Olivia wants a new lifeNand it might take ghosts to get it. A heartfelt Gothic novel from the award-winning author of "The Cavendish Home for Boys and Girls." Illustrations.
Are you brave enough to join the Wanderdays in their first thrilling adventure? They're off on an edge-of-your-seat underwater quest to find out what's really happening on the secret Fantome Island. Meet Flo and Joseph Wanderday. Their mum is one of the world's greatest explorers, but she's gone missing on her latest expedition. When a mysterious stranger appears, they discover the sinister reason for Mum's trip. This was no ordinary expedition and Mum was trying to uncover crimes committed by Sir Frederick Titan, a much-loved TV presenter who claims to be a protector of the natural world. Flo, Joseph and their friends Funmi and Isaac find a map and follow clues taking them to a secret island to save Mum and expose Titan's fishy plans... An exciting watery adventure packed with brilliant baddies, bravery, friendship and real passion for protecting the natural world. Praise for The Wanderdays: "An absolute delight." Melissa Cristina Márquez, marine biologist and author "A heart pounding, edge-of-your-seat adventure with an important eco message at its heart." Laura Noakes (author of Cosima Unfortunate Steals a Star)
Dorothy Edwards is the first full-length biographical and literary study of this enigmatic valleys-born writer. Combining close textual analysis with comprehensive biography, this book draws on previously unpublished archival material to fill in the details of Edwards’ life, and considers her work in the light of her views and experiences. Born in the south-Wales mining valley of Ogmore Vale in 1903, Edwards was raised in a radical socialist household during a period of political debate and industrial strife. And yet despite her upbringing, readers of Edwards’ work could be forgiven for initially believing hers to be the work of a middle-class English author. The paradox between upbringing and the literary world that she chose to create is central to Dorothy Edwards. The first of the book’s four chapters focuses on Edwards’ biography; informed by new manuscript material, it outlines the period from Edwards’ birth and upbringing, to the writing of Rhapsody (1927) and Winter Sonata (1928). The second chapter constitutes a reading of the short-story collection Rhapsody in the light of gender theories, while the third section offers the first in-depth study of Edwards’ only published novel, Winter Sonata. Finally, the book returns to discuss the year leading up to her suicide on 6th January 1934, which Edwards largely spent in London living with Bloomsbury author David Garnett and his family, and the impact that this experience had on her understanding of national and class divisions. Previously unpublished letters and diary entries offer an insight into her feelings and experiences during this turbulent period.
The year is 1902. The love affair between a young aristocrat and the seventeen-year old daughter of his tutor ends in sorrow disgrace and grief humiliation. He is sent away to Europe to forget while his lover, pregnant and ruined, is left behind. She bears a child, Harry, who is fostered by the Pritchetts, a humble and caring family. Harry grows up in idyllic surroundings with Alice, his foster-sister, sometimes going up to the big house to play with the beautiful but spoilt Madeline. Though secure at the Pritchetts', nothing can prepare Harry for the revelation of his father's true identity. Years later the truth finally does emerge, and he is claimed by his father's relatives. But Harry finds he cannot forget the care of those who had brought him up - especially Alice with her deep and enduring love.
Covering the whole of the nineteenth century, Wanted! A Nation! reveals how Haiti remained a focus of attention for white as well as Black Americans before, during, and even after the Civil War. Before the Civil War, Claire Bourhis-Mariotti argues, the Black republic was considered by free Black Americans as a place where full citizenship was at hand. Haiti was essentially viewed and concretely experienced as a refuge during moments when free Black Americans lost hope of obtaining rights in the United States. Haiti is also at the heart of this book, as Haitian leaders supported the American emigration to Haiti (in the 1820s and early 1860s), opposed the American geostrategic and diplomatic diktats in the 1870s and 1880s, and finally offered an international platform to Frederick Douglass at the 1893 Columbian World's Fair, thus helping Black people who faced discrimination at home to fight first against slavery and the slave trade, and then for equal rights. By spanning the entire nineteenth century, Wanted! A Nation! presents a complex panorama of the emergence of African American identity and argues that Haiti should be considered as an essential prism to understand how African Americans forged their identity in the nineteenth century. Drawing on a variety of sources, Wanted! A Nation! goes far beyond the usual framework of national American history and contributes to the writing of an Atlantic and global history of the struggle for equal rights. By spanning the entire nineteenth century, Wanted! A Nation! presents a complex panorama of the emergence of African American identity and argues that Haiti should be considered as an essential prism to understand how African Americans forged their identity in the nineteenth century. Drawing on a variety of sources, Wanted! A Nation! goes far beyond the usual framework of national American history and contributes to the writing of an Atlantic and global history of the struggle for equal rights"--
Martha Lackland dies in 1905. Her great-niece, Letty attends the funeral. Here she meets Luke O'Hare, an aspiring actor with plans to start a theatre for the poor of London. Letty falls under the spell of Luke and his circle of Bohemian friends. In an attempt to establish her independence from her domineering family she runs away to help Luke and his friends set up the theatre. It is also a time of great change for women as the Suffragette movement presents a radical challenge to the established order and Letty is drawn to the excitement and liberation it promises.
