Claire Macdonald is one of the best known figures in the culinary world today. A hugely successful and critically acclaimed cookery writer for over thirty years, she has garnered numerous awards and has appeared regularly on TV and at cookery demonstrations and courses all over the globe. In addition to all this, for forty years she ran the award-winning and internationally renowned Kinloch House Lodge on Skye. Cited as one of the world's top 25 small hotels in Conde Nast Traveller magazine, Kinloch's restaurant is one of only 16 restaurants in Scotland to have been awarded a coveted Michelin star in 2011. In this book Claire looks back over four eventful decades to tell the story of how she, her husband, clan chief Godfrey Macdonald of Macdonald, and their family built up Kinloch from insignificant beginnings in a remote but spectacularly beautiful corner of Skye to the great culinary institution it is today. Full of anecdote and humour, it also reveals how hard it was to achieve their dream. An intermittent water supply, shortage of telephones, a lack of fresh vegetables and problems with fire regulations were just some of the problems they had to face, not to mention the staff member who preferred mingling with the diners to helping in the kitchen, the guest who disappeared and the gardener with very un-green fingers.
Philippians lends itself to a political-ideological reading. To take into account that the document is a writing from prison, and to read it from a political-religious and feminist perspective using new language, helps to re-create the letter as if it were a new document. In this analysis Elsa Tamez endeavors to utilize non-patriarchal, inclusive language, which helps us to see the contents of the letter with different eyes. Cynthia Briggs Kittredge and Claire Miller Colombo argue that Colossians’s contradictions and complications provide opportunities for entering imaginatively into the world of first-century Christian women and men. Rather than try to resolve the controversial portions—including the household code—they read the letter’s tensions as evidence of lively conversation around key theological, spiritual, and social issues of the time. Taking into account historical, structural, and rhetorical dimensions of Philemon, Alicia J. Batten argues against the “runaway slave” hypothesis that has so dominated the interpretation of this letter. Paul asks that Onesimus be treated well, but the commentary takes seriously the fact that we never hear what Onesimus’s wishes may have been. Slaves throughout history have had similar experiences, as have many women. Like Onesimus, their lives and futures remain in the hands of others, whether those others seek good or ill.
Stunning' - Sunday Times Claire Askew won the Bloody Scotland Scottish Debut Crime Award in 2019 with her debut All the Hidden Truths, praised as 'A meticulous and compelling novel' by Ian Rankin. 'What if I told you,' he said, 'that I believe my mother's life to be in danger?' Robertson Bennet returns to Edinburgh after a 25-year absence in search of his parents and his inheritance. But both have disappeared. A quick, routine police check should be enough - and Detective Inspector Helen Birch has enough on her plate trying to help her brother, Charlie, after an assault in prison. But all her instincts tell her not to let this case go. And so she digs. George and Phamie Bennet were together for a long time. No one can ever really know the secrets kept between husband and wife. But as Birch slowly begins to unravel the truth, terrible crimes start to rise to the surface. Beautifully written and ingeniously plotted, Cover Your Tracks confirms Claire Askew as a major new talent in crime fiction. Praise for Claire Askew's novels: 'Stunning debut... compellingly written' - Daily Mail 'A meticulous and compelling novel about the aftermath of a major crime and its effect on the affected families and investigating officers both' - Ian Rankin 'Splendid debut... thoughtful and well-written' - Guardian 'Gripping, heartbreaking and horrifyingly plausible. I couldn't tear myself away from this book. Claire Askew is a stunning new voice in crime fiction' - Erin Kelly, author of He Said/She Said 'Moving and memorable' - The Sunday Times 'A fine, thought-provoking debut' - Mail on Sunday 'Claire Askew takes us away from the obvious plot and asks us tantalising questions... an absorbing psychological trio for Askew's thought-provoking entry into crime fiction' - The Times
On a stormy night in 1286, a man fell off his horse and broke his neck, setting two kingdoms on a 300-year course of war. Edward I seized the opportunity to pursue English claims to overlordship of Scotland; William Wallace and Robert Bruce headed the 'patriotic' resistance. Their collision shaped the history, politics and nationhood of the two realms, and dragged in a third with the formation of the Franco-Scottish Auld Alliance. It also created a unique society on both sides of the Anglo-Scottish border. What prevented peace from breaking out? And how, at the dawn of the seventeenth century, could a Scottish king succeed, peacefully and unopposed, to the Auld Enemy's throne? Andy King and Claire Etty trace the fractious relationship between England and Scotland from the death of Alexander III to the accession of James VI as James I of England. Spanning medieval and early modern history, this book is the ideal starting point for students studying Anglo-Scottish relations up to the Union.
