periphery does not necessarily coincide with the geographical edges of the cities: both in Berlin and in Naples, historical events, or the particular topography have naturally shifted the “peripheral” location along a radius that only ideally starts from the city centre and often extends to its inner fringes. Rather, from a sociological point of view, the same interventions generally generate the peripheral condition, that is, marginalisation or social division. This, as we shall see, can be traced both on the large scale of the city and inside the neighbourhood. The materials are arranged in the following way: the text is introduced by a graphic and synthetic presentation of the historical context in Berlin and Naples and the documentation of the twelve case studies. In the second chapter, Comparison, which was mostly developed as the first by the young scholars involved in the project, three theoretical issues highlighted during the seminars are better presented: The ability of the project to involve the social level; the experimentalism of the interventions, in particular in construction technology, social approach and democratic participation; the relationship between public and private in the phases of implementation and the upkeep of the programmes. The third chapter, In-Depth Analysis, includes the contributions of the scientists involved to give a better articulated historical and critical analysis of many of selected case studies and of the wider urban and social context. The closing editorial paper offers a brief overview focusing on a selection of the theoretical nodes that emerged from the comparison of the materials from a contemporary perspective. The publication is the outcome of the homonymous research programme fully funded by DAAD German Academic Exchange Service and runned in 2019 in cooperation between the Technische Universität of Berlin, Department of Architecture (Habitat Unit) with the Università della Campania "Luigi Vanvitelli," Dipartimento di Architettura e Disegno Industriale in Aversa (Italy). In der Nachkriegszeit erlebten Berlin und Neapel eine Phase tiefgehender Veränderungen, die im Wesentlichen von externen Faktoren beeinflusst wurde: der aufgelockerten, infolge des Zweiten Weltkriegs ruinierten Stadtform, der starken Veränderung der sozialen und wirtschaftlichen Struktur, der unkritischen Rezeption und Implementierung von stark theoretisch geprägten Modellen des Funktionalismus in der Stadtplanung sowie in der Gestaltung der neuen öffentlichen Bauinterventionen. Auf der einen Seite erlebt Berlin zwischen den 40er und den 80er Jahren einen starken Bevölkerungsverlust, eine politische Isolierung und eine urbane Aufspaltung, indem eine stark politisch beeinflusste Stadtplanung das Stadtbild tief verändert. Auf der anderen Seite leidet Neapel unter einer neuen Einwanderungsphase sowie der parallelen Verdichtung der alten Vorstädte und der physischen Erweiterung der Stadtgrenze, ohne dass konsequente und sozial gemäße stadtplanerische Maßnahmen vorgenommen wurden. Diese kontrastreiche Umbruchsphase stimmt überein mit der Etablierung der neuen demokratischen Regierungssysteme in der Bundesrepublik Deutschland wie auch in Italien und damit mit dem für beide - und im Westen wie im Osten - grundlegenden Ziel des sozial gerechten Wohnens. Das Forschungsvorhaben beinhaltete eine Reihe von historischen Analysen der Beziehung zwischen Stadtentwicklung und sozialem Wohnungsbau zum Zweck der kritischen Reflexion und um eine fundierte Bewertung der jeweiligen zeitgenössischen Bedingungen zu ermöglichen. Insbesondere wurden Wohnsiedlungen untersucht, die in Berlin wie in Neapel in den ersten vier Jahrzehnten nach dem Zweiten Weltkrieg errichtet wurden, d.h. in eben dem Zeitraum, in dem öffentlicher Wohnungsbau sowohl unter politischen wie auch unter stadtplanerischen Aspekten zentral war. Das Buch konzentriert sich auf Lebensräume, die Stadt und das Haus. Folglich untersucht es das Ausmaß des Projekts wie das der Intervention, die Beziehung zwischen Innovation und kultureller Rezeption städtischer Phänomene wie auch zwischen dem jeweiligen Stadium des Projekts und der Umsetzung und Aufrechterhaltung der Interventionen und schließlich zwischen den demokratischen Erwartungen und der Leistungsfähigkeit des Verwaltungssystems. Diese Schritte haben direkte Auswirkungen auf die soziale Identität, welche die zunächst geplante und dann gebaute Stadt inspiriert, strukturiert und transformiert, d.h. diesen ständigen Dialog zwischen Form und Inhalt (die Vergangenheit), der im Allgemeinen durch fortschreitende