Agathokles of Syracuse ruled large areas of Sicily and southern Italy between 317 and 289 BC. In this book, Christopher de Lisle argues that Agathokles was an important player in the Mediterranean world at a key moment in its history. Agathokles' career has important implications for our definition of the Hellenistic world and its relationship to both the western Mediterranean and earlier Greek history. However, he has tended not to feature in studies of the Hellenistic world or of ancient Sicily. In ancient discourse about him, in the coins he issued, in his interactions with the world around him, and in the way he ruled, Agathokles is simultaneously heir to a long tradition and actively engaged in his contemporary world. The failure to place Agathokles in both of these contexts up till now has contributed to the development of an excessively deep separation between the western and eastern Mediterranean and between the Classical and Hellenistic periods. This work - the first book-length study of Agathokles in English in over a century - places him in the context of both the earlier history of Sicily, and the developments in the eastern Mediterranean that mark the start of the Hellenistic era. The volume includes a narrative of his career, studies of his coinage and his representation in literary sources, and a series of explorations of important themes and regions.
An introduction to the history and techniques of manuscript illumination that offers a thorough and accessible historical overview of techniques and processes, illustrated with examples, diagrams, and photographs of craftspeople at work.
Focusing on a moment and a source in 19th century France, the author takes up a big question that is still with us, What is a classic? His enquiry, which centres on the French critic Sainte-Beave takes us on a tour of the history of the 'classic' that provides insights into and beyond the 'culture wars' of the 19th century
Marlowe was an enigmatic character – part poet, scholar, soldier, spy and tavern brawler – and his legend continues to elude historians. This eBook provides readers with a new and erudite edition of Marlowe’s works, offering every play, poem, translation and much more. Now you can truly own all of Marlowe’s works and a range of BONUS material on your eReader, and all in one well-organised file. (Current version: 4) * concise introductions to the plays and other works * ALL the plays, each with its own contents table – navigate easily between acts and scenes – find that special quotation quickly! * even includes the apocryphal play LUST’S DOMINION, available nowhere else * contains both versions (A & B) of DOCTOR FAUSTUS * ALL the poetry, with excellent formatting * beautiful images relating to Marlowe’s life, locations and works * EVEN includes the SOURCES for some of the plays, allowing you to explore Marlowe’s inspiration * INCLUDES no less than 4 biographies – explore the playwright’s mysterious life from multiple sources across history * the SPECIAL literary criticism section boasts four works that examine Marlowe’s contribution to literature * scholarly ordering of texts into chronological order and literary genres * includes a front MASTER table of contents, allowing easy navigation around Marlowe’s immense oeuvre * features a special ‘Glossary of Elizabethan Language’, which will aid your comprehension of difficult words and phrases Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Plays DIDO, QUEEN OF CARTHAGE THE SOURCE TEXT OF DIDO, QUEEN OF CARTHAGE TAMBURLAINE THE GREAT PART 1 TAMBURLAINE THE GREAT PART 2 THE JEW OF MALTA DOCTOR FAUSTUS (A TEXT) DOCTOR FAUSTUS (B TEXT) EDWARD II THE SOURCE TEXT OF EDWARD II THE MASSACRE AT PARIS The Apocryphal Play LUST’S DOMINION The Poetry TRANSLATION OF BOOK ONE OF LUCAN’S THE PHARSALIA TRANSLATION OF OVID’S ELEGIES THE PASSIONATE SHEPHERD TO HIS LOVE THE NYMPH’S REPLY TO THE SHEPHERD BY SIR WALTER RALEIGH HERO AND LEANDER FRAGMENT IN OBITUM HONORATISSIMI VIRI, ROGERI MANWOOD etc. DIALOGUE IN VERSE EPIGRAMS BY J.D. The Criticism EXTRACTS FROM ‘THE LIFE OF WILLIAM SHAKESPEARE’ BY SIDNEY LEE THE INFLUENCE OF CHRISTOPHER MARLOWE ON SHAKSPERE’S BY A. W. VERITY EXTRACT FROM ‘A STUDY OF SHAKESPEARE’ BY ALGERNON CHARLES SWINBURNE SOME NOTES ON THE BLANK VERSE OF CHRISTOPHER MARLOWE BY T.S. ELIOT The Biographies MARLOWE AND HIS ASSOCIATES BY JOHN H. INGRAM THE MUSES’ DARLING BY CHARLES NORMAN CHRISTOPHER MARLOWE BY J. G. LEWIS THE DEATH OF CHRISTOPHER MARLOWE BY J. LESLIE HOTSON GLOSSARY OF ELIZABETHAN LANGUAGE Please visit www.delphiclassics.com to browse through our range of exciting titles
Blank Darkness: Africanist Discourse in French is a brilliant and altogether convincing analysis of the way in which Western writers, from Homer to the twentieth century have . . . imposed their language of desire on the least-known part of the world and have called it 'Africa.' There are excellent readings here of writers ranging from Baudelaire, Rimbaud, Sade, and Céline to Conrad and Yambo Ouologuem, but even more impressive and important than these individual readings is Mr. Miller's wide-ranging, incisive, and exact analysis of 'Africanist' discourse, what it has been and what it has meant in the literature of the Western world."—James Olney, Louisiana State University
Imagining the Elephant is a biography of Allan MacLeod Cormack, a physicist who was awarded the Nobel Prize for Medicine in 1979 for his pioneering contributions to the development of the computer-assisted tomography (CAT) scanner, an honor he shared with Godfrey Hounsfield. A modest genius who was also a dedicated family man, the book is a celebration of Cormack''s life and work. It begins with his ancestral roots in the far north of Scotland, and then chronicles his birth and early years in South Africa, his education at the University of Cape Town (UCT) and Cambridge University, and his subsequent academic appointments at UCT and Tufts University in Boston, USA. It details his discovery of the problem at Cape Town in 1956, traces his scientific footsteps all the way to Stockholm in December 1979, and then extends the odyssey to his pursuits beyond the Nobel Prize.
