America’s Philosopher examines how John Locke has been interpreted, reinterpreted, and misinterpreted over three centuries of American history. The influence of polymath philosopher John Locke (1632–1704) can still be found in a dizzying range of fields, as his writings touch on issues of identity, republicanism, and the nature of knowledge itself. Claire Rydell Arcenas’s new book tells the story of Americans’ longstanding yet ever-mutable obsession with this English thinker’s ideas, a saga whose most recent manifestations have found the so-called Father of Liberalism held up as a right-wing icon. The first book to detail Locke’s trans-Atlantic influence from the eighteenth century until today, America’s Philosopher shows how and why interpretations of his ideas have captivated Americans in ways few other philosophers—from any nation—ever have. As Arcenas makes clear, each generation has essentially remade Locke in its own image, taking inspiration and transmuting his ideas to suit the needs of the particular historical moment. Drawing from a host of vernacular sources to illuminate Locke’s often contradictory impact on American daily and intellectual life from before the Revolutionary War to the present, Arcenas delivers a pathbreaking work in the history of ideas.
This ground breaking and accessible study explores the connections between the English Reformation's impact on the belief in eternal salvation and how it affected ways of believing in the plays of Shakespeare. Claire McEachern examines the new and better faith that Protestantism imagined for itself, a faith in which scepticism did not erode belief, but worked to substantiate it in ways that were both affectively positive and empirically positivist. Concluding with in-depth readings of Richard II, King Lear and The Tempest, the book represents a markedly fresh intervention in the topic of Shakespeare and religion. With great originality, McEachern argues that the English reception of the Calvinist imperative to 'know with' God allowed the very nature of literary involvement to change, transforming feeling for a character into feeling with one.
Urban Homelands explores writing by Native Oklahomans that connects urban homelands in Oklahoma and beyond and reveals the need for a new methodology of urban Indian studies.
When firefighter Connor Mahoney decides to run for mayor, he’s confident of victory because of his brilliant idea to put Frank, a local canine hero who saved a drowning child, on the ticket with him. Then Connor gets some unwanted help from the Dogmothers, who think a pretty new arrival from Washington DC would make a perfect campaign manager for their highly-eligible bachelor grandson. Connor might like the idea of working with gorgeous Sadie Hartman, but she's doing her best to keep him at arm's length. Disillusioned by politics after her DC experience, Sadie doesn’t want the job, no matter how smoking hot the sexy firefighter is, or how much his sweet grannies push their matchmaking plan. But then Sadie learns that the race has another candidate—a man who was instrumental in wrecking her family. Uncertain the “dog and firefighter” ticket can win, Sadie launches her own campaign to be mayor of Bitter Bark. But everyone is in for a big surprise when a two-hundred year-old law is unearthed to upend the entire election. The only way for Sadie or Connor to save the town from a terrible mayor is to join forces in a way no one is expecting. As Sadie and Connor discover that the best part of running against each other is literally being against each other, it doesn’t take long to realize that sometimes winning the race means losing your heart. The Dogmothers – a spinoff series from the popular “Dogfather” books Hot Under the Collar - Book one Three Dog Night - Book two Dachshund Through the Snow - Book three Chasing Tail - Book four And more to come! Just like The Dogfather books, the covers of The Dogmothers series were all photographed at Alaqua Animal Refuge in Florida, using rescue dogs from the shelter and “local heroes” as models. A portion of book sales is donated to that amazing organization.
Henry Chamberlain was one of the longest-term prisoners of war in World War II. Taken prisoner in the American surrender at Bataan in April 1942, he remained in Japanese captivity until September 1945. During three and a half years of imprisonment, as a medic he was a unique and unfortunate witness to the horrors and terrors the Japanese inflicted on their prisoners during the Bataan Death March and at the notorious Cabanatuan prison camp, where for two years he tended to the sick and wounded, all too often without medicine. In October 1944 the Japanese put Chamberlain on a “hell ship” to forced labor in sugar cane fields in Formosa (now Taiwan) and again, in January 1945, to a Mitsubishi lead and zinc mine in Japan. U.S. military forces reached the camp in September 1945, liberating Chamberlain and his fellow soldiers. Chamberlain’s is a story of excruciating hardship, abiding endurance, and transcendent courage, and writer Claire Swedberg tells it beautifully, with great style and deep pathos, from Chamberlain’s fraught Depression-era boyhood in Nebraska, through his World War II captivity, to his return to Japan in 2018. Like Adam Makos’s Spearhead and Laura Hillenbrand’s Unbroken, this is the account of one man fighting for and with his fellow soldiers against the forces of war in the twentieth-century.
