Christopher Petty excelled both in the classroom and in every sport he played. He had dreams of becoming a professional baseball player; however, his dream was aborted one evening during football practice. In a minute of horseplay, he received a life-changing injury. Chris went from being a well-mannered, All-American to a drug lord who was determined to take over the streets of his hometown. This too came to an abrupt end when he was arrested and tried on federal charges for drug trafficking. It was only behind prison bars that Chris was able to self-examine and see just how far he had ventured from the plan God had for his life. He saw plainly the trap that Satan had set for the black male. Nearing the end of his 12-year sentence, Chris shares his story in a compelling novel that combines fact and fiction.
This small collection of poems and short stories has been almost twelve years in the making from writing and revising, to its publication. The poetry salutes God and Jesus Christ along with the celebration of love and life. The poetry reminds us also that we are human with human emotions, sensations, desires and feelings. It is hoped that the poetry will strike a chord with readers’ spirit and stir his soul to think of love, faith and hope. The short works are written with an attempt to examine the unpredictability of life and have people face the unknown when confronted with it. There are elements of romance, drama, mystery, plus horror in the stories you will read, hence the title of the work. In any given moment we have the unknown and unexpected—sometimes to our delight while at other times to our horror. Pray that you discover delight and fascination in reading this book.
What do you do when the foundation of your universe suddenly vanishes? In a world where magic works--and then suddenly stops working, all bets are off. Those who have magically enhanced their attractiveness must now live by their true appearance. Buildings created by sorcery to hover high in the air suddenly collapse. And Wizards must find more physical means of defense. Original stories by S. M. Stirling, Jody Lynn Nye, Morgan Llywelyn, and more. The adventures of people whose previously magic-dependent worlds are suddenly stripped of all magic. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Perhaps it is not true that there will always be war. Perhaps, one day, humanity will succeed in taming its savage nature so that peace for all humanity will not be merely a pious hope but a concrete reality. Perhaps, on day, we will all be angels. But until then, there will be war¾and humanity, being what it is, will always form graven images to give life to its greatest hopes and fears. Because our modern age is "scientific" does not make us immune to this reality. And those images will always take on a life their own. And, lo, there was TEK. He is the latest in a long tradition of militant deities. But before this god can take his rightful place at the head of the pantheon, he has to survive the not-so-low-tech efforts of jealous older gods to destroy him. Featuring stories by Mike Resnick, Jody Lynn Nye, Katherine Kurtz, Diane Duane, and other great military SF storytellers. At the publisher's request, this title is sold without DRM (Digital Rights Management).
While New Wave pop music was dominating the charts in the early 1980s, one band made up of a trio of throwback-loving musicians from the suburbs of Massapequa, Long Island—guitarist/singer Brian Setzer, drummer Slim Jim Phantom, and bassist Lee Rocker—returned rockabilly to the international pop charts as the Stray Cats, releasing such infectious Top 10 singles “Rock This Town,” “Stray Cat Strut,” and “(She’s) Sexy + 17.” Over forty years and many classic studio and live albums later, the Stray Cats still epitomize the spirit of the founding fathers of rock and roll—a coolness that never goes out of style. Howling to the Moonlight on a Hot Summer Night: The Story of the Stray Cats tells the full story of the band’s history and catalog as musicians. It not only celebrates the Cats as one of the most successful rock revival groups, but follows their exploits as a throwback act in the years when MTV was still new, going on to enjoy long-lived popularity in rockabilly culture across the globe from Massapequa to Memphis and beyond.
This book covers various aspects of the social history of politics on both sides of the Iron Curtain in the period 1945 to 1956. The contributors come from a range of countries (Austria, Germany, Hungary, Slovakia and the United Kingdom) and comprise a mixture of established historians and younger scholars engaged in pioneering research. The individual chapters are organised into four sections dealing with workers, ethnic and linguistic minorities, youth, and women. In order to enhance the comparative character of the volume, the four chapters contained in each section consider the position of these social groups in, respectively, West Germany, East Germany, Austria, and either Czechoslovakia or Hungary. Major themes include the absence of popular revolutions in the aftermath of World War Two, the re-imposition of social control by post-war elites, the attempt to restore pre-war gender relations, and the failure of Communist parties to win popular support. The chosen time-frame saw most of the decisive developments which set the pattern for the remaining Cold War period and is therefore of key importance for any student of this topic.
