Cursed to shift shape for one day each week, Melusine knows that only love can set her free. When she encounters Raymond, a handsome knight in desperate need of help that only she can give, she believes her chance has come. She vows to be his devoted wife and earn his love, even as she chooses to keep her curse secret. When their happy match is tested by misfortune, Raymond vows to prove jealous whispers wrong. Will he be tempted to break his pledge to Melusine in search of the truth? And will his love of his bride survive if her secret is revealed?
In Lucy Hutchinson and the English Revolution, Claire Gheeraert-Graffeuille explores Lucy Hutchinson's historical writings and the Memoirs of the Life of Colonel Hutchinson, which, although composed between 1664 and 1667, were first published in 1806. The Memoirs were a best-seller in the nineteenth century, but largely fell into oblivion in the twentieth century. They were rediscovered in the late 1980s by historians and literary scholars interested in women's writing, the emerging culture of republicanism, and dissent. By approaching the Memoirs through the prism of history and form, this book challenges the widely-held assumption that early modern women did not - and could not - write the history of wars, a field that was supposedly gendered as masculine. On the contrary, Gheeraert-Graffeuille shows that Lucy Hutchinson, a reader of ancient history and an outstanding Latinist, was a historian of the English Revolution, to be ranked alongside Richard Baxter, Edmund Ludlow, and Edward Hyde.
Tales of fantasy, romance and forbidden loveÉ Six magical short works of fantasy, romance and forbidden love from New York TimesÕ Bestselling Author Claire Delacroix (also writing as Deborah Cooke) gathered into a single volume for the first time. Included are An Elegy for Melusine, Amor Vincit Omnia, The Leaves, The Kiss of the Snow Queen, Coven of Mercy and The Ballad of Rosamunde.
Eight interviews, eight stories, eight commentaries. Eight of Canada's finest writers. Writers Talking gives readers a chance to listen in: Terry Griggs on where stories come from, Michael Winter on writing Newfoundland, K. D. Miller on being an actor who writes. The volume also features stories by and conversations with Mary Borsky, Steven Heighton, Elise Levine, Annabel Lyon, and Lisa Moore.
In Ruling the Spirit, Claire Taylor Jones revises the narrative of women's involvement in the German Dominican order, arguing that Dominican women did not lose their piety and literacy in the fifteenth century as is commonly believed, but instead were encouraged to reframe their practice around the observance of the Divine Office.
Between 1922 and 1996, over 10,000 girls and women were imprisoned in Magdalene Laundries, including those considered 'promiscuous', a burden to their families or the state, those who had been sexually abused or raised in the care of the Church and State, and unmarried mothers. These girls and women were subjected to forced labour as well as psychological and physical maltreatment. Using the Irish State's own report into the Magdalene institutions, as well as testimonies from survivors and independent witnesses, this book gives a detailed account of life behind the high walls of Ireland's Magdalene institutions. The book offers an overview of the social, cultural and political contexts of institutional survivor activism, the Irish State's response culminating in the McAleese Report, and the formation of the Justice for Magdalenes campaign, a volunteer-run survivor advocacy group. Ireland and the Magdalene Laundries documents the ongoing work carried out by the Justice for Magdalenes group in advancing public knowledge and research into Magdalene Laundries, and how the Irish State continues to evade its responsibilities not just to survivors of the Magdalenes but also in providing a truthful account of what happened. Drawing from a variety of primary sources, this book reveals the fundamental flaws in the state's investigation and how the treatment of the burials, exhumation and cremation of former Magdalene women remains a deeply troubling issue today, emblematic of the system of torture and studious official neglect in which the Magdalene women lived their lives. The Authors are donating all royalties in the name of the women who were held in the Magdalenes to EPIC (Empowering People in Care).
The year is 1939. Germany, led by Adolf Hitler, has invaded Poland. The world is about to enter into the biggest and most terrible war in history. But from the depths of despair rose some very courageous, selfless individuals, such as Sophie Scholl, Violette Szabo and Raymond Aubrac, who risked their lives for the sakes of others in need, often for no gain and with no recognition. Here are some of their incredible stories...
What has Luce Irigaray’s statement that women need a God to do with her thoughts on the relation between body and mind, or the sensible and the intelligible? Using the theological notion ‘incarnation’ as a hermeneutical key, Anne-Claire Mulder brings together and illuminates the interrelations between these different themes in Luce Irigaray’s work. Seesawing between Luce Irigaray’s critique of philosophical discourse and her constructive philosophy, Mulder elucidates Irigaray’s thoughts on the relations between ‘becoming woman’ and ‘becoming divine’. She shows that Luce Irigaray’s restaging of the relation between the sensible and the intelligible, between flesh and Word, is key to her reinterpretation of the relation between woman and God. In and through her interpretation of Luce Irigaray’s thoughts on the flesh she argues that the relation between flesh and Word must be seen as a dialectical one, instead of as a dualistic relation. This means that ‘incarnation’ is no longer seen as a one-way process of Word becoming flesh, but as a continuing process of flesh becoming word and word becoming flesh. For all images and thoughts – including those of ‘God’ – are produced by the flesh, divine in its creativity inexhaustibility, in response to the touch of the other. And these images, thoughts, words in turn become embodied, by touching and moving the flesh of the subject.
