Journalist and historian Chuck McShane traces the triumphs and troubles of Lake Norman from the region's colonial beginnings to its modern incarnation. On a muggy September day in 1959, North Carolina governor Luther Hodges set off the first charge of dynamite for the Cowan's Ford Dam project. The dam channeled Catawba River waters into the largest lake in North Carolina: Lake Norman. The project was the culmination of James Buchanan Duke's dream of an electrified South and the beginning of the region's future. Over the years, the area around Lake Norman transformed from a countryside of cornstalks and cattle fields to an elite suburb full of luxurious subdivisions and thirty-five-foot sailboats.
Journalist and historian Chuck McShane traces the triumphs and troubles of Lake Norman from the region's colonial beginnings to its modern incarnation. On a muggy September day in 1959, North Carolina governor Luther Hodges set off the first charge of dynamite for the Cowan's Ford Dam project. The dam channeled Catawba River waters into the largest lake in North Carolina: Lake Norman. The project was the culmination of James Buchanan Duke's dream of an electrified South and the beginning of the region's future. Over the years, the area around Lake Norman transformed from a countryside of cornstalks and cattle fields to an elite suburb full of luxurious subdivisions and thirty-five-foot sailboats.
The authors conceived of this work following the tragic illness that befell their second grandson, Kevin Sean Mansfield, in 2018. Doctors and nurses worked feverishly to determine what had afflicted Kevin, then 18, but they and Kevin's parents did not know the cause of his possibly life-threatening condition. Finally, tests confirmed that Kevin had suffered initially from a strain of influenza that morphed into encephalitis, a potentially deadly swelling or inflammation of the brain - only the second such case reported in the United States! Unconscious and unresponsive, Kevin lay comatose for eight days. While the medical personnel attending him were not confident he would survive, it was day-to-day and minute-to-minute with Kevin's mother never leaving his hospital room for six weeks. After three weeks, Kevin, with his dedicated mother by his side, opened his eyes and emerged from the coma. This is the rest of the story.
When the author’s son John suggested he write a book about fatherhood, he thought, with all the books on fatherhood, who needs another? He concluded, “Perhaps I do.” While the book is indeed about fatherhood and fathers, it also tells of other fitting paternal exemplars – father figures – who may not have had children of their own but nonetheless have or had the right stuff as men and mentors. A central tenet herein is that good strong fathers are essential to the character building and moral fiber of our young and the very fabric and future of our currently downward-spiraling society. One reviewer writes, “...the testimonials describing the influence for good one person can have over another, be he parent, son, friend, teacher, comrade, barber, sports coach, or even our children are remarkable. The vignettes sometimes evoke amusement, sometimes tears, but lift the spirit and stay in the memory.”
Get ready to ride the range of humor in one of the most entertaining westerns to come down the trail in quite a spell. The year is 1888, and Johnny Hightree and his cousin Asa Maynard are two old ex-buffalo hunters and frontiersmen who have temporarily settled in the small town of Ralston, Kansas, not far from Dodge City. They are both serious elbow-benders and seem to be in a constant state of semi-inebriation. Johnny, however, has endeared himself to the town's residents with his far-fetched windies and good nature, thereby getting himself elected mayor. When a fatal shooting occurs in town with several witnesses including Johnny, the town council curiously reduces Johnny's position from mayor to town marshal. Johnny then chooses his half-pickled cousin Asa to be his deputy, and that's when the future of Ralston, Kansas gets changed forever. With an amusing, rambling style, Johnny Hightree relates the progress of solving a murder that is not as simple as it seemed in the beginning. The outlandish stories he tosses in along the way are funny, earthy, and downright priceless, told at a pace that ends just in time!
Take John D. MacDonald's Travis McGee, Jonathan Kellerman's Alex Delaware, and the best of John Grisham's protagonists, shake and serve, and you'll have Jack MacTaggart." —Chelsea Cain Award-winning author Chuck Greaves returns with the rollicking sequel to his acclaimed debut novel, Hush Money. U.S. Senate candidate Warren Burkett has a history of marital infidelity. Three weeks before Election Day, Burkett comes to the aid of a beautiful green-eyed lady, only to find himself alone and naked in a stranger's home from which a priceless painting is missing. As the resulting scandal threatens to tilt the election, the painting turns up in a most unexpected place . . . and so does a dead body. Hired to defend Burkett and unravel the deepening mystery, Jack MacTaggart must traverse a minefield of ruthless politicians, felonious art dealers, swarming paparazzi, the amorous wife of Burkett's billionaire opponent, her mobbed-up brother, and a district attorney with an old score to settle.With the electoral clock ticking and the press following his every move, Jack's investigation leads him on a roller-coaster ride through the lofty heights and gritty depths of Los Angeles and Southern California, lending new meaning to the adage that all's fair in love and politics.
