*INSTANT NATIONAL BESTSELLER* *Finalist for the 2024 Carol Shields Prize for Fiction* *A Globe and Mail Best Book of the Year* Named a Most Anticipated Book at The New York Times, The Globe and Mail, Elle Magazine, Literary Hub, The Millions, and the CBC. “[A] darkly glittering tale. We are inside a howl.” —The New York Times Book Review A searing and hypnotic tour de force about a woman, long caught in her charismatic father's web, who strives to make a life—and art—of her own. To be loved by your father is to be loved by God. So says Mona Dean--playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and fledgling artist, he begins a new affair and takes her into his confidence. Mona delights--painfully, parasitically--in his attention. When he inevitably confesses to his wife, Mona is cast as the agent of disruption, punished for her father's crimes and ejected from the family. Mona’s tenuous stability is thrown into chaos. Only when she suffers an incalculable loss—one far deeper and more defining than family entanglements—can she begin supplanting absent love with real love. Pushed to the precipice, she must decide how she wants to live, what she most needs to say, and the risks she will take to say it. Claudia Dey chronicles our most intimate lives with penetrating insight and devilish humour. A novel as volatile and far-reaching as its title, Daughter is an obsessive, blazing examination of the forces that drive us to become, to create and to break free.
The love between a daughter and her mother—and the dark secrets they keep from each other—are at the heart of this wildly imaginative novel that combines elements of The Handmaid’s Tale, Stranger Things, and Twin Peaks. “I love Heartbreaker’s outlandishness, its sizzling energy—the bright, fierce music in every sentence.”—Leni Zumas, author of Red Clocks It’s 1985. Pony Darlene Fontaine has lived all her fifteen years in “the territory,” a settlement founded decades ago by a charismatic cult leader. In this strange town run on a sinister economic resource, the women crimp their hair and wear shoulder pads, and the teenagers listen to Nazareth and Whitesnake on their Walkmans. Pony’s family lives in the bungalow at the farthest edge of town, where the territory borders the rest of the wider world—a place none of the townspeople have ever been. Except for Billie Jean Fontaine, Pony’s mother. When Billie Jean arrived in the territory seventeen years prior—falling from the open door of a stolen car—the residents took her in and made her one of their own. She was the first outsider they had ever laid eyes on. Pony adores and idolizes her mother, but like everyone else in the territory she is mystified by her. Billie Jean refuses to describe the world she came from. One night, Billie Jean grabs her truck keys, bolts barefoot into the cold October darkness—and vanishes. Beautiful, beloved, and secretive, Billie Jean was the first person to be welcomed into the territory. Now, with a frantic search under way for her missing mother, Pony fears: Will she be the first person to leave it too? Told from the three unforgettable perspectives of a daughter, a killer dog, and a teenage boy named Supernatural, this novel is startling in its humor and wrenching in its wisdom about the powers, limits, and dangers of love. Heartbreaker is an electrifying page-turner about a woman reinventing herself in order to survive—and a daughter who must race against the clock to untangle the mysteries left in her mother’s wake. Praise for Heartbreaker “A fierce exploration of memory and zeitgeist . . . Heartbreaker is a darkly comedic weirdo of a book that pulls the string of nostalgia from one side while unraveling it from the other.”—The Paris Review “This is a book like no other. It’s eerie, it's cult-y, it's so very exciting, and I never wanted it to end.”—Buzzfeed, Best Books of Fall 2018 “Claudia Dey renders 1985 in perfectly crimped, shoulder-padded detail. . . . Come for the Shyamalanian premise. Stay for the hard-rock soundtrack.”—Chicago Tribune
‘Devastating and wickedly funny ... I loved it’ Sophie Mackintosh’ ‘A dark star of a book’ Lauren Groff ‘I loved its every page’ Sheila Heti It’s 1985 in The Territory and it always will be.
