Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
Origen is frequently hailed as the most important Christian writer of his period (c.185-c.255 AD), and the first systematic theologian. Origen and Prophecy: Fate, Authority, Allegory, and the Structure of Scripture examines whether there was a system to Origen's thinking about prophecy. How were all of these quite different topics - future-telling, moral leadership, mystical revelation - contained in the single word 'prophecy'? Origen and Prophecy presents a new account of Origen's concept of prophecy which takes its cue from the structure of Origen's thinking about scripture. He claims that scripture can be read in three different senses: the straightforward, or 'somatic' (bodily) sense; the moral, or 'psychic' (soul-ish) sense; and the mystical, or 'pneumatic' (spiritual) sense. This threefold structure, says Origen, underpins all of scripture and is intimately linked through Christ with the structure of the Holy Trinity. This book illustrates how Origen thought about prophecy using the same threefold structure, with somatic (future-telling), psychic (moral), and pneumatic (mystical revelatory) senses. The chapters weave through several centuries of Greek pagan, Jewish, and Christian thinking about prophecy, divination, time, human nature, autonomy and freedom, allegory and metaphor, and the role of the divine in the order and structure of the cosmos.
This volume enables students and scholars to appreciate Mansfield's central place in various trans-European networks of modernism working in or through translation and translated idioms.
Taking on the neglected issue of the short story's relationship to literary Modernism, Claire Drewery examines works by Katherine Mansfield, Dorothy Richardson, May Sinclair, and Virginia Woolf. Drewery argues that the short story as a genre is preoccupied with transgressing boundaries, and thus offers an ideal platform from which to examine the Modernist fascination with the liminal. Embodying both liberation and restriction, liminal spaces on the one hand enable challenges to traditional cultural and personal identities, while on the other hand they entail the inevitable negative consequences of occupying the position of the outsider: marginality, psychosis, and death. Mansfield, Richardson, Sinclair, and Woolf all exploit this paradox in their short fiction, which typically explores literal and psychological borderline states that are resistant to rational analysis. Thus, their short stories offered these authors an opportunity to represent the borders of unconsciousness and to articulate meaning while also conveying a sense of that which is unsayable. Through their concern with liminality, Drewery shows, these writers contribute significantly to the Modernist aesthetic that interrogates identity, the construction of the self, and the relationship between the individual and society.
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