Part of the fully differentiated French course written specifically for Scotland, these cassettes contain authentic, modern material recorded clearly by native speakers.
Quand Oliver rencontre Zoé, c’est le coup de foudre. Un jour, elle lui confie son secret : enfant, elle a été sauvée d’une famille d’accueil maltraitante par sa voisine Pasha, qui l’a «kidnappée» ; depuis, leur vie n’a été qu’une longue cavale. Oliver la conjure de régulariser cette situation illégale. Le lendemain, Zoé a disparu. Neuf ans plus tard, c’est à Naples, près de Barefoot Bay, où Oliver dirige une clinique d’oncologie, qu’ils se retrouvent. Zoé surgit un matin dans son bureau et l’implore : Pasha souffre d’un cancer, et leur vie clandestine l’empêche de se soigner. Il est leur seul espoir. Entre le brillant cancérologue et l’éternelle fugitive, malgré les rancœurs et la défiance, l’amour est toujours là. Mais tous les secrets n’ont pas été dévoilés...
Cups are the least studied of all Bronze Age funerary ceramics and their interpretations are still based on antiquarian speculation. This book presents the first study of these often highly decorated items including a fully referenced and illustrated national corpus that will form the basis for future studies.
Part of the fully differentiated French course written specifically for Scotland, these cassettes contain authentic, modern material recorded clearly by native speakers.
From Great Wilderness to Seaway Towns adds a new dimension to the debate over the perceived differences between American and Canadian society. This fascinating case study examines two communities separated by the St. Lawrence River: Cornwall, Ontario, and Massena, New York, from the end of the Revolutionary War to the present. Moving from the struggles of early settlers to industrialization and beyond, Claire Puccia Parham chronicles how the residents of both areas created similar social, political, and economic institutions because of their peripheral locations in a capitalist world system and their inherent congregational and democratic values. These distinctive views often brought them into conflict with national leaders.
In this book, Claire Cochrane maps the experience of theatre across the British Isles during the twentieth century through the social and economic factors which shaped it. Three topographies for 1900, 1950 and 2000 survey the complex plurality of theatre within the nation-state which at the beginning of the century was at the hub of world-wide imperial interests and after one hundred years had seen unprecedented demographic, economic and industrial change. Cochrane analyses the dominance of London theatre, but redresses the balance in favour of the hitherto marginalised majority experience in the English regions and the other component nations of the British political construct. Developments arising from demographic change are outlined, especially those relating to the rapid expansion of migrant communities representing multiple ethnicities. Presenting fresh historiographic perspectives on twentieth-century British theatre, the book breaks down the traditionally accepted binary oppositions between different sectors, showing a broader spectrum of theatre practice.
Films recreating or addressing 'the past' - recent or distant, actual or imagined - have been a mainstay of British cinema since the silent era. From Elizabeth to Carry On Up The Khyber, and from the heritage-film debate to issues of authenticity and questions of genre, British Historical Cinema explores the ways in which British films have represented the past on screen, the issues they raise and the debates they have provoked. Discussing films from biopics to literary adaptations, and from depictions of Britain's colonial past to the re-imagining of recent decades in retro films such as Velvet Goldmine, a range of contributors ask whose history is being represented, from whose perspective, and why.
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