The love between a daughter and her mother—and the dark secrets they keep from each other—are at the heart of this wildly imaginative novel that combines elements of The Handmaid’s Tale, Stranger Things, and Twin Peaks. “I love Heartbreaker’s outlandishness, its sizzling energy—the bright, fierce music in every sentence.”—Leni Zumas, author of Red Clocks It’s 1985. Pony Darlene Fontaine has lived all her fifteen years in “the territory,” a settlement founded decades ago by a charismatic cult leader. In this strange town run on a sinister economic resource, the women crimp their hair and wear shoulder pads, and the teenagers listen to Nazareth and Whitesnake on their Walkmans. Pony’s family lives in the bungalow at the farthest edge of town, where the territory borders the rest of the wider world—a place none of the townspeople have ever been. Except for Billie Jean Fontaine, Pony’s mother. When Billie Jean arrived in the territory seventeen years prior—falling from the open door of a stolen car—the residents took her in and made her one of their own. She was the first outsider they had ever laid eyes on. Pony adores and idolizes her mother, but like everyone else in the territory she is mystified by her. Billie Jean refuses to describe the world she came from. One night, Billie Jean grabs her truck keys, bolts barefoot into the cold October darkness—and vanishes. Beautiful, beloved, and secretive, Billie Jean was the first person to be welcomed into the territory. Now, with a frantic search under way for her missing mother, Pony fears: Will she be the first person to leave it too? Told from the three unforgettable perspectives of a daughter, a killer dog, and a teenage boy named Supernatural, this novel is startling in its humor and wrenching in its wisdom about the powers, limits, and dangers of love. Heartbreaker is an electrifying page-turner about a woman reinventing herself in order to survive—and a daughter who must race against the clock to untangle the mysteries left in her mother’s wake. Praise for Heartbreaker “A fierce exploration of memory and zeitgeist . . . Heartbreaker is a darkly comedic weirdo of a book that pulls the string of nostalgia from one side while unraveling it from the other.”—The Paris Review “This is a book like no other. It’s eerie, it's cult-y, it's so very exciting, and I never wanted it to end.”—Buzzfeed, Best Books of Fall 2018 “Claudia Dey renders 1985 in perfectly crimped, shoulder-padded detail. . . . Come for the Shyamalanian premise. Stay for the hard-rock soundtrack.”—Chicago Tribune
Eugenia Ledoux wakes one morning to a note on the kitchen table: "Gone to save the world. Sorry. Yours, Sheb Woolly Ledoux. Asshole." Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he'll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata. After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way. Stunt is the first novel by one of Canada's most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey's words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.
*INSTANT NATIONAL BESTSELLER* *Finalist for the 2024 Carol Shields Prize for Fiction* *A Globe and Mail Best Book of the Year* Named a Most Anticipated Book at The New York Times, The Globe and Mail, Elle Magazine, Literary Hub, The Millions, and the CBC. “[A] darkly glittering tale. We are inside a howl.” —The New York Times Book Review A searing and hypnotic tour de force about a woman, long caught in her charismatic father's web, who strives to make a life—and art—of her own. To be loved by your father is to be loved by God. So says Mona Dean--playwright, actress and daughter to a man famous for one great novel, and in fruitless pursuit of the next, whose needs and insecurities exert an inescapable pull and exact an immeasurable toll on the women of his family: Mona, her sister, her half-sister, their mothers. His infidelity destroyed Mona's childhood, setting her in opposition to a cold, cruel stepmother who, though equally damaged, disdains her for being broken. Then, just as Mona is settling into her life as an adult and fledgling artist, he begins a new affair and takes her into his confidence. Mona delights--painfully, parasitically--in his attention. When he inevitably confesses to his wife, Mona is cast as the agent of disruption, punished for her father's crimes and ejected from the family. Mona’s tenuous stability is thrown into chaos. Only when she suffers an incalculable loss—one far deeper and more defining than family entanglements—can she begin supplanting absent love with real love. Pushed to the precipice, she must decide how she wants to live, what she most needs to say, and the risks she will take to say it. Claudia Dey chronicles our most intimate lives with penetrating insight and devilish humour. A novel as volatile and far-reaching as its title, Daughter is an obsessive, blazing examination of the forces that drive us to become, to create and to break free.
