First published in 1973, Women on the Rope provides the first consecutive story of the ‘feminine share in mountain adventure’, a share which has grown from tiny beginnings in 1808 to a level at which women have won their place at Everest expeditions. Cicely Williams provides a book which combines exact and detailed knowledge of a little-known chapter of human enterprise with that zest for life and love of mountains that have brought her so many friends. This is a book for mountaineers, for social historians, and for the fireside connoisseur of good storytelling.
This study examines in detail the problems of mother and child health on an international scale, with particular emphasis on tropical and developing countries.
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! Shimmer, sparkle, twirl . . . I am a compassionate girl! When Imani gets to know her new classmate, she decides to do something nice for them. She's just not sure what. Can Imani figure out a way to make a difference for her new classmate? Read WokeTM Books are created in partnership with Cicely Lewis, the Read Woke librarian, to reflect the diversity of our world.
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! Shimmer, sparkle, twirl . . . I am a resilient girl! It's bad enough that Imani had a slow start to her research project. But when disaster strikes the night before it's due, she's really in trouble. Will Imani be able to pick up the pieces in time to give her report? Read WokeTM Books are created in partnership with Cicely Lewis, the Read Woke librarian, to reflect the diversity of our world.
Shimmer, sparkle, twirl . . . I am a confident girl! It's almost time for the big music recital! Imani wants to play the piano beautifully, but she keeps hitting the wrong notes. How will she be ready for her performance? Read WokeTM Books are created in partnership with Cicely Lewis, the Read Woke librarian, to reflect the diversity of our world
Audisee® eBooks with Audio combine professional narration and sentence highlighting for an engaging read aloud experience! Shimmer, sparkle, twirl . . . I am a brave girl! Imani and her friends want to dress as superheroes for their school's Fall Festival. But she can't find a superhero that looks like her. Will she be able to find a costume in time? Read WokeTM Books are created in partnership with Cicely Lewis, the Read Woke librarian, to reflect the diversity of our world.
Shimmer, sparkle, twirl . . . I am a creative girl! It's Science Fair time! Imani wants to win, but needs to find an idea that can beat the crowd-favorite volcano. Can Imani think outside of the box to take home the blue ribbon? Read WokeTM Books are created in partnership with Cicely Lewis, the Read Woke librarian, to reflect the diversity of our world.
Following on from the widely acclaimed The Actor and the Text - which was addressed directly to the actor - Text in Action is drawn from Cicely's group work experiences, encompassing the viewpoint of the director as well. To begin with, the author explores language from a cultural and personal perspective. In these days of management jargon and internet technology are we losing touch with the ability to communicate fully?' Is the deeper imaginative world being left unexpressed? The main body of the book contains detailed, practical exercises for actors and directors during the rehearsal process. All exercises will be tied to specific scenes, leading to a fuller exploration of the rext. Text In Action analyses the imagery of plays, speech structures, the physicality of language and emphasises the importance of finding a collective voice. Cicely's guidance on the matter of voice will help actors find relationships and situations through the text in a unique way, in order to make it more dynamic and creative.
Shimmer, sparkle, twirl . . . I am an empowered girl! Imani's step team wants to enter the Glow Talent Show. But first they need money for the entry fee. How far will Imani go to help the Mighty Steppers earn their way? Read WokeTM Books are created in partnership with Cicely Lewis, the Read Woke librarian, to reflect the diversity of our world.