Fantasy addresses a previously neglected area within film studies. The book looks at the key aesthetics, themes, debates and issues at work within this popular genre and examines films and franchises that illustrate these concerns. Contemporary case studies include: Alice in Wonderland (2010) Avatar (2009) The Dark Knight (2008) Edward Scissorhands (1990) Lord of the Rings (2001-2003) Pirates of the Caribbean (2003-2007) Prince of Persia: The Sands of Time (2010) Shrek (2001) Twelve Monkeys (1995) The authors also consider fantasy film and its relationship to myth, legend and fairy tale, examining its important role in contemporary culture. The book provides an historical overview of the genre, its influences and evolution, placing fantasy film within the socio-cultural contexts of production and consumption and with reference to relevant theory and critical debates. This is the perfect introduction to the world of fantasy film and investigates the links between fantasy film and gender, fantasy film and race, fantasy film and psychoanalysis, fantasy film and technology, fantasy film storytelling and spectacle, fantasy film and realism, fantasy film and adaptation, and fantasy film and time.
Films recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.
Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.
The last twenty years have seen a rise in the production, circulation, and criticism of new forms of socially engaged art aimed at achieving social justice and economic equality. In Wages Against Artwork Leigh Claire La Berge shows how socially engaged art responds to and critiques what she calls decommodified labor—the slow diminishment of wages alongside an increase in the demands of work. Outlining the ways in which socially engaged artists relate to work, labor, and wages, La Berge examines how artists and organizers create institutions to address their own and others' financial precarity; why the increasing role of animals and children in contemporary art points to the turn away from paid labor; and how the expansion of MFA programs and student debt helps create the conditions for decommodified labor. In showing how socially engaged art operates within and against the need to be paid for work, La Berge offers a new theorization of the relationship between art and contemporary capitalism.
′This is a very exciting book and should be read widely by anyone who wants a better understanding of the role of assessment in the diverse, globalised, digital societies of the 21st century.′ - Professor Mary James, University of Cambridge, President, British Educational Research Association ′Highly readable and thoroughly researched, this call for a new vision of education deserves to be ready by all those who share the concern to shape today′s assessment practices to meet the needs of tomorrow′s society.′ - Professor Patricia Broadfoot, CBE, University of Bristol Do you need a practical guide to assessment, curriculum and policy? Are you also looking for a book that is firmly grounded in theory and professional practice? This book makes assessment processes transparent for practitioners, and shows how assessment should align with curriculum and teaching for success in education. The book will show you how practitioner use of achievement standards can improve learning, equity, social justice and accountability. Inside this book, you will learn about: Quality assessment and judgement practice Relationships across curriculum, assessment, teaching and learning Front-ending assessment based on the learner′s needs Practitioner judgement approaches and standards The conditions under which teacher assessment can be valid Principles derived from research of social moderation practices Assessment for Education is the perfect guide for students, researchers, academics and teaches, and anyone working in curriculum and assessment policy.
American Smart Cinema examines a contemporary type of US filmmaking that exists at the intersection of mainstream, art and independent cinema and often gives rise to absurd, darkly comic and nihilistic effects.
This book covers everything you need to know about human and animal skeletons. Diagrams and photographs bring the subject to life, while a glossary, an index, and discussion questions aid in reading comprehension. Grade: 4 Subject: Life Science Genre: Informational Text Comprehension Skill/Strategy: Compare and Contrast Diagnostic Reading Assessment (DRA/EDL): 40 Guided Reading Level: R Lexile Level: 770L DK's iOpeners equip K-6 students with the skills and strategies they need to access and comprehend nonfiction so that they are not only learning to read but reading to learn. The combination of high-interest content and eye-popping photography of iOpeners brings science and social studies topics to life, raises student achievement in reading, and boosts standardized test scores.