Eugenia Ledoux wakes one morning to a note on the kitchen table: "Gone to save the world. Sorry. Yours, Sheb Woolly Ledoux. Asshole." Eugenia is nine years old, a synaesthesiac and a tightrope walker. She adores her father and his lunatic charms; she loves that he takes her fishing in the middle of the night and calls her Stunt. Sheb has always promised he'll one day take her to the moonscape of northern Ontario, where astronauts train; instead he writes a note, blows up a shoulder-pad factory, and leaves. His heartbroken daughter is left behind with her mother, the sharp-edged former ingenue Mink, and her sister, the death-obsessed and hauntingly beautiful Immaculata. After a fake funeral for Sheb, Mink vanishes too. Eugenia and Immaculata, left alone, double in age overnight. Immaculata becomes a swan-like giantess, and soon finds her calling caring for Leopold, a diseased and irresistible malcontent down the street. Eugenia, however, stays the same: dark and diminutive, and bereft. She finds herself a bicycle and sets off to track down her father, encountering an astronaut and a waitress named Cupid along the way. Stunt is the first novel by one of Canada's most acclaimed playwrights. Like synaesthetic Eugenia, your senses will be addled as Dey's words take on colours, tastes, and smells, somehow coming to mean more than you thought they did; they depict, with compassionate hilarity and luminous heartbreak, the love between a girl and her father.
This book thoroughly explores the characteristics and importance of bank CEOs against the backdrop of growing awareness of the social implications of CEO behavior for the performance and stability of the financial and economic system. After an introductory section on the relevance of CEOs in the banking industry, the connections between the bank CEO labor market, contractual incentives, and compensation structures are examined. The focus then turns to empirical findings concerning the impact that bank CEO compensation has on various firm-level outcomes, such as bank performance and strategies. In addition, the relation between CEO turnover and changes in compensation policies since the financial crisis is discussed. A concluding section presents some fresh empirical evidence deriving from an up-to-date database of traits of CEOs operating in the largest European banks. For PhD students and academics, the surveys offer detailed roadmaps on the empirical research landscape and provide suggestions for future work. The writing style ensures that the content will be readily accessible to all industry practitioners.
Every other Thursday on Santa Monica Boulevard’s Comedy Central Stage, a motley assortment of prolific Hollywood writers, actors, and comics convene to reveal the most personal—and colorful—parts of their lives. Their soul-baring monologues reveal the sources of their creative genius, from wacky families, to psycho exes, random ramblings, and unbelievable Hollywood insights. This hilarious collection, featuring a foreword by Arrested Development's Mitch Hurwitz and Jim Vallely, includes some of their best confessions. It provides an inside scoop on Hollywood, including stories on mishaps at the Emmys, writing for popular shows, being put in a sleeper hold by Hulk Hogan, growing up in famous families, and what it’s like to play Jan Brady. Funny, embarrassing, or dirty (or a combination thereof), but always brutally honest, Dirty Laundry shines a voyeuristic light on the underbellies of the people who have sold their souls to the entertainment biz. Authors include Maggie Rowe, Andersen Gabrych, Doug Benson, Kevin Nealon, Richard Belzer, Amy Stiller, Laura Silverman, Mary Birdsong, Taylor Negron, Randy Sklar, Kelly Carlin-McCall, Jennifer Elise Cox, Tom Saunders, Eileen Conn, Carlos Kotkin, Eddie Pepitone, Mark Evan Jackson, C. Brian Smith, Davis McHenry, Matt Price, David Landsberg, David Chrisman, Keith Blaney, Andrea Abbate, Jonathan Schmock, Jen Sincero, Claudia Lonow, Jackie Kashian, Shaz Bennet, B. Mark Seabrooks, Stirling Gardner, and Drew Droege.