The key battle of the First World War from the German point of view The Battle of the Somme has an enduring legacy, the image established by Alan Clark of 'lions led by donkeys': brave British soldiers sent to their deaths by incompetent generals. However, from the German point of view the battle was a disaster. Their own casualties were horrendous. The Germans did not hold the (modern) view that the British Army was useless. As Christopher Duffy reveals, they had great respect for the British forces and German reports shed a fascinating light on the volunteer army recruited by General Kitchener. The German view of the British Army has never been made public until now. Their typically diligent reports have lain undisturbed in obscure archives until unearthed by Christopher Duffy. The picture that emerges is a far cry from 'Blackadder': the Germans developed an increasing respect for the professionalism of the British Army. And the fact that every British soldier taken prisoner still believed Britain would win the war gave German intelligence teams their first indication that their Empire would go down to defeat.
Aimed at English speaking singers, SINGING IN FRENCH is a complete introduction to the French language and stylistic guide to French classical art song, known as Mélodie. The volume is an anthology of songs, carefully annotated making extensive use of the International Phonetic Alphabet to guide pronunciation. All the songs are chosen to be appealing and accessible to young or inexperienced singers They cover a variety of composers and periods and each still deserves its place on the modern professional concert platform. The songs included are: Jeunes fillettes - arr. Weckerlin, Tyndaris - Hahn, Guitare - Lalo, Ici-bas! - Faure, Viens! les gazons sont verts! - Gounod, Chanson de Fortunio - Offenbach, En prière - Faure, A Lucette - Pierné, Lydia - Faure, Chanson d'amour - Fauré, Le secret - Faure, Bonjour, Suzon! - Delibes, Ma poupée chérie - de Séverac, Le charme - Chausson, Psyché - Paladilhe, Oiseaux, si tous les ans - Mozart, Ouvre tes yeux bleus - Massenet, Chanson d'avril - Bizet.
This is the first of a four volume History of the University of Cambridge, under the General Editorship of Professor C.N.L. Brooke, and the first volume on the medieval University as a whole to be published in over a century. It provides a synthesis of the intellectual, social, political, and religious life of the early University, and gives serious attention to the development of classroom studies and how they changed with the coming of the Renaissance and the Reformation. Following the first stirrings of the University in the early thirteenth century, the evolution of the University is traced from the original Corporation of Masters and Scholars through the early development of the colleges. The second half of the book focuses on the century from the 1440s to the 1540s, which saw the flowering of the University under Tudor patronage. In the decades preceding the Reformation many colleges were founded, the teaching structures reorganized, and the curriculum made more humanistic. The place of Cambridge at the forefront of northern European universities was eventually assured when Henry VIII founded Trinity College in 1546, in the face of changes and difficulties experienced during the course of the Reformation.
Christopher Martin-Jenkins, or CMJ to his many fans as well as listeners of Test Match Special, was perhaps thevoice of cricket; an unparalleled authority whose insight and passion for cricket, as well as his style of commentary, captured what it is that makes the sport so special. In his many years as a commentator and journalist - reporting for the BBC, The Times and the Cricketeramong others - CMJ covered some of the biggest moments in the sport's history. And in this memoir he looks back on a lifetime spent in service to this most bizarre and beguiling of sports and tells the stories of the players, coaches and fans he met along the way. Recounted with all the warmth and vigour that has endeared CMJ to generations of cricket fans, this memoir relives the moments that defined modern cricket and which shaped his life in turn. It is a must-have book for all devotees of the sport.