Exam Board: SQA Level: National 4 & 5 Subject: History First Teaching: September 2013 First Exam: June 2014 The only textbook to support study of the National 4&5 History topic The Making of Modern Britain 1880-1951 The National 4 & 5 History series from Hodder Gibson supports the most popular topics offered by the Scottish Qualifications Authority. Like all titles in the series, The Making of Modern Britain 1880-1951 provides: - a brief synopsis of each topic - comprehensive coverage of the four main areas of mandatory content - guidance on assignment writing and assessment procedures for exam practice - glossary boxes with explanations of newly-intrpoduced concepts and keywords.
Characteristics of Hawaiian Volcanoes establishes a benchmark for the currrent understanding of volcanism in Hawaii, and the articles herein build upon the elegant and pioneering work of Dutton, Jagger, Steams, and many other USGS and academic scientists. Each chapter synthesizes the lessons learned about a specific aspect of volcanism in Hawaii, based largely o continuous observation of eruptive activity and on systematic research into volcanic and earthquake processes during HVO's first 100 years. NOTE: NO FURTHER DISCOUNTS FOR ALREADY REDUCED SALE ITEMS.
A narrative history of the John Birch Society by a daughter of one of the infamous ultraconservative organization’s founding fathers. Named a best nonfiction book of 2013 by Kirkus Reviews and the Tampa Bay Times Long before the rise of the Tea Party movement and the prominence of today’s religious Right, the John Birch Society, first established in 1958, championed many of the same radical causes touted by ultraconservatives today, including campaigns against abortion rights, gay rights, gun control, labor unions, environmental protections, immigrant rights, social and welfare programs, the United Nations, and even water fluoridation. Worshipping its anti-Communist hero Joe McCarthy, the Birch Society is perhaps most notorious for its red-baiting and for accusing top politicians, including President Dwight Eisenhower, of being Communist sympathizers. It also labeled John F. Kennedy a traitor and actively worked to unseat him. The Birch Society boasted a number of notable members, including Fred Koch, father of Charles and David Koch, who are using their father’s billions to bankroll fundamentalist and right-wing movements today. The daughter of one of the society’s first members and a national spokesman about the society, Claire Conner grew up surrounded by dedicated Birchers and was expected to abide by and espouse Birch ideals. When her parents forced her to join the society at age thirteen, she became its youngest member of the society. From an even younger age though, Conner was pressed into service for the cause her father and mother gave their lives to: the nurturing and growth of the JBS. She was expected to bring home her textbooks for close examination (her mother found traces of Communist influence even in the Catholic school curriculum), to write letters against “socialized medicine” after school, to attend her father’s fiery speeches against the United Nations, or babysit her siblings while her parents held meetings in the living room to recruit members to fight the war on Christmas or (potentially poisonous) water fluoridation. Conner was “on deck” to lend a hand when JBS notables visited, including founder Robert Welch, notorious Holocaust denier Revilo Oliver, and white supremacist Thomas Stockheimer. Even when she was old enough to quit in disgust over the actions of those men, Conner found herself sucked into campaigns against abortion rights and for ultraconservative presidential candidates like John Schmitz. It took momentous changes in her own life for Conner to finally free herself of the legacy of the John Birch Society in which she was raised. In Wrapped in the Flag, Claire Conner offers an intimate account of the society —based on JBS records and documents, on her parents’ files and personal writing, on historical archives and contemporary accounts, and on firsthand knowledge—giving us an inside look at one of the most radical right-wing movements in US history and its lasting effects on our political discourse today.
Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.
Drawing on over 100 oral histories from men and women who were children in the first three decades of the century, this book explores the work done in those years by men, women and children as members of families and communities. It considers work done for pay and free. Extracts from interviews are used to illustrate various family patterns represented, and the text makes use of historical and demographic literature on family and kinship in the past in New Zealand and elsewhere. A bibliography and an index are provided.
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
The Laban Workbook is a compendium of unique exercises inspired by the concepts and principles of movement theorist and artist, Rudolf Laban. Written by five internationally recognized movement experts, this textbook is divided into single-authored chapters, each of which includes a short contextual essay followed by a series of insight-bearing exercises. These expert views, honed in the creation of individual approaches to training and coaching actors, provide a versatile range of theory and practice in the creative process of crafting theatre. Readers will learn: Enhanced expressivity of body and voice; Clearer storytelling, both physical and vocal, facilitating the embodiment of playwrights' intentions; Imaginative possibilities for exploring an existing play or for creating devised theatre. Featuring many exercises exploring the application of Laban Movement Studies to text, character, scene work, and devised performances - as well as revealing the creative potential of the body itself - The Laban Workbook is ideal for actors, teachers, directors and choreographers.
