The U.S. is the most violent industrialized country in the world, and lynching - that is, murder endorsed by the community - may be a key to understanding America's heritage of violence and perhaps point to solutions that can eradicate it. While lynchings are predominantly racial in tone and motive, Christopher Waldrep's sweeping study of the meaning and uses of lynching from the colonial period to the present reveals that the definition of the term has shifted dramatically over time, and that the victims and perpetuators of lynching were as diverse as its many meanings. By examining lynching from a comparative and temporal perspective, Waldrep teaches us important lessons not only about racial violence in America, but about the ways in which communities define and justify crime and the punishment of its criminals.
Machiavelli on War offers a comprehensive interpretation of the philosopher-historian's treatment of war throughout his writings, from poems and memoranda drafted while he was Florence's top official for military matters to his posthumous works, The Prince and Discourses on Livy. Christopher Lynch argues that the issue of war permeates the form and content of each of Machiavelli's works, the substance of his thoughts, and his own activity as a writer, concluding that he was the first great modern philosopher because he was the first modern philosopher of war. Lynch details Machiavelli's understanding of warfare in terms of both actual armed conflict and at the intellectual level of thinkers competing on the field of knowledge and belief. Throughout Machiavelli's works, he focuses on how military commanders' knowledge of human necessities, beginning with their own, enables and requires them to mold soldiers, organizationally and politically, to best deploy them in operations attuned to political context and changing circumstances. Intellectually, leaders must shape minds, their own and others', to reject beliefs that would weaken their purpose; for Machiavelli, this meant overcoming the classical and Christian traditions in favor of a new teaching of human freedom and excellence. As Machiavelli on War makes clear, prevailing both on the battlefield and in the war of ideas demands a single-minded engagement in "reasoning about everything," beginning with oneself. For Machiavelli, Lynch shows, the successful military commander is not just an excellent leader but also an excellent human being in constant pursuit of the truth about themselves and the world.
The flash of his camera sent Al Capone diving to the floor. He was asked to escort Bob Hope's wife to church and to hide John Barrymore from his mistress. Cary Grant demanded a shoeshine, Eleanor Roosevelt demanded an apology and Harry Truman demanded a bourbon. Photographer Mike Rotunno was the man on the scene when Chicago's Midway Airport was the crossroads of the world and people walked its concourses just to catch a glimpse of Hollywood's brightest stars. Bump into Bud Abbott, John Wayne, Jayne Mansfield and Marilyn Monroe as Christopher Lynch pieces together the amazing story left behind in fifty years of photographs and journals.
When the popularity of Milton Berle's television show began to slip, Berle quipped, "At least I'm losing my ratings to God!" He was referring to the popularity of "Life Is Worth Living" and its host, Bishop Fulton J. Sheen. The show aired from 1952 to 1957, and Sheen won an Emmy, beating competition that included Lucille Ball, Jimmy Durante, and Edward R. Murrow. What was the secret to Sheen's on-air success? Christopher Lynch examines how he reached a diverse audience by using television to synthesize traditional American Protestantism with a reassuring vision of Catholicism as patriotic and traditional. Sheen provided his viewers with a sense of stability by sentimentalizing the medieval world and holding it out as a model for contemporary society. Offering clear-cut moral direction in order to eliminate the anxiety of cultural change, he discussed topics ranging from the role of women to the perils of Communism. Sheen's rhetoric united both Protestant and Catholic audiences, reflecting—and forming—a vision of mainstream, postwar America. Lynch argues that Sheen's persuasive television presentations helped Catholics gain social acceptance and paved the way for religious ecumenism in America. Yet, Sheen's work also sowed the seeds for the crisis of competing ideologies in the modern American Catholic Church.
Niccolò Machiavelli's Art of War is one of the world's great classics of military and political theory. Praised by the finest military minds in history and said to have influenced no lesser lights than Frederick the Great and Napoleon, the Art of War is essential reading for anyone who wants to understand the history and theory of war in the West—and for readers of The Prince and Discourse on Livy who seek to explore more fully the connection between war and politics in Machiavelli's thought. Machiavelli scholar Christopher Lynch offers a sensitive and entirely new translation of the Art of War, faithful to the original but rendered in modern, idiomatic English. Lynch's fluid translation helps readers appreciate anew Machiavelli's brilliant treatments of the relationships between war and politics, civilians and the military, and technology and tactics. Clearly laying out the fundamentals of military organization and strategy, Machiavelli marshals a veritable armory of precepts, prescriptions, and examples about such topics as how to motivate your soldiers and demoralize the enemy's, avoid ambushes, and gain the tactical and strategic advantage in countless circumstances. To help readers better appreciate the Art of War, Lynch provides an insightful introduction that covers its historical and political context, sources, influence, and contemporary relevance. He also includes a substantial interpretive essay discussing the military, political, and philosophical aspects of the work, as well as maps, an index of names, and a glossary.
