African American historian Gerald Early refers to Jack Johnson (1878-1946), the first African American heavyweight champion of the world, as the first African American pop culture icon. Johnson is a seminal and iconic figure in the history of race and sport in America. This manuscript is the translation of a memoir by Johnson that was published in French, has never before been translated, and is virtually unknown. Originally published as a series of articles in 1911 and then in revised form as a book in 1914, it covers Johnson's colorful life and battles, both inside and outside the ring, up until and including his famous defeat of Jim Jeffries in Reno, on July 4, 1910. In addition to the fights themselves, the memoir recounts, among many other things, Johnson's brief and amusing career as a local politician in Galveston, Texas; his experience hunting kangaroos in Australia; and his epic bouts of seasickness. It includes portraits of some of the most famous boxers of the 1900-1915 era—such truly legendary figures as Joe Choynski, Jim Jeffries, Sam McVey, Bob Fitzsimons, Philadelphia Jack O'Brien, and Stanley Ketchel. Johnson comments explicitly on race and the color line in boxing and in American society at large in ways that he probably would not have in a publication destined for an American reading public. The text constitutes genuinely new, previously unavailable material and will be of great interest for the many readers intrigued by Jack Johnson. In addition to providing information about Johnson's life, it is a fascinating exercise in self-mythologizing that provides substantial insights into how Johnson perceived himself and wished to be perceived by others. Johnson's personal voice comes through clearly-brash, clever, theatrical, and invariably charming. The memoir makes it easy to see how and why Johnson served as an important role model for Muhammad Ali and why so many have compared the two.
This book explores ideas about human physical appearance expressed in French novels of the eighteenth and nineteenth centuries, as well as the pseudoscience of physiognomy that influenced them. Physiognomy, which purports to "read" the body as an index to spiritual, intellectual, or moral qualities, had its greatest proponent in the eighteenth century Swiss theoretician Johann Caspar Lavater. In addition to closely reading the fictional narratives of Marivaux, Balzac, Gautier, and Zola, the author offers a critical reading of Lavater's work. He looks at some of the most compelling and explicit literary treatments of physiognomy in the French canon, suggesting that the ways authors use physiognomical ideas to render the world "hyper-significant" poses fundamental questions about the nature of narrative itself. He also shows how physiognomy serves almost invariably as a tool of sexism as it attempts to ascribe intellectual or moral qualities on the basis of corporal features. Linked by more than their physiognomical themes, these novels share similar dynamics of reading, rhetoric, and representation.
2017 James F. Sulzby Book Award from the Alabama Historical Association At its height the Creek Nation comprised a collection of multiethnic towns and villages with a domain stretching across large parts of Alabama, Georgia, and Florida. By the 1830s, however, the Creeks had lost almost all this territory through treaties and by the unchecked intrusion of white settlers who illegally expropriated Native soil. With the Jackson administration unwilling to aid the Creeks, while at the same time demanding their emigration to Indian territory, the Creek people suffered from dispossession, starvation, and indebtedness. Between the 1825 Treaty of Indian Springs and the arrival of detachment six in the West in late 1837, nearly twenty-three thousand Creek Indians were moved--voluntarily or involuntarily--to Indian territory. Rivers of Sand fills a substantial gap in scholarship by capturing the full breadth and depth of the Creeks' collective tragedy during the marches westward, on the Creek home front, and during the first years of resettlement. Unlike the Cherokee Trail of Tears, which was conducted largely at the end of a bayonet, most Creeks were relocated through a combination of coercion and negotiation. Hopelessly outnumbered military personnel were forced to make concessions in order to gain the compliance of the headmen and their people. Christopher D. Haveman's meticulous study uses previously unexamined documents to weave narratives of resistance and survival, making Rivers of Sand an essential addition to the ethnohistory of American Indian removal.