Award-winning Claire Tomalin, author of A Life of My Own, sets the standard for sophisticated and popular biography, having written lives of Jane Austen, Samuel Pepys, and Thomas Hardy, among others. Here she tackles the best recognized and loved man of nineteenth-century England, Charles Dickens; a literary leviathan whose own difficult path to greatness inspired the creation of classic novels such as Great Expectations, David Copperfield, Oliver Twist, and Hard Times. From his sensational public appearances to the obsessive love affair that led him to betray, deceive, and break with those closest to him, Charles Dickens: A Life is a triumph of the biographer’s craft, a comedy that turns to tragedy in a story worthy of Dickens’ own pen.
Elizabeth Chudleigh was one of the eighteenth century's most colourful characters. Born into impoverished gentility, her beauty, wit and vitality soon earned her a place at the centre of court life. When she married the Duke of Kingston in 1769 she had reached the highest rung of the social ladder. But Elizabeth was carrying a dark secret. In 1744 she had secretly married a naval lieutenant called Augustus Hervey, and after the Duke's death her first marriage was discovered. Bigamy fever swept London society and, in a very public trial, Elizabeth was found guilty. But her strength of character ensured that, even when her friends deserted her, her courage and zest for life did not. In an engaging history of this strong and wilful woman, Gervat shows there was far more to Elizabeth than the caricature villain her contemporaries made her out to be.
For a decade, beginning in 1660, an ambitious young London civil servant kept an astonishingly candid account of his life during one of the most defining periods in British history. In Samuel Pepys, Claire Tomalin offers us a fully realized and richly nuanced portrait of this man, whose inadvertent masterpiece would establish him as the greatest diarist in the English language. Against the backdrop of plague, civil war, and regicide, with John Milton composing diplomatic correspondence for Oliver Cromwell, Christopher Wren drawing up plans to rebuild London, and Isaac Newton advancing the empirical study of the world around us, Tomalin weaves a breathtaking account of a figure who has passed on to us much of what we know about seventeenth-century London. We witness Pepys’s early life and education, see him advising King Charles II before running to watch the great fire consume London, learn about the great events of the day as well as the most intimate personal details that Pepys encrypted in the Diary, follow him through his later years as a powerful naval administrator, and come to appreciate how Pepys’s singular literary enterprise would in many ways prefigure our modern selves. With exquisite insight and compassion, Samuel Pepys captures the uniquely fascinating figure whose legacy lives on more than three hundred years after his death.
The Historical Dictionary of New Zealand, Fourth Edition provides a broad introduction to New Zealand, as well as rich detail about the people, events, laws, concepts, and institutions that have shaped New Zealand history. This is done through a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 800 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about New Zealand.
A bestselling, masterful novel about the intersections in the lives of three friends, now on the cusp of their thirties, making their way—and not—in New York City. There is beautiful, sophisticated Marina Thwaite—an “It” girl finishing her first book; the daughter of Murray Thwaite, celebrated intellectual and journalist—and her two closest friends from Brown, Danielle, a quietly appealing television producer, and Julius, a cash-strapped freelance critic. The delicious complications that arise among them become dangerous when Murray’s nephew, Frederick “Bootie” Tubb, an idealistic college dropout determined to make his mark, comes to town. As the skies darken, it is Bootie’s unexpected decisions—and their stunning, heartbreaking outcome—that will change each of their lives forever. A richly drawn, brilliantly observed novel of fate and fortune—of innocence and experience, seduction and self-invention; of ambition, including literary ambition; of glamour, disaster, and promise—The Emperor’s Children is a tour de force that brings to life a city, a generation, and the way we live in this moment. A New York Times Book Review Best Book of the Year
Uncle Tom's Cabin continues to provoke impassioned discussions among scholars; to serve as the inspiration for theater, film, and dance; and to be the locus of much heated debate surrounding race relations in the United States. It is also one of the most remarkable print-based texts in U.S. publishing history. And yet, until now, no book-length study has traced the tumultuous publishing history of this most famous of antislavery novels. Among the major issues Claire Parfait addresses in her detailed account are the conditions of female authorship, the structures of copyright, author-publisher relations, agency, and literary economics. To follow the trail of the book over 150 years is to track the course of American culture, and to read the various editions is to gain insight into the most basic structures, formations, and formulations of literary culture during the period. Parfait interrelates the cultural status of this still controversial novel with its publishing history, and thus also chronicles the changing mood and mores of the nation during the past century and a half. Scholars of Stowe, of American literature and culture, and of publishing history will find this impressive and compelling work invaluable.