This anthology consists of ten plays from countries involved in the First World War, including plays from Germany and France never before available in translation. Representing a range of dramatic forms, from radio play to street-epic, from comic sketch to musical, this anthology includes plays from: Gertrude Stein, Muriel Box, Marion Wentworth Craig, Dorothy Hewett, Berta Lask, Marie Leneru, Wendy Lill, Alice Dunbar Nelson, and Christina Reid. Highly successful in their day, these plays demonstrate how women have attempted to use theatre to achieve social change. The collection explores the historical development of theatrical conventions and genres and the historical context of social and gender issues.
A company of Templar knights, chosen by the Grand Master of the Temple in Jerusalem to deliver a sealed trunk to the Temple in Paris. A group of pilgrims seeking the protection of the Templars to return home as the Muslims prepare to besiege the city. A mysterious treasure that someone will even kill to possess… The Champions of St. Euphemia Boxed Set includes all five medieval romances in this thrilling series by Claire Delacroix. You’ll join the quest to deliver the treasure from Jerusalem to Paris in The Crusader’s Bride. Gaston makes a marriage of convenience with Ysmaine, knowing he needs a son, but soon realizes how little he knows about his new wife. Does he dare to trust her? Can Ysmaine win the heart of her new husband? Follow Wulfe in The Crusader’s Heart, after he encounters the courtesan Christina who refuses to be left behind in Venice. Maybe this alluring woman is exactly what the orphaned knight needs to reawaken his heart and convince him to solve the riddles of his past—can he build a future with Christina? Ride north to England with Bartholomew in The Crusader’s Kiss, in his own quest to reclaim his stolen legacy and avenge his parents: little does he expect to find a woman leading a band of thieves in the forest, much less to pretend she is his wife to undermine the villain. Continue to Scotland with Fergus in The Crusader’s Vow as he returns home after his military service only to find his betrothed has wed another man. A marriage of convenience with his friend and the disguised Saracen Leila seems a fitting compromise, but Leila will not be satisfied until she and Fergus are more than friends and even lovers: she wants to claim his heart for her own. The treasure finds its final sanctuary in Radegunde and Duncan’s tale, The Crusader’s Handfast, a May-December romance between Ysmaine’s maid and Fergus’ man-at-arms, a warrior who believes love has left him behind. Radegunde holds the secrets of her lady, but also proves to have the power to steal Duncan’s heart. The Champions of St. Euphemia Boxed Set includes the complete series of five medieval romances in Claire Delacroix’s sweeping historical series.
**Sophie Claire's sparkling new romance novel, This Christmas in Paris, is available to pre-order now!** Could love be the biggest adventure of all? Filmmaker Lily's life is all about work and adventure. So when she suffers an accident on her travels and finds herself recuperating in the quiet French seaside village where she spent her childhood, she can't wait to escape. Not least because Olivier - Lily's childhood friend and former crush, who she has spent the last thirteen years avoiding - is staying next door . . . Strong-minded baker Olivier is happily settled in St Pierre, preparing to marry and put down roots. But Lily's return to the village risks turning his carefully-laid plans upside-down, and as the pair rediscover their familiar rivalry and fun, sparks fly. Is Lily really as fearless and independent as she seems on the surface - or is she just running from the past? And what if Olivier is the only one who can teach her what it really means to be brave? *** Readers love Summer at the French Olive Grove! 'Romantic . . . heartwarming and uplifting' ⭐⭐⭐⭐⭐ Reader Review 'The perfect summery read' ⭐⭐⭐⭐⭐ Reader Review 'Heartwarming, humorous and heartbreaking' ⭐⭐⭐⭐⭐ Reader Review 'Glorious setting . . . you can almost feel the warm sunshine on your skin' ⭐⭐⭐⭐⭐ Reader Review 'A stunning story . . . heart, love, loss and a delightful cast of characters' ⭐⭐⭐⭐⭐ Reader Review
Gaston battled for duty and honor—until Ysmaine tempted him to fight for her love... When the Templar knight Gaston unexpectedly inherits his family estate, he knows he needs a wife and heir. A marriage of convenience to a widow in need of assistance is a practical solution and the newly-wed pair leave Jerusalem, entrusted with the delivery of a package for the Templars. Away from the life he has known for years, Gaston quickly realizes that little is following his plan—especially his mysterious wife, whose presence awakens an unexpected fire... Twice widowed, Ysmaine doubts she will ever wed again, let alone have a marriage of merit—until she is charmed by the gruff knight intent upon defending her. Ysmaine weds again, not only by her own choice but to a warrior whose honor she admires. She is determined to show Gaston that marriage has more to offer them both than an heir, but first she must win the trust of the wary man she has impulsively wed... Neither realize that Gaston has been entrusted with the treasure of the Templars—much less that someone in their small party is intent upon claiming the prize at any cost. In a company of strangers with secrets, can Gaston dare to trust his new bride? Can Ysmaine convince Gaston to confide what he knows? Can they solve the riddle together before the villain’s plan comes to fruition and all is lost? * * * The Champions of St. Euphemia series follows the quest of a group of knights entrusted with a treasure in Jerusalem which they must deliver safely to Paris on their way to their respective homes. They find adventure and peril on the way, as well as romance. Since the stories overlap and build upon each other, they should be read in order. 