Although much has been written about the history of copyright and authorship in the eighteenth and nineteenth centuries, very little attention has been given to the impact of the development of other kinds of intellectual property on the ways in which writers viewed their work in this period. This book is the first to suggest that the fierce debates over patent law and the discussion of invention and inventors in popular texts during the nineteenth century informed the parallel debate over the professional status of authors. The book examines the shared rhetoric surrounding the creation of the 'inventor' and the 'author' in the debate of the 1830s, and the challenge of the emerging technologies of mass production to traditional ideas of art and industry is addressed in a chapter on authorship at the Great Exhibition of 1851. Subsequent chapters show how novelists Charles Dickens, Elizabeth Gaskell, and George Eliot participated in debates over the value and ownership of labour in the 1850s, such as patent reform and the controversy over married women's property. The book shows the ways in which these were reflected in their novels. It also suggests that the publication of those novels, and the celebrity of their authors, had a substantial effect on the subsequent direction of these debates. The final chapter shows that Thomas Hardy's later fiction reflects an important shift in thinking about creativity and ownership towards the end of the century. Patent Inventions argues that Victorian writers used the novel not just to reflect, but also to challenge received notions of intellectual ownership and responsibility. It ends by suggesting that detailed study of the debate over intellectual property in the nineteenth century leads to a better understanding of the complex negotiations over the bounds of selfhood and social responsibility in the period.
David Greig has been described as 'one of the most interesting and adventurous British dramatists of his generation' (Daily Telegraph) and 'one of the most intellectually stimulating dramatists around' (Guardian). Since he began writing for theatre in the early nineties, his work has been both copious and remarkably varied, defying neat generalisations or attempts to pigeon-hole his work. Besides his original plays, he has adapated classics, is co-founder of the Suspect Culture Theatre Group and is currently Dramaturge for the National Theatre of Scotland. This Critical Companion provides an analytical survey of his work, from his early plays such as Europe and The Architect through to more recent works Damascus, Dunsinane and Ramallah; it also considers the plays produced with Suspect Culture and his work for young audiences. As such it is the first book to provide a critical account of the full variety of his work and will appeal to students and fans of contemporary British theatre. Clare Wallace provides a detailed analysis of a broad selection of plays and their productions, reviews current discourses about his work and offers a framework for enquiry. The Companion features an interview with David Greig and a further three essays by leading academics offering a variety of critical perspectives.
Late medieval cartulary containing a multitude of deeds relating to Clare and its neighbourhood including the endowment of the friary, begging limits and the violation of the rights of sanctuary. The Augustinian friary of Clare is one of the very few medieval religious houses to have been re-occupied, in the present century, by its original inhabitants. This late medieval cartulary contains a multitude of deeds relating toClare and its immediate neighbourhood recording the endowment of the friary in the late thirteenth and fourteenth centuries by the countess Matilda and numerous local inhabitants. The text is presented in the form of a full English calendar, with notes and an introduction.CHRISTOPHER HARPER-BILL is principal lecturer in history, St Mary's College, Strawberry Hill. He is general editor of Boydell & Brewer's new series, `Studies in History of the Medieval Church', following the death of R. ALLEN BROWNhe has also assumed the editorship of the Suffolk Charters Series. He has edited several volumes of records of the medieval church.[East Anglian] The late medieval cartulary of the Augustinian friary of Clare -one of the very few medieval religious houses to have been re-occupied, in the present century, by its original inhabitants -contains a multitude of deeds relating to Clare and its immediateneighbourhood, recording the endowment of the friary in the late thirteenth and fourteenth centuries by the countess Matilda and numerous local inhabitants. Of wider interest are documents relating to the furnishing of a chapel, violation of the right of sanctuary, indulgences and the friars' library and begging limits. The text is presented in the form of a full English calendar, with notes and an introduction.CHRISTOPHER HARPER-BILLis principal lecturer in history, St Mary's College, Strawberry Hill. He is general editor of Boydell & Brewer's new series, `Studies in History of the Medieval Church'; following the death of R. ALLEN BROWNhe has also assumed the editorship of the Suffolk Charters Series. He has edited several volumes of records of the medieval church.
