This is a pioneering history of the experience of captivity of British prisoners of war (POWs) in Europe during the Second World War, focussing on how they coped and came to terms with wartime imprisonment. Clare Makepeace reveals the ways in which POWs psychologically responded to surrender, the camaraderie and individualism that dominated life in the camps, and how, in their imagination, they constantly breached the barbed wire perimeter to be with their loved ones at home. Through the diaries, letters and log books written by seventy-five POWs, along with psychiatric research and reports, she explores the mental strains that tore through POWs' minds and the challenges that they faced upon homecoming. The book tells the story of wartime imprisonment through the love, fears, fantasies, loneliness, frustration and guilt that these men felt, shedding new light on what the experience of captivity meant for these men both during the war and after their liberation.
This book, first published in 2000, uses interpretations of the French Revolution as a model to ask what history meant to Victorian Britain, how events became enshrined with the authority of history, and how such cultural assumptions might help us to read nineteenth-century British literature. By examining reactions to French revolution in a broad selection of texts, this book explores how the Victorians responded to developments in France in historical terms, repeatedly comparing new events to the touchstone of the first French Revolution, yet always with the goal of finding ways to understand Britain’s own past, present and future.
Do you know a child between the ages of 2 and 8 who loves to sing? Would you love to be singing those songs with them? The perfect gift for the both of you is this bestselling, imaginative, and fun music package I'm God's Child. This music resource contains 27 fun-to-learn, easy-to-sing songs. The accompanying booklet contains words and music, craft ideas, teaching suggestions, and theological reflections.
Although much has been written about the history of copyright and authorship in the eighteenth and nineteenth centuries, very little attention has been given to the impact of the development of other kinds of intellectual property on the ways in which writers viewed their work in this period. This book is the first to suggest that the fierce debates over patent law and the discussion of invention and inventors in popular texts during the nineteenth century informed the parallel debate over the professional status of authors. The book examines the shared rhetoric surrounding the creation of the 'inventor' and the 'author' in the debate of the 1830s, and the challenge of the emerging technologies of mass production to traditional ideas of art and industry is addressed in a chapter on authorship at the Great Exhibition of 1851. Subsequent chapters show how novelists Charles Dickens, Elizabeth Gaskell, and George Eliot participated in debates over the value and ownership of labour in the 1850s, such as patent reform and the controversy over married women's property. The book shows the ways in which these were reflected in their novels. It also suggests that the publication of those novels, and the celebrity of their authors, had a substantial effect on the subsequent direction of these debates. The final chapter shows that Thomas Hardy's later fiction reflects an important shift in thinking about creativity and ownership towards the end of the century. Patent Inventions argues that Victorian writers used the novel not just to reflect, but also to challenge received notions of intellectual ownership and responsibility. It ends by suggesting that detailed study of the debate over intellectual property in the nineteenth century leads to a better understanding of the complex negotiations over the bounds of selfhood and social responsibility in the period.
Serial Forms: The Unfinished Project of Modernity, 1815-1848 proposes an entirely new way of reading the transition into the modern. It is the first book in a series of three which will take the reader up to the end of the First World War, moving from a focus on London to a global perspective. Serial Forms sets out the theoretical and historical basis for all three volumes. It suggests that, as a serial news culture and a stadial historicism developed together between 1815 and 1848, seriality became the dominant form of the nineteenth century. Through serial newsprint, illustrations, performances, and shows, the past and the contemporary moment enter into public visibility together. Serial Forms argues that it is through seriality that the social is represented as increasingly politically urgent. The insistent rhythm of the serial reorganizes time, recalibrates and rescales the social, and will prepare the way for the 1848 revolutions which are the subject of the next book. By placing their work back into the messy print and performance culture from which it originally appeared, Serial Forms is able to produce new and exciting readings of familiar authors such as Scott, Byron, Dickens, and Gaskell. Rather than offering a rarefied intellectual history or chopping up the period into 'Romantic' and 'Victorian', Clare Pettitt tracks the development of communications technologies and their impact on the ways in which time, history and virtuality are imagined.