At its height the Creek Nation comprised a collection of multiethnic towns and villages with a domain stretching across large parts of Alabama, Georgia, and Florida. By the 1830s, however, the Creeks had lost almost all this territory through treaties and by the unchecked intrusion of white settlers who illegally expropriated Native soil. With the Jackson administration unwilling to aid the Creeks, while at the same time demanding their emigration to Indian territory, the Creek people suffered from dispossession, starvation, and indebtedness. Between the 1825 Treaty of Indian Springs and the arrival of detachment six in the West in late 1837, nearly twenty-three thousand Creek Indians were moved—voluntarily or involuntarily—to Indian territory. Rivers of Sand fills a substantial gap in scholarship by capturing the full breadth and depth of the Creeks’ collective tragedy during the marches westward, on the Creek home front, and during the first years of resettlement. Unlike the Cherokee Trail of Tears, which was conducted largely at the end of a bayonet, most Creeks were relocated through a combination of coercion and negotiation. Hopelessly outnumbered military personnel were forced to make concessions in order to gain the compliance of the headmen and their people. Christopher D. Haveman’s meticulous study uses previously unexamined documents to weave narratives of resistance and survival, making Rivers of Sand an essential addition to the ethnohistory of American Indian removal.
Our lives and how we live them are like a river adventure—and it’s up to us to make the experience fun. It’s not the river’s job to make us successful or happy. What we make of every day is up to us, and we get to decide if we will face the challenges in front of us or stop halfway through the adventure. Captain Bon, a real tugboat captain and former Navy man whose service taught him about leadership and hard work, is your guide in this book that will help you create a system to succeed. The captain has made it his life’s work to support and raise a family while chasing his dreams, and he shares lessons from great thinkers such as John Maxwell and Tony Robbins and his study of high achievers like Abraham Lincoln, George Washington, Nelson Mandela, and Gandhi. Through the experiences of Captain Bon, you will see that everyone faces fears, but that our success depends on the perspective we have about our worries. So, take a journey with the captain and learn a new way to live life.
Based on the bestselling book, Rivers of North America, this new guide stands as the only primary source of complete and comparative baseline data on the biological and hydrological characteristics of more than 180 of the highest profile rivers in Europe. With numerous full-color photographs and maps, Rivers of Europe includes conservation information on current patterns of river use and the extent to which human society has exploited and impacted them. Rivers of Europe provides the information ecologists and conservation managers need to better assess their management and meet the EU legislative good governance targets. Coverage on more than 180 European rivers Summarizes biological, ecological and biodiversity characteristics Provides conservation managers with information to resolve conflicts between recreational use of rivers, their use as a water supply, and the need to conserve natural habitats Data on river hydrology (maximum , minimum and average flow rates), seasonal variation in water flow Numerous full-color photographs Information on the underlying geology and its affect on river behaviour
The Davis family has been brought together by a family crisis. Crabby Davis, the family patriach, has been felled by a stroke and is being kept alive by medical technology. They must decide together when and how to end his life. Meanwhile a mystery from his past life can only be solved if the family each completes a journey of self-discovery.
Originally published in 1987, this volume examines the ideals and realities of river use in 19th Century Britain and the failure of legal and technological remedies for river pollution. It deals with the involvement of scientists, particularly chemists, in pollution inquiries and considers the effects on the normal workings of the scientific community of scientists’ participation in the adversary forums in which water and sewage policy was made. It discusses 19th ideas of decomposition, disease causation and purification and examines the gap between the abilities of science and the needs of society that developed as the existence of water-borne disease became increasingly clear. It also deals with the politicization of water bacteriology and the emergence of a technology of biological sewage treatment from a political context.
