A sincere life experience sharing from a Catholic As a lay Catholic, in this book Cindy Yuen Chan asks the question: how one can learn to be more forgiving? Starting from reflecting on her own faults and herself as being an offender, Cindy shares how Catholic teachings brought more forgiveness into her life and helps her to live a grateful life. This book shares her insights while exploring how forgiveness relates to salvation, empathy and justice. The narrative message of this book is healing, in which Cindy uses examples showing how God healed His followers, from a hurt student to family members of murdered victims. The aim is to provoke readers’ thoughts and analyzing recollections of own experiences of being forgiven or forgiving; and receiving kindness from God and others. The backbone of forgiveness is …. It is our choice …. When the Cock Crows for the Second Time is worth reading; not only to Catholics and Christians, but also people who do not yet know Jesus. The book was granted an imprimatur from Most Rev. Michael Yeung, Bishop of HK in March 2018.
A sincere life experience sharing from a Catholic As a lay Catholic, in this book Cindy Yuen Chan asks the question: how one can learn to be more forgiving? Starting from reflecting on her own faults and herself as being an offender, Cindy shares how Catholic teachings brought more forgiveness into her life and helps her to live a grateful life. This book shares her insights while exploring how forgiveness relates to salvation, empathy and justice. The narrative message of this book is healing, in which Cindy uses examples showing how God healed His followers, from a hurt student to family members of murdered victims. The aim is to provoke readers’ thoughts and analyzing recollections of own experiences of being forgiven or forgiving; and receiving kindness from God and others. The backbone of forgiveness is …. It is our choice …. When the Cock Crows for the Second Time is worth reading; not only to Catholics and Christians, but also people who do not yet know Jesus. The book was granted an imprimatur from Most Rev. Michael Yeung, Bishop of HK in March 2018.
This book traces the origins of the Chinese Sisters of the Precious Blood in Hong Kong and their history up to the early 1970s, and contributes to the neglected area of Chinese Catholic women in the history of the Chinese Catholic Church. It studies the growth of an indigenous community of Chinese sisters, who acquired a formal status in the local and universal Catholic Church, and the challenge of identifying Chinese Catholic women in studies dealing with the Chinese Church in the first half of the twentieth century, as these women remained "faceless" and "nameless" in contrast to their Catholic male counterparts of the period. Emphasizing the intertwining histories of the Hong Kong Church, the churches in China, and the Roman Catholic Church, it demonstrates how the history of the Precious Blood Congregation throws light on the formation and development of indigenous groups of sisters in contemporary China.
Global Hong Kong locates Hong Kong in the contemporary globalizing world. Hong Kong, as the authors argue, is an archetypal place, sitting at the intersection of East and West. It is also a major center for global capital flows and world trade. Moreover, in recent years, the island's global cultural power has become increasingly evident, as Hong Kong popular culture has spread to the West via a booming film industry. While looking at issues of postcoloniality, transnationalism and economic globalization, Wong and McDonogh focus on the new cultures and social formations of contemporary Hong Kong, as well as the transformation of the physical city itself. They also trace the new interconnections - economic, demographic, social and cultural - between Hong Kong and other parts of the worldthat have benn fostered by globalization. Books in this series look at how nations and regions across the world are navigating the tumultuous currents of globalization. Concise, descriptive, interdisciplinary, and theoretically informed, they serve as ideal introductions to the peoples and places of our increasingly globalized world.
Movies, stars, auteurs, critics, and the sheer excitement of cinema come together in film festivals as quintessential constellations of art, business, and glamour. Yet, how well do we actually understand the forces and meanings that these events embody? Film Festivals offers the first comprehensive overview of the history, people, films, and multiple functions of the festival world. From Sundance to Hong Kong, from the glitter of Cannes to edgier festivals that challenge boundaries or foster LGBTQ cultural production, film festivals celebrate art, promote business, bring cinema to diverse audiences, and raise key issues about how we see our world. Cindy Hing-Yuk Wong situates festivals within changing global practices of film, including their important ties to both Hollywood and independent cinema. She explores how these events have become central in the construction of cinema knowledge as well as the behind-the-scene mechanics of finance, distribution, and evaluation. By linking general structures and connections to specific films and auteurs, Wong addresses the components and creation of film festivals that continue to reshape filmmaking as art and business.
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