Claire Campbell draws from recent work in cultural history, landscape studies in geography and art history, and environmental history to explore what happens when external agendas confront local realities - a story central to the Canadian experience. Explorers, fishers, artists, and park planners all were forced to respond to the unique contours of this inland sea; their encounters defined a regional identity even as they constructed a popular image for the Bay in the national imagination."--Jacket.
Provides a comprehensive, reader-friendly introduction to literacy teaching and learning, exploring both theoretical underpinnings and practical strategies.
Escape into ten tempting stories of the holiday season! Roguish lords and lovely ladies find their happily-ever-afters amidst the warmth and glitter of a historical Christmas. Whether you prefer a dashing spy, a haughty prince, or a scoundrel who is more than he seems, the lord you're looking for is just a page turn away… A FIRST FOOTER FOR LADY JANE (*mild) Jennifer Ashley When Grandfather MacDonald predicts Lady Jane will marry this year’s First-Footer–the first guest into the house on Hogmanay—she dismisses the notion. Her childhood sweetheart is fighting on the Peninsula, and she can’t imagine marrying anyone but the staid Major Barnett. But when the clock strikes midnight, and Hogmanay begins, a knock at the front door changes Jane’s life forever. LORD LOCRYN AND THE PIXIE’S KISS (*mild) Deb Marlowe When is a kiss actually a curse? When an irate Pixie forbids you to kiss the wrong girl — ever. A DUKE BY ANY OTHER NAME (***hot) Claire Delacroix The Duke of Inverfyre disguises himself as a vain fop in order to catch a notorious jewel thief, which proves most inconvenient when he meets a lovely maiden who might steal his heart under other circumstance. But Daphne Goodenham is not deterred by his outrageous clothing and foppish manner. Is she a fortune hunter indifferent to appearances, a perceptive lady who sees his hidden truth, or an ally of the villain? At the very least, she is a perilous and untimely distraction... A COUNTERFEIT CHRISTMAS SUMMONS (*mild) Ava Stone Lady Emma Whitton has decided its time to take her future in her own hands. She has been in love with Viscount Heathfield since she was in leading strings. Unfortunately, it's been almost that long since she's laid eyes on her brother's old friend and vice versa. Tired of waiting for him to remember her, Emma pens a holiday invitation (in her brother's hand) to Heathfield and waits as patiently as she is able for her one true love to arrive… LADY HOLLY’S JOLLY CHRISTMAS (**medium) Nadine Millard Lady Holly has no interest in the Christmas season, and hasn’t since the tragic death of her mother. The widowed Earl of Stockton has as much reason to despise the season as Holly does. But fate and the arrival of a mysterious old lady have plans for these two. Will Lord Stockton learn to open his heart? And will Lady Holly finally have a jolly Christmas? CHRISTMAS KISSES (*mild) Nicole Zoltack Lady Anna has her sights on a scoundrel of a duke. Her mother insists on Anna befriending a marquess’s son, a man Anna finds far too rude. Is either gentleman the right one for Anna? THE DUKE WAGER (***hot) Eve Pendle Her family's Christmas eve bankruptcy means aspiring doctor Miss Tamara Patterson must save them with a marriage to a wealthy man. Any man except her longtime nemesis, The Duke of Newton. Until he offers her a wager she can't refuse… A PRINCE FOR YULETIDE (*mild) Anthea Lawson Miss Eliana Banning attends the Midwinter Masque. There, she meets a gentleman in wolf’s clothing who might prove to be her heart’s desire…or her worst enemy. RESCUED BY A CHRISTMAS KISS (**medium) Larissa Lyons Seeking shelter from danger during an ice storm, an unemployed companion barges in on an unsuspecting widower. Thanks to his mischievous, superior cat, love blooms during the topsy-turvied days before Christmas. MAKING MERRY (*mild) Erica Ridley Holiday romance blossoms in Christmas, England, between theatre director Miss Estelle Blaire and Marlowe Castle solicitor Mr. Aaron Thompson… discover the 12 Dukes of Christmas series with this prequel novella! A NOTE ON THE HEAT LEVELS: * One star = mild. Kisses ** Two star = medium. More than kisses, but not all the way. *** Three star = hot. Open door steamy scenes.
