Once upon a time, boys and girls grew up and set aside childish things. Nowadays, moms and dads skateboard alongside their kids and download the latest pop-song ringtones. Captains of industry pose for the cover of BusinessWeek holding Super Soakers. The average age of video game players is twenty-nine and rising. Top chefs develop recipes for Easy-Bake Ovens. Disney World is the world’s top adult vacation destination (that’s adults without kids). And young people delay marriage and childbirth longer than ever in part to keep family obligations from interfering with their fun fun fun. Christopher Noxon has coined a word for this new breed of grown-up: rejuveniles. And as a self-confessed rejuvenile, he’s a sympathetic yet critical guide to this bright and shiny world of people who see growing up as “winding down”—exchanging a life of playful flexibility for anxious days tending lawns and mutual funds. In Rejuvenile, Noxon explores the historical roots of today’s rejuveniles (hint: all roads lead to Peter Pan), the “toyification” of practical devices (car cuteness is at an all-time high), and the new gospel of play. He talks to parents who love cartoons more than their children do, twenty-somethings who live happily with their parents, and grown-ups who evangelize on behalf of all-ages tag and Legos. And he takes on the “Harrumphing Codgers,” who see the rejuvenile as a threat to the social order. Noxon tempers stories of his and others’ rejuvenile tendencies with cautionary notes about “lost souls whose taste for childish things is creepy at best.” (Exhibit A: Michael Jackson.) On balance, though, he sees rejuveniles as optimists and capital-R Romantics, people driven by a desire “to hold on to the part of ourselves that feels the most genuinely human. We believe in play, in make believe, in learning, in naps. And in a time of deep uncertainty, we trust that this deeper, more adaptable part of ourselves is our best tool of survival.” Fresh and delightfully contrarian, Rejuvenile makes hilarious sense of this seismic culture change. It’s essential reading not only for grown-ups who refuse to “act their age,” but for those who wish they would just grow up.
“Plus One is a smart and funny novel about Hollywood, but where it truly shines is in Noxon's stunning and painfully accurate depiction of the complex rhythms and growing pains of a marriage.” — Jonathan Tropper, author of This Is Where I Leave You and One Last Thing Before I Go "Well observed, honest, and laugh-out-loud funny, Plus One tells a story from the inside of show business about being on the outside."— Matthew Weiner, creator of Mad Men Christopher Noxon's debut novel Plus One is a comedic take on bread-winning women and caretaking men in contemporary Los Angeles. Alex Sherman-Zicklin is a mid-level marketing executive whose wife's fourteenth attempt at a TV pilot is produced, ordered to series, and awarded an Emmy. Overnight, she's sucked into a mad show-business vortex and he's tasked with managing their new high-profile Hollywood lifestyle. He falls in with a posse of Plus Ones, men who are married to women whose success, income, and public recognition far surpasses their own. What will it take for him to regain the foreground in his own life? Christopher Noxon is an accomplished journalist who has written for such publications as the New Yorker, Details, Los Angeles Magazine, Salon, and the New York Times Magazine; his first book, Rejuvenile: Kickball, Cartoons, Cupcakes, and the Reinvention of the American Grown-Up (Crown), earned him interviews on such shows as the Colbert Report and Good Morning America and generated features in USA Today, the Wall Street Journal, and Talk of the Nation; Ira Glass of This American Life called the book "an eye-opener." Noxon happens to be married to a top TV writer/producer and does the school chauffeuring for their three children, so he knows whereof he speaks regarding Plus Ones. He lives in Los Angeles, California.
This illustrated history of the civil rights movement draws parallels to current events and offers inspiration for today’s young change-makers. Revisiting episodes from the civil rights movement of the 1950s and ’60s, Good Trouble highlights essential lessons for modern-day activists and the civically minded. In words and vivid pen-and-watercolor illustrations, journalist Christopher Noxon dives into the real stories behind the front lines of the Montgomery bus boycott and the Greensboro lunch counter sit-ins. Noxon profiles notable figures such as Rosa Parks and Bayard Rustin, all while exploring the parallels between the civil rights movement era and the present moment. This thoughtful, fresh approach is sure to inspire conversation, action, and, most importantly, hope.
