It is the late 1940s in rural Ireland, and Kathleen Steele has been prematurely thrust into adulthood by the death of her twin sister, Nuala. Debilitated by grief, their mother has descended into a state of near-catatonia, and it is left to Kathleen to care for her younger siblings, and her taciturn father. When a traumatised young man, Joseph Foley, mysteriously appears in the small farming community, a tentative love affair develops. But as Mrs Steele’s illness deepens, Kathleen’s relationship with her father grows ever more disturbing. When Kathleen agrees to marry Joseph, her mother begins to regain her health. But by then it has become clear that the events of the intervening years will cast a dark shadow over the new generation. Tender and unblinking, The Road to the Sea is a novel about faith and fidelity, about the heart’s ability to break, and to heal. A paean to the lost landscapes and communities of Ireland, and a meditation on the responsibilities of parents, this is an exquisite debut from a young novelist of great promise.
It is the late 1940s in rural Ireland, and Kathleen Steele has been prematurely thrust into adulthood by the death of her twin sister, Nuala. Debilitated by grief, their mother has descended into a state of near-catatonia, and it is left to Kathleen to care for her younger siblings, and her taciturn father. When a traumatised young man, Joseph Foley, mysteriously appears in the small farming community, a tentative love affair develops. But as Mrs Steele’s illness deepens, Kathleen’s relationship with her father grows ever more disturbing. When Kathleen agrees to marry Joseph, her mother begins to regain her health. But by then it has become clear that the events of the intervening years will cast a dark shadow over the new generation. Tender and unblinking, The Road to the Sea is a novel about faith and fidelity, about the heart’s ability to break, and to heal. A paean to the lost landscapes and communities of Ireland, and a meditation on the responsibilities of parents, this is an exquisite debut from a young novelist of great promise.
Ordinary Lives, Death, and Social Class focuses on the evolution of the Dublin City Coroner's Court and on Dr Louis A. Bryne's first two years in office. Wrapping itself around the 1901 census, the study uses gender, power, and blame as analytical frameworks to examine what inquests can tell us about the impact of urban living from lifecycle and class perspectives. Coroners' inquests are a combination of eyewitness testimony, expert medico-legal language, detailed minutiae of people, places, and occupational identities pinned to a moment in time. Thus they have a simultaneous capacity to reveal histories from both above and below. Rich in geographical, socio-economic, cultural, class, and medical detail, these records collated in a liminal setting about the hour of death bear incredible witness to what has often been termed 'ordinary lives'. The subjects of Dr Byrne's court were among the poorest in Ireland and, apart from common medical causes problems linked to lower socio-economic groups, this volume covers preventable cases of workplace accidents, neglect, domestic abuse, and homicide.
An ordinary day. An ordinary bank. An ordinary street in an ordinary town. Nothing ever happens, until, one day, a shocking robbery turns life upside down for five people: Cillian, a police detective, Martha, the woman he thought was the life of his life, Tobias, who came to Ireland after WWII and now lies in a coma, shot in the bank robbery, Roman, the young Polish teenager who is suspected of pulling the trigger and his mother Rosa, the cleaner, who dreamed of a better life for herself and her son . . . . . . and things will never be ordinary again. Ciara Geraghty's writing has that rare ability to make you laugh out loud as well as cry. She combines tangled human relationships with humour, romance and warmth to create something truly special.
Kat Kavanagh is not in love. She has lots of friends, an ordinary job, and she never ever thinks about her past. This is Kat's story. None of it is true. Milo McIntyre loves his mam, the peanut-butter-and-banana muffins at the Funky Banana cafe, and the lifesaving class he does after school. He never thinks about his future, until the day it changes forever. This is Milo's story. All of it is true. And then there is the other story. The one with a twist of fate which somehow brings together a boy from Brighton and a woman in Dublin, and uncovers the truth once and for all. This is the story that's just about to begin . . .
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