This book is a critical study of South African literature, from colonial and pre-colonial times onwards. Christopher Heywood discusses selected poems, plays and prose works in five literary traditions: Khoisan, Nguni-Sotho, Afrikaans, English, and Indian. The discussion includes over 100 authors and selected works, including poets from Mqhayi, Marais and Campbell to Butler, Serote and Krog, theatre writers from Boniface and Black to Fugard and Mda, and fiction writers from Schreiner and Plaatje to Bessie Head and the Nobel prizewinners Gordimer and Coetzee. The literature is explored in the setting of crises leading to the formation of modern South Africa, notably the rise and fall of the Emperor Shaka's Zulu kingdom, the Colenso crisis, industrialisation, the colonial and post-colonial wars of 1899, 1914, and 1939, and the dissolution of apartheid society. In Heywood's study, South African literature emerges as among the great literatures of the modern world.
Land Use Controls: Cases and Materials emphasizes an interdisciplinary approach that weaves historical, social, and economic causes and effects of legal doctrine. The casebook also brings out the functional relationships between formally unrelated routes of law—statutes, ordinances, constitutional doctrines, and common law—by focusing on their practical deployment, developers, neighbors, planners, politicians, and their empirical effects on outcomes like neighborhood quality, housing supply, racial segregation, and tax burdens. A thematic framework illuminates the connections among multiple topics under land law and gives attention to the factual and political context of the cases and aftermath of decisions. Dynamic pedagogy features original introductory text, cases, notes, excerpts from law review articles, and visual aids (maps, charts, graphs) throughout. New to the Fifth Edition: A focus on affordability and the new conflicts over urban zoning A fully updated treatment of local administrative law Recent constitutional rulings, including up-to-date Supreme Court decisions on exactions and regulatory takings Thoroughly updated notes, with recent cases, law review literature, and empirical studies Professors and students will benefit from: Distinguished authorship by respected scholars and professors with a range of expertise An interdisciplinary approach combining historical, social, political, and economic perspectives and offering dynamic opportunities for analysis along with broad legal coverage Concise but comprehensive treatment of the legal issues in private and public regulation of land development, including environmental justice, building codes and subdivision regulations, and the federal role in urban development A thematic framework illuminating connections among multiple discrete topics under land law and the factual and political context of cases and aftermath of decisions Excellent coverage and dynamic pedagogy
The Littlehampton Libels tells the story of a poison-pen mystery that led to a miscarriage of justice in the years following the First World War. There would be four criminal trials before the real culprit was finally punished, with the case challenging the police and the prosecuting lawyers as much any capital crime. When a leading Metropolitan Police detective was tasked with solving the case, he questioned the residents of the seaside town of Littlehampton about their neighbours' vocabularies, how often they wrote letters, what their handwriting was like, whether they swore-and how they swore, for the letters at the heart of the case were often bizarre in their abuse. The archive that the investigation produced shows in extraordinary detail how ordinary people could use the English language in inventive and surprising ways at a time when universal literacy was still a novelty. Their personal lives, too, had surprises. The detective's inquiries and the courtroom dramas laid bare their secrets and the intimate details of neighbourhood and family life. Drawing on these records, The Littlehampton Libels traces the tangles of devotion and resentment, desire and manipulation, in a working-class community. We are used to emotional complexity in books about the privileged, but history is seldom able to recover the inner lives of ordinary people in this way.
Law, like religion, provided one of the principal discourses through which early-modern English people conceptualised the world in which they lived. Transcending traditional boundaries between social, legal and political history, this innovative and authoritative study examines the development of legal thought and practice from the later middle ages through to the outbreak of the English civil war, and explores the ways in which law mediated and constituted social and economic relationships within the household, the community, and the state at all levels. By arguing that English common law was essentially the creation of the wider community, it challenges many current assumptions and opens new perspectives about how early-modern society should be understood. Its magisterial scope and lucid exposition will make it essential reading for those interested in subjects ranging from high politics and constitutional theory to the history of the family, as well as the history of law.