How the Vote Was Won, Lady Geraldine’s Speech, Pot and Kettle, Miss Appleyard’s Awakening, Her Vote, The Mother’s Meeting, The Anti-Suffragist or The Other Side, Tradition
How the Vote Was Won, Lady Geraldine’s Speech, Pot and Kettle, Miss Appleyard’s Awakening, Her Vote, The Mother’s Meeting, The Anti-Suffragist or The Other Side, Tradition
The Methuen Drama Book of Suffrage Plays is an anthology of eight exciting pieces written for and by members of the Actresses Franchise League from 1909-13. Immediately playable, they offer strong, varied roles for female casts, while also providing invaluable source material to students and scholars from a wide range of disciplines. Featuring 'How The Vote Was Won' which remains one of the most popular and well known suffrage plays, the volume also includes seven shorter works: 'Lady Geraldine's Speech' (1909), a fantastic, fun piece for actresses. Lady Geraldine hasn't thought through the Suffrage cause and, on a visit to an old school friend meets some charismatic, successful and intelligent women who soon enlighten and encourage her on to the right path! 'Pot and Kettle' (1909), a comic piece in which a young woman returns to her family in great distress having assaulted a suffragette who was sitting near her at a Anti-Suffragist meeting. 'Miss Appleyard's Awakening' about an anti-suffrage campaigner who finds herself in the home of a sympathizer but ends up inadvertently drawing her hostesses' attention to the contradictions in her arguments 'Her Vote' by the actor and playwright Henry Esmond which provides an interesting male viewpoint on the movement, criticizing the young suffragist for wanting to be part of a movement about which she seems to understand little. 'The Anti-Suffragist or The Other Side', a charming, clever monologue about a sheltered young woman who finds herself increasingly involved with her local Anti-Suffrage society and increasingly puzzled by what she learns there. 'The Mother's Meeting', an entertaining monologue that uses a working class character to expose the inconsistencies in the Anti-Suffrage arguments. 'Tradition' was first performed at a matinee for the Woman Suffrage Party held at the Berkeley Theatre in New York City on Saturday 24 January 1913. The plays featured articulate the arguments of the Suffrage Movement through a variety of styles, both comic and serious, and perfectly illustrate the use of drama as a medium for social change and entertainment. Together with illustrations and an introduction charting the history of the Actresses Franchise League and exploring the context and provenance of the plays, this is an excellent resource for both study and performance.
The best collection of suffrage plays on offer Introduced and set in historical context by Dr Susan Croft, formerly Curator at the Theatre Museum in London, with a chronology of suffrage drama from 1907-1914. The astonishing women involved in the Actresses Franchise League set up their own theatre companies and engaged with the battle for the vote by writing and performing campaigning plays all over the country. They launched themselves onto the political stage with their satirical plays, sketches and monologues whilst at the same time challenging the staid conventions of the Edwardian Theatre of the day. The legacy of their inspiring work to change both theatre and society has survived in the political theatre, agit-prop and verbatim theatre we know today. Full playtexts from the following: ’How the Vote was Won’ by Cicely Hamilton and Chris St. John ’The Apple’ by Inez Bensusan ’Jim s Leg’ by L.S. Phibbs ’Votes for Women’ by Elizabeth Robins ’At the Gates’ by Alice Chapin ’In the Workhouse’ by Margaret Wynne Nevinson ’A Change of Tenant’ by Helen Margaret Nightingale.
Cicely Berry, Voice Director of the Royal Shakespeare Company, is world-famous for her voice teaching. The Actor and the Text is her classic book, distilled from years of working with actors of the highest calibre.
These gentle short stories explore what happens next, and the journey of passing from one life to the next. Inspirational reading for those experiencing bereavement, or questioning the inevitable.
First performed in 1908, How the Vote Was Won is a one act play by actress Cicely Hamilton and Christopher St. John. Set in England during the early 18th century, How the Vote Was Won uses comedy to tell a story in support of women’s suffrage. In this one act the English government tells its people that women do not need to worry about having the right to vote because the men will be in charge of taking care of them. This was part of the ridiculous idea held by the United Kingdom, and the world at the time. Women were held under the authority of their husbands, and would be solely supported by them. This allowed them no place in politics and took away their autonomy. The play stars Horace, an anti-suffragist, who is confronted by many of his female relatives demanding that he start supporting them since they have no rights. Many of these women formally held jobs, financially supporting themselves but have quit in protest and support of the movement for women to have voting rights, the same as men. Now, Horace is forced to either support each of these women, practicing what he preaches, or admit to his hypocritical beliefs. Written by two of the most notable champions in literature for women’s rights in the United Kingdom, How the Vote Was Won by Cecily Hamilton and Christopher St. John served as a clever and humorous way to address the inequalities women suffered. Today, the work of these two passionate activists still provides an accurate portrayal of the political landscape they lived in. This edition of How the Vote Was Won by Cecily Hamilton and Christopher St. John features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring How the Vote Was Won to modern standards while preserving the clever comedy and impact of the work of Cecily Hamilton and Christopher St. John.
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