At the outset of Marx for Cats, Leigh Claire La Berge declares that “all history is the history of cat struggle.” Revising the medieval bestiary form to meet Marxist critique, La Berge follows feline footprints through Western economic history to reveal an animality at the heart of Marxism. She draws on a twelve-hundred-year arc spanning capitalism’s feudal prehistory, its colonialist and imperialist ages, the bourgeois revolutions that supported capitalism, and the communist revolutions that opposed it to outline how cats have long been understood as creatures of economic critique and liberatory possibility. By attending to the repeated archival appearance of lions, tigers, wildcats, and “sabo-tabbies,” La Berge argues that felines are central to how Marxists have imagined the economy, and by asking what humans and animals owe each other in a moment of ecological crisis, La Berge joins current debates about the need for and possibility of eco-socialism. In this playful and generously illustrated radical bestiary, La Berge demonstrates that class struggle is ultimately an interspecies collaboration.
Software billionaire Carly Flanagan has an abundance of everything except time. With everyone wanting a piece of her, or more accurately, her money, she spends her days trying to live up to her company's motto of Community, Sharing, Support. Having always been so focused on responsibility, success and supporting those less fortunate than her, Carly’s forgotten to consider what she wants for herself in life – until she meets Evan. Evan Hayes is an artist and free spirit, and when they meet at a local art exhibition, he is immediately intrigued by Carly. He sees through her public persona, realizing she is not the person she portrays. Evan’s the type of man who doesn’t have a lot, but is perfectly comfortable with who he is. A man who knows what he wants – and he wants Carly. Carly is sure Evan wants something else from her. Everyone does. All Evan is asking is the chance to get to know her, but will Carly let him in? Or will a lifetime of protecting herself prove too hard to overcome?
This volume takes a closer look at three New Testament letters. In the analysis of Philippians, Elsa Tamez endeavors to utilize non-patriarchal, inclusive language, which helps us to see the contents of the letter with different eyes. And finally, taking into account historical, structural, and rhetorical dimensions of Philemon." -- Inside cover
Shakespeare's 100 Greatest Dramatic Images is an entertaining, illuminating and witty guide to the complete plays. It begins with a series of imaginative word-games which entice readers into an appreciation of some of the language's richest poetry. The 'images' are then placed within the context of the plays themselves. Moving nearly between word-play and analysis, the book's ingenious format makes it accessible to all readers."--BOOK JACKET.
This introduction to countertransference in counselling and psychotherapy covers: Countertransference and the therapeutic relationship Different theoretical perspectives and approaches to countertransference and key psychodynamic perspectives (Freud, object relations, attachment, relational psychodynamic) and perspectives from other modalities (TA, integrative, CBT). How to understand and work with countertransference in practice (providing step-by-step guidance on identifying, understanding, and managing / processing countertransference.) The development and repair of therapeutic ruptures in the alliance Cultural countertransference. Written for trainees and practitioners from a range of psychotherapeutic approaches, this book is supported by reflective practice activities, research, case studies, chapter summaries and chapter summaries. It will help you enhance your knowledge and practice in relation to countertransference.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome, beginning with his training under the painter Domenico Ghirlandaio and the sculptor Bertoldo and ending with his seventeen-year appointment as chief architect of Saint Peter’s Basilica at the Vatican. The chapters relate Michelangelo’s compositional drawings, sketches, life studies, and full-scale cartoons to his major commissions—such as the ceiling frescoes and the Last Judgment in the Sistine Chapel, the church of San Lorenzo and its New Sacristy (Medici Chapel) in Florence, and Saint Peter’s—offering fresh insights into his creative process. Also explored are Michelangelo’s influential role as a master and teacher of disegno, his literary and spiritual interests, and the virtuoso drawings he made as gifts for intimate friends, such as the nobleman Tommaso de’ Cavalieri and Vittoria Colonna, the marchesa of Pescara. Complementing Bambach’s text are thematic essays by leading authorities on the art of Michelangelo. Meticulously researched, compellingly argued, and richly illustrated, this book is a major contribution to our understanding of this timeless artist.
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