Exploring the experiences of early to mid-twentieth century British theatre-makers in Russia, this book imagines how these travellers interpreted Russian realism, symbolism, constructivism, agitprop, pageantry, dance or cinema. With some searching for an alternative to the corporate West End, some for experimental techniques and others still for methods that might politically inspire their audiences, did these journeys make any differences to their practice? And how did distinctly Russian techniques affect British theatre history? Migrating Modernist Performance seeks to answer these questions, reimagining the experiences and creative output of a range of, often under-researched, practitioners. What emerges is a dynamic collection of performances that bridge geographical, aesthetic, chronological and political divides.
Harlequin Heartwarming celebrates wholesome, heartfelt relationships that focus on home, family, community and love. Experience all that and more with four new novels in one collection! This Harlequin Heartwarming box set includes: SECOND CHANCE COWBOY (A Heroes of Shelter Creek Novel) By Claire McEwen Veterinarian Emily Fielding needs help with her practice, but she refuses to hire Wes Marlow, who left town and broke her heart years ago. Can Wes win back her love if he convinces her he’s home to stay? THE DOCTOR AND THE MATCHMAKER (A Veterans’ Road Novel) By USA TODAY bestselling author Cheryl Harper Naval surgeon Wade McNally has a plan: date the perfect woman and build a perfect family. But charmingly unpredictable Brisa Montero catches his eye, and she’s always been great at ruining plans… THE SOLDIER’S UNEXPECTED FAMILY By Tanya Agler When Aidan Murphy shows up to take guardianship of his nephew, he doesn’t expect to find that Natalie Harrison has already accepted the position! And neither of them has any intention of quitting the job. HER WYOMING HERO (An Eclipse Ridge Ranch Novel) By Mary Anne Wilson For Quinn Lake, following tech CEO Seth Reagan to a ranch was purely business, but a case of mistaken identity gives her a reason to stay—and after learning to love again, Quinn can’t imagine leaving. Look for 4 compelling new stories every month from Harlequin Heartwarming!
This book is the sequel to Britain Through Muslim Eyes and examines contemporary novelistic representations of and by Muslims in Britain. It builds on studies of the five senses and ‘sensuous geographies’ of postcolonial Britain, and charts the development since 1988 of a fascinating and important body of fiction by Muslim-identified authors. It is a selective literary history, exploring case-study novelistic representations of and by Muslims in Britain to allow in-depth critical analysis through the lens of sensory criticism. It argues that, for authors of Muslim heritage in Britain, writing the senses is often a double-edged act of protest. Some of the key authors excoriate a suppression or cover-up of non-heteronormativity and women’s rights that sometimes occurs in Muslim communities. Yet their protest is especially directed at secular culture’s ocularcentrism and at successive British governments’ efforts to surveil, control, and suppress Muslim bodies.
Changing Societies seeks to explain sociology through processes of global and local change. It also covers the way in which issues such as racial, gender, and ethnic differences can affect particular social institutions and processes.
Providing a comprehensive guide for understanding, interpreting and synthesizing qualitative studies, An Introduction to Qualitative Research Synthesis shows how data can be collated together effectively to summarise existing bodies of knowledge and to create a more complete picture of findings across different studies The authors describe qualitative research synthesis and argue for its use, describing the process of data analysis, synthesis and interpretation and provide specific details and examples of how the approach works in practice. This accessible book: fully explains the qualitative research synthesis approach; provides advice and examples of findings; describes the process of establishing credibility in the research process; provides annotated examples of the work in process; references published examples of the approach across a wide variety of fields. Helping researchers to understand, make meaning and synthesize a wide variety of datasets, this book is broad in scope yet practical in approach. It will be beneficial to those working in social science disciplines, including researchers, teachers, students and policy makers, especially those interested in methods of synthesis such as meta-ethnography, qualitative meta-analysis, qualitative meta-synthesis, interpretive synthesis, narrative synthesis, and qualitative systematic review.
This collection of essays explores how historians of theatre apply ethical thinking to the attempt to truthfully represent their subject - whether that be the life of a well-known performer, or the little known history of colonial theatre in India - by exploring the process by which such histories are written, and the challenges they raise.
In Translating "Clergie," Claire M. Waters explores medieval texts in French verse and prose from England and the Continent that perform and represent the process of teaching as a shared lay and clerical endeavor.