Newlyweds Mikayla and Jesse Daulton are living a fairytale life. Jesse is a retired United States Army Ranger working as a flight medic on a rescue helicopter, while Mikayla runs a small advertising business out of their home. Although they are madly in love, there is one thing missing from their private paradise: a child of their own. Jesse, who is as noble as his profession, is determined to give his wife the desires of her heart. After being suspended from his job for not following protocol, he makes a life-altering decision that will unwittingly place both his and Mikaylas lives in jeopardy. Love Leads the Way is a poignant story of love and devotion between an Army soldier and his wife as they embark on an unforgettable journey together that teaches the true meaning of family, heroism, and sacrifice. Praise for Love Leaves No One Behind You cannot just read this book and walk away untouched emotionally in some way. William Rev Bill McDonald Jr., author, poet, motivational speaker, and film consultant
With a masterful ability to connect their social contexts to well-chosen and telling details of their personal lives, Claudia Roth Pierpont gives us portraits of twelve amazingly diverse and influential literary women of the twentieth century, women who remade themselves and the world through their art. Gertrude Stein, Mae West, Margaret Mitchell, Eudora Welty, Ayn Rand, Doris Lessing, Anais Nin, Zora Neale Hurston, Marina Tsvetaeva, Hannah Arendt and Mary Mccarthy, and Olive Schreiner: Pierpont is clear-eyed in her examination of each member of this varied group, connectng her subjects firmly to the issues of sexual freedom, race, and politics that bound them to their times, even as she exposes the roots of their uniqueness. "Pierpont['s] graceful essays are at once erudite and personal in their focus." ?The Boston Globe "One of the most ceaselessly interesting books I've read in some time." ?Lorrie Moore, The New York Review of Books
Embark on a journey through the vibrant tapestry of the Caribbean with this collection of stories from Hodder Education's 'Island Voices: Caribbean Contemporary Short Story Prize.' This volume showcases the winning authors and captures the essence of Caribbean storytelling, reflecting its rich cultural perspectives and diverse voices. These tales transcend entertainment, shedding light on societal nuances and driving change. As one captivated reader remarked, 'The stories in the Caribbean Contemporary Classics Collection transported me, making me feel the heartbeat of the islands.' Dive into these pages and discover the transformative power of storytelling as these prize-winning authors make their mark on the global literary stage.
This title was first published in 2001. Employing a black feminist standpoint, Claudia Bernard offers an in-depth study of black mothers’ responses to the abuse of their children and of the factors which shape their reactions and help-seeking behaviour.
The second set of The Encyclopedia of Cosmology, in three volumes, continues this major, long-lasting, seminal reference at the graduate student level laid out by the most prominent researchers in the general field of cosmology. Together, these volumes will be a comprehensive review of the most important current topics in cosmology, discussing the important concepts and current status in each field, covering both theory and observation.These three volumes are edited by Dr Giovanni Fazio from the Center for Astrophysics | Harvard & Smithsonian, with each volume authored or edited by specialists in the area: Modified Gravity by Claudia de Rham and Andrew Tolley (Imperial College), Neutrino Physics and Astrophysics edited by Floyd Stecker (NASA/Goddard Space Flight Center), Black Holes edited by Zoltan Haiman (Columbia University). These volumes follow the earlier publication in 2020 of The Encyclopedia of Cosmology, which comprises the following four volumes: Galaxy Formation and Evolution by Rennan Barkana (Tel Aviv University), Numerical Simulations in Cosmology edited by Kentaro Nagamine (Osaka University / University of Nevada), Dark Energy by Shinji Tsujikawa (Tokyo University of Science), and Dark Matter by Jihn E Kim (Seoul National University). The Encyclopedia aims to provide an overview of the most important topics in cosmology and serve as an up-to-date reference in astrophysics.