und gegenseitige Anpassungen abläuft. Bei der Auswahl der Fallstudien haben wir Interventionen in der "Perpherie" bevorzugt, da sie es sind, in denen sich theoretische und ästhetische Trends am deutlichsten abzeichnen und in denen sich Kulturen der Planung und des Designs am weitesten entwickeln könnten. Die Peripherie fällt jedoch nicht unbedingt zusammen mit den geografischen Rändern der Städte: sowohl in Berlin wie in Neapel haben historische Ereignisse oder auch die jeweilige Topografie naturgemäß die "periphere" Lage entlang einem Radius verschoben, der nur im Idealfall vom Stadtzentrum ausgeht und sich oft bis an seine Ränder erstreckt. Von einer soziologischen Perspektive aus ist es eher so, dass im Allgemeinen die gleichen Interventionen zu einer peripheren Situation führen. d.h. zu Marginalisierung oder sozialer Aufspaltung. Wie wir sehen werden, gilt dies sowohl im größeren Rahmen für die Stadt wie auch innerhalb eines Stadtviertels. Die Materialien sind folgendermaßen angeordnet: Der Text wird eingeführt durch eine grafische und zusammenfassende Präsentation der historischen Zusammenhänge in Berlin und Neapel und eine Dokumentation zu den zwölf Fallstudien. Im zweiten Kapitel – "Vergleich/Comparison" – , das ursprünglich als erstes Kapitel von den jüngeren Forschern, die am Projekt teilnahmen, entwickelt wurde, werden drei Fragen, die während der Seminare im Mittelpunkt standen, genauer vorgestellt: die Eignung des Projekts dafür, die soziale Ebene mit einzubeziehen; der experimentelle Charakter der Interventionen, insbesondere in der Bautechnologie, im sozialen Ansatz und in der demokratischen Teilhabe; die Beziehung zwischen öffentlichem und privatem Engagement in der Phase der Umsetzung wie der Aufrechterhaltung der Programme. Das dritte Kapitel – "Eingehende Analyse/In-Depth-Analyses" – besteht aus den Beiträgen der beteiligten Wissenschaftler, um so eine klarere historische und kritische Analyse von etlichen der ausgewählten Fallstudien und der weiterreichenden städtischen und sozialen Zusammenhänge zu gewährleisten. Der abschließende Kommentarteil bietet einen kurzen Überblick, der den Schwerpunkt auf eine Auswahl von theoretischen Verknüpfungen legt, die sich aus dem Vergleich der Materialien aus zeitgenössischen Perspektive ergeben. Die Veröffentlichung ist das Ergebnis des gleichnamigen Forschungsprogramms, das vollständig vom DAAD (Deutscher Akademischer Austauschdienst) finanziert wurde und 2019 in einer Zusammenarbeit der Architektur-Fakultät (Habitat Unit) der Technischen Universität Berlin mit dem Dipartmento di Architettura e Disegno Industriale der Università della Campania "Luigi Vanvitelli" in Aversa (Italien) durchgeführt wurde. Nel secondo dopoguerra Berlino e Napoli vivono una fase di profondo cambiamento che è condizionato in maniera preponderante da fattori esterni: la parziale disgregazione della forma urbana causata dei bombardamenti bellici, il cambiamento della struttura socio-economica, il recepimento delle teorie funzionaliste nella pianificazione urbana e nella progettazione dei nuovi interventi di edilizia residenziale pubblica. Per un verso, tra gli anni quaranta e gli anni ottanta, Berlino rileva una pesante contrazione demografica, l'isolamento politico, la separazione interna del Muro, gli effetti di una pianificazione urbana fortemente influenzata dal sdoppiato piano politico che deriva dalla fondazione nel 1949 dei due stati tedeschi, la GDR e la DDR. Per altro verso, Napoli osserva una nuova fase di immigrazione che si aggiunge alla naturale crescita demografica del primo dopoguerra, lo sviluppo urbano dei sobborghi e dei principali centri dell’entroterra costiero, l'espansione fisica ma non amministrativa dei confini della città, l’inadeguatezza ed il costante ritardo del piano amministrativo-urbanistico nella gestione dei fenomeni sociali ed urbani. Si tratta in pratica di una fase carica di contrasti che coincide con l'instaurazione delle nuove repubbliche liberali in Germania ed Italia, e con la definitiva affermazione della questione abitativa e della residenza popolare che assurge, in ambito socialista, al rango di elemento funzionale alla stessa costruzione statale. Lo studio indaga la relazione tra sviluppo urbano ed edilizia residenziale pubblica e si propone come strumento per la riflessione critica e per la valutazione informata della condizione contemporanea. Le indagini e le valutazioni storiche che esso raccoglie si concentrano sugli interventi realizzati a Berlino e a Napoli nei primi quarant’anni del dopoguerra, ovvero nel periodo in cui la questione abitativa