Eddie Haskell was the bad kid who never went away. When child actor Ken Osmond stepped onto the set of Leave it to Beaver in 1957, he not only entered our living rooms, he homesteaded a permanant place in American pop culture. The poster child for sneaky, rotten kids everywhere, he was the reference point for cautious mothers to warn their children about. And every one in America knew an Eddie Haskell at some point in his or her life. The amazing phenomenon of Ken Osmond's character is still going strong, over half a century after the show's cancellation. Even today, the name Eddie Haskell remains firmly entrenched in the American lexicon. Political foes from both sides of the ideological spectrum love to accuse their opponents of 'acting like Eddie Haskell, ' and when Kobe Bryant argues a referee's call, tweets go out labeling him and 'Eddie Haskell'. Psychology Today Magazine has published articles about recognizing and treatin the 'Eddie Haskell Syndrome' and Matt Groening created Bart Simpson as his own version of the 'son of Eddie Haskell.' Now it's time to meet Ken Osmond, the man behind America's preeminent bad boy. A man who, as co-star Jerry Mathers said, 'Was the best actor on the program, because he was so diametrically opposed to the character he played.' A devoted husband, father, and patriot, he's a man who's been forever shadowed by Eddie Haskell, but whose own life, was even more amazing than the character he portrayed (from Amazon website)
Albert Lambert was born in Missouri and went into his father's pharmaceutical business, but he found his true love in the air. While visiting Paris in 1906, he became interested in ballooning, then in airplanes. In 1907, Albert helped form the St. Louis Aero Club to promote aviation, then helped form the first airport in the area. In 1923, he opened Lambert-St. Louis Flying Field. He also helped raise money to build The Spirit of St. Louis for Charles Lindbergh.
A 2013 Shamus Award finalist, and Writer's Digest self-published book awards Honorable mention. Professional blackmailer John Sharp, aka One Eyed Jack, is a man who knows how to keep a secret - for a price. But when a routine case of infidelity takes an unexpected detour, he soon finds himself caught in a tangled web of double-blackmail, commodities manipulation, and trying to rescue the woman that had once been his target. Judge, 22nd Annual Writer's Digest Self-Published Book Awards said, "In One-Eyed Jack, author Christopher J. Lynch has created a multifaceted main character who will instantly grip readers from the moment he steps onto the stage. What I found interesting was how I both liked and disliked this character at the same time; this is something I've rarely experienced in my many years of reading fiction. This is definitely a book you won't be able to put down." Check out the video trailer at: http: //www.youtube.com/watch?v=XvraVL8dMY0
This exciting new edition of Edward II is indeed reader friendly. Of particular distinction are the introductory sections which include a thorough account of Marlowe's biography, a fresh critical examination of the play, plus a bibliography for further reading; a wise consideration of the date and text; and extensive annotations, especially helpful to students who have difficulties with the language. Of special value to both students and scholars are the Related Texts that follow the text of the play: three sections of documentary evidence on historical sources; power and politics; and love, friendship, and homoeroticism--all vital to an understanding of the play. No previous edition of the play manages to encompass so much." --Robert A. Logan, University of Hartford
Journey into lands long lost with the Greater Portland Scribists. Delve into an Egyptian pyramid in a peculiar location. See what a Viking boy does when handed the executioner's ax. Find out why sometimes it's too late to learn from your mistakes. Watch a bookbinder as he achieves his dreams. See a civilization vanish through the eyes of a young girl. Scribings Vol 2: Lost Civilizations features eight exciting stories that will take you on a trip through time and space and even through the fabric of reality itself. Scribings Vol 2 features stories from trusted veterans Richard Veysey, Cynthia Ravinski, and Jamie Alan Belanger; as well as stories from new members Christopher L. Weston and Timothy Lynch.
A washed up trophy-wife, a recklessly ambitious cop, and one very ticked off Russian Mobster. Professional blackmailer John Sharp, AKA One Eyed Jack, is in the fight of his life, and engaged in a deadly cat and mouse game with his long-time nemesis. Surviving only by his cunning and street smarts, he must return to his painful past, and to the only person who can help him stop his arch enemy once and for all.
This new edition of Christopher Marlowe’s Doctor Faustus offers the complete 1604 A-text with embedded selections from the 1616 B-text. Its innovative format will make it easier for readers to note differences between these texts and to consider what is gained and lost in viewing them both separately and together. A full Introduction to the play, notes, and a rich selection of related texts further enhance the value of this edition to students of Renaissance drama, Reformation theology, magic, and occult philosophy.
The man whose name is shorthand for all that is ugly in politics was more nuanced than his reputation suggests. Christopher Celenza’s portrait of Machiavelli removes the varnish to reveal not just the hardnosed philosopher but the skilled diplomat, learned commentator on ancient history, comic playwright, tireless letter writer, and thwarted lover.
This edition answers the needs of both beginning and advanced students: It features the text of Marlowe's play with modern spelling and punctuation, glosses and annotations on the page, and a thorough Introduction devoted to the play's historical, cultural, and theological contexts. In addition, it includes a generous selection of related texts, including excerpts from Machiavelli's The Prince, Gentillet's Anti-Machiavel, and Bacon's The Advancement of Learning. Its combination of pedagogical acuity and historical craft make Lynch's an excellent edition of Marlowe's play--one that also serves as a fine introduction to Elizabethan drama as a whole. It moreover offers a convenient window on the reception of Machiavelli in England and the representation of Christmas, Jews, and Turks on the Elizabethan stage.
[CALL OF CTHULHU ROLEPLAYING] ATOMIC-AGE CTHULHU brings Lovecraftian horror roleplaying into the post-war golden age. Here you find background and history that led to the development of the 1950s world, along with new skills and professions for your investigators. A number of Sinister Seeds are included to help you grow your own 1950s horrors, but seven complete adventures are ready for you to spring on your unsuspecting players.
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