Brown Sugar is the biography of Clare King. Her life begins on an idyllic but remote sugar plantation in the 1940s. Together with her parents and six siblings, she had a very happy childhood. However, immortality and the grim reaper seemed to have been an impending presence in Clares life from the age of twelve, when she personally witnessed a distraught mother, carrying a dead infant on her back, seeking help for the internment of her child at the local Catholic convent as she was too poor to do this on her own. Like the first four notes of Mozarts fifth symphony, the grim reaper (or Death, as we call him) was an impending presence in Clare Kings life. She learned to face this sting with great endurance. Death has claimed her parents, two siblings, three children, a few dear friends, and finally, her beloved husband, Hector. All her life she had to fight a battle with death and its scourge on her loved ones. She is now a great councilor to the bereaved. Brown Sugar pays tribute to Clares resilience and tenacity against this battle with death and dying. Clare King is a mesmerizing and informative storyteller (Lorraine Richards).
In Miserere Mei, Clare Costley King'oo examines the critical importance of the Penitential Psalms in England between the end of the fourteenth and the beginning of the seventeenth century. During this period, the Penitential Psalms inspired an enormous amount of creative and intellectual work: in addition to being copied and illustrated in Books of Hours and other prayer books, they were expounded in commentaries, imitated in vernacular translations and paraphrases, rendered into lyric poetry, and even modified for singing. Miserere Mei explores these numerous transformations in materiality and genre. Combining the resources of close literary analysis with those of the history of the book, it reveals not only that the Penitential Psalms lay at the heart of Reformation-age debates over the nature of repentance, but also, and more significantly, that they constituted a site of theological, political, artistic, and poetic engagement across the many polarities that are often said to separate late medieval from early modern culture. Miserere Mei features twenty-five illustrations and provides new analyses of works based on the Penitential Psalms by several key writers of the time, including Richard Maidstone, Thomas Brampton, John Fisher, Martin Luther, Sir Thomas Wyatt, George Gascoigne, Sir John Harington, and Richard Verstegan. It will be of value to anyone interested in the interpretation, adaptation, and appropriation of biblical literature; the development of religious plurality in the West; the emergence of modernity; and the periodization of Western culture. Students and scholars in the fields of literature, religion, history, art history, and the history of material texts will find Miserere Mei particularly instructive and compelling.
I was a struggling artist and now I’m going to be queen? Poor art student Frances encounters Matt and they immediately begin a love affair. However, the day after they tie the knot, Matt disappears. Three years later, Frances is raising their son by herself when Matt suddenly reappears. He explains that he had hid his true identity from her and he’s actually a king…and now he’s come to declare their son as the crown prince!
Carefully leveled text and full-color illustrations tell the story of King Carl and his one wish. After finishing the story, readers will find a quiz to test what they learned.
The death of an unpopular nobleman brings trouble to Sir Josse’s family, in the latest Hawkenlye mystery All Saint’s Eve, 1211. An overweight but wealthy nobleman, desperate for an heir, dies at the celebration feast he’s thrown in his own hall. A natural death . . . or at the hands of his reluctant new wife? Sabin de Gifford, an apothecary and healer of note, is called to examine the body, and concludes that he died of a spasm to the heart. But she is troubled, all the same, and beset by suspicions. Did the man really die of a heart attack? Or was something more sinister to blame? There is only one person Sabin can turn to for help: fellow healer Meggie, daughter of Sir Josse d’Acquin. But what she requires of her is dangerous indeed . . .
Clear, succinct and engaging answers to every question you could ask about the weather.' Gavin Pretor-Pinney, author of The Cloudspotter's Guide Why doesn't rain fall all at once? Can technology change the track of a hurricane? What's the weather like on other planets? Meteorologists Simon King and Clare Nasir reveal the captivating ways the weather works, from exploring incredible weather phenomenon (how are rainbows formed?), expertly breaking down our knowledge of the elements (could we harness the power of lightning?) to explaining the significance of weather in history (has the weather ever started a war?) and discussing the future of weather (could climate modification save the planet?). In What Does Rain Smell Like? Simon and Clare uncover the thrilling science behind a subject that affects us all. They unearth and analyse all aspects of the weather and how it changes our lives through answering our most curious questions about the world around us.
A History of World Societies introduces students to the global past through social history and the stories and voices of the people who lived it. Now published by Bedford/St. Martin's, and informed by the latest scholarship, the book has been thoroughly revised with students in mind to meet the needs of the evolving course. Proven to work in the classroom, the book’s regional and comparative approach helps students understand the connections of global history while providing a manageable organization. With more global connections and comparisons, more documents, special features and activities that teach historical analysis, and an entirely new look, the ninth edition is the most teachable and accessible edition yet. Test drive a chapter today. Find out how.
This book is a concise and balanced biography of Innocent III. While giving the student and general reader a good sense of this pope and the medieval papacy, it can also provide insights for scholars well-versed in his pontificate.
Nostradamus, Edgar Cayce, Mother Mary and Saint Germain reveal that the period we are entering is unique—both in its opportunity for spiritual and technological progress and in its potential for war, turmoil and even cataclysm. They also reveal that prophecy is not set in stone. This timely work shows us how to make our future a brighter day. First, it explores the most compelling prophecies for our time, including new interpretations of the celebrated quatrains of Nostradamus. Then it introduces us to a high-frequency spiritual energy that can bring balance, harmony and positive change into our lives. The dramatic insights and spiritual techniques revealed in this book will help you shape the future you want.
In this work, Janet Clare maintains that to understand dramatic and theatrical censorship in the Renaissance we need to map its terrain, not its serial changes and examine the language through which it was articulated. In tracing the development of dramatic censorship from its origins in the suppression of the medieval religious drama to the end of the Jacobean period, she shows how the system of censorship which operated under Elizabeth I and James I was dynamic, unstable and unpredictable. The author questions notions which regard censorship as either consistently repressive or as irregular and negotiable, arguing that it was governed by the contingencies of the historical moment.
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