Eva Tyne, an Irish violinist, collapses after her solo debut and is rushed to hospital. Still dazed after the incident, she finds herself embarked on a quest for a new violin. But, haunted by the ghost of her father, and unsure about whom she can trust around her, Eva soon finds herself playing a desperate psychological game.
In exile after being ousted from the family castle, recovering alcoholic Tristram St. Lawrence finds himself back in Dublin when an old acquaintance pitches a development project that his sponsor, a mysterious businessman, supports.
** SOLDIER SAILOR - THE NEW NOVEL BY CLAIRE KILROY - IS AVAILABLE NOW** 'Compelling.' The Times 'Written with such verve and confidence . . . impossible not to enjoy.' 5* reader review 'This is my favourite book.' 5* reader review Anna Hunt has lost her memory and is on the run. From who and what she is unsure, but trapped in the present she seems certain of only one thing - she is somehow linked to the stolen painting currently being restored in the National Gallery. In a wonderfully unsettling first novel, Claire Kilroy manages to combine beautiful, poetic prose with the menacing atmosphere of a thriller as she explores themes of memory, violence, art and escape. PRAISE FOR SOLDIER SAILOR: 'Intense, furious, moving and often extremely funny.' DAVID NICHOLLS 'Astonishing.' Observer 'So powerful.' MONICA ALI 'Exceptionally good [it] sizzles and crackles with life.' The Times 'A huge, small book.' ANNE ENRIGHT 'I lived and breathed beside her narrator. A furious, muffled shout of a book.' DAISY JOHNSON
In exile after being ousted from the family castle, recovering alcoholic Tristram St. Lawrence finds himself back in Dublin when an old acquaintance pitches a development project that his sponsor, a mysterious businessman, supports.
This book is about the future: Ireland’s future and feminism’s future, approached from a moment that has recently passed. The Celtic Tiger (circa 1995-2008) was a time of extraordinary and radical change, in which Ireland’s economic, demographic, and social structures underwent significant alteration. Conceptions of the future are powerfully prevalent in women’s cultural production in the Tiger era, where it surfaces as a form of temporality that is open to surprise, change, and the unknown. Examining a range of literary and filmic texts, Irish Feminist Futures analyzes how futurity structures representations of the feminine self in women’s cultural practice. Relationally connected and affectively open, these representations of self enable sustained engagements with questions of gender, race, sexuality, and class as they pertain to the material, social, and cultural realities of Celtic Tiger Ireland. This book will appeal to students and scholars of Irish studies, Irish feminist criticism, sociology, cultural studies, literature, women's studies, gender studies, neo-materialist and feminist theories.
In her first novel for over a decade, Claire Kilroy takes readers deep into the early days of motherhood. Exploring the clash of fierce love for a new life with a seismic change in identity, Kilroy vividly explores the raw, tumultuous emotions of a new mother, as the narrator, Soldier's, marriage strains and she struggles with questions of equality, autonomy and creativity"--
California abounds with edible selections to grow in the diverse conditions of the state. California Fruit & Vegetable Gardening addresses the critical elements of climate, soil, sun, and water that affects growing success. More than sixty fruits, vegetables, herbs, and edible flowers are highlighted, and helpful charts and graphs for planning and planting the garden are included.
Urban Homelands explores writing by Native Oklahomans that connects urban homelands in Oklahoma and beyond and reveals the need for a new methodology of urban Indian studies.
One hundred years ago, architects found in the medium of photography—so good at representing a building’s lines and planes—a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her “picture anthropology” demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up “photographic architecture,” Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture—transforming how we see the world and how we act on it.
NAMED A BEST BOOK OF THE YEAR BY THE WASHINGTON POST, VOGUE, ENTERTAINMENT WEEKLY, NPR, ESQUIRE, AND KIRKUS “There’s some kind of genius sorcery in this novel. It’s startlingly original, hilarious and harrowing by turns, finally transcendent. Watkins writes like an avenging angel. It's thrilling and terrifying to stand in her wake.” —Jenny Offill, author of Dept. of Speculation and Weather A darkly funny, soul-rending novel of love in an epoch of collapse—one woman’s furious revisiting of family, marriage, work, sex, and motherhood. Since my baby was born, I have been able to laugh and see the funny side of things. a) As much as I ever did. b) Not quite as much now. c) Not so much now. d) Not at all. Leaving behind her husband and their baby daughter, a writer gets on a flight for a speaking engagement in Reno, not carrying much besides a breast pump and a spiraling case of postpartum depression. Her temporary escape from domestic duties and an opportunity to reconnect with old friends mutates into an extended romp away from the confines of marriage and motherhood, and a seemingly bottomless descent into the past. Deep in the Mojave Desert where she grew up, she meets her ghosts at every turn: the first love whose self-destruction still haunts her; her father, a member of the most famous cult in American history; her mother, whose native spark gutters with every passing year. She can’t go back in time to make any of it right, but what exactly is her way forward? Alone in the wilderness, at last she begins to make herself at home in the world. Bold, tender, and often hilarious, I Love You but I’ve Chosen Darkness reaffirms Watkins as one of the signal writers of our time.
Presents the words and photographs of a group of homeless young people whose work with the Cockpit Cultural Studies team culminated in a major photographic exhibition entitled, Down But Not Out launched at Kings Cross Station. The core of the book is a photo essay by young people, representing their first hand experience of being young and homeless - images that provide an alternative to the popular media youth stereotype of the 80s.
In her first novel for over a decade, Claire Kilroy takes readers deep into the early days of motherhood. Exploring the clash of fierce love for a new life with a seismic change in identity, Kilroy vividly explores the raw, tumultuous emotions of a new mother, as the narrator, Soldier's, marriage strains and she struggles with questions of equality, autonomy and creativity"--
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