1. The Crusader's Bride 2. The Crusader's Heart 3. The Crusader's Kiss 4. The Crusader's Vow 5. The Crusader's Handfast * * * medieval romance, series starter, first-in-series, historical romance, Templar, knight, medieval, action adventure, quest, treasure, disguise, secret identity, lost heir, widow, arranged marriage, marriage of convenience, friends to lovers, scottish, highlander, may december, warrior, jerusalem, venice, paris, scotland, england, robin hood, fish out of water
Following her arrest and subsequent expulsion from medical school, Katherine Raymond is forced to undergo court-mandated therapy sessions as she works a donut shop drive-thru, unwillingly reunites with her family, gets involved in some questionable dealings at the funeral home next door, and discovers just how quickly a life can fall apart when youre not paying attention.
The trauma of losing a sibling when we are in our adult years is one of the most unrecognized and undertreated areas of psychology. There is no other loss in adult life that appears to be so neglected as the death of a brother or sister, says bereavement specialist and psychologist, Therese Rando. And Rando is just one expert author Berman interviews in this moving book about loss. We see here how, when an adult dies, the parents, spouse, and children of that person become the focus, but brothers and sisters most often fall to the sidelines and are left to find a way to deal with the grief and recover alone. Yet, when a brother or sister dies, we lose our longest lifetime companion, someone with whom we have shared an intimate family history. And, in most cases, that was someone for whom we had conflicted feelings: shared identity yet competitive feelings, pride yet jealousy, love yet hate. Most of us come to make peace with the relationship at some point. How to make peace with the death of the sibling - which can conjure up a well of feelings, from wishing you were closer to wanting to change some past events you shared - can haunt an adult. But author Claire Berman, who lost her own sister to heart disease in the week of September 11, 2001, when America lost its innocence, takes us into the emotional world of sibling loss, showing us how to understand and navigate the aftermath of a loss that can leave adults feeling angry, confused, guilty, empty, or just like Berman, wanting to hit that speed dial button still marked with her sister's name.
Unwilling to let go of the son she dearly loves when she realizes that he is on the brink of manhood, Barbara is devastated by her changing roles as a mother and struggles with letting him forge his own path.
The first book to look at the structural, legal, and cultural aspects of J. Edgar Hoover's war on crime in the 1930s, a New Deal campaign which forged new links between citizenship, federal policing, and the ideal of centralized government. WAR ON CRIME reminds us of how and why our worship of violent celebrity hero G-men and gangsters came about and how we now are reaping the results. 10 photos.
South Windsor owes its location to the Connecticut River, whose periodic floods created fertile lowlands that nourished livestock and crops. Tobacco became a mainstay of South Windsor's agricultural life in the early to mid-19th centuries, with mills on the Scantic and Podunk Rivers, tributaries of the Connecticut. Well into the 20th century, South Windor's children still attended some of the one- and two-room schoolhouses around town until the post-World War II baby boom and influx of new residents necessitated new buildings.
Drawing on ethnographic research, this book explores individualized religion in and around Hebden Bridge in West Yorkshire. Claire Wanless demonstrates that counter to the claims of secularization theorists, the combination of informal structures and practices can provide a viable basis for socially significant religious activity that can sustain itself. The subjects of this research claim a variety of religious identities and practices, and are suspicious of religious institutions, hierarchies, rules and dogmas. Yet they participate actively in an overlapping and cross-linking informal network of practice communities and other associations. Their engagements propagate and sustain a core ideology that prioritizes subjectivity, locates authority at the level of the individual, and also predicates itself on ideals of sharing, mutuality and community. Providing a new theory of religious association, this book is a nuanced counterpoint to the secularization thesis in the UK and points the way to new research on individual religion.
