Halting Steps represents the most complete single-volume retrospective in English of Claribel Alegr a's seven-decade career. The volume collects all of Alegr a's poems from her fourteen previously published books and debuts several new poems under the title "Otherness." Alegr a was born in Nicaragua during the United States occupation of that country. Alegr a's family opposed the occupation and moved to El Salvador, where she grew up. Her poetry is not only lyrical and introspective but also po-litically engaged. Her verse has always spoken forcefully, specifically, and fearlessly to matters of social justice in her region. She strikes a universal theme, however, in giving a voice to individuals of all classes in their struggle against oppression, but especially women who must contend with a system in which men hold the power and women are ex-cluded. Alegr a demonstrates her remarkable range with deeply personal poems, perhaps most notably in the poem cycle "Sorrow," as she moves steadily through the waves of grief she experiences after her husband's death. In Halting Steps, both longtime admirers and those new to her work can appreciate the sustained creative power of Claribel Alegr a's poems.
Halting Steps represents the most complete single-volume retrospective in English of Claribel Alegr a's seven-decade career. The volume collects all of Alegr a's poems from her fourteen previously published books and debuts several new poems under the title "Otherness." Alegr a was born in Nicaragua during the United States occupation of that country. Alegr a's family opposed the occupation and moved to El Salvador, where she grew up. Her poetry is not only lyrical and introspective but also po-litically engaged. Her verse has always spoken forcefully, specifically, and fearlessly to matters of social justice in her region. She strikes a universal theme, however, in giving a voice to individuals of all classes in their struggle against oppression, but especially women who must contend with a system in which men hold the power and women are ex-cluded. Alegr a demonstrates her remarkable range with deeply personal poems, perhaps most notably in the poem cycle "Sorrow," as she moves steadily through the waves of grief she experiences after her husband's death. In Halting Steps, both longtime admirers and those new to her work can appreciate the sustained creative power of Claribel Alegr a's poems.
Translated by Darwin Flakoll In Woman of the River one of the major voices in Latin American poetry confronts the political realities of contemporary Central America. Many of the poems are political, direct, and condemnatory of the United States' presence in Latin America, and they are rich, human documents rooted in Alegria's knowledge of and love for her subjects. As Carolyn Forche has written of Alegria's previous selection of poems, Flowers from the Volcano: "These poems are testimonies to the value of a single human memory, political in the sense that there is no life apart from our common destiny. They are poems of passionate witness and confrontation. Responding to those who would state that politics has no place in poetry, she would add her voice to that of Neruda's: we do not wish to please them . . . ." She carries within her the ancient blood of the Pipiles and laces her language with mesitizo richness.
Well-known for her incisive descriptions of war and violence in El Salvador, Claribel Alegría is one of Central America's most eminent poets. In Fugues, a lucid and strikingly beautiful original collection, she looks squarely into the face of mortality, love, and aging, to explore the personal as well as universal questions that face each human being.
Translated by Darwin Flakoll In Woman of the River one of the major voices in Latin American poetry confronts the political realities of contemporary Central America. Many of the poems are political, direct, and condemnatory of the United States' presence in Latin America, and they are rich, human documents rooted in Alegria's knowledge of and love for her subjects. As Carolyn Forche has written of Alegria's previous selection of poems, Flowers from the Volcano: "These poems are testimonies to the value of a single human memory, political in the sense that there is no life apart from our common destiny. They are poems of passionate witness and confrontation. Responding to those who would state that politics has no place in poetry, she would add her voice to that of Neruda's: we do not wish to please them . . . ." She carries within her the ancient blood of the Pipiles and laces her language with mesitizo richness.
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