Covering the whole of the nineteenth century, Wanted! A Nation! reveals how Haiti remained a focus of attention for white as well as Black Americans before, during, and even after the Civil War. Before the Civil War, Claire Bourhis-Mariotti argues, the Black republic was considered by free Black Americans as a place where full citizenship was at hand. Haiti was essentially viewed and concretely experienced as a refuge during moments when free Black Americans lost hope of obtaining rights in the United States. Haiti is also at the heart of this book, as Haitian leaders supported the American emigration to Haiti (in the 1820s and early 1860s), opposed the American geostrategic and diplomatic diktats in the 1870s and 1880s, and finally offered an international platform to Frederick Douglass at the 1893 Columbian World’s Fair, thus helping Black people who faced discrimination at home to fight first against slavery and the slave trade, and then for equal rights. By spanning the entire nineteenth century, Wanted! A Nation! presents a complex panorama of the emergence of African American identity and argues that Haiti should be considered as an essential prism to understand how African Americans forged their identity in the nineteenth century. Drawing on a variety of sources, Wanted! A Nation! goes far beyond the usual framework of national American history and contributes to the writing of an Atlantic and global history of the struggle for equal rights.
The business of birth control is the first book-length study to examine contraceptives as commodities in Britain before the pill. Drawing on new archives and neglected promotional and commercial material, the book demonstrates how hundreds of companies transformed condoms and rubber and chemical pessaries into consumer goods that became widely available via discreet mail order catalogues, newspapers, birth control clinics, chemists’ shops and vending machines in an era when older and more reserved ways of thinking about sex jostled uncomfortably with modern and more open attitudes. The book outlines the impact of contraceptive commodification on consumers, but also demonstrates how closely the contraceptive industry was intertwined with the medical profession and the birth control movement, who sought authority in birth control knowledge at a time when sexual knowledge and who had access to it was contested.
A surreal and darkly humorous vision, David Lynch's Eraserhead (1977) has been recognised as a cult classic since its breakout success as a midnight movie in the late 1970s. Claire Henry's study of the film takes us into its netherworld, providing a detailed account of its production history, its exhibition and reception, and its elusive meanings. Using original archival research, she traces how Lynch took his nightmare of Philadelphia to the City of Dreams, infusing his LA-shot film with the industrial cityscapes and sounds of the Callowhill district. Henry then engages with Eraserhead's irresistible inscrutability and advances a fresh interpretation, reframing auteurism to centre Lynch's creative processes as a visual artist and Transcendental Meditation practitioner. Finally, she outlines how Lynch's 'dream of dark and troubling things' became a model midnight movie and later grew in reputation and influence across broader film culture. From the opening chapter on Eraserhead's famous 'baby' to the final chapter on the film's tentacular influence, Henry's compelling and authoritative account offers illuminating new perspectives on the making and meaning of the film and its legacy. Through an in-depth analysis of the film's rich mise en scène, cinematography, sound and its embeddedness in visual art and screen culture, Henry not only affirms the film's significance as Lynch's first feature, but also advances a wider case for appreciating its status as a film classic.
Dissection is a practice with a long history stretching back to antiquity and has played a crucial role in the development of anatomical knowledge. This absorbing book takes the story back to classical antiquity, employing a wide range of textual and material evidence. Claire Bubb reveals how dissection was practised from the Hippocratic authors of the fifth century BC through Aristotle and the Hellenistic doctors Herophilus and Erasistratus to Galen in the second century AD. She focuses on its material concerns and social contexts, from the anatomical subjects (animal or human) and how they were acquired, to the motivations and audiences of dissection, to its place in the web of social contexts that informed its reception, including butchery, sacrifice, and spectacle. The book concludes with a thorough examination of the relationship of dissection to the development of anatomical literature into Late Antiquity.
This study examines the anxious male breadwinner as he is incarnated in Arthur Miller's most celebrated plays and as he resurfaces in different guises throughout American drama, from the 1950s to the present. It offers a compelling analysis of gender dynamics – staunchly homosocial, vaguely or overtly misogynistic, anxiously homophobic – and the legacy of this figure in the works of other American dramatists. Throughout, the book argues that the gendered anxieties exhibited by the anxious male breadwinner are the very ones invoked with such success by Donald Trump. Gleitman examines this figure in the plays of Tennessee Williams, later 20th century writers Lorraine Hansberry, David Mamet, August Wilson, and Sam Shepard (who reposition him in more racially and economically marginalized settings), and in the more recent work of Tony Kushner, Paula Vogel, and Lisa Kron and Jeanine Tesori, who shift their focus to the next generation, which seeks to escape his clutches and forge new, often gleefully queer identities. The final chapter concerns contemporary Black dramatists Suzan-Lori Parks, Jackie Sibblies Drury, and Jeremy O. Harris, whose plays move us from anxious masculinity to anxious whiteness and speak directly to the current moment.