Odyssey of Your Soul: A Voyage of Self-Discovery is your personal map for charting life’s challenges, becoming whole and achieving your highest potential. Elizabeth Clare Prophet’s fresh and insightful interpretation of Homer’s Odyssey reveals the inner meaning of the tests of character that Odysseus faces after the Trojan War as he struggles against all odds to return to his beloved wife and homeland. Odysseus’ voyage is much more than a tale of monsters, enchantresses and mythical gods. It is symbolic of our own voyage through life and our efforts to navigate its turbulent waters and explore its uncharted islands. Odyssey of Your Soul is your invitation to become the hero you are meant to be. This is your story. Live it!
What can you do to increase your child's potential before he or she is born? "Nurturing Your Baby's Soul" gives practical spiritual techniques and meditations you can use to help develop your baby's unique gifts.
The Western approach to dance is largely focused on control and mastery of technique, both of which are certainly necessary skills for improving performance. But mindful attention, despite its critical role in high performance, has gotten short shrift—until now. Attention and Focus in Dance, a how-to book rooted in the 20 years of attentional focus findings of researcher Gabriele Wulf, will help dancers unlock their power and stamina reserves, enabling efficient movement, heightening their sensory perception and releasing their dance potential. Author Clare Guss-West—a professional dancer, choreographer, teacher and holistic practitioner—presents a systematic, science-based approach to the mental work of dance. Her approach helps dancers hone the skills of attention, focus and self-cueing to replenish energy and enhance their physical and artistic performance. A Unique, Research-Based Approach Here is what Attention and Focus in Dance offers readers: A unique approach, connecting the foundations of Eastern movement with Western movement forms Research-based teaching practices in diverse contexts, including professional dance companies, private studios, and programmes for dancers with special needs or movement challenges Testimonies and tips from international professional dancers and dance educators who use the book’s approach in their training and teaching A dance-centric focus that can be easily integrated into existing training and teaching practice, in rehearsal, or in rehabilitation contexts to provide immediate and long-term benefits Guss-West explores attentional focus techniques for dancers, teachers and dance health care practitioners, making practical connections between research, movement theory and day-to-day dance practice. “Many dancers are using excessive energy deployment and significant counterproductive effort, and that can lead to a global movement dysfunction, lack of stamina and an increased risk of injury,” says Guss-West. “Attentional focus training is the most relevant study that sport science and Eastern-movement practice can bring to dance.” Book Organisation The text is organised into two parts. Part I guides dancers in looking at the attentional challenges and information overload that many professional dancers suffer from. It outlines the need for a systematic attention and focus strategy, and it explains how scientific research on attentional focus relates to dance practice. This part also examines the ways in which Eastern-movement principles intersect with and complement scientific findings, and it examines how the Eastern and scientific concepts can breathe new life into basic dance elements such as posture, turnout and port de bras. Attention and focus techniques are included for replenishing energy and protecting against energy depletion and exhaustion. Part II presents attention and focus strategies for teaching, self-coaching and cueing. It addresses attentional focus cues for beginners and for more advanced dancers and professionals, and it places attentional focus in the broader context of holistic teaching strategies. Maximising Dance Potential “Whether cueing others or yourself, cueing for high performance is an art,” Guss-West says. “Readers will discover how to format cues and feedback to facilitate effective neuromuscular response and enhance dancer recall of information and accessibility while dancing.” Attention and Focus in Dance offers an abundance of research-backed concepts and inspirational ideas that can help dancers in their learning and performance. This book aids readers in filtering information and directing their focus for optimal physical effect. Ultimately, it guides dancers and teachers in being the best version of themselves and maximising their potential in dance.