Dramatically compressing the reign of Edward II and enlivening the historical narrative with humour, romance, and horrific violence, Marlowe interrogates how the transgression of accepted codes of behaviour affects even those at the highest level of society. Kept off the stage for almost three hundred years because of its dramatization of explicit homosexual relationships, it has become increasingly popular with modern day readers and performed on stage and film to great acclaim. This student edition contains a completely new introduction by Stephen Guy-Bray, and offers students a useful and lively overview of recent criticism, an updated performance history paying greater attention to Derek Jarman's film, a background on the author and themes, as well as an updated bibliography and a fully annotated version of the playtext.
Depicting with shocking openness the sexual and political violence of its central characters’ fates, Edward the Second broke new dramatic ground in English theatre. The play charts the tragic rise and fall of the medieval English monarch Edward the Second, his favourite Piers Gaveston, and their ambitious opponents Queen Isabella and Mortimer Jr., and is an important cultural, as well as dramatic, document of the early modern period. This modernized and fully annotated Broadview Edition is prefaced by a critical but student-oriented introduction and followed by ample appendix material, including extended selections from Marlowe’s historical sources, texts bearing on the play’s complex sexual and political dynamics, and excerpts from contemporary poet Michael Drayton’s epic rendition of Edward the Second’s reign.
This New Mermaids anthology brings together the four most popular and widely studied of Christopher Marlowe's plays: Tamburlaine, Parts 1 and 2, The Jew of Malta, Edward II and Dr Faustus. The new introduction by Brian Gibbons explores the plays in the context of early modern theatre, culture and politics, as well as examining their language, characters and themes. On-page commentary notes guide students to a better understanding and combine to make this an indispensable student edition ideal for study and classroom use from A Level upwards.
Hibbert delivers a superbly detailed picture of the life and times of George IV including his exorbitant spending on his homes, his clothes, and his women; his patronage of the arts; his 'illegal' marriage to Catholic Mrs Fitzherbert, and lesser known facts such as his generous charity donations andhis witty one-liners, including one he uttered when he met his bride-to-be (Caroline of Brunswick) for the first time: 'Harris, I am not well, fetch me a brandy.' George IV was the son of George III (whowent insane and inspired 'The Madness of King George') and was the founder of the prestigiousKing's College in London.
This work covers not only philosophy, but also all the other major disciplines, including literary theory, sociology, linguistics, political thought, theology, and more. The 240 analytical entries examine individuals such as Bergson, Durkheim, Mauss, Sartre, Beauvoir, Foucault, Levi-Strauss, Lacan, Kristeva, and Derrida; specific disciplines such as the arts, anthropology, historiography, psychology, and sociology; key beliefs and methodologies such as Catholicism, deconstruction, feminism, Marxism, and phenomenology; themes and concepts such as freedom, language, media, and sexuality; and istorical, political, social, and intellectual context. --From publisher's decription.
This eBook features the unabridged text of ‘Edward II by Christopher Marlowe - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Christopher Marlowe’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Marlowe includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Edward II by Christopher Marlowe - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Marlowe’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Aimed at English speaking singers, the beautifully presented SINGING IN FRENCH anthologies are a complete introduction to the French language and stylistic guide to French classical art song, known as Mélodie. Each anthology of songs is carefully annotated making extensive use of the International Phonetic Alphabet to guide pronunciation. The songs in this second volume are chosen as the basis of a developing repertoire. They cover a variety of composers and periods and each is still popular on the modern professional concert platform. The songs included are: Mozart - Dans un bois solitaire et sombre, Berlioz - Villanelle, Gounod - Le soir, Sérénade, Franck - Nocturne, Saint-Saëns - Chanson triste, Fauré - Après un rêve, Au bord de l'eau, Les berceaux, Clair de lune, Nell, Sylvie, Prison, Les roses d'Ispahan, Duparc - Extase, Chausson - Le colibri, Sérénade italienne, Debussy - Beau soir, Mandoline, Romance, Satie - Je te veux, Ravel - Sainte
Aimed at English speaking singers, the beautifully presented SINGING IN FRENCH anthologies are a complete introduction to the French language and stylistic guide to French classical art song, known as Mélodie. Each anthology of songs is carefully annotated making extensive use of the International Phonetic Alphabet to guide pronunciation. The songs in this second volume are chosen as the basis of a developing repertoire. They cover a variety of composers and periods and each is still popular on the modern professional concert platform. The songs included are: Mozart - Dans un bois solitaire et sombre, Berlioz - Villanelle, Gounod - Le soir, Sérénade, Franck - Nocturne, Saint-Saëns - Chanson triste, Fauré - Après un rêve, Au bord de l'eau, Les berceaux, Clair de lune, Nell, Sylvie, Prison, Les roses d'Ispahan, Duparc - Extase, Chausson - Le colibri, Sérénade italienne, Debussy - Beau soir, Mandoline, Romance, Satie - Je te veux, Ravel - Sainte
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