This book is a must-read for any specialist in the history of colonial and post-colonial psychiatry, as well as a fantastic case study for those interested in the social history of European colonialism more generally.― Choice Claire Edington's fascinating look at psychiatric care in French colonial Vietnam challenges our notion of the colonial asylum as a closed setting, run by experts with unchallenged authority, from which patients rarely left. She shows instead a society in which Vietnamese communities and families actively participated in psychiatric decision-making in ways that strengthened the power of the colonial state, even as they also forced French experts to engage with local understandings of, and practices around, insanity. Beyond the Asylum reveals how psychiatrists, colonial authorities, and the Vietnamese public debated both what it meant to be abnormal, as well as normal enough to return to social life, throughout the early twentieth century. Straddling the fields of colonial history, Southeast Asian studies and the history of medicine, Beyond the Asylum shifts our perspective from the institution itself to its relationship with the world beyond its walls. This world included not only psychiatrists and their patients, but also prosecutors and parents, neighbors and spirit mediums, as well as the police and local press. How each group interacted with the mentally ill, with each other, and sometimes in opposition to each other, helped decide the fate of those both in and outside the colonial asylum.
Films recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.
Listening to what she terms 'unruly pirate voices' in early modern English literature, in this study Claire Jowitt offers an original and compelling analysis of the cultural meanings of 'piracy'. By examining the often marginal figure of the pirate (and also the sometimes hard-to-distinguish privateer) Jowitt shows how flexibly these figures served to comment on English nationalism, international relations, and contemporary politics. She considers the ways in which piracy can, sometimes in surprising and resourceful ways, overlap and connect with, rather than simply challenge, some of the foundations underpinning Renaissance orthodoxies-absolutism, patriarchy, hierarchy of birth, and the superiority of Europeans and the Christian religion over other peoples and belief systems. Jowitt's discussion ranges over a variety of generic forms including public drama, broadsheets and ballads, prose romance, travel writing, and poetry from the fifty-year period stretching across the reigns of three English monarchs: Elizabeth Tudor, and James and Charles Stuart. Among the early modern writers whose works are analyzed are Heywood, Hakluyt, Shakespeare, Sidney, and Wroth; and among the multifaceted historical figures discussed are Francis Drake, John Ward, Henry Mainwaring, Purser and Clinton. What she calls the 'semantics of piracy' introduces a rich symbolic vein in which these figures, operating across different cultural registers and appealing to audiences in multiple ways, represent and reflect many changing discourses, political and artistic, in early modern England. The first book-length study to look at the cultural impact of Renaissance piracy, The Culture of Piracy, 1580-1630 underlines how the figure of the Renaissance pirate was not only sensational, but also culturally significant. Despite its transgressive nature, piracy also comes to be seen as one of the key mechanisms which served to connect peoples and regions during this period.
A NEW YORK TIMES NOTABLE BOOK • NATIONAL BESTSELLER • A timely, passionate, provocative, blisteringly smart interrogation of how we make and experience art in the age of cancel culture, and of the link between genius and monstrosity. Can we love the work of controversial classic and contemporary artists but dislike the artist? "A lively, personal exploration of how one might think about the art of those who do bad things" —Vanity Fair • "[Dederer] breaks new ground, making a complex cultural conversation feel brand new." —Ada Calhoun, author of Also a Poet From the author of the New York Times best seller Poser and the acclaimed memoir Love and Trouble, Monsters is “part memoir, part treatise, and all treat” (The New York Times). This unflinching, deeply personal book expands on Claire Dederer’s instantly viral Paris Review essay, "What Do We Do with the Art of Monstrous Men?" Can we love the work of artists such as Hemingway, Sylvia Plath, Miles Davis, Polanski, or Picasso? Should we? Dederer explores the audience's relationship with artists from Michael Jackson to Virginia Woolf, asking: How do we balance our undeniable sense of moral outrage with our equally undeniable love of the work? Is male monstrosity the same as female monstrosity? And if an artist is also a mother, does one identity inexorably, and fatally, interrupt the other? In a more troubling vein, she wonders if an artist needs to be a monster in order to create something great. Does genius deserve special dispensation? Does art have a mandate to depict the darker elements of the psyche? And what happens if the artist stares too long into the abyss? Highly topical, morally wise, honest to the core, Monsters is certain to incite a conversation about whether and how we can separate artists from their art. “Monsters leaves us with Dederer’s passionate commitment to the artists whose work most matters to her, and a framework to address these questions about the artists who matter most to us." —The Washington Post A Best Book of the Year: The New York Times, NPR, The Washington Post, The New Yorker, Vulture, Elle, Esquire, Kirkus
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