The purpose of this publication is to present the English translation of "Commentarium 1940-1944 geometres Gheorghe Vranceanu" , BOD Verlag, 2020, together with some copies of the more visible pages as documents. Gheorghe Vranceanu was a member of Romanian Academy, president of its Mathematics Section and Vice-President of the International Union of Mathematicians. In the 60-70 ties he was considered as one of the most important scientiests in Geometry.
God finally gave X what she asked for. If only he would teach her how to use it. After three years and more creepy demons than she’d care to recall, Emme Vaughn has finally found her mama. Only the reunion doesn’t go as X expected. It’s not easy adapting to a new life in New Orleans, with a mother who was possessed by the devil until recently and a stepfather she didn’t know existed. Especially when a mysterious stranger, her stepfather’s charming and handsome protégé Jean-Paul, drives a wedge between Emme and Francis. Is the enigmatic outsider trying to replace her man? Or does he have a more sinister plan— one she couldn’t have imagined? Haunted by a mysterious ghost and threatened by a demon in her mama’s house, X gets ready to rumble. She dons God’s armor to face the evil force that has hunted her all her life, but first she must cast aside the little girl act and draw strength from all the celestial and worldly friends who have guided her this far. Once and for all, the devil has it coming . . . Exorsistah style.
This book is the first comprehensive effort to bring together Water, Food Security and Nutrition (FSN) in a way that goes beyond the traditional focus on irrigated agriculture. Apart from looking at the role of water and sanitation for human well-being, it proposes alternative and more locally appropriate ways to address complex water management and governance challenges from the local to global levels against a backdrop of growing uncertainties. The authors challenge mainstream supply-oriented and neo-Malthusian visions that argue for the need to increase the land area under irrigation in order to feed the world’s growing population. Instead, they argue for a reframing of the debate concerning production processes, waste, food consumption and dietary patterns whilst proposing alternative strategies to improve water and land productivity, putting the interests of marginalized and disenfranchized groups upfront. The book highlights how accessing water for FSN can be challenging for small-holders, vulnerable and marginalized women and men, and how water allocation systems and reform processes can negatively affect local people’s informal rights. The book argues for the need to improve policy coherence across water, land and food and is original in making a case for strengthening the relationship between the human rights to water and food, especially for marginalized women and men. It will be of great interest to practitioners, students and researchers working on water and food issues.
For Klay and Keifer Workman, twins, their eighteenth birthday is their last day of freedom. At eighteen, newly minted adults are given their future role in society, The Nation as, a creator, a worker, a soldier, or a dependent. The Nation, a totalitarian regime that rose to power after a deluge decimated their country runs on a regime of productivity and enforces rigid social roles, down to designating that each family can only give birth once. Dr., and Ms. Workman, Klay and Keifer’s parents,’ social disrupters, hide a shocking secret―an illegal second child named Mist—the stakes become even higher for the family’s freedom. Will the Workman family sacrifice everything to protect their loved one from a regime that views her as a threat? In a society where conformity is law, individuality is forbidden, and choice is an illusion, will they find the courage to fight the power? Will their love know no boundaries?
A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.