Of course, Harvard is one of the most prestigious educational institutions in the world. Its imposing faculty has won far more Nobel Prizes than any other university, now approaching 170. However, a small minority of the people associated with Harvard have taken a wrong turn in life. A few of them have become felons, major pranksters, research fabricators, or powerful advocates of obnoxious ideas. This groundbreaking book takes a look at them. Many of the people described in it are like their more upright counterparts; they truly excel in their endeavors. A Harvard College dropout murdered the most renowned architect of his time on top of one of his most famous buildings in front of three hundred people. Another college dropout sold a deadly energy drink throughout America. A further college dropout planned the largest armed robbery up to that time. A special two-year Harvard student planned the attack on Pearl Harbor, which led to America's participation in World War II. One graduate of the college had the perhaps unique distinction of breaking both the Clayton and the Sherman antitrust acts. A second graduate of the college embezzled from the New York Stock Exchange while he was its president; a third terrorized the nation for nearly twenty years with his sixteen, sometimes deadly, mail bomb attacks; a fourth appeared to give the Soviets the greatest detailed information about the atomic bomb followed by descriptions of the hydrogen bomb; a fifth inadvertently invented the first computer worm; and a sixth provoked a national crisis in the Catholic Church. Two men from the college led separate campaigns to overthrow the Puerto Rican government. In one, four US congressmen were shot. You will see that disproportionate numbers of the college scoundrels majored in economics or played football. A law school dropout fixed basketball games. A second made the largest net gain ever recorded from inside information about one stock. A graduate of the law school tear-gassed the New York Stock Exchange and another created false paperwork for seven thousand immigrants. A pedophile who graduated from the medical school brought fifty-six children to the United States. A business school dropout seems to be the richest man in the world ever to go to prison twice. A graduate of the business school triggered the largest American bankruptcy at the time; another created the greatest bank fraud. A PhD graduate initiated ransomware. A medical school resident committed perhaps America's most gruesome murder of a single person. One of the graduates of the Kennedy School of Government oversaw genocide in his own country. A Radcliffe graduate and her family took bribes totaling $1.5 billion or more.
“Plus One is a smart and funny novel about Hollywood, but where it truly shines is in Noxon's stunning and painfully accurate depiction of the complex rhythms and growing pains of a marriage.” — Jonathan Tropper, author of This Is Where I Leave You and One Last Thing Before I Go "Well observed, honest, and laugh-out-loud funny, Plus One tells a story from the inside of show business about being on the outside."— Matthew Weiner, creator of Mad Men Christopher Noxon's debut novel Plus One is a comedic take on bread-winning women and caretaking men in contemporary Los Angeles. Alex Sherman-Zicklin is a mid-level marketing executive whose wife's fourteenth attempt at a TV pilot is produced, ordered to series, and awarded an Emmy. Overnight, she's sucked into a mad show-business vortex and he's tasked with managing their new high-profile Hollywood lifestyle. He falls in with a posse of Plus Ones, men who are married to women whose success, income, and public recognition far surpasses their own. What will it take for him to regain the foreground in his own life? Christopher Noxon is an accomplished journalist who has written for such publications as the New Yorker, Details, Los Angeles Magazine, Salon, and the New York Times Magazine; his first book, Rejuvenile: Kickball, Cartoons, Cupcakes, and the Reinvention of the American Grown-Up (Crown), earned him interviews on such shows as the Colbert Report and Good Morning America and generated features in USA Today, the Wall Street Journal, and Talk of the Nation; Ira Glass of This American Life called the book "an eye-opener." Noxon happens to be married to a top TV writer/producer and does the school chauffeuring for their three children, so he knows whereof he speaks regarding Plus Ones. He lives in Los Angeles, California.
An official guide to Buffy the Vampire Slayer describes the mythology and influences behind the monsters, ghouls, and characters through interviews with the creators and details of the episodes.
In Hume's Social Philosophy, Christopher J Finlay presents a highly original and engaging reading of David Hume's landmark text, A Treatise of Human Nature, and political writings published immediately after it, articulating a unified view of his theory of human nature in society and his political philosophy. The book explores the hitherto neglected social contexts within which Hume's ideas were conceived. While a great deal of attention has previously been given to Hume's intellectual and literary contexts, important connections can also be made between the fundamentals of Hume's philosophy and the social world in which it was developed. Finlay argues that Hume's unified theory of human nature, conceived in terms of passions, reason and sociability, was meant to account for human nature in its most articulate manifestations, in the commercial and 'polite' social contexts of eighteenth-century Europe. Through careful exegetical study of Hume's analysis of reasoning and the passions, Finlay explores the diverse aspects of sociability which the Treatise of Human Nature invokes. In particular, this study finds in the Treatise an important exploration of the tensions between the selfish motivations of individuals and their propensity to bond with others in complex and diverse kinds of social group. Analysis of Book III of the Treatise and of essays published afterwards shows how the various individualist and social propensities explored through the passions are addressed in Hume's theories of justice, morals and politics.