In the 1960s, as illegal drug use grew from a fringe issue to a pervasive public concern, a new industry arose to treat the addiction epidemic. Over the next five decades, the industry's leaders promised to rehabilitate the casualties of the drug culture even as incarceration rates for drug-related offenses climbed. In this history of addiction treatment, Claire D. Clark traces the political shift from the radical communitarianism of the 1960s to the conservatism of the Reagan era, uncovering the forgotten origins of today's recovery movement. Based on extensive interviews with drug-rehabilitation professionals and archival research, The Recovery Revolution locates the history of treatment activists' influence on the development of American drug policy. Synanon, a controversial drug-treatment program launched in California in 1958, emphasized a community-based approach to rehabilitation. Its associates helped develop the therapeutic community (TC) model, which encouraged peer confrontation as a path to recovery. As TC treatment pioneers made mutual aid profitable, the model attracted powerful supporters and spread rapidly throughout the country. The TC approach was supported as part of the Nixon administration's "law-and-order" policies, favored in the Reagan administration's antidrug campaigns, and remained relevant amid the turbulent drug policies of the late twentieth and early twenty-first centuries. While many contemporary critics characterize American drug policy as simply the expression of moralizing conservatism or a mask for racial oppression, Clark recounts the complicated legacy of the "ex-addict" activists who turned drug treatment into both a product and a political symbol that promoted the impossible dream of a drug-free America.
What is the smartest, most celebrated game show of all time? In this insider's guide, discover the rich history of Jeopardy! -- the beloved game show that has shaped our culture and entertained audiences for years. Jeopardy! is a lot of things: record-setting game show, beloved family tradition, and proving ground for many of North America's best and brightest. Nearly four decades into its current edition, Jeopardy! now finds itself facing unprecedented change. This is the chronicle of how the show became a cross-generational touchstone and where it's going next. ANSWERS IN THE FORM OF QUESTIONS dives deep behind the scenes, with longtime host Alex Trebek talking about his life and legacy and the show's producers and writers explaining how they put together the nightly game. Readers will travel to bar trivia showdowns with the show's biggest winners and training sessions with trivia whizzes prepping for their shot onstage. And they'll discover new tales of the show's most notable moments-like the time the Clue Crew almost slid off a glacier-and learn how celebrity cameos and Saturday Night Live spoofs built a television mainstay. ANSWERS IN THE FORM OF QUESTIONS looks to the past -- and the future -- to explain what Jeopardy! really is: a tradition unlike any other.
Burnout is common among doctors in the West, so one might assume that a medical career in Malawi, one of the poorest countries in the world, would place far greater strain on the idealism that drives many doctors. But, as A Heart for the Work makes clear, Malawian medical students learn to confront poverty creatively, experiencing fatigue and frustration but also joy and commitment on their way to becoming physicians. The first ethnography of medical training in the global South, Claire L. Wendland’s book is a moving and perceptive look at medicine in a world where the transnational movement of people and ideas creates both devastation and possibility. Wendland, a physician anthropologist, conducted extensive interviews and worked in wards, clinics, and operating theaters alongside the student doctors whose stories she relates. From the relative calm of Malawi’s College of Medicine to the turbulence of training at hospitals with gravely ill patients and dramatically inadequate supplies, staff, and technology, Wendland’s work reveals the way these young doctors engage the contradictions of their circumstances, shedding new light on debates about the effects of medical training, the impact of traditional healing, and the purposes of medicine.
Drawing on recent theoretical frameworks from critical disability studies and art education including normalcy, ableism, disability and Crip theory, this book offers an analysis of the conceptualisation of ability in art education and its relationship with disability. Drawing on the work of Cizek and Lowenfeld in Austria, Ruskin and Richardson in England and Dewey and Eisner in the United States, it critically examines the influence of ideas such as the dominance of vision and visuality; the emergence of psychological perspectives; the Child Art Movement; the implications of assessment regimes; and the relevance of art education as a critical social practice on the production of disability. Offering a sustained inquiry into the differential values attributed to learners and their work and the implications of this for framing our understanding of disability in art education, this book shows that although art educators have frequently advocated for the universal appeal and importance of art education, they have done so within historical contexts that have produced and determined problematic ideas regarding disability. It will be of interest to all scholars and students of disability studies, art in education, art history and education studies.
Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. Claire Robins investigates in depth the phenomenon of artists' interventions in museums and examines their pedagogic implications. She also brings to light and seeks to resolve many of the contradictions surrounding artists' interventions, where on the one hand contemporary artists have been accused of alienating audiences and, on the other, appear to have played a significant role in orchestrating positive developments to the way that learning is defined and configured in museums. She examines the disruptive and parodic strategies that artists have employed, and argues for that they can be understood as part of a move to re-establish the museum as a discursive forum. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.
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