Alberta's iconic river has been dammed and plumbed, made to spin hydro-electric turbines, and used to cleanse Calgary. Artificial lakes in the mountains rearrange its flow; downstream weirs and ditches divert it to irrigate the parched prairie. Far from being wild, the Bow is now very much a human product: its fish are as manufactured as its altered flow, changed water quality, and newly stabilized and forested banks. The River Returns brings the story of the Bow River's transformation full circle through an exploration of the recent revolution in environmental thinking and regulation that has led to new limits on what might be done with and to the river. Rivers have been studied from many perspectives, but too often the relationship between nature and people, between rivers and the cultures that have grown up beside them, have been separated. The River Returns illuminates the ways in which humans, both inadvertently and consciously, have interacted with nature to make the Bow.
Alberta's iconic river has been dammed and plumbed, made to spin hydro-electric turbines, and used to cleanse Calgary. Artificial lakes in the mountains rearrange its flow; downstream weirs and ditches divert it to irrigate the parched prairie. Far from being wild, the Bow is now very much a human product: its fish are as manufactured as its altered flow, changed water quality, and newly stabilized and forested banks. The River Returns brings the story of the Bow River's transformation full circle through an exploration of the recent revolution in environmental thinking and regulation that has led to new limits on what might be done with and to the river.
Tony Conrad (1940-2016) was a pioneering American avant-garde video artist, experimental filmmaker, musician, composer, sound artist, teacher, and writer.Throughout his six-decade career he forged a unique path through numerous artistic movements and defined a vast range of culture, including rock music and public access television.In music, Conrad was an early member of the Theatre of Eternal Music (The Dream Syndicate), which included John Cale and La Monte Young. In the early 1960s he was also influential in the origins of the iconic band, The Velvet Underground. In film, Conrad was associated with the Structuralist movement which included filmmakers such as Paul Sharits and Hollis Frampton.This richly illustrated catalogue offers an in-depth introduction to Conrad's life and career: presenting his early Structuralist films projects in which he treated film as a sculptural and performative material; his Invented Acoustical Tools which presented as sculptures themselves; the ambitious films about power relations, set in the military and in prison; and his final sculptures and installations, which evoke and critique what he perceived as an emerging culture of surveillance, control, and containment.This book also includes Conrad's own writings writings from 1966 to 2016, as well as texts by curators, theorists and notable artists such as Tony Oursler, Christopher Müller, and Christopher Williams.Accompanying the exhibition, Introducing Tony Conrad: A Retrospective at Albright-Knox Art Gallery, Buffalo, New York (2018), MIT List Visual Arts Center and Carpenter Center for Visual Arts, Harvard University (2018/2019), and ICA, University of Pennsylvania (2019).
India is a large country with regional differences in per-capita water supply and demand. Attempts to describe the water situation in India at a national level are often misleading due to the tremendous diversity in the water situation across the country. This Report analyzes the spatial variation of water supply and demand across river basins in India. The study identifies basins that are water-scarce because of inadequate water availability to meet the effective demand. It also identifies issues that are important for estimating the future water demand and for the formation of policy for future water-resources development and management.
Beautiful hardback about New Zealand's major rivers, featuring text from natural historian David Young and stunning photography from Aliscia Young. David tells the often complex story of each river or river system through the people who interact with that river, both historically and in modern times. This is very timely given the current public, political and cultural interests in our river systems. This beautiful gift book focusing on the amazing and diverse rivers of New Zealand showcases a great deal of the country, with great regional spread. Rivers examines the situation for our rivers today; it looks at what has happened to our rivers over recent years and what is happening today; it discusses the positives and the negatives, and it looks at the challenges our waterways face now and in the future. As well as being a celebration of our beautiful rivers, it also focuses on conservation aspects, with commentary on dairying pollution, ecology, conservation orders and Maori claims. River is a heavily revised and rewritten version of Faces of the River by David Young and Bruce Foster, published in 1986.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The former editor of Adirondack Life provides a profound and entertaining account of his odyssey by canoe along the Usumacinta River and its tributaries along the border of Guatemala and Mexico, a little-known region that once spawned the ancient Olmec and Maya civilizations of Mesoamerica.
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