Since the time of its publication in 1884, Adventures of Huckleberry Finn has generated heated controversy. One of the most frequently banned books in the history of literature, it raises issues of race relations, censorship, civil disobedience, and adolescent group psychology as relevant today as they were in the 1880s. This collection of historical documents, collateral readings, and commentary captures the stormy character of the slave-holding frontier on the eve of war and highlights the legacy of past conflicts in contemporary society. Among the source materials presented are: memoirs of fugitive slaves, a river gambler, a gunman, and Mississippi Valley settlers; the Southern Code of Honor; rules of dueling; and an interview with a 1990s gang member. These materials will promote interdisciplinary study of the novel and enrich the student's understanding of the issues raised. The work begins with a literary analysis of the novel's structure, language, and major themes and examines its censorship history, including recent cases linked to questions of race and language. A chapter on censorship and race offers a variety of opposing contemporary views on these issues as depicted in the novel. The memoirs in the chapter Mark Twain's Mississippi Valley illuminate the novel's pastoral view of nature in conflict with a violent civilization resting on the institution of slavery and shaped by the genteel code of honor. Slavery, Its Legacy, and Huck Finn features 19th-century pro-slavery arguments, firsthand accounts of slavery, the text of the Missouri Compromise of 1820 and the Fugitive Slave Law of 1850, and opposing views on civil disobedience from such 19th- and 20th-century Americans as Ralph Waldo Emerson, Stephen A. Douglas, and William Sloane Coffin. Nineteenth-century commentators on the Southern Code of Honor and Twain's sentimental cultural satire directly relate the novel to the social and cultural milieu in which it was written. Each chapter closes with study questions, student project ideas, and sources for further reading on the topic. This is an ideal companion for teacher use and student research in English and American history courses.
AUP New Poets 7 is a deep dive into the rich diversity of New Zealand poetry today.Relaunched under the editorship of Anna Jackson in 2019, AUP New Poets 7 includes substantial selections from the poetry of Rhys Feeney, Ria Masae and Claudia Jardine. From Apia to Parnell, Ancient Rome to dreams of Venus, Aro Park to the furthest reaches of the internet, the poems of Rhys Feeney, Ria Masae and Claudia Jardine take us places &– including the darkest reaches of emotional geographies lit up in startling new ways. Each poet writes with a rich vocabulary and distinct sense of rhythm, as they bring us mutilated barbie dolls, indestructible pumpkins, fat-soluble poisons, jelly-fish, seagulls, eight-tala jugs of cocktails, loom weights, unseasonable journeys, deep-fried bananas, pet rabbits, destructive chickens, scars and tattoos, parataxis and ellipses, instructions on how to make toast, and more, so much more.
This textbook provides a step-by-step introduction to the class of vine copulas, their statistical inference and applications. It focuses on statistical estimation and selection methods for vine copulas in data applications. These flexible copula models can successfully accommodate any form of tail dependence and are vital to many applications in finance, insurance, hydrology, marketing, engineering, chemistry, aviation, climatology and health. The book explains the pair-copula construction principles underlying these statistical models and discusses how to perform model selection and inference. It also derives simulation algorithms and presents real-world examples to illustrate the methodological concepts. The book includes numerous exercises that facilitate and deepen readers’ understanding, and demonstrates how the R package VineCopula can be used to explore and build statistical dependence models from scratch. In closing, the book provides insights into recent developments and open research questions in vine copula based modeling. The book is intended for students as well as statisticians, data analysts and any other quantitatively oriented researchers who are new to the field of vine copulas. Accordingly, it provides the necessary background in multivariate statistics and copula theory for exploratory data tools, so that readers only need a basic grasp of statistics and probability.
The long-awaited third edition of Pediatric Chiropractic takes the valuable second edition to a whole new level, offering new chapters, full-color photos, illustrations, and tables to provide the family wellness chiropractor and the student of chiropractic a valuable reference manual covering all aspects of care for the pediatric and prenatal populations. Internationally recognized authorities Claudia Anrig, DC and Gregory Plaugher, DC have invited the leaders in their fields to contribute to this precedent-setting textbook and now offer even more valuable information for the practitioner.