An item-by-item discussion of the innumerable, often obscure details of Malcolm Lowry's novel, this book comprises 1,600 notes covering some 7,000 specific points. The notes are keyed to page numbers in the Penguin paperback and the two standard hardback editions. The appendices include a glossary, bibliography, maps of the region, and an index of motifs. In their comprehensive but unpedantic commentary on the novel's complexities, the authors' emphasis is on the narrative level. All points of obscurity are followed by an interpretation of fact. Thus references are noted to films, books, places, foreign languages, and national and tribal histories. Special attention is given to the literary, mystical, and Mexican background.
The phenomenal success of Buffy the Vampire Slayer is owing to a great extent to the quality of the writing. Robert Hanks, TV critic of The Independent, wrote in September 2000: "One of the most consistently brilliant piece of popular entertainment ever... it mixes these broad emotions with real sadness, shifting from wisecracks to loss, self-doubt and utter loneliness without missing a beat. It would be absurd to compare the show's writing to Shakespeare, but there aren't many other precedents for the way it refuses to observer the conventional divisions between comedy and tragedy." The Observer acknowledged the same qualities: "Pulling off these shifts in tone from humour to horror to high emotion is a tribute to the strength of the writing." The Buffy scripts are as rewarding and as entertaining on the page as they are on screen. Now thanks to Pocket Books' volume-by-volume publication of the complete collected scripts from the show, fans can savour every moment of high emotion or of wisecracking quick-fire dialogue. With the added bonus of the original production notes and scenes that were cut from the final aired episodes for length, these are essential reading for all students of TV scriptwriting and a must for Buffy's devoted legion of fans. SEASON 2 VOLUME 2 contains the following six scripts: Lie To Me: The Dark Age: What's My Line Part 1: What's My Line Part 2: Ted: and Bad Eggs.
Upper-level undergraduate students, postgraduates and scholars working specifically on the Scottish Enlightenment and early modern political and economic thought more generally.
In every generation, there is a Chosen One. A slayer destined to protect the human race. She alone must fight the demons of hell. She alone must risk her life to stop the spread of evil. Buffy is the Chosen One. A night at the fair becomes a night of terror for Buffy and her friends when their personalities start matching the amusements in the park in Buffy the Vampire Slayer: Carnival of Souls. In One Thing or Your Mother, Buffy must face a fear worse than her typical demon: children. In Blooded, Willow accidentally turns her body into a vessel for the spirit of an ancient warrior—and he’s out for revenge.
Reaching back to the beginnings of television, The Greatest Cult Television Shows offers readers a fun and accessible look at the 100 most significant cult television series of all time, compiled in a single resource that includes valuable information on the shows and their creators. While they generally lack mainstream appeal, cult television shows develop devout followings over time and exert some sort of impact on a given community, society, culture, or even media industry. Cult television shows have been around since at least the 1960s, with Star Trek perhaps the most famous of that era. However, the rise of cable contributed to the rise of cult television throughout the 1980s and 1990s, and now, with the plethora of streaming options available, more shows can be added to this categorization Reaching back to the beginnings of television, the book includes such groundbreaking series as The Twilight Zone and The Prisoner alongside more contemporary examples like Crazy Ex-Girlfriend and Hannibal. The authors provide production history for each series and discuss their relevance to global pop culture. To provide a more global approach to the topic, the authors also consider several non-American cult TV series, including British, Canadian, and Japanese shows. Thus, Monty Python’s Flying Circus appears alongside Sailor Moon and Degrassi Junior High. Additionally, to move beyond the conception of “cult” as a primarily white, heteronormative, fanboy obsession, the book contains shows that speak to a variety of cult audiences and experiences, such as Queer as Folk and Charmed. With detailed arguments for why these shows deserve to be considered the greatest of all time, Olson and Reinhard provide ideas for discussion and debate on cult television. Each entry in this book demonstrates the importance of the 100 shows chosen for inclusion and highlights how they offer insight into the period and the cults that formed around them.
