What does it mean to love a woman—a mother, an other—and hold her at arm’s length? Clara Joseph’s third collection of poems, M/OTHER, skillfully navigates the nuances and irony of this daily exercise. With each turn of the page, the narrative gains emotional intensity and takes readers on unexpected journeys, such as this one: “He smiled like the man he was/as he copied wonder into my lap, . . ./And I bent to smell his washed scalp;/the nip was barely visible . . ./And the snake slid away/in the shadows between/our hooves.” While the collection playfully experiments with language and form, it never obscures the gravity of its themes, as in the parenthetical query: “(Could I be a Ruth to my Naomi?/Or would I be—simply—ruthless?)” The collection is divided into three parts, each exploring the multifaceted nature of motherhood, uncovering biographical details, certainties, uncertainties, and the intricacies of hidden pasts. It also contemplates unconventional messages, both reverent and irreverent, unveiling their magical essence. In the final section, the book contemplates senility and will, death and miracle, and survival and freedom.
An evocative and thought-provoking collection of poetry that reveals more with each reading. Clara Joseph covers a wide range of themes and ideas whilst tying them all together under the recurring image of the face, seen from many different angles and in different guises. She seamlessly transitions between personal poems of change, transition, or personal philosophising to more public issues of justice and injustices, violation and destruction, all whilst bringing it back to the singular notion of the self and the perception of the self within the world.
Ranging from satire to meditation to philosophy to the comic, Clara Joseph’s second book of poetry, Dandelions for Bhabha, is an intense engagement with philosophers and literary/cultural theorists and their controversial positions. Her poems reflect on the postmodern condition when “The screaming begins at the wall / when one chick is taken” and “Universal Justice is dragged / to Auschwitz.” The collection, divided into three sections, “Descartes’ Lover,” “Jus’ Thinkin’,” and “To Talisman,” engages with ethics and with thinkers such as Roland Barthes, Jeremy Bentham, Homi K. Bhabha, Paul de Man, Jacques Derrida, Michel Foucault, Mahatma Gandhi, Stephen Greenblatt, David Hume, Friedrich Nietzsche, Jean-Paul Sartre, and Gayatri Spivak. The poems in Dandelions for Bhabha are, as the title hints, enchanting and unexpected opportunities to philosophize art and aestheticize thought. Narratives of miracles, refl ections on visuals, and dialogues of the dead enter the hopes, joys, and wonders of daily living. Joseph’s skill is to narrow the gap between the creative and the critical, and to provoke. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #000000} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Times; color: #000000}
What does it mean to love a woman—a mother, an other—and hold her at arm’s length? Clara Joseph’s third collection of poems, M/OTHER, skillfully navigates the nuances and irony of this daily exercise. With each turn of the page, the narrative gains emotional intensity and takes readers on unexpected journeys, such as this one: “He smiled like the man he was/as he copied wonder into my lap, . . ./And I bent to smell his washed scalp;/the nip was barely visible . . ./And the snake slid away/in the shadows between/our hooves.” While the collection playfully experiments with language and form, it never obscures the gravity of its themes, as in the parenthetical query: “(Could I be a Ruth to my Naomi?/Or would I be—simply—ruthless?)” The collection is divided into three parts, each exploring the multifaceted nature of motherhood, uncovering biographical details, certainties, uncertainties, and the intricacies of hidden pasts. It also contemplates unconventional messages, both reverent and irreverent, unveiling their magical essence. In the final section, the book contemplates senility and will, death and miracle, and survival and freedom.
By studying the history and sources of the Thomas Christians of India, a community of pre-colonial Christian heritage, this book revisits the assumption that Christianity is Western and colonial and that Christians in the non-West are products of colonial and post-colonial missionaries. Christians in the East have had a difficult time getting heard—let alone understood as anti-colonial. This is a problem, especially in studies on India, where the focus has typically been on North India and British colonialism and its impact in the era of globalization. This book analyzes texts and contexts to show how communities of Indian Christians predetermined Western expansionist goals and later defined the Western colonial and Indian national imaginary. Combining historical research and literary analysis, the author prompts a re-evaluation of how Indian Christians reacted to colonialism in India and its potential to influence ongoing events of religious intolerance. Through a rethinking of a postcolonial theoretical framework, this book argues that Thomas Christians attempted an anti-colonial turn in the face of ecclesiastical and civic occupation that was colonial at its core. A novel intervention, this book takes up South India and the impact of Portuguese colonialism in both the early modern and contemporary period. It will be of interest to academics in the fields of Renaissance/Early Modern Studies, Postcolonial Studies, Religious Studies, Christianity, and South Asia.
The Agent in the Margin: Nayantara Sahgal’s Gandhian Fiction is a comprehensive study of the literary works of Nayantara Sahgal, daughter of Vijaya Lakshmi Pandit—the first woman president of the United Nations General Assembly—and niece of Jawaharlal Nehru, India’s first prime minister. Clara A.B. Joseph introduces Mahatma Gandhi’s political and philosophical to literary analysis and utilizes non-structuralist aspects of Louis Althusser’s theories of ideology to trace how characters marginalized by gender, class, race, and language in Sahgal’s work assume agency, challenging poststructuralist theories of cultural and ideological determinism. She considers how gender complicates autobiography and how the roles of daughter, virgin, wife, widow, and alien serve (often ironically) to highlight human dignity.
India’s Nonviolent Freedom Struggle focuses on the Thomas Christians, a group of Christians in South India who waged a nonviolent struggle against European colonization during the politically volatile period of 1599-1799. This book has three related objectives and unique characteristics. First, it offers a comprehensive study of primary sources that scholars have referenced but rarely studied in-depth. Second, it argues that the Thomas Christian narratives provide a unique position to challenge prevalent estimations found in canonical and postcolonial critical discourse on the nation. Third, it considers how an account of a nonviolent struggle by Thomas Christians further complicates received ideas of the postcolonial nation. It sheds light on the often-overlooked contributions of the Thomas Christians in India’s nonviolent freedom struggle and challenges readers to reimagine the complex and often contentious relationship between colonizers and colonized. A groundbreaking book that offers a fresh perspective on the Indian freedom struggle and the study of Indian history, this book is an essential read for scholars of colonialism, anticolonial movements, and the history of India.
An evocative and thought-provoking collection of poetry that reveals more with each reading. Clara Joseph covers a wide range of themes and ideas whilst tying them all together under the recurring image of the face, seen from many different angles and in different guises. She seamlessly transitions between personal poems of change, transition, or personal philosophising to more public issues of justice and injustices, violation and destruction, all whilst bringing it back to the singular notion of the self and the perception of the self within the world.
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