Introduces readers to prison workers as they share stories, debate the role of corrections in American racial politics and social justice, and talk about the important function of humor in their jobs.
The South possessed an extensive history of looking outward, specifically southward, to solve internal tensions over slavery and economic competition in the 1820s through the 1860s. Nineteenth-century southerners invested in their futures, and in their identity as southerners, when they expanded their economic and proslavery connections to Latin America, seeking to establish a vast empire rooted in slavery that stretched southward to Brazil and westward to the Pacific Ocean. For these modern expansionists, failure to cement those connections meant nothing less than the death of the South. In A Different Manifest Destiny Claire M. Wolnisty explores how elite white U.S. southerners positioned themselves as modern individuals engaged in struggles for transnational power from the antebellum to the Civil War era. By focusing on three groups of people not often studied together--filibusters, commercial expansionists, and postwar southern emigrants--Wolnisty complicates traditional narratives about Civil War-era southern identities and the development of Manifest Destiny. She traces the ways southerners capitalized on Latin American connections to promote visions of modernity compatible with slave labor and explores how southern-Latin American networks spanned the years of the Civil War.
From AI to climate change, recent technological, ecological, cultural, and social transformations have unsettled established assumptions about the relationship between the human and the more-than-human world. Screening the Posthuman addresses a heterogenous body of twenty-first century films that turn to the figure of the "posthuman" as a means of exploring this development. Through close analyses of films as diverse as Kûki ningyô [Air Doll] (dir. Hirokazu Koreeda 2009), Testrol és lélekrol[On Body and Soul] (dir. Ildiko Enyedi 2017) and Nomadland (dir. Chloé Zhao 2020), this wide-ranging volume shows that, while often identified as the remit of science fiction, the "posthuman on screen" crosses filmic genres, national contexts, and industrial settings. In the process, posthuman cinema emphasizes humanity's entanglement in broader biological, technological, and social worlds and exposes new models of subjectivity, politics, community, relationality and desire. In advancing these arguments, Screening the Posthuman draws on scholarship associated with critical posthumanist theory-an ongoing project unified by a decentering of the "human". As the first systematic, full-length application of this body of scholarship to cinema, Screening the Posthuman advocates for a rigorous posthumanist critique that avoids both humanist nostalgia and transhumanist fantasy in its attention to the excitements and anxieties of posthuman existence.
Contemporary ideals of science representing disinterested and objective fields of investigation have their origins in the seventeenth century. However, 'new science' did not simply or uniformly replace earlier beliefs about the workings of the natural world, but entered into competition with them. It is this complex process of competition and negotiation concerning ways of seeing the natural world that is charted by the essays in this book. The collection traces the many overlaps between 'literary' and 'scientific' discourses as writers in this period attempted both to understand imaginatively and empirically the workings of the natural world, and shows that a discrete separation between such discourses and spheres is untenable. The collection is designed around four main themes-'Philosophy, Thought and Natural Knowledge', 'Religion, Politics and the Natural World', 'Gender, Sexuality and Scientific Thought' and 'New Worlds and New Philosophies.' Within these themes, the contributors focus on the contests between different ways of seeing and understanding the natural world in a wide range of writings from the period: in poetry and art, in political texts, in descriptions of real and imagined colonial landscapes, as well as in more obviously 'scientific' documents.