This innovative, multidisciplinary exploration of the unique history of the Andaman Islands as a hunter-gatherer society, colonial penal colony, and state-engineered space of settlement and development ranges across the theoretical, conceptual and thematic concerns of history, anthropology and historical geography. Covering the entire period of post-settlement Andamans history, from the first (failed) British occupation of the Islands in the 1790s up to the year 2012, the authors examine imperial histories of expansion and colonization, decolonization, anti-colonialism and nationalism, Japanese occupation, independence and partition, migration, commemoration and contemporary issues of Indigenous welfare. New Histories of the Andaman Islands offers a new way of thinking about the history of South Asia, and will be thought-provoking reading for scholars of settler colonial societies in other contexts, as well as those engaged in studies of nationalism and postcolonial state formation, ecology, visual cultures and the politics of representation.
Clare Anderson provides a radical new reading of histories of empire and nation, showing that the history of punishment is not connected solely to the emergence of prisons and penitentiaries, but to histories of governance, occupation, and global connections across the world. Exploring punitive mobility to islands, colonies, and remote inland and border regions over a period of five centuries, she proposes a close and enduring connection between punishment, governance, repression, and nation and empire building, and reveals how states, imperial powers, and trading companies used convicts to satisfy various geo-political and social ambitions. Punitive mobility became intertwined with other forms of labour bondage, including enslavement, with convicts a key source of unfree labour that could be used to occupy territories. Far from passive subjects, however, convicts manifested their agency in various forms, including the extension of political ideology and cultural transfer, and vital contributions to contemporary knowledge production.
Shows how a series of revolutions that erupted across Europe in the mid to late 1840s were crucial to the creation of modern ideas of constitutional democracy, citizenship, and human rights.
This survey sets state, civic, commercial, church, private and other murals in their historical and cultural contexts. The book covers work by over 400 artists and numerous murals never previously documented or illustrated.
Examines the significance of disability in nineteenth-century fictionOffers new insights into how disability shapes plot in nineteenth-century fictionInvestigates the impact of a developing social category on the form of the novel, opening up ways of thinking about the intersection between novelistic characterisation and categories of social organisation Offers new readings of well-known novels by major writers such as Dickens, Eliot and James and brings these texts into conversation with work by more marginalised figures such as Yonge and Craik, considering the relationship between canon formation and the representation of disabilityThis book takes an exciting new approach to characterisation and plot in the Victorian novel, examining the vital narrative work performed by disabled characters. It pdemonstrates the centrality of disability to the Victorian novel, demonstrating how attention to disability sheds new light on texts' arrangement and use of bodies. It also argues that the representation of the disabled body shaped and signalled different generic traditions in nineteenth-century fiction. This wide-ranging study offers new readings of major writers including Charles Dickens, Wilkie Collins, George Eliot and Henry James, as well as exploring lesser known writers such as Charlotte M. Yonge and Dinah Mulock Craik.
Delve into the details of all things Shadowhunter with this illustrated guide to the knowledge and lore of the Shadowhunter world. Since the thirteenth century, the Shadowhunter’s Codex has been theone and only manual for Shadowhunters looking to brush up on their demon languages, learn proper stele use, and discover just what exactly a pyxis is. Featured in both The Mortal Instruments and The Infernal Devices, this guide is a necessity for any young Nephilim on their journey to becoming a Shadowhunter. Beautifully illustrated, the Codex contains images of the famous Shadowhunter homeland of Idris, as well as depictions of demons and other Downworlders. But this isn’t just any copy of The Shadowhunter’s Codex. It’s Clary’s copy, and as an artist herself, she’s sketched pictures of her friends and family in the book, and scrawled helpful advice in the margins. Of course, she couldn’t exactly stop Jace or Simon from adding their thoughts either. Part encyclopedia, part history, part training manual—complete with commentary from Shadowhunters who have seen it all—this beautiful guide is a perfect supplement to the #1 New York Times bestselling series.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.