Why did African-American women novelists use idealized stories of bourgeois courtship and marriage to mount arguments on social reform during the last decade of the nineteenth century, during a time when resurgent racism conditioned the lives of all black Americans? Such stories now seem like apolitical fantasies to contemporary readers. This is the question at the center of Tate's examination of the novels of Pauline Hopkins, Emma Kelley, Amelia Johnson, Katherine Tillman, and Frances Harper. Domestic Allegories of Political Desire is more than a literary study; it is also a social and intellectual history--a cultural critique of a period that historian Rayford W. Logan called "the Dark Ages of recent American history." Against a rich contextual framework, extending from abolitionist protest to the Black Aesthetic, Tate argues that the idealized marriage plot in these novels does not merely depict the heroine's happiness and economic prosperity. More importantly, that plot encodes a resonant cultural narrative--a domestic allegory--about the political ambitions of an emancipated people. Once this domestic allegory of political desire is unmasked in these novels, it can be seen as a significant discourse of the post-Reconstruction era for representing African-Americans' collective dreams about freedom and for reconstructing those contested dreams into consummations of civil liberty.
Amanda MacLeish might be the only student in Mr. Abrams's fifth-grade class who doesn't mind doing her homework. Now that her father has left home and moved into a motel, the only thing that brings Amanda any joy is writing her fictional diary entries about a young girl named Polly who lives amid the chaos of the Civil War. Polly would understand Amanda. With one brother fighting for the North and one fighting for the South, Polly knows just how it feels to have a family split in half. But if the North and the South could find a way to reunite despite their differences, can't Amanda's family do the same? In this touching novel by Claudia Mills, the heroine learns that enduring a split doesn't have to mean losing a family. The Totally Made-up Civil War Diary of Amanda MacLeish is a 2009 Bank Street - Best Children's Book of the Year.
A selection of Anti-Jacobin novels reprinted in full with annotations. The set includes works by male and female writers holding a range of political positions within the Anti-Jacobin camp, and represents the French Revolution, American Revolution, Irish Rebellion and political unrest in Scotland.
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
Pike's Portage/Death Wins in the Arctic/Arctic Naturalist/Arctic Obsession/Arctic Twilight/Arctic Front/Canoeing North Into the Unknown/Arctic Revolution/In the Shadow of the Pole/Voices From the Odeyak
This special bundle is your essential guide to all things concerning Canada’s polar regions, which make up the majority of Canada’s territory but are places most of us will never visit. The Arctic has played a key role in Canada’s history and in the history of the indigenous peoples of this land, and the area will only become more strategically and economically important in the future. This bundle provides an in-depth crash course, including titles on Arctic exploration (Arctic Obsession), Native issues (Arctic Twilight), sovereignty (In the Shadow of the Pole), adventure and survival (Death Wins in the Arctic), and military issues (Arctic Front). Let this collection be your guide to the far reaches of this country. Arctic Front Arctic Naturalist Arctic Obsession Arctic Revolution Arctic Twilight Death Wins in the Arctic In the Shadow of the Pole Pike’s Portage Voices From the Odeyak
Especially evident in Victorian-era writings is a rhetorical tendency to liken adults to children and children to adults. Claudia Nelson examines this literary phenomenon and explores the ways in which writers discussed the child-adult relationship during this period. Though far from ubiquitous, the terms “child-woman,” “child-man,” and “old-fashioned child” appear often enough in Victorian writings to prompt critical questions about the motivations and meanings of such generational border crossings. Nelson carefully considers the use of these terms and connects invocations of age inversion to developments in post-Darwinian scientific thinking and attitudes about gender roles, social class, sexuality, power, and economic mobility. She brilliantly analyzes canonical works of Charles Dickens, Charlotte Brontë, William Makepeace Thackeray, Bram Stoker, and Robert Louis Stevenson alongside lesser-known writings to demonstrate the diversity of literary age inversion and its profound influence on Victorian culture. By considering the full context of Victorian age inversion, Precocious Children and Childish Adults illuminates the complicated pattern of anxiety and desire that creates such ambiguity in the writings of the time. Scholars of Victorian literature and culture, as well as readers interested in children’s literature, childhood studies, and gender studies, will welcome this excellent work from a major figure in the field.
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