diviene urgente e centrale per vari ordini di motivi sia in termini politici che urbanistici. Lo sguardo si concentra sui luoghi dell'abitare, la città e la casa; indaga e confronta la scala teorica e quella reale, il rapporto tra innovazione e recezione culturale; confronta i piani del progetto, della costruzione e della successiva manutenzione degli interventi residenziali, tra le aspettative democratiche e l'adeguatezza del sistema amministrativo nel gestirli. Si tratta di passaggi che hanno un effetto diretto sull'identità sociale che, di risposta, ispira e struttura la nuova città attraverso un dialogo tra forma e contenuto (il passato) che procede per progressivi e reciproci adattamenti. Nella selezione dei casi studio sono stati privilegiati interventi di "periferia", ovvero quelli in cui le culture della pianificazione e del progetto, e le tendenze teoriche ed estetiche si sono potute manifestare nella maniera più completa. Come si vedrà, tuttavia, la periferia non coincide necessariamente con i margini geografici delle città: sia a Berlino che a Napoli gli eventi storici o la particolare topografia hanno dislocato la condizione "periferica" lungo un raggio che solo idealmente conduce dal centro della città. Da un punto di vista sociologico, e per la coincidenza di diversi fattori, inoltre, gli stessi interventi residenziali generano al loro interno la condizione periferica che si manifesta generalmente in degrado degli spazi comuni, mancanza di prossimità, emarginazione sociale. I materiali del testo sono organizzati in tre parti: nel primo capitolo Documentation si introduce al contesto storico, amministrativo ed urbanistico e si presentano schematicamente e secondo un criterio uniforme i dodici casi studio selezionati; nel secondo capitolo Comparison, che, come il primo, è stato redatto dai giovani ricercatori coinvolti nel progetto di ricerca, vengono meglio presentate tre questioni teoriche emerse nel corso dei laboratori: la capacità del progetto di coinvolgere il piano sociale; lo sperimentalismo degli interventi, in particolare per tecnologia costruttiva, approccio sociale e partecipazione democratica; il rapporto tra il piano amministrativo-pubblico ed il piano civico-privato nelle fasi di realizzazione e mantenimento dei programmi residenziali. Il terzo capitolo, In-Depth-Analysis, raccoglie i contributi degli studiosi coinvolti per fornire un'analisi storica e critica articolata dei casi di studio selezionati e del più ampio contesto urbano e sociale. Infine, le conclusioni raccolgono e presentano i principali nodi teorici emersi nel corso della ricerca in una prospettiva aperta alla condizione contemporanea. La pubblicazione restituisce e meglio sviluppa sul piano documentale e critico i materiali raccolti nel corso dei due laboratori tenuti nel 2019 presso la Technische Universität di Berlino, Dipartimento di Urbanistica e Sviluppo urbano sostenibile “Habitat Unit,” e l’Università della Campania "Luigi Vanvitelli," Dipartimento di Architettura e Disegno Industriale di Aversa, nell’ambito dell’omonimo progetto di ricerca finanziato dal DAAD (Servizio Tedesco per lo Scambio Accademico).
The book examines the nexus between political and religious thought within the Prussian old conservative milieu. It presents early-nineteenth-century Prussian conservatism as a phenomenon connected to a specific generation of young Prussians. The book introduces the ecclesial-political ‘party of the Evangelische Kirchenzeitung’ (EKZ), a religious party within the Prussian state church, as the origins of Prussia’s conservative party post-1848. It traces the roots of the EKZ party back to the experiences of the Napoleonic Wars (1806-15) and the social movements dominant at that time. Additionally, the book analyses this generation’s increasing politicization and presents the German revolution of 1848 and the foundation of Prussia’s first conservative party as the result of a decade-long struggle for a religiously-motivated ideal of church, state, and society. The overall shift from church politics to state politics is key to understanding conservative policy post-1848. Consequently, this book shows how conservatives aimed to maintain Prussia’s character as a Christian and monarchical state, while at the same time adapting to contemporary political and social circumstances. Therefore, the book is a must-read for researchers, scholars, and students of Political Science and History interested in a better understanding of the origins and the evolution of Prussian conservatism, as well as the history of political thought.
