Based on the author’s successful courses and workshops, Painting for the Absolute and Utter Beginner really does start at the beginning, helping new painters find "what works" while providing information on all the necessary tools, tips, and techniques they’ll need to create a representational painting. The chapters follow a progressive sequence that teaches basic skills through practical, accessible exercises–how to handle a brush, achieve the right paint consistency, mix color, and create dimension–building a solid foundation that readers can rely on as painting projects grow more challenging. A special feature is the artwork and commentary of real students, which helps beginners set realistic goals and shows them how other artists at the same level of experience have worked through inevitable setbacks to achieve success.
This revised 15th anniversary edition of the bestselling beginning drawing book updates art and text examples to include new student pieces, up-to-date materials, and additional sections on drawing in 3D and travel sketching, along with refreshed and contemporary design. Based on author and art instructor Claire Watson Garcia's successful courses and workshops for beginning and aspiring artists, Drawing for the Absolute and Utter Beginner applies a positive, accepting tone to a progressive series of lessons in sketching and rendering. The book's step-by-step methodology and examples of student works from earliest efforts to completed drawings give novices the tools and techniques needed to make competent and eloquent renderings of still lifes, portraits, and more. In this revised edition, Garcia covers such in-demand subject matter as drawing-on-the-go, drawing in three dimensions, and drawing the portrait at a three-quarter view. The reinvigorated art and text ensure that this drawing instruction classic will continue to appeal to new generations of aspiring artists.
This revised 15th anniversary edition of the bestselling beginning drawing book updates art and text examples to include new student pieces, up-to-date materials, and additional sections on drawing in 3D and travel sketching, along with refreshed and contemporary design. Based on author and art instructor Claire Watson Garcia's successful courses and workshops for beginning and aspiring artists, Drawing for the Absolute and Utter Beginner applies a positive, accepting tone to a progressive series of lessons in sketching and rendering. The book's step-by-step methodology and examples of student works from earliest efforts to completed drawings give novices the tools and techniques needed to make competent and eloquent renderings of still lifes, portraits, and more. In this revised edition, Garcia covers such in-demand subject matter as drawing-on-the-go, drawing in three dimensions, and drawing the portrait at a three-quarter view. The reinvigorated art and text ensure that this drawing instruction classic will continue to appeal to new generations of aspiring artists.
Based on the author’s successful courses and workshops, Painting for the Absolute and Utter Beginner really does start at the beginning, helping new painters find "what works" while providing information on all the necessary tools, tips, and techniques they’ll need to create a representational painting. The chapters follow a progressive sequence that teaches basic skills through practical, accessible exercises–how to handle a brush, achieve the right paint consistency, mix color, and create dimension–building a solid foundation that readers can rely on as painting projects grow more challenging. A special feature is the artwork and commentary of real students, which helps beginners set realistic goals and shows them how other artists at the same level of experience have worked through inevitable setbacks to achieve success.
Based upon the author’s own successful workshops, Drawing for the Absolute and Utter Beginner helps new artists create competent, often eloquent drawings. A series of progressive lessons demonstrates such essential skills as recording edges, creating dimension, adding accuracy, developing value, balancing compositional elements, and drawing the human face, both frontal and profile views. Step by step, readers learn how to create a reasonable likeness of an object and give it spatial depth using such simple black-and-white mediums as pens, pencils, charcoal, and graphite wash. Inspirational examples and tips for success from beginning students who have worked on the same material confirm readers’ successes, and allow readers to consider the advice and impressions of others at the same level.
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