The Village Proposal is based on the African proverb that it takes a village to raise a child. Part education commentary, part memoir, the book analyzes the theme of shared responsibility in public schools.
In the pages of this book, you are invited to share in candid conversations with modern-day disciples and learn firsthand about their struggles, their families, their mission, their dreams, and their hearts. As you admire from afar the Christian leaders of our time, do you ever wonder what it would be like to live their lives, to think their thoughts, to believe their faith? This fascinating book by Christ Coppernoll brings their opened hearts to the printed page. Through the close up lens of personal interviews with bestselling authors Max Lucado, Frank Peretti, Sheila Walsh, Scotty Smith, Tony Campolo, Patsy Clairmont, and more, you will glimpse the intimate secrets of faith that have shaped these influential men and women.
This remarkable and monumental book at last provides a comprehensive answer to the age-old riddle of whether there are only a small number of 'basic stories' in the world. Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years. This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.
Political Magic examines early modern British fictions of exploration and colonialism, arguing that narratives of intercultural contact reimagine ideas of sovereignty and popular power. These fictions reveal aspects of political thought in this period that official discourse typically shunted aside, particularly the political status of the commoner, whose “liberty” was often proclaimed even as it was undermined both in theory and in practice. Like the Hobbesian sovereign, the colonist appears to the colonized as a giver of rules who remains unruly. At the heart of many texts are moments of savage wonder, provoked by European displays of technological prowess. In particular, the trope of the first gunshot articulates an origin of consent and political legitimacy in colonial showmanship. Yet as manifestations of force held in abeyance, these technologies also signal the ultimate reliance of sovereigns on extreme violence as the lessthan-mystical foundation of their authority. By examining works by Cavendish, Defoe, Behn, Swift, and Haywood in conjunction with contemporary political writing and travelogues, Political Magic locates a subterranean discourse of sovereignty in the century after Hobbes, finding surprising affinities between the government of “savages” and of Britons.
Analyzes the films and filmmaking career of director Hal Ashby, placing his work in the cultural context of filmmaking in the 1970s. Hal Ashby directed eleven feature films over the course of his career and was an important figure in the Hollywood Renaissance of the late 1960s and 1970s. Though he was a member of the same generation of filmmakers as Martin Scorsese, Francis Ford Coppola, and Robert Altman, Ashby has received comparatively little critical or scholarly validation for his work. Author Christopher Beach argues that despite his lower profile, Ashby was an exceptionally versatile and unusually creative director. Beach focuses primarily on Ashby's first seven films—The Landlord, Harold and Maude, The Last Detail, Shampoo, Bound for Glory, Coming Home, and Being There—to analyze Ashby's contributions to filmmaking culture in the 1970s. The first two chapters of this volume provide an overview of Ashby's filmmaking career, as Beach makes the case for Ashby's status as an auteur and provides a biographical survey of Ashby's most productive and successful decade, the 1970s. In the following chapters, Beach analyzes groups of films to uncover important thematic concerns in Ashby's work, including the treatment of a young male protagonist in The Landlord and Harold and Maude, the representation of the U.S. military in The Last Detail and Coming Home, and the role of television and mass media in Shampoo and Being There. Beach also examines the crucial role of the musical score in Ashby's films, as well as the rapid decline of the director's career after Being There. The Films of Hal Ashby is based on Beach's extensive use of unpublished archival materials, as well as a number of interviews with actors, directors, producers, cinematographers, and others involved in the making of Ashby's films. This volume will interest film and television scholars, as well as readers interested in filmmakers of the 1970s.
Believe right, live right! Vatican on a Roman Holiday is about the Christian view of spirituality, theological philosophy and the purpose and meaning of life. It is a layman's guide to the core of Christ's teaching. It challenges the Vatican on key doctrinal issues and church practices that have rendered the vast multitude of Catholics across geographies in bondage to the sin-punishment model preached by almost all known religions. In spite of being financially endowed, the Vatican is squandering its plentiful resources on mere pomp and rituals, like the Sanhedrin, rather than fostering faith in Christ. The book exposes the dereliction by the Vatican when it comes to the healing ministry. There is no evidence of it on the ground and so the Vatican surreptitiously denies the poor, the needy and the homebound a vital and free spiritual resource, namely the Holy Spirit. The book blasts the sacrament of confession as a cruel joke played on Catholics for centuries, hoodwinking them into believing that their fate does not look great without confessing to a priest. The book also decodes the last book of the Bible, Revelation, which is one of the most complex books in the scriptures. But many write it off as a flight of fancy. The Vatican has done precious little to explain its compelling message. While the scriptural content is authentic, the book weaves a simple but striking fictional backstory to unravel the ultimate ascension of the laity as the ones who will hold the clergy accountable and not vice versa which the Vatican has been doing for centuries. The book clearly spells out how the world we now see will end and what comes after that. It is a book that explains and enlightens in an easy-to-read conversational style.
