Focusing on the period from the Seven Years War to the First World War Clarence-Smith discusses how cocoa production helped transform some economies but ultimately failed to act as a dynamo for large scale development.
Cornel West's reputation as a public and celebrity intellectual has overshadowed his important contributions to philosophy. Professor Clarence Shole Johnson provides a rectification of this situation in this benchmark, thought-provoking book. After a brief biographical sketch, Johnson leads us through a comprehensive examination of West's philosophy from his conceptions of pragmatism, existentialism, Marxism, and Prophetic Christianity to his persuasive writings on black-Jewish relations, affirmative action, and the role of black intellectuals. Special focus is given to West's writings on ethics and social justice, and how these inform his entire theoretical framework. Cornel West and Philosophy is a unique and indispensable guide to West's diverse philosophical writings.
Global Jazz: A Research and Information Guide is an annotated bibliography that explores the global impact of jazz, detailing the evolution of the African American musical tradition as it has been absorbed, transformed, and expanded across the world’s historical, political, and social landscapes. With more than 1,300 annotated entries, this vast compilation covers a broad range of subjects, people, and geographic regions as they relate to interdisciplinary research in jazz studies. The result is a vivid demonstration of how cultures from every corner of the globe have situated jazz—often regarded as America’s classical music—within and beyond their own musical traditions, creating new artistic forms in the process. Global Jazz: A Research and Information Guide presents jazz as a common musical language in a global landscape of diverse artistic expression.
Afrocentrism has been a controversial but popular movement in schools and universities across America, as well as in black communities. But in We Can't Go Home Again, historian Clarence E. Walker puts Afrocentrism to the acid test, in a thoughtful, passionate, and often blisteringly funny analysis that melts away the pretensions of this "therapeutic mythology." As expounded by Molefi Kete Asante, Yosef Ben-Jochannan, and others, Afrocentrism encourages black Americans to discard their recent history, with its inescapable white presence, and to embrace instead an empowering vision of their African (specifically Egyptian) ancestors as the source of western civilization. Walker marshals a phalanx of serious scholarship to rout these ideas. He shows, for instance, that ancient Egyptian society was not black but a melange of ethnic groups, and questions whether, in any case, the pharaonic regime offers a model for blacks today, asking "if everybody was a King, who built the pyramids?" But for Walker, Afrocentrism is more than simply bad history--it substitutes a feel-good myth of the past for an attempt to grapple with the problems that still confront blacks in a racist society. The modern American black identity is the product of centuries of real history, as Africans and their descendants created new, hybrid cultures--mixing many African ethnic influences with native and European elements. Afrocentrism replaces this complex history with a dubious claim to distant glory. "Afrocentrism offers not an empowering understanding of black Americans' past," Walker concludes, "but a pastiche of 'alien traditions' held together by simplistic fantasies." More to the point, this specious history denies to black Americans the dignity, and power, that springs from an honest understanding of their real history.
1930's. Depression was more than a mental problem .Nothing was guaranteed except more hard times .Life was a daily fight for survival . Too often it boiled over and ended badly . Then it fell to a P.I like Bass Holt to find out why . When a beautiful widow is on the hook for a dead ,older husband , he gets his first "big one " to solve . What seems to start as a routine "whodunit ", soon sees the bodies pile up and with his other cases , get him knee deep in problems he never would have imagined ! With humor , a cat named Thug, and the beautiful secretaryWanda , he takes on all that's thrown his way .Who could ask for more ?
The War of 1812 was fought by eighteen states--the original thirteen states that formed the Union, as well as Vermont, Kentucky, Tennessee, Ohio, and Louisiana. In the preparation of this work, the compiler surveyed the records of the National Archives, as well as many of the libes and archives of the eighteen states in which fatalities were recorded. The end result is an authoritative list of some 3,500 known military dead of the War of 1812. The entries, which are alphabetically arranged, give the name of the deceased, his rank, the name of his company or branch of service, his date of death, and an indication as to whether the individual died in battle or as a prisoner of war.
Major brings his characters to life with the accretion of specific details. Even so, his novel is distinctly spiritual, emphasizing the significance of traditional beliefs in the lives of Painted Turtle and her family."--Publishers Weekly
This fifth revised edition features approximately 1,900 items, most of which are annotated. It addresses several interdisciplinary studies that have become prominent in the last decade, especially on popular culture, racial and other minorities, Native Americans and Chicanos, and literary regionalism. It allots more space to computer aids, science fiction, children's literature, literature of the sea, film and literature, and linguistic studies of American English and includes a new section on psychology. The appendix lists the biography of each of 135 deceased American authors. ISBN 0-8223-0592-5 : $22.50 (For use only in the library).
Stormbirds of New Orleans depicts vivid characters like gorgeous Cajan Minette of the Bayous, swash-buckling Roger fighting the slave-hunters, the giant educated black slave Desserone and the cult of Dombala, Lillie, Paul’s bewitching quadroon mistress, the rich, powerful Don Lopez, scheming to get Minette from Roger, his bastard unscrupulous daughter Norma, La La of Voodoo medicine and her terrible gris-gris, Captain Lafitte and the pirates of Barataria. Enemy British Major Hadley, General Jackson and the Battle of Orleans, the final duel at The Oaks.
Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.
Clarence Henry Haring was an important historian of Latin America and a pioneer in initiating the study of Latin American colonial institutions among scholars in the United States. Excerpt: "Christopher Columbus, a Genoese sailor in the service of the Castilian Crown, wishing to find a western route by sea to India and especially to Zipangu (Japan), the magic land described by the Venetian traveller, Marco Polo, landed on 12th October 1492, on "Guanahani," one of the Bahama Islands. From "Guanahani" he passed on to other islands of the same group, and thence to Hispaniola, Tortuga and Cuba...
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