From ancient sages, spiritual teachers such as the Buddha, philosophers including Plato and Seneca to modern-day quantum physicists, life-long student of religions and spiritual traditions, philosophy and quantum physics, Clare Goldsberry, walks us through the mystery of death and dying, as well as the questions of the meaning and purpose of life. With her insights as a Buddhist practitioner and teacher, student of Hinduism, as well as the journey of the cancer diagnosis of her significant other and his death, she provides a unique view into living and dying as seen through the ages from those who’ve sought answers into this most mysterious of experiences—this thing we call death.
From ancient sages, spiritual teachers such as the Buddha, philosophers including Plato and Seneca to modern-day quantum physicists, life-long student of religions and spiritual traditions, philosophy and quantum physics, Clare Goldsberry, walks us through the mystery of death and dying, as well as the questions of the meaning and purpose of life. With her insights as a Buddhist practitioner and teacher, student of Hinduism, as well as the journey of the cancer diagnosis of her significant other and his death, she provides a unique view into living and dying as seen through the ages from those who’ve sought answers into this most mysterious of experiences—this thing we call death.
For Nan, on the threshold of puberty, and her younger sister Mary, innocence blends uneasily with the trials of convent life and a shadowy knowledge of the facts of life. For their mother, buffeted by the whims of her tyrannical, unreliable husband, the days take on an unreal, dreamlike quality. And while Nellie, the Dickensian maid with a dubious past, regales the children with tales of her antics, home becomes a haven to a stream of unwelcome guests - as the dangerous depths of the adult world loom ever closer...
Grace Tynan's life is terrifyingly planned: her career in real estate, the school car pool, her marriage to a man with seven alarm clocks. But after a dreadlocked dropout called Adam knocks the side mirror off her BMW, her friends start noticing alarming changes.
Focusing on the dilemmas of contemporary women and issues of responsibility and choice, Clare Boylan's writing has become a much-loved voice of contemporary fiction. Here, published in a single volume for the first time, are all three of her collections: A NAIL ON THE HEAD, CONCERNING VIRGINS and THAT BAD WOMAN. The stories are bewitching as they unsettle, confirming Clare Boylan's ability to subvert our reactions with irony as subtle and deft as a surgeon's blade.
When aristocratic Englishwoman Elinore Dubois married a handsome young Irishman, her mother warned her that he would give her ten children and leave her destitute. In fact there are only nine Devlins, but in a two-roomed Dublin tenement, Elinore vents her disappointment on her seven daughters and in particular, on beautiful Daisy, whose refusal to accept the grim realities of her life infuriates Mama - and masks the tragic secret of her childhood. Set in Dublin at the turn of the century, Home Rule is a vivid and poignant portrait of a family of spirited girls at the disposal of men and mothers and a celebration of the humourless life force that sustains them. This is the sequel to HOLY PICTURES.
To Eugene Rafferty, girls are like money - they have to be saved. Despite living in 1950s Dublin, his three daughters, Bridie, Kitty and Rose, seem doomed to a Victorian childhood. However, as fortunes decline the Rafferty's are forced to take in lodgers and these independent but eccentric outsiders introduce the girls to new experiences - sex and superstition, of spite, of true love and tragedy. For in a world caught between the aftershock of the war and the transforming liberalism of the 1960s there are two states of womanhood: single, and caught up in the comic and desperate search for a suitable husband, or married and enduring the claustrophobia of suburban life. Evoking the magic of childhood and adolescence with rare subtlety, wit and warmth, ROOM FOR A SINGLE LADY is both delightfully comic and genuinely moving.
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