Over the last thirty years, historical studies of building types have become something of a growth area. As well as such general surveys as Nikolaus Pevsner's History of Building Types, there are growing numbers of studies of individual types, of which the most distinguished perhaps remain Mark Girouard's Life in the English Country House and Robin Evan's study of prisons, The Fabrication of Virtue. This growth is not surprising, because the subject lends itself to the 'New Art History', and to our increasing desire to set buildings within their social and cultural contexts, as well as their stylistic and cultural ones. This book by Dr Graham is a comprehensive study of a type of building - the law court - which has, to date, remained largely unexplored. Ordering Law establishes when, why and how the trial came to be housed in purpose-built accommodation in England, and what was architecturally distinctive about that accommodation in the period leading up to 1914. The main text concentrates on examining in depth a series of well-documented individual buildings and groups of buildings, using a wide range of contemporary sources to illuminate the way in which they were designed and used. Other information gleaned about court buildings nationwide is placed in an appendix, in gazetteer form; originally drawn from the 200 or so examples listed in the Buildings of England guides, this has expanded to include over 800 entries. As a piece of scholarly research, this work draws on several disciplines and will be of interest to those studying social and legal history, as well as those with a broader interest in architectural history.
An excellent introduction to the study of population and its significance for many of the key social, political, cultural and environmental issues facing the world today. It covers population growth, ageing, migration and mobility, parenting, health inequalities, and much more... The authors do not shy away from areas of continuing debate, providing both sides of an argument and encouraging readers to follow up the original sources" - Tony Champion, Emeritus Professor of Population Geography, Centre for Urban, Regional & Development Studies, Newcastle University and Vice President, British Society for Population Studies, 2011-2013 Population and Society is an undergraduate introduction to population that explains the latest trends in population studies. The text provides a detailed and completely accessible overview that: situates demographic events - fertility, mortality and migration - within the context of broader social impacts and theorisations like social inequalities, individualisation and life course analysis uses global illustrative examples to demonstrate the importance of data and data interpretation in population studies is illustrated throughout with pedagogic features, like chapter opening summaries, suggestions for further readings and case study examples. This text will be widely used as the standard and most up-to-date text on population and society for courses across the social sciences.
This press guide aims to provide a comprehensive, accurate and informative guide to the UK press, both print and broadcast and to give details about the leading newspapers and periodicals in the United Kingdom.
What do we watch when we watch war? Who manages public perceptions of war and how? Watching War on the Twenty-First-Century Stage: Spectacles of Conflict is the first publication to examine how theatre in the UK has staged, debated and challenged the ways in which spectacle is habitually weaponized in times of war. The 'battle for hearts and minds' and the 'war of images' are fields of combat that can be as powerful as armed conflict. And today, spectacle and conflict – the two concepts that frame the book – have joined forces via audio-visual technologies in ways that are more powerful than ever. Clare Finburgh's original and interdisciplinary interrogation provides a richly provocative account of the structuring role that spectacle plays in warfare, engaging with the works of philosopher Guy Debord, cultural theorist Jean Baudrillard, visual studies specialist Marie-José Mondzain, and performance scholar Hans-Thies Lehmann. She offers coherence to a large and expanding field of theatrical war representation by analysing in careful detail a spectrum of works as diverse as expressionist drama, documentary theatre, comedy, musical satire and dance theatre. She demonstrates how features unique to the theatrical art, namely the construction of a fiction in the presence of the audience, can present possibilities for a more informed engagement with how spectacles of war are produced and circulated. If we watch with more resistance, we may contribute in significant ways to the demilitarization of images. And what if this were the first step towards a literal demilitarization?
The third edition of this classic volume integrates the idea of balancing tourism with protection of the resources upon which it depends. The text stresses the role of the community, identifies potential pitfalls, and raises issues of developmental ethics. It includes topics such as environmental impact, sustainability, and ecotourism. Special emphasis is given to the growing need for business to implement environmental protection and ecological integrity as an essential part of economic development. The book is filled with many sketches, functional diagrams, and photographs.
1848 was a pivotal moment not only in Europe but in much of the rest of the world too. Marx's scornful dismissal of the revolutions created a historiography for 1848 that has persisted for more than 150 years. Serial Revolutions 1848 shows how, far from being the failure that Karl Marx claimed them to be, the revolutions of 1848 were a powerful response to the political failure of governments across Europe to care for their people. Crucially, this revolutionary response was the result of new forms of representation and mediation: until the ragged and the angry could see themselves represented, and represented as a serial phenomenon, such a political consciousness was impossible. By the 1840s, the developments in printing, transport, and distribution discussed in Clare Pettitt's Serial Forms: The Unfinished Project of Modernity, 1815-1848 (Oxford University Press, 2020) had made the social visible in an unprecedented way. This print revolution led to a series of real and bloody revolutions in the streets of European cities. The revolutionaries of 1848 had the temerity to imagine universal human rights and a world in which everyone could live without fear, hunger, or humiliation. If looked at like this, the events of 1848 do not seem such 'poor incidents', as Marx described them, nor such an embarrassing failure after all. Returning to 1848, we can choose to look back on that 'springtime of the peoples' as a moment of tragi-comic failure, obliterated by the brutalities that followed, or we can look again, and see it as a proleptic moment of stored potential, an extraordinary series of events that generated long-distance and sustainable ideas about global citizenship, international co-operation, and a shared and common humanity which have not yet been fully understood or realised.
