This book provides an introduction to the Meroitic language and writing system, which was used between circa 300 BC and 400 AD in the kingdom of Meroe, located in what is now Sudan and Egyptian Nubia. This book details advances in the understanding of Meroitic, a language that until recently was considered untranslatable. In addition to providing a full history of the script and an analysis of the phonology, grammar, and linguistic affiliation of the language it features: linguistic analyses for those working on Nilo-Saharan comparative linguistics, paleographic tables useful to archeologists for dating purposes, and an overview of texts that can be translated or understood by way of analogy for those working on Nubian religion, history, and archaeology.
This book provides an introduction to the Meroitic language and writing system, which was used between circa 300 BC and 400 AD in the kingdom of Meroe, located in what is now Sudan and Egyptian Nubia. This book details advances in the understanding of Meroitic, a language that until recently was considered untranslatable. In addition to providing a full history of the script and an analysis of the phonology, grammar and linguistic affiliation of the language it features: linguistic analyses for those working on Nilo-Saharan comparative linguistics, paleographic tables useful to archaeologists for dating purposes and an overview of texts that can be translated or understood by way of analogy for those working on Nubian religion, history and archaeology.
This volume presents for the first time English-language translations of twelve sermons by St. Claude La Colombière. Canonized in 1992 by Pope John Paul II, Claude was a 17th-century Jesuit priest who authenticated the visions of St. Margaret Mary Alacoque and promoted devotion to the Sacred Heart. Like St. Francis of Assisi, Claude had been a man of privilege, and was a literary figure with a reputation as a master of Christian eloquence. He died a martyr at the age of forty-one. Each sermon in this volume addresses a different issue under the general theme of Christian conduct. Together these sermons present the notions central to Claude's preaching and general attitude, above all the ideas of habituation and confidence in God. Preaching during Claude's lifetime developed under a variety of influences, most notably the thematic sermons of the late medieval period and the humanistic retrieval of classical letters during the Renaissance. Claude worked within and helped to create the stylistic conventions of the day by drawing on scripture and the Church Fathers in an attempt to convert his listeners. Taking a hybrid approach to his craft, he brought a balanced use of rhetorical art into the pulpit so as to please as well as to instruct and move his audience, hereby promoting the development of French classicism in the second half of the seventeenth century. In his commentary on the sermons William O'Brien examines the dynamic vision of the human person that emerges from St. Claude's preaching and considers what this might mean for readers of today. While offering a historical-literary study of his preaching, the work is located firmly in the contemporary quest for a new unity between the theoretical and the practical in Christianity. What results is a book with a unique appeal. General readers interested in their own spiritual growth, as well as scholars and students of religious history, theology, and French literature, will find this book to be a valuable resource.
Claude Lorrain (1604-82) is known as the father of European landscape painting. This book sets out to re-appraise his work and look at it through fresh eyes. It unites in a single volume paintings, drawings, and prints from all periods of the artist's life.
Murder on the Eiffel Tower is painstakingly researched, an effortless evocation of the glorious City of Light, and an exciting opening to a promising series featuring Victor Legris. The brand-new, shiny Eiffel Tower is the pride and glory of the 1889 World Exposition. But one sunny afternoon, as visitors are crowding the viewing platforms, a woman collapses and dies on this great Paris landmark. Can a bee sting really be the cause of death? Or is there a more sinister explanation? Enter young bookseller Victor Legris. Present on the tower at the time of the incident, and appalled by the media coverage of the occurrence, he is determined to find out what actually happened. In this dazzling evocation of late nineteenth-century Paris, we follow Victor as his investigation takes him all over the city and he suspects an ever-changing list of possible perpetrators. Could mysterious Kenji Mori, his surrogate father and business partner at the bookstore Legris operates, be involved in the crime? Why are beautiful Russian illustrator Tasha and her colleagues at the newly launched sensationalist newspaper Passepartout always up-to-date in their reporting? And what will Legris do when the deaths begin to multiply and he is caught in a race against time? Winner of the prestigious Michel Lebrun French Thriller Prize
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