This book serves as an accessible critical introduction to the broad category of American political television content. Encompassing political news and scripted entertainment, Political TV addresses a range of formats, including interview/news programs, political satire, fake news, drama, and reality TV. From long-running programs like Meet the Press to more recent offerings including Veep, The Daily Show, House of Cards, Last Week Tonight, and Scandal, Tryon addresses ongoing debates about the role of television in representing issues and ideas relevant to American politics. Exploring political TV’s construction of concepts of citizenship and national identity, the status of political TV in a post-network era, and advertisements in politics, Political TV offers an engaging, timely analysis of how this format engages its audience in the political scene. The book also includes a videography of key and historical series, discussion questions, and a bibliography for further reading.
NEW ORLEANS, 1919. For nearly a decade, a ruthless killer has prowled the streets of this city, breaking into homes in the middle of the night and hacking people to death with an ax. He leaves few clues. Even his motives are unclear. The police are baffled. The killer even writes a letter to a local newspaper--echoing Jack the Ripper from three decades earlier--and claims to be a "demon from hottest hell." But Detective Colin Fitzgerald, a wounded veteran only recently returned from the Great War, is prepared to do whatever it takes to catch this killer. What Fitzgerald is not prepared for are the shocking secrets his investigation will uncover, secrets that stretch to the top levels of the Police Department and City Hall, and reach back decades to the assassination of a legendary police chief and to the murder of Fitzgerald's own father.
For well over five thousand years mankind has been locked into the misperception of shame having an event/action cause. Whether it is in the form of an act which produces guilt, embarrassment, or humiliation, shame is clearly now shown to actually be the product of the unsatisfied Primary Interpersonal Need; the illusion linking shame to an event cause has led a number of the world's religions to declare and wage a millennia old war against sin by designating any and all shame producing actions as sinful. R.J. Chuck now reveals that the Garden of Eden was actually God's first of many attempts to teach mankind that shame is, and has always been, The Mechanism of Interpersonal Redirection unto THE PERSON within us. Book jacket.
The movie industry is changing rapidly, due in part to the adoption of digital technologies. Distributors now send films to theaters electronically. Consumers can purchase or rent movies instantly online and then watch them on their high-definition televisions, their laptops, or even their cell phones. Meanwhile, social media technologies allow independent filmmakers to raise money and sell their movies directly to the public. All of these changes contribute to an “on-demand culture,” a shift that is radically altering film culture and contributing to a much more personalized viewing experience. Chuck Tryon offers a compelling introduction to a world in which movies have become digital files. He navigates the complexities of digital delivery to show how new modes of access—online streaming services like YouTube or Netflix, digital downloads at iTunes, the popular Redbox DVD kiosks in grocery stores, and movie theaters offering digital projection of such 3-D movies as Avatar—are redefining how audiences obtain and consume motion picture entertainment. Tryon also tracks the reinvention of independent movies and film festivals by enterprising artists who have built their own fundraising and distribution models online. Unique in its focus on the effects of digital technologies on movie distribution, On-Demand Culture offers a corrective to address the rapid changes in the film industry now that movies are available at the click of a button.
Now, more than ever, in a market glutted with aspiring writers and a shrinking number of publishing houses, writers need someone familiar with the publishing scene to shepherd their manuscript to the right person. Completely updated annually, Guide to Literary Agents provides names and specialties for more than 800 individual agents around the United States and the world. The 2009 edition includes more than 85 pages of original articles on everything you need to know including how to submit to agents, how to avoid scams and what an agent can do for their clients.
Now, more than ever, in a market glutted with aspiring writers and a shrinking number of publishing houses, writers need someone familiar with the publishing scene to shepherd their manuscript to the right person. Completely updated annually, Guide to Literary Agents provides names and specialties for more than 800 individual agents around the United States and the world. The 2009 edition includes more than 85 pages of original articles on everything you need to know including how to submit to agents, how to avoid scams and what an agent can do for their clients.
For over a century, movies have played an important role in our lives, entertaining us, often provoking conversation and debate. Now, with the rise of digital cinema, audiences often encounter movies outside the theater and even outside the home. Traditional distribution models are challenged by new media entrepreneurs and independent film makers, usergenerated video, film blogs, mashups, downloads, and other expanding networks. Reinventing Cinema examines film culture at the turn of this century, at the precise moment when digital media are altering our historical relationship with the movies. Spanning multiple disciplines, Chuck Tryon addresses the interaction between production, distribution, and reception of films, television, and other new and emerging media.Through close readings of trade publications, DVD extras, public lectures by new media leaders, movie blogs, and YouTube videos, Tryon navigates the shift to digital cinema and examines how it is altering film and popular culture.
Now in its 17th year, Guide to Literary Agents is a writers best resource for finding a literary agent or script agent to represent their work. As the market becomes more glutted while the number of major publishing houses shrinks, writers need someone familiar with the publishing scene to shepherd their manuscript to the right person. To help writers acquire an agent, this book provides names and specialties for more than 700 individual agents around the United States and the world. The book also includes a growing number of UK agents as well as Australian agents, and more than 90 pages of original articles on finding the best agent to represent your work and how to seal the deal. From editing your work to crafting a book proposal to making the most of your contract, Guide to Literary Agents will help writers deal with agents every step of the way.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.