Offering a roadmap for practicing verbatim theatre (plays created from oral histories), this book outlines theatre processes through the lens of oral history and draws upon oral history scholarship to bring best practices from that discipline to theatre practitioners. This book opens with an overview of oral history and verbatim theatre, considering the ways in which existing oral history debates can inform verbatim theatre processes and highlights necessary ethical considerations within each field, which are especially prevalent when working with narrators from marginalised communities. It provides a step-by-step guide to creating plays from interviews and contains practical guidance for determining the scope of a theatre project: identifying narrators and conducting interviews, developing a script from excerpts of interview transcripts and outlining a variety of ways to create verbatim theatre productions. By bringing together this explicit discussion of oral history in relationship to theatre based on personal testimonies, the reader gains insight into each field and the close relationship between the two. Supported by international case studies that cover a wide range of working methods and productions, including The Laramie Project and Parramatta Girls, this is the perfect guide for oral historians producing dramatic representations of the material they have sourced through interviews, and for writers creating professional theatre productions, community projects or student plays.
Nutrition plays a crucial role in supporting patients receiving treatment for cancer. Carefully considered nutritional options can help to manage patients with weight loss and cachexia, support the patient’s ability to recover from surgery and cope with treatments such as chemotherapy and radiotherapy. Patients living with and beyond cancer can also benefit from advice on optimal nutrition and lifestyle changes. Edited by Dr Clare Shaw, Consultant Dietitian at The Royal Marsden NHS Foundation Trust, Nutrition and Cancer takes an unrivalled look at this prevalent disease, offering the reader: An insight into the nutritional challenges faced for patients with cancer A practical guide to nutrition and dietetic practice in cancer care A detailed look at nutritional options for different diagnostic groups Contributions from a wide range of cancer specialists An excellent resource for dietitians, clinical nutritionists, doctors, nurses and other health professionals working with cancer patients, this book is also a fascinating reference for students and researchers with an interest in the area.
The Abortion Act 1967 may be the most contested law in UK history, sitting on a fault line between the shifting tectonic plates of a rapidly transforming society. While it has survived repeated calls for its reform, with its text barely altered for over five decades, women's experiences of accessing abortion services under it have evolved considerably. Drawing on extensive archival research and interviews, this book explores how the Abortion Act was given meaning by a diverse cast of actors including women seeking access to services, doctors and service providers, campaigners, judges, lawyers, and policy makers. By adopting an innovative biographical approach to the law, the book shows that the Abortion Act is a 'living law'. Using this historically grounded socio-legal approach, this enlightening book demonstrates how the Abortion Act both shaped and was shaped by a constantly changing society.
The Permanent Series will consist of biographical sketches which formerly appeared in regular volumes of Contemporary Authors ... [because] the subject of the sketch is now deceased [or] has not reported a recently published book in progress.
The Social Life of Busyness engages with the assumption that busyness is taking over everyday life by exploring busyness at work, at home and during leisure time. In a world where the notion of being busy is commonly experienced, and even expected, how should we understand the reasons for busyness?
The Social Life of Busyness engages with the assumption that busyness is taking over everyday life by exploring busyness at work, at home and during leisure time. In a world where the notion of being busy is commonly experienced, and even expected, how should we understand the reasons for busyness?
Population and Society is an undergraduate introduction to population that explains the latest shifts in population studies. The text provides a detailed and completely accessible overview that: - situates demographic aspects of population - births, deaths, migration, disease - within the context of broader social impacts, like work, health and wealth inequalities; - uses illustrative examples from the developed and developing world, avoiding a distinct UK, European or "Western" bias; - is illustrated throughout with pedagogic features, like chapter opening summaries, concluding list of key terms, suggestions for further readings, case study examples ("boxes"), and a glossary and full index. This text will be widely used as the standard and most up-to-date text on population and society for courses in the social sciences.
This book explores the many varied ways in which family and intimate lives are realized through mobility: from leaving home, courtship, relationship breakdown, moving house, commuting, family holidays through to children's mobilities, documenting how mobility creates, sustains and dissolves family and intimate relations.
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