A fascinating, moving recollection that celebrates one of the great achievements in Canadian television." Elaine Lui, author of Listen to the Squawking Chicken "Ward celebrates...raw, forward-thinking, multicultural, multigender-produced content by finally freezing it in a compelling book where, occasionally he himself wonders, ‘How the hell did we do that?’” The Globe and Mail “What a blast! With a raucous mix of music and personalities, Christopher Ward has compiled the ultimate treasure trove of Canada’s 1980s rock scene. Everybody you remember is here. Revealing, entertaining, enlightening and, most all, fun.” Will Ferguson From the first Canadian VJ Christopher Ward, Is This Live? captures the pure fun and rock ’n’ roll rebellion of the early years of MuchMusic television. On August 31, 1984, the Nation’s Music Station launched, breaking ground as the Wild West of Canadian television—live, gloriously unpredictable, seat-of-the-pants TV, delivered fresh daily. The careers of Canadian legends like Blue Rodeo, Corey Hart, Jane Siberry, Bryan Adams, Platinum Blonde, Glass Tiger, Colin James, the Parachute Club, Honeymoon Suite, Barenaked Ladies, Maestro Fresh Wes and Sloan were launched when Much brought them closer to their fans. Much also gave us international acts (Duran, Duran, Tina Turner, Iggy Pop, David Bowie, Madonna, Motorhead, Guns N’ Roses, Nirvana, Red Hot Chili Peppers), and covered the second wave of music activism with events like Live Aid and the Amnesty International Human Rights Now! tour. Ranging from Toronto’s iconic studio at 299 Queen Street West, to Vancouver’s MuchWest, MuchMusic’s programming travelled across Canada and connected the Canadian music scenes in an unprecedented way. The dream child of TV visionary Moses Znaimer, and John Martin, the maverick creator of The New Music, Much was live and largely improvised, and an entire generation of Canadians grew up watching the VJs and embraced the new music that became the video soundtrack of our lives. With stories of the bands, the music, the videos, the specialty shows, the style and the improvisational approach to daily broadcast life at Much, Is This Live? is told by the people who were there—the colourful cast of on-air VJs, the artists who found their way into our living rooms of the nation as never before, and the people behind the cameras. As our tour guide to the first decade at MuchMusic Christopher Ward delivers a full-on dose of pop culture nostalgia from the 1980s and ’90s, when the music scene in Canada changed forever.
This study offers an authoritative and readable account of the hidden history of book theft in eighteenth-century London. It exploits a rich primary source, the compelling narratives of crime contained in the digitised Proceedings of the Old Bailey. The authors explain how cases of book theft came to court, and how in the ensuing trials the nature of the book itself became a question for legal debate. They assess the motives which led Londoners to steal books and the methods they employed in thefts from households and booksellers. Finally, the authors ask what the Proceedings tells us about the social ownership of books, and how the phenomenon of book theft differently affected book producers and consumers. Stealing Books in Eighteenth-Century London will appeal to readers interested in the connected histories of metropolitan life, crime, and the book in this period, and in the uses of digital resources in humanities research.
English Reformations takes a refreshing new approach to the study of the Reformation in England. Christopher Haigh's lively and readable study disproves any facile assumption that the triumph of Protestantism was inevitable, and goes beyond the surface of official political policy to explorethe religious views and practices of ordinary English people. With the benefit of hindsight, other historians have traced the course of the Reformation as a series of events inescapably culminating in the creation of the English Protestant establishment. Dr Haigh sets out to recreate the sixteenthcentury as a time of excitement and insecurity, with each new policy or ruler causing the reversal of earlier religious changes. This is a scholarly and stimulating book, which challenges traditional ideas about the Reformation and offers a powerful and convincing alternative analysis.
Political Magic examines early modern British fictions of exploration and colonialism, arguing that narratives of intercultural contact reimagine ideas of sovereignty and popular power. These fictions reveal aspects of political thought in this period that official discourse typically shunted aside, particularly the political status of the commoner, whose “liberty” was often proclaimed even as it was undermined both in theory and in practice. Like the Hobbesian sovereign, the colonist appears to the colonized as a giver of rules who remains unruly. At the heart of many texts are moments of savage wonder, provoked by European displays of technological prowess. In particular, the trope of the first gunshot articulates an origin of consent and political legitimacy in colonial showmanship. Yet as manifestations of force held in abeyance, these technologies also signal the ultimate reliance of sovereigns on extreme violence as the lessthan-mystical foundation of their authority. By examining works by Cavendish, Defoe, Behn, Swift, and Haywood in conjunction with contemporary political writing and travelogues, Political Magic locates a subterranean discourse of sovereignty in the century after Hobbes, finding surprising affinities between the government of “savages” and of Britons.
A riveting inside look at an elite unit within the Pentagon—the Defense Innovation Unit, also known as Unit X—whose mission is to bring Silicon Valley’s cutting-edge technology to America’s military: from the two men who launched the unit. A vast and largely unseen transformation of how war is fought as profound as the invention of gunpowder or advent of the nuclear age is occurring. Flying cars that can land like helicopters, artificial intelligence-powered drones that can fly into buildings and map their interiors, microsatellites that can see through clouds and monitor rogue missile sites—all these and more are becoming part of America’s DIU-fast-tracked arsenal. Until recently, the Pentagon was known for its uncomfortable relationship with Silicon Valley and for slow-moving processes that acted as a brake on innovation. Unit X was specifically designed as a bridge to Valley technologists that would accelerate bringing state of the art software and hardware to the battle space. Given authority to cut through red tape and function almost as a venture capital firm, Shah, Kirchhoff, and others in the Unit who came after were tasked particularly with meeting immediate military needs with technology from Valley startups rather than from so-called “primes”—behemoth companies like Lockheed, Raytheon, and Boeing. Taking us inside AI labs, drone workshops, and battle command centers—and, also, overseas to Ukraine’s frontlines—Shah and Kirchhoff paint a fascinating picture of what it takes to stay dominant in a fast-changing and often precarious geopolitical landscape. In an era when America’s chief rival, China, has ordered that all commercial firms within its borders make their research and technology available for military exploitation, strengthening the relationship between Washington and Silicon Valley was always advisable. Today, it is an urgent necessity.