At the height of the Cold War, art produced in divided Germany contested the cultural demarcation of East and West. Here Claudia Mesch shows how a wide group of artists struggled to take visual art beyond the crude separations of the 'Iron Curtain', and to transcend the first global cultural divide of the twentieth century. Artists in Berlin produced artworks-including painting, performance and film-that engaged critically with imposed national and global identities, and with issues of memory and trauma. 'Around the Berlin Wall' presents a new picture of the Cold War border between East and West as a dynamic and international cultural space, and is essential for all those interested in art history, modernism, the Cold War and the cultural history of the twentieth century.
She also examines the changing significance of skin through brilliant analyses of art, philosophy, and anatomical drawings and writings, as well as Germanic, American, and African American literature. Benthien discusses the semantic and psychic aspects of touching, feeling, and intellectual perception; the motifs of perforated, armored, or transparent skin; and much more through close readings of such authors as Kleist, Buchner, Hawthorne, Balzac, Rilke, Kafka, Plath, Morrison, Wideman, and Ondaatje.
This book presents the first collection of the earliest West Germanic bridal-quest narratives together with a comparative study of them. In contrast to earlier studies, the author locates the origin of this narrative tradition in the oral and written Germanic literary tradition, a result that leads to a re-assessment of the genesis of vernacular German and Scandinavian literature. The chapters deal in chronological order with the Latin chronicles of the Germanic peoples and with the early Latin and vernacular literature in Germany and Scandinavia.
According to postmodern scholars, subjects are defined only through their relationship to institutions and social norms. But if we are only political people insofar as we are subjects of existing power relations, there is little hope of political transformation. To instigate change, we need to draw on collective power, but appealing to a particular type of subject, whether "working class," "black," or "women," will always be exclusionary. This issue is a particular problem for feminist scholars, who are frequently criticized for assuming that they can make broad claims for all women, while failing to acknowledge their own exclusive and powerful position (mostly white, Western, and bourgeois). Recent work in political and feminist thought has suggested that we can get around these paradoxes by wishing away the idea of political subjects entirely or else thinking of political identities as constantly shifting. In this book, Claudia Leeb argues that these are both failed ideas. She instead suggests a novel idea of a subject in outline. Over the course of the book Leeb grounds this concept in work by Adorno, Lacan, and Marx - the very theorists who are often seen as denying the agency of the subject. Leeb also proposes that power structures that create political subjects are never all-powerful. While she rejects the idea of political autonomy, she shows that there is always a moment in which subjects can contest the power relations that define them.
This book provides a holistic and accessible approach to sustainable fashion management. It offers an interdisciplinary and practical outlook, combining theory with practical application from a management perspective and underpinned by the Sustainable Development Goals throughout. The book helps students to gain a better understanding of what sustainable fashion is and how it is implemented across the fashion industry, through business model innovations, innovative designs, new technology and digital approaches, and material innovations. Global case studies are employed throughout each chapter, including fashion companies and events of all sizes, alongside other pedagogical features to aid learning, including key learning points, chapter objectives, and textboxes explaining key terminology. This is an essential textbook for those investigating sustainable fashion, whether from a design or management perspective, providing the knowledge and tools for a future career. It is designed to serve Fashion Business and Management, Fashion Marketing, Fashion Buying and Merchandising and Fashion Technology courses, at all levels, and will also be valuable reading for those already working within the fashion industry and studying for professional qualifications. Online resources include chapter-by-chapter PowerPoint slides and a test bank.
This edited volume is scientifically based, but readable for a larger audience, covering the concept of "embodied cognition" and its implications from a transdisciplinary angle. The contributions are from the fields of psychology, computer science, biology, philosophy, and psychiatry. First, the roots of embodiment are described with historical, computer-science, and phenomenological viewpoints. It is argued that embodied cognition is relevant for the discussion of intentionality, with a particular focus on underlying neural processes as well as the context of synergetics and self-organization theory. As cognition is socially embedded, a large section of this book concentrates on "embodied communication": How does embodiment influence the way to approach others, what role do body movements play in social interaction, what is the function of nonverbal synchrony in interpersonal relationships and psychotherapy? Embodied cognitive agents are further embedded in particular cultural and environmental contexts. This book thus addresses the active role that cultural and environmental aspects play in driving cognition. Some applications of embodiment, e.g. to psychotherapy and aesthetics are also presented.
