A wonderful treasury containing poems about all kinds of people, for all kinds of people, written by all kinds of people.Including a whole host of poets such as Ted Hughes, Charles Causley, Christina Rossetti, Maya Angelou, and Roger McGough, this beautifully-illustrated treasury is a celebration of humans in all their diversity. Here, you'll find people sad and happy, busy and idle, young and old - engaged in allmanner of activities, at their best and at their worst.* Michael Harrison and Christopher Stuart-Clark have edited a large number of classic poetry anthologies for OUP, including the best-selling One Hundred Years of Poetry for Children. * A fantastic selection of poetry, including both old favourites and less familiar poems, from a host of well-known names* Beautifully illustrated throughout in black and white by a range of artists including Laura Stoddart* Michael Harrison and Christopher Stuart-Clark live in Oxfordshire
A wonderful treasury containing poems about all kinds of people, for all kinds of people, written by all kinds of people.Including a whole host of poets such as Ted Hughes, Charles Causley, Christina Rossetti, Maya Angelou, and Roger McGough, this beautifully-illustrated treasury is a celebration of humans in all their diversity. Here, you'll find people sad and happy, busy and idle, young and old - engaged in allmanner of activities, at their best and at their worst.* Michael Harrison and Christopher Stuart-Clark have edited a large number of classic poetry anthologies for OUP, including the best-selling One Hundred Years of Poetry for Children. * A fantastic selection of poetry, including both old favourites and less familiar poems, from a host of well-known names* Beautifully illustrated throughout in black and white by a range of artists including Laura Stoddart* Michael Harrison and Christopher Stuart-Clark live in Oxfordshire
Through readings of King Lear, Hamlet, Henry VI and other works, this volume employs psychoanalytic theory to arrive at new understandings of the emergence of early modern subjectivities.
Using a three-part structure focused on the major historical subjects of the Inquisition, the Reformation and witchcraft, Christopher Kissane examines the relationship between food and religion in early modern Europe. Food, Religion and Communities in Early Modern Europe employs three key case studies in Castile, Zurich and Shetland to explore what food can reveal about the wider social and cultural history of early modern communities undergoing religious upheaval. Issues of identity, gender, cultural symbolism and community relations are analysed in a number of different contexts. The book also surveys the place of food in history and argues the need for historians not only to think more about food, but also with food in order to gain novel insights into historical issues. This is an important study for food historians and anyone seeking to understand the significant issues and events in early modern Europe from a fresh perspective.
The study of religion and popular culture is an increasingly significant area of scholarly inquiry. Surprisingly, however, Christopher Partridge's The Lyre of Orpheus is the first general introduction to the subject of religion and popular music. His aim in this book is to introduce a range of theoretical and methodological perspectives to be used in the study of religion and popular music and popular music subcultures. He addresses a range of issues from postcolonialism to postmodernism, from sex to drugs, from violence to the demonic, and from misogyny to misanthropy. Part One provides a general overview of the history of popular music scholarship and the key approaches that have been taken. Part Two looks at approaches from the perspectives of theology and religious studies, examining key themes relating to particular genres and subcultures. Part Three narrows the focus and examines key artists and bands mentioned in Part Two, including Elvis, Bob Dylan, Madonna and Björk. Written to be accessible to the undergraduate, The Lyre of Orpheus will also appeal to general readers interested in the role of religion in our culture.
On her tenth birthday, super-smart Maisie wakes to a shifted reality and must work within the laws of the universe and trust the love of her family to set the world right. Alternate chapters present divergent timelines.
This book analyzes the impact food aid programmes have had over the past fifty years, assessing the current situation as well as future prospects. Issues such as political expediency, the impact of international trade and exchange rates are put under the microscope to provide the reader with a greater understanding of this important subject matter. This book will prove vital to students of development economics and development studies and those working in the field.
The Malleus Maleficarum, first published in 1486–7, is the standard medieval text on witchcraft and it remained in print throughout the early modern period. Its descriptions of the evil acts of witches and the ways to exterminate them continue to contribute to our knowledge of early modern law, religion and society. Mackay's highly acclaimed translation, based on his extensive research and detailed analysis of the Latin text, is the only complete English version available, and the most reliable. Now available in a single volume, this key text is at last accessible to students and scholars of medieval history and literature. With detailed explanatory notes and a guide to further reading, this volume offers a unique insight into the fifteenth-century mind and its sense of sin, punishment and retribution.
Another edge-of-your-seat adventure from the award-winning author of Escape Room , Christopher Edge. A trip to the cinema will never be the same... When Lucas meets his friends at the local cinema - nicknamed 'The Black Hole' - they're excited about the movie marathon ahead. Non-stop action, blockbuster special effects and all the snacks they can eat. But as the lights go down, Lucas, Ash, Maya, Caitlin and Finn watch in disbelief as a jet-black tidal wave comes crashing out of the cinema screen and the five friends find themselves swept into an epic adventure. Secret hideouts. Prehistoric monsters. Lost cities. Impossible missions. Being the hero of your own film should feel like fun. But as the cliffhanger scenes they're pitched into become ever more perilous, Lucas and his friends start to wonder if these movies are really make believe. Can they save the day before the end credits roll? The fate of the world might just depend on it... Cover illustration by David Dean.