Now in its fourth edition with the revised title – Managing Sports Injuries: a guide for students and clinicians – this highly practical guide maintains its evidence-based approach while introducing new material from both research and clinical sources. It is a comprehensive resource for the management of soft-tissue injuries, focusing on therapy. Well referenced and extensively illustrated, this text continues to be invaluable to physiotherapists, sports and massage therapists, medical practitioners, and all those involved in the treatment of athletes and sports people. Approx.424 pages Full colour text and illustrations emphasizing all practical techniques Treatment notes expanded with added topics and basic examination protocols Additional material enhancing clinical value Practical "how-to-do" approach enabling application of new techniques Updated research references
A broad-ranging and ambitious study of the changing relationships between countries and their nationals abroad, and the impact that mass migration played in shaping modern international law and politics.
Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences and law, expertly written by the world’s leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. In this Advanced Introduction, Christopher Pollitt starts a penetrating account of the theories, methods and possible trajectories of the study of public management, also examining the academic community itself, and its relationship to the world of practice. There is no more authoritative – or lively – text of such scope and focus. This is a stimulating analysis by a leading international scholar. It includes: · a global overview · a critical and authoritative analysis of the current state of the field · the location of academic research firmly in the real world context of austerity, climate and demographic change, and technological transformation · an examination of the relationship between academic study and the practice of public management · a look inside the ‘ivory tower’, at the forces changing the way the subject is studied and practised This truly unique work will be of particular interest to graduate students, advanced scholars, lecturers and trainers in public administration, public management, government, public policy, political science and development administration. Middle level and senior practitioners in public administration and public management will also find this an invaluable and sophisticated introduction.
Christopher Berry-Dee, criminologist and bestselling author of books about the serial killers Aileen Wuornos and Joanne Dennehy, turns his uncompromising gaze upon women who not only kill, but kill repeatedly. Because female murderers, and especially serial murderers, are so rare compared with their male counterparts, this new study will surprise as well as shock, particularly in the cases of women like Beverley Allitt, who kill children, and Janie Lou Gibbs, who killed her three sons and a grandson, as well as her husband. Here too are women who kill under the influence of their male partners, such as Myra Hindley and Rosemary West, and whose lack of remorse for their actions is nothing short of chilling. But the author also turns his forensic gaze on female killers who were themselves victims, like Aileen Wuornos, whose killing spree, for which she was executed, can be traced directly to her treatment at the hands of men. Christopher Berry-Dee has no equal as the author of hard-hitting studies of the killers who often walk among us undetected for many years, and who in so many cases seem to be acting entirely against their natures.
The concept of surplus captures the politics of production and also conveys the active material means by which people develop the strategies to navigate everyday life. Surplus: The Politics of Production and the Strategies of Everyday Life examines how surpluses affected ancient economies, governments, and households in civilizations across Mesoamerica, the Southwest United States, the Andes, Northern Europe, West Africa, Mesopotamia, and eastern Asia.A hallmark of archaeological research on sociopolitical complexity, surplus is central to theories of political inequality and institutional finance. This book investigates surplus as a macro-scalar process on which states or other complex political formations depend and considers how past people—differentially positioned based on age, class, gender, ethnicity, role, and goal—produced, modified, and mobilized their social and physical worlds.Placing the concept of surplus at the forefront of archaeological discussions on production, consumption, power, strategy, and change, this volume reaches beyond conventional ways of thinking about top-down or bottom-up models and offers a comparative framework to examine surplus, generating new questions and methodologies to elucidate the social and political economies of the past.
From the cells of Death Row come the chilling, true-life accounts of the most heinous, cruel and depraved killers of modern times. Meet grisly killers such as Bill Joe Benefiel, the 'Superglue Monster', who glued his victims eyes and noses shut, causing them to suffocate. Or Willie Crain, the deviant fisherman, who put his victim into a lobster pot, where it was eaten by sea creatures. Many prisoners on ' the Row' have carried out serial murder, mass murder, spree killing and the desmemberment of bodies - both dead and alive. In these pages are to be found friends who have stabbed, hacked and ever filleted their victims. So meet the 'Dead Men and Women Walking' from the legion of the damned in the most terrifying true crime read ever.
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
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