During World War II, the Los Angeles region underwent rapid industrial growth as Kaiser Steel opened a giant mill in Fontana, and the aircraft giants--North American Aviation, Lockheed, Douglas, and Hughes--expanded with war contracts. The war economy's demographic and ethnic dimensions included women and African Americans entering factory work and troops streaming through Union Station to San Pedro for embarkation. The Zoot Suit Riots defined the tensions between servicemen and the Mexican American community, and the internment of Japanese Americans led to the eventual disappearance of established neighborhoods. The war inspired home front efforts by local civic and academic institutions, by the entertainment industry, and by émigrés from Nazi Germany. It led to the training of civilian corps, rationing, and vigilance for enemy activities. American participation in World War II from 1941 to 1945 energized the region's growing industrial infrastructure and spurred postwar economic and housing development.
This volume presents a pictorial history of Los Angeles hotels downtown, in Hollywood, and along the Wilshire Boulevard corridor from the late 19th through the mid-20th centuries. By the early 1900s, many hotels, including luxury ones, had been established in downtown Los Angeles to cater to business travelers and tourists. In the late 19th century, after the arrival of the Southern Pacific Railroad, hotels were built to encourage tourism and sell real estate in the agricultural Hollywood area. And with the growth of the motion picture studios in the early decades of the 20th century, grander hotels were erected to accommodate the new industry. As the city expanded westward, luxury and residential hotels were also placed in the Westlake District and along the fashionable Wilshire Boulevard corridor connecting to Beverly Hills.
This guide to more than 2,500 Texas roadside markers features historical events; famous and infamous Texans; origins of towns, churches, and organizations; battles, skirmishes, and gunfights; and settlers, pioneers, Indians, and outlaws. This fifth edition includes more than 100 new historical roadside markers with the actual inscriptions. With this book, travelers relive the tragedies and triumphs of Lone Star history.
Stonewall Speaks is the fictional depiction of the adventurous but brief life of the famous Confederate general Thomas Jonathan "Stonewall" Jackson. Jackson grew up working on a farm and a corn-grinding mill in Clarksburg, Virginia. His life changes forever when he receives his appointment to attend West Point. Author Claude Brown imagines how actual historical events might have played out during the mid-1800s, as Stonewall's ghost narrates. Stonewall meets his first friend, Ulysses S. Grant, on the train to West Point. At the Academy, he faces conflict with A. P. Hill (a conflict that will turn out to be lifelong). Grant and Stonewall serve together in the Mexican War and (on opposing sides) during the Civil War, where Stonewall shines as Lee's greatest general. The twice-married Jackson receives his famous nickname from General Bernard Bee on the battlefield at First Manassas when Jackson's demeanor inspires Bee to shout to his troops, "Look, men, there is Jackson standing like a stone wall!" General Stonewall bravely commands thousands of soldiers during his military career. Stonewall Speaks will transport you on a fictitious journey through Confederate General Stonewall's circle of life, which includes all those things that are important to a man who must lead his troops to victory--love, friendship, and conflict.
Not only does Sir Claude Phillips offer the reader a studied and insightful loook into the work of one of the world's most cherished painters, but he also invites us to discover the bustling world on the Venetian art circle in which Titian lived and worked. From his early years in the workshop of Giovanni Bellini, to his meeting with Michelangelo and his rivalry with Pordenone, the story of Titian's artistic development also tells the story of the most influential Italian Renaissance art.
Jonathan Swift's influence on the writings and politics of England and Ireland was reinforced by a combination of contradictory forces: an authoritarian attachment to tradition and rule, and a vivid responsiveness to the disorders of a modernity he resisted and yet helped to create. He was, perhaps even more than Pope, a dominant voice of his times. The rich variety of the literary culture to which he belonged shows the penetration of his ideas, personality and style. This is true of writers who were his friends and admirers (Pope), of adversaries (Mandeville, Johnson), of several who became great ironists in his shadow (Gibbon, Austen), and of some surprising examples of Swiftian afterlife (Chatterton). Claude Rawson, leading scholar of the works of Swift, brings together recent essays, as well as classic earlier work extensively revised, to offer fresh insights into an era when Swift's voice was a pervasive presence.
The end of the 20th century was a time of post-colonial repentance in the Western world. On 23rd February 2005, a law was passed in France, stressing “the positive role of the French presence overseas”, triggering considerable controversy. However, the fascinating history of the French missionary Eugène Casalis illustrates that there are some cases where “the French presence overseas” is still perceived positively, as shown by the commemorative stamps issued by the Kingdom of Lesotho in 1983, celebrating the 150th anniversary of the arrival of the first French missionaries in the country. Of course, the context was unique since France had no economic or political stakes in that part of the world, and therefore the French missionary presence was totally apostolic and disinterested. Eugène Casalis was born in Béarn at the foot of the Pyrénées in 1812, and remained deeply attached to his native land throughout his life. In 1832, he was sent to Southern Africa by the Paris Evangelical Missionary Society. Unexpected circumstances led him to Basutoland, present-day Lesotho, where he struck up an unfailing friendship, based on mutual trust and esteem, with the Sotho King Moshoeshoe. In addition to his missionary task, Casalis transcribed the language and contributed largely to the economic development of the country, while concurrently supporting the King in his efforts to convince the British to help him fight Boer expansionism. He gave invaluable diplomatic aid and advice to the King during the 23 years he spent in the country. Back in France in 1855, he became the director of the House of Missions where he trained a number of young men to become missionaries. His eldest son became a missionary to Lesotho and his eldest daughter married a missionary with whom she returned to Lesotho where she brought up a large family. All this has contributed to making the name of Casalis well-known in the Kingdom to this day. To a certain extent, Lesotho's accession to independence in 1966 can be perceived as a distant result of Casalis's work. The present King, Letsie 111, is a direct descendant of King Moshoeshoe.
This book explores how Shakespeare uses images of dreams and sleep to define his dramatic worlds. Surveying Shakespeare’s comedies, tragedies, histories, and late plays, it argues that Shakespeare systematically exploits early modern physiological, religious, and political understandings of dreams and sleep in order to reshape conventions of dramatic genre, and to experiment with dream-inspired plots. The book discusses the significance of dreams and sleep in early modern culture, and explores the dramatic opportunities that this offered to Shakespeare and his contemporaries. It also offers new insights into how Shakespeare adapted earlier literary models of dreams and sleep – including those found in classical drama, in medieval dream visions, and in native English dramatic traditions. The book appeals to academics, students, teachers, and practitioners in the fields of literature, drama, and cultural history, as well as to general readers interested in Shakespeare’s works and their cultural context.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.