Small-scale gas turbines, known as Microturbines, represent an exciting new development in gas turbine technology. They can run in size from small, human-scale machines down to micro-sized mini-machines that can barely be seen by the naked eye. They also run a great diversity of fuel types, from various types of commercial gases to waste-generated gases. This new book by industry expert Claire Soares will fully describe the various types of microturbines, their applications, and their particular requirements for installation, maintenance and repair. It will explain how a microturbine the size of a refrigerator can power an entire school, hospital or small factory, which is particularly useful for onsite, remote installations. The book will also show how microturbines can be paired with one or more fuel cells to form a hybrid energy source, or can be teamed with any source of distributed power, such as a mall hydro-turbine or a wind turbine. Moreover, the reader will learn how microturbines can run on a variety of fuels that are far cruder than those required by most standard gas turbines; they can be made to run, for instance, using gas from a landfill or biomass source. The reader will find detailed information on costs, specifications, and maintenance and repair guidelines. Ample references and resources will provide the reader with tools for finding manufacturers and product specifications for their own particular needs. - Covers major categories of microturbines, including factors common to their design, installation, operation, optimization, maintenance, and repair - Invaluable guidance on market factors and economics affecting microturbines and their applications, particularly for distributed power generation - Provides current case studies showing microturbines used in hybrid systems with fuel cells and other types of power generation systems
At the end of the eighteenth century, French geographers faced a crisis. Though they had previously been ranked among the most highly regarded scientists in Europe, they suddenly found themselves directionless and disrespected because they were unable to adapt their descriptive focus easily to the new emphasis on theory and explanation sweeping through other disciplines. Anne Godlewska examines this crisis, the often conservative reactions of geographers to it, and the work of researchers at the margins of the field who helped chart its future course. She tells her story partly through the lives and careers of individuals, from the deposed cabinet geographer Cassini IV to Volney, von Humboldt, and Letronne (innovators in human, physical, and historical geography), and partly through the institutions with which they were associated such as the Encyclopédie and the Jesuit and military colleges. Geography Unbound presents an insightful portrait of a crucial period in the development of modern geography, whose unstable disciplinary status is still very much an issue today.
Where do we find the dead? Do the dead appear in our dreams? What is it like to play dead? This book is an exciting exploration of the relationship between death and play in performance. Exploring a range of artists and creative disciplines that remember, personify and re-imagine the dead, it playfully unpacks the psychoanalytic concepts of the Death Drive, Desire and the Uncanny as a way of thinking about performance. Embodying the Dead draws on work of Gary Winters and Claire Hind and the various qualities of deadness found in their projects. The authors' work includes live art, theatre, installation, Super 8mm film, walking arts practice and durational performance. This book includes scripts and scores of their performances, original creative texts, interviews with internationally renowned artists and a series of practice-led research tasks to support readers creating their own imaginative performance work. Rich in creative and critical content, this book is ideal for students of drama, theatre and performance studies who have an interest in devised theatre, theatre making, writing for performance and intermedial practice.
NOW UPDATED—THE HIGHLY PRACTICAL GUIDE TO ANALYZING LIQUID CRYSTAL DISPLAYS The subject of liquid crystal displays has vigorously evolved into an exciting interdisciplinary field of research and development, involving optics, materials, and electronics. Updated to reflect recent advances, the Second Edition of Optics of Liquid Crystal Displays now offers a broader, more comprehensive discussion on the fundamentals of display systems and teaches readers how to analyze and design new components and subsystems for LCDs. New features of this edition include: Discussion of the dynamics of molecular reorientation Expanded information of the method of Poincaré sphere in various optical components, including achromatic wave plates and compensators Neutral and negative Biaxial thin films for compensators Circular polarizers and anti-reflection coatings The introduction of wide field-of-view wave plates and filters Comprehensive coverage of VA-LCD and IPS-LCD Additional numerical examples This updated edition is intended as a textbook for students in electrical engineering and applied physics, as well as a reference book for engineers and scientists working in the area of research and development of display technologies.
What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
Faced with climate changes, pest pressure on plants is increasing and new pest complexes are appearing, for which plant protection solutions are not yet available. The reduction of anthropic pressure on agroecosystems requires a reduction in the use of chemical inputs and the promotion of biocontrol approaches. In this book, we present new advances on plant disease management that are emerging from research outputs. The ability of biocontrol products to directly (e.g. production of antimicrobial peptides or quorum quenching activities by microorganisms, use of plant or agro-industrial by-products as biopesticides, etc.) or indirectly (e.g. via the increase of plant defense or plant growth pathways) protect plants against pathogens and pests is also considered. We also address new strategies like the development of phage-based biocontrol products and those that consider the plant as a holobiont and plant microbiota as targets of biocontrol treatments. The important question of the current regulatory process needed to launch plant production products on the market is also addressed, such as methods to evaluate their environmental impact.
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