It is a challenge to talk about values and a provocation to call them "valid". But it is necessary when human dignity is at stake. Freedom, love, truth and life determine and protect this dignity. The highest value is life; when it is threatened, one loses the experience of dignity. Mere autonomy going beyond value-oriented freedom can threaten life, physically and psychologically. If we do not respect our livelihoods, we threaten them. Genuine love of one's neighbour prevents tolerance from turning into populist, intolerant ideologies. Dignity as the standard for our coexistence gives rise to hope. Therefore, this book invites us to think, feel and act responsibly for a life in fullness (John 10:10).
Focus Group Practice is unique in providing a picture of focus group moderation and interaction that is based on the study of what actually happens in high-class market research focus groups and in using recent theories of interaction, for example discourse and conversation analyses, to throw light on the practice of moderation. It is written in clear, engaging and non-technical manner and richly illustrated by examples from focus groups in a wide range of different contexts. New moderators will find the basic elements of focus groups described and explained, and experienced moderators will find new ways of understanding what they do which will help them to develop their skills. Focus Groups moderation is understood in terms of the cutting edge theories of interaction. It concentrates on the basic and subtle processes through which moderators elicit opinions, manage disagreements, and generate a range of views. How are participants encouraged to be animated and involved, and how are the arguments and anecdotes discouraged? How are responses guided to in the required direction? This book addresses these pertinent questions. Above all, how does a moderator keep participants focused? This unique book will be essential reading for all involved in focus group practice. It is accessible to broad readership, including undergraduate students.
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
This special bundle is your essential guide to all things concerning Canada’s polar regions, which make up the majority of Canada’s territory but are places most of us will never visit. The Arctic has played a key role in Canada’s history and in the history of the indigenous peoples of this land, and the area will only become more strategically and economically important in the future. This bundle provides an in-depth crash course, including titles on Arctic exploration (Arctic Obsession), Native issues (Arctic Twilight), sovereignty (In the Shadow of the Pole), adventure and survival (Death Wins in the Arctic), and military issues (Arctic Front). Let this collection be your guide to the far reaches of this country. Arctic Front Arctic Naturalist Arctic Obsession Arctic Revolution Arctic Twilight Death Wins in the Arctic In the Shadow of the Pole Pike’s Portage Voices From the Odeyak
The early years of the seventeenth century saw a great flourishing of Dutch culture. In the arts, this was the era of Vermeer and Rembrandt, as well as the development of a local art market. Commerce extended around the world, with state-sponsored trading companies importing foreign goods. Politically, the Netherlands became the first nation-state in Europe, in 1648. In this book, Claudia Swan considers all these aspects together, examining the material culture of the period-the designed, manufactured, and hand-crafted materials and wares-to show how the Dutch encounter with so-called "exotic" goods played a fundamental role in the country's political formation"--
In the past decade, Berlin has become the construction site of a new Reichstag, image of the German democracy, of futuristic buildings and incredible museums like the Pergamon or the Charlotteburg. Mythical sites such as the Alexanderplatz, the Unter den Linden, the arch of Brandeburg, the favourite esplanades of the Berliners, the Kurfürstendamm, breathe a new life and are illuminated once a year for the joyful celebration of the Love Parade. For these festivities, young people from all over the world come to express their passion for the city that has now become a symbol of joy and love. “Ich bin ein Berliner” were the words pronounced by JFK in the 1960s. After visiting Berlin, we can pronounce these memorable words without an ounce of shame.
We cannot help but be fascinated by the emotions that we see in ourselves and others: an absorbing book exploring the extraordinary feelings which make us human, from a rising media star.
The Aesthetics of Loss is a cultural history of German women's art of the First World War that locates the artists' rich visual testimony in the context of the civilian experience of war and wartime loss. Drawing on a fascinating body of visual sources produced throughout the war years, Claudia Siebrecht examines the thematic evolution of women's art from expressions of support for the war effort to more nuanced and ambivalent testimonies of loss and grief. Many of the images are stark woodcuts, linocuts, and lithographs of great iconographical power that acted as narrative tools to deal with the novel, unsettling, and often traumatic experience of war. German female artists developed a unique aesthetic response to the conflict that both expressed emotional distress and allowed them to re-imagine the place of mourning women in wartime society. Historical codes of wartime behaviour and traditional rites of public mourning led female artists to redefine cultural practices of bereavement, question existing notions of heroic death and proud bereavement through art, and to place grief at the centre of women's war experiences. As a cultural, aesthetic, and thematic point of reference, German women's art of the First World War has had a fundamental influence on the European memory and understanding of modern war.
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