David Hume, Adam Smith, William Robertson, Adam Ferguson, Lord Kames, John Millar, James Dunbar and Gilbert Stuart were at the heart of Scottish Enlightenment thought. This introductory survey offers the student a clear, accessible interpretation and synthesis of the social thought of these historically significant thinkers. Organised thematically, it takes the student through their accounts of social institutions, their critique of individualism, their methodology, their views of progress and of moral and cultural values. By taking human sociality as their premise, the book shows how they produced important analyses of historical change, politics and morality, together with an assessment of their own commercial society.
One of the largest estuaries on the North Atlantic coast, Narragansett Bay served as a gateway for colonial expansion in the seventeenth century and the birthplace of American industrialization in the late eighteenth. Christopher Pastore presents an environmental history of this watery corner of the Atlantic world, beginning with the first European settlement in 1636 and ending with the dissolution of the Blackstone Canal Company in 1849. Between Land and Sea traces how the Bay’s complex ecology shaped the contours of European habitation, trade, and resource use, and how littoral settlers in turn reconfigured the physical and cultural boundaries between humans and nature. Narragansett Bay emerges in Pastore’s account as much more than a geological formation. Rather, he reimagines the nexus of land and sea as a brackish borderland shaped by the tension between what English settlers saw as improvable land and the perpetual forces of the North Atlantic Ocean. By draining swamps, damming rivers, and digging canals, settlers transformed a marshy coastal margin into a clearly defined edge. The resultant “coastline” proved less resilient, less able to absorb the blows of human initiative and natural variation than the soggy fractal of water and earth it replaced. Today, as sea levels rise and superstorms batter coasts with increasing ferocity, Between Land and Sea calls on the environmentally-minded to make a space in their notions of progress for impermanence and uncertainty in the natural world.
The ultimate fan guide to "this season's most distinctive and sharply written new show" ("Entertainment Weekly"), this official companion book includes exclusive interviews, never-before-seen photos, a day on the set journal, and more. of color photos.
This illustrated history of the civil rights movement draws parallels to current events and offers inspiration for today’s young change-makers. Revisiting episodes from the civil rights movement of the 1950s and ’60s, Good Trouble highlights essential lessons for modern-day activists and the civically minded. In words and vivid pen-and-watercolor illustrations, journalist Christopher Noxon dives into the real stories behind the front lines of the Montgomery bus boycott and the Greensboro lunch counter sit-ins. Noxon profiles notable figures such as Rosa Parks and Bayard Rustin, all while exploring the parallels between the civil rights movement era and the present moment. This thoughtful, fresh approach is sure to inspire conversation, action, and, most importantly, hope.
Once upon a time, boys and girls grew up and set aside childish things. Nowadays, moms and dads skateboard alongside their kids and download the latest pop-song ringtones. Captains of industry pose for the cover of BusinessWeek holding Super Soakers. The average age of video game players is twenty-nine and rising. Top chefs develop recipes for Easy-Bake Ovens. Disney World is the world’s top adult vacation destination (that’s adults without kids). And young people delay marriage and childbirth longer than ever in part to keep family obligations from interfering with their fun fun fun. Christopher Noxon has coined a word for this new breed of grown-up: rejuveniles. And as a self-confessed rejuvenile, he’s a sympathetic yet critical guide to this bright and shiny world of people who see growing up as “winding down”—exchanging a life of playful flexibility for anxious days tending lawns and mutual funds. In Rejuvenile, Noxon explores the historical roots of today’s rejuveniles (hint: all roads lead to Peter Pan), the “toyification” of practical devices (car cuteness is at an all-time high), and the new gospel of play. He talks to parents who love cartoons more than their children do, twenty-somethings who live happily with their parents, and grown-ups who evangelize on behalf of all-ages tag and Legos. And he takes on the “Harrumphing Codgers,” who see the rejuvenile as a threat to the social order. Noxon tempers stories of his and others’ rejuvenile tendencies with cautionary notes about “lost souls whose taste for childish things is creepy at best.” (Exhibit A: Michael Jackson.) On balance, though, he sees rejuveniles as optimists and capital-R Romantics, people driven by a desire “to hold on to the part of ourselves that feels the most genuinely human. We believe in play, in make believe, in learning, in naps. And in a time of deep uncertainty, we trust that this deeper, more adaptable part of ourselves is our best tool of survival.” Fresh and delightfully contrarian, Rejuvenile makes hilarious sense of this seismic culture change. It’s essential reading not only for grown-ups who refuse to “act their age,” but for those who wish they would just grow up.
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