How the far North offered a different kind of terra incognita for the Renaissance imagination. European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, sun-drenched populations for Europeans to mythologize or exploit. Yet, as Christopher Heuer explains, between 1500 and 1700, one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North—a different kind of terra incognita for the Renaissance imagination—offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “non-site,” spurring dozens of previously unknown works, objects, and texts—and this all in an intellectual and political milieu crackling with Reformation debates over art's very legitimacy. In Into the White, Heuer uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates over perception and matter, representation, discovery, and the time of the earth—long before the nineteenth century Romanticized the polar landscape. In the far North, he argues, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and impossible to be mastered, something beyond the idea of image itself.
First published in 1989, this title explores the relationship between theater and power in the English Renaissance. Shakespeare’s Henry V, Richard II, and Macbeth are examined alongside a range of cultural materials, including philosophical and historical accounts of sovereignty, royal portraiture and representations of treason and punishment. Renaissance theater was far more than a vehicle for the expression of a political content: it played a constitutive role in forming the distinctive theory of sovereignty and the distinctive political subjectivity of the era. By reading Shakespeare’s plays in conjunction with other, ideologically charged forms of representation, the book continues new-historicist efforts to uncover the complex relations between literary texts and cultural contexts. Providing an interesting and detailed analysis, this reissue will be of value to students of Shakespeare and the English Renaissance, and those concerned with exploring the intersection between cultural analysis, post-structuralism, and psychoanalytic interpretation.
Reasons Inquisition: On Doubtful Ground is an exploration in the literature of political philosophy before and after Alfarabi and ranging from Thucydides to Leo Strauss and Eric Voegelin. These studies, most of them previously unpublished, open inquiries into theory and practice, reason and revelation, and the relation between thinkers ancient and modern. Readers may be surprised to see the Platonist Alfarabi presented as a critic of Plato’s theory in the name of practice, while Alfarabi and Hobbes are shown to have a common interest in a theory commensurate with action. Strauss, Voegelin and Lucien Febvre all explore the problem of reason and revelation in relation to the limits of human knowledge. An ambitious study of Shakespeare’s Macbeth explores the ambiguity of both nature and knowledge in relation to male and female, good and evil, present and future. The contrast between ancients and moderns is explicit in questions of the modern aspects of Marlowe’s Doctor Faustus and of Rousseau’s reversal of Plato. Kierkegaard and Heidegger bring radical modernity into focus against a Platonic background in the closing essay. These diverse essays attempt to follow the thinkers and themes explored in turning a critical gaze upon reason itself.
In Instruments of the Divinity, Christopher van Ginhoven Rey shows that an important reflection on God’s providential praxis animates the foundational documents of the Society of Jesus. Focusing on Saint Ignatius of Loyola’s conception of Jesuits as the instruments of a laboring God, the book explores the philosophical and theological roots of the metaphor of the instrument and its place in the social imaginary of the Jesuit order. Close readings of the Spiritual Exercises, the Jesuit Constitutions, and a selection of letters by Ignatius call attention to the existence of a rhetoric of instrumentality that provides the basis for the Society’s project of instruction, its loving affirmation of the world, and its attempts to differentiate itself from its monastic predecessors.
Christopher Martin-Jenkins, or CMJ to his many fans as well as listeners of Test Match Special, was perhaps thevoice of cricket; an unparalleled authority whose insight and passion for cricket, as well as his style of commentary, captured what it is that makes the sport so special. In his many years as a commentator and journalist - reporting for the BBC, The Times and the Cricketeramong others - CMJ covered some of the biggest moments in the sport's history. And in this memoir he looks back on a lifetime spent in service to this most bizarre and beguiling of sports and tells the stories of the players, coaches and fans he met along the way. Recounted with all the warmth and vigour that has endeared CMJ to generations of cricket fans, this memoir relives the moments that defined modern cricket and which shaped his life in turn. It is a must-have book for all devotees of the sport.
Playing the Martyr is a book about the interplay between theater and religion in early modern France. Challenging the standard narrative of modernity as a process of increased secularization Christopher Semk demonstrates the centrality of religious thought and practices to the development of neoclassical poetics. Engaging with a broad corpus of religious plays, poetic treatises, devotional literature, and contemporary theory, Semk shows that religion was a vital interlocutor in early modern discussions concerning the definition of verisimilitude, the nature and purpose of spectacle, the mechanics of acting, and the position of the spectator. Well researched and persuasively argued, Playing the Martyr makes the case for a more complicated approach to the relationship between religion and literature, namely, one that does not treat religion as a theme deployed within literary works, but as an active player in literary invention. Indeed, it makes the case for a serious reconsideration of the role that religion plays in the development of modern, secular literary forms.
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