Bringing together approaches from cultural and urban history, as well as German studies and political theory, Clare Copley's probing study reflects on post-unification responses to iconic Nazi architecture to reveal insights into power, legitimacy and memory politics in the Berlin Republic. Analysing public debates, physical interventions into the buildings and the structuring of the memory landscapes around them, the book demonstrates that the politics of memory impact not just upon the built environment of the post-dictatorship city, but upon the way decisions about it are made. In doing so, Nazi Buildings, Cold War Traces and Governmentality in Post-Unification Berlin makes the case for conceiving of a specifically 'post-authoritarian' governmentality and uses the responses to constructions like Goering's Aviation Ministry, Tempelhof Airport and the Olympic complex to explore its features.
Bringing together approaches from cultural and urban history, as well as German studies and political theory, Clare Copley's probing study reflects on post-unification responses to iconic Nazi architecture to reveal insights into power, legitimacy and memory politics in the Berlin Republic. Analysing public debates, physical interventions into the buildings and the structuring of the memory landscapes around them, the book demonstrates that the politics of memory impact not just upon the built environment of the post-dictatorship city, but upon the way decisions about it are made. In doing so, Nazi Buildings, Cold War Traces and Governmentality in Post-Unification Berlin makes the case for conceiving of a specifically 'post-authoritarian' governmentality and uses the responses to constructions like Goering's Aviation Ministry, Tempelhof Airport and the Olympic complex to explore its features.
In 16th century England many loyal subjects to the crown were asked to make a terrible choice: to follow their monarch or their God. The era was one of unprecedented authoritarianism: England, it seemed, had become a police state, fearful of threats from abroad and plotters at home. This age of terror was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, could such a remarkable man born into such violently volatile times apparently make no comment about the state of England in his work? He did. But it was hidden. Revealing Shakespeare's sophisticated version of a forgotten code developed by 16th-century dissidents, Clare Asquith shows how he was both a genius for all time and utterly a creature of his own era: a writer who was supported by dissident Catholic aristocrats, who agonized about the fate of England's spiritual and political life and who used the stage to attack and expose a regime which he believed had seized illegal control of the country he loved. Shakespeare's plays offer an acute insight into the politics and personalities of his era. And Clare Asquith's decoding of them offers answers to several mysteries surrounding Shakespeare's own life, including most notably why he stopped writing while still at the height of his powers. An utterly compelling combination of literary detection and political revelation, Shadowplay is the definitive expose of how Shakespeare lived through and understood the agonies of his time, and what he had to say about them.
The part religion played in questions of national identity in early modern England is a familiar historical theme, yet little work has been done on how this worked culturally. Nowhere is this more visible than in the seeming contradiction of a militantly Protestant nation such as England, that had a high regard for Catholic art. It is this dichotomy, the tensions between art and anti-Catholicism, that forms the central investigation of this book. During the late seventeenth and eighteenth century, religious art was closely identified with idolatry, and the use of images was one of the most obvious markers of the boundary between Protestantism and Catholicism. This manifested itself in an unease about the status of the religious image in English society, which was articulated in religious tracts, anti-Catholic propaganda, polemical debate, court cases and numerous other places. In light of these attacks upon 'idolatry', the fact that a great deal of Catholic art was so highly regarded and sought after seems puzzling. By discussing English attitudes towards the works of Italian painters (including Raphael, Michelangelo and Domenichino) and the ways in which native artists sought appropriately Protestant ways of emulating them, this volume offers a fascinating perspective on the dichotomy that existed between English appreciation and disapproval of Catholic culture. By taking this cultural and artistic approach and applying it to the broader historical themes, a new and invigorating way of understanding religion and national identity is offered.
This book examines sentence structure in Plains Cree, an Algonquian language of western Canada. Its detailed discussion of the typologically significant syntactic and semantic properties of Plains Cree makes it a valuable resource for those already familiar with this language family and to the wider field of language typology.
This book presents Clare's poetry exactly as he wrote it, and includes selections from his `mad' poems as well as his earlier descriptions of birds, animals and village life.
Clare Croft chronicles the role of dance and dancers in American cultural diplomacy, telling the story of how tours sponsored by the US State Department shaped and sometimes re-imagined ideas of America in unexpected, often sensational circumstances.
This second edition is fully updated to include new developments in the study of metamorphism as well as enhanced features to facilitate course teaching. It integrates a systematic account of the mineralogical changes accompanying metamorphism of the major rock types with discussion of the conditions and settings in which they formed. The use of textures to understand metamorphic history and links to rock deformation are also explored. Specific chapters are devoted to rates and timescales of metamorphism and to the tectonic settings in which metamorphic belts develop. These provide a strong connection to other parts of the geology curriculum. Key thermodynamic and chemical concepts are introduced through examples which demonstrate their application and relevance. Richly illustrated in colour and featuring end-of-chapter and online exercises, this textbook is a comprehensive introduction to metamorphic rocks and processes for undergraduate students of petrology, and provides a solid basis for advanced study and research.
From the mills of Ancoats to the new Lowry centre, this book explores Manchester's extraordinary wealth of civic, industrial and commercial architecture, using more than 200 colour illustrations.
In recent times clothing has come to be seen as a topic worthy of study, yet there has been little source material available. This three-volume edition presents previously unpublished documents which illuminate key developments and issues in clothing in nineteenth-century England.
The first full study of women's participation in the British anti-slavery movement. It explores women's distinctive contributions and shows how these were vital in shaping successive stages of the abolutionist campaign.
From its earliest days, Boston decreed that its children be taught to read and write English and understand the laws. In 1826, free and compulsory education was introduced. The wish to educate the young conflicted with the great need for unskilled labor in the fields and factories. With adult wages low, schoolchildren helped their families by selling newspapers, shining shoes, hawking goods, or scavenging. On reaching 14 years of age, many children left school to find full-time work. Fearing that these children would end up in low-paying, dead-end jobs, Boston Public Schools added trade schools to teach craft skillscarpentry, printing, and metalwork for boys; dressmaking, cooking, and embroidery for girls. The national struggle to ban child labor began in the mid-19th century and ended with the passage of the Fair Labor Standards Act of 1938. This book describes the efforts in Boston and surrounding towns to keep children in school, at least until age 16, before permitting them to start work. The bulk of the images included were taken by Lewis Wickes Hine during his several visits to Boston between 1909 and 1917.
The common reputation of the British Labour Party has always been as 'a thing of the town', an essentially urban phenomenon which has failed to engage with the rural electorate or identify itself with rural issues. Yet during the inter-war years, Labour viewed the countryside as a crucial electoral battleground - even claiming that the party could never form a majority administration without winning a significant number of seats across rural Britain. Committing itself to a series of campaigns in rural areas during the 1920s and 30s, Labour developed a rural and often specifically agricultural programme on which to attract new support and members. Labour and the Countryside takes this forgotten chapter in the party's history as a starting point for a fascinating and wide-ranging re-examination of the relationship between the British Left and rural Britain. The first account of this aspect of Labour's history, this book draws on extensive research across a wide variety of original source material, from local party minutes and trade union archives to the records of Labour's first two periods in government. Historical, literary, and visual representations of the countryside are also examined, along with newspapers, magazines, and propaganda materials. In reconstructing the contexts within which Labour attempted to redefine itself as a voice for the countryside, the resulting study presents a fresh perspective on the political history of the inter-war years.
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