The bestselling author, speaker, and teacher of John Paul II's Theology of the Body explores the yearning we all have for God and each other. Fill These Hearts is a book about desire. Not trivial wants or superficial cravings, but the most vital powers of body and soul, sexuality and spirituality, that haunt us and compel us on our search for something. Weaving life-altering lessons together from classical and contemporary art, pop music, movies, and the Christian mystical tradition, popular theologian Christopher West explores the ancient but largely forgotten idea that the restless, erotic yearnings we feel in both our bodies and our spirits reveal the cry of our hearts for God. Along the way, West blows the lid off the idea of Christianity as a repressive, anti-sex religion by demonstrating that Christ came to stretch and inflame our desire for love and union to the point of infinity.
The authorised service book of the Baptist Church in England and Wales contains complete service outlines for holy communion, weddings, funerals, presentation of infants, adult baptism and much more. Introductions to the origins and significance of the rites are included. A CD version is to follow for use with Powerpoint and other media.
Designed to be used with any deck, Red Tarot is a radical praxis and decolonized oracle that moves beyond self-help and divination to reclaim tarot for liberation, self-determination, and collective healing. For readers of Postcolonial Astrology and Tarot for Change Red Tarot speaks to anyone othered for their identity or ways of being or thinking—LGBTQIA2S+ and BIPOC folks in particular—presenting the tarot as a radical epistemology that shifts the authority of knowing into the hands of the people themselves. Author Christopher Marmolejo frames literacy as key to liberation, and explores an understanding of tarot as critical literacy. They show how the cards can be read to subvert the dynamics of white supremacist-capitalist-imperialist-patriarchy, weaving historical context and spiritual practice into a comprehensive overview of tarot. Situating tarot imagery within cosmologies outside the Hellenistic frame—Death as interpreted through the lens of Hindu goddess Chhinnamasta, the High Priestess through Aztec goddess Coyolxauhqui—Marmolejo’s Red Tarot is a profound act of native reclamation and liberation. Each card’s interpretation is further bolstered by the teachings of Toni Morrison, bell hooks, Paulo Freire, José Esteban Muñoz, and others, in an offering that integrates intersectional wisdom with the author’s divination practice—and reveals tarot as an essential language for liberation.
All first-rate criticism first defines what we are confronting," the late, great jazz critic Whitney Balliett once wrote. By that measure, the essays of Christopher Hitchens are in the first tier. For nearly four decades, Hitchens has been telling us, in pitch-perfect prose, what we confront when we grapple with first principles-the principles of reason and tolerance and skepticism that define and inform the foundations of our civilization-principles that, to endure, must be defended anew by every generation. "A short list of the greatest living conversationalists in English," said The Economist, "would probably have to include Christopher Hitchens, Sir Patrick Leigh-Fermor, and Sir Tom Stoppard. Great brilliance, fantastic powers of recall, and quick wit are clearly valuable in sustaining conversation at these cosmic levels. Charm may be helpful, too." Hitchens-who staunchly declines all offers of knighthood-hereby invites you to take a seat at a democratic conversation, to be engaged, and to be reasoned with. His knowledge is formidable, an encyclopedic treasure, and yet one has the feeling, reading him, of hearing a person thinking out loud, following the inexorable logic of his thought, wherever it might lead, unafraid to expose fraudulence, denounce injustice, and excoriate hypocrisy. Legions of readers, admirers and detractors alike, have learned to read Hitchens with something approaching awe at his felicity of language, the oxygen in every sentence, the enviable wit and his readiness, even eagerness, to fight a foe or mount the ramparts. Here, he supplies fresh perceptions of such figures as varied as Charles Dickens, Karl Marx, Rebecca West, George Orwell, J.G. Ballard, and Philip Larkin are matched in brilliance by his pungent discussions and intrepid observations, gathered from a lifetime of traveling and reporting from such destinations as Iran, China, and Pakistan. Hitchens's directness, elegance, lightly carried erudition, critical and psychological insight, humor, and sympathy-applied as they are here to a dazzling variety of subjects-all set a standard for the essayist that has rarely been matched in our time. What emerges from this indispensable volume is an intellectual self-portrait of a writer with an exemplary steadiness of purpose and a love affair with the delights and seductions of the English language, a man anchored in a profound and humane vision of the human longing for reason and justice.
Twenty-First Century Renderings is a first collection of poems about love, culture and poetic influence from a new British poet, Christopher Dadson. In this collection, Christopher explores themes of change, constancy and conflict through a broad range of forms and styles, from traditional sonnets and ballads through lyrical and dramatic monologue, to free verse and longer narrative styles. His poems are straightforward on the surface but contain echoes of English and Spanish language poets through the ages, resulting in a contemporary collection that draws equally on early modern poetic tradition and present day experience.
Create a balanced, happy love life with the help of this book of practical love magick. Award-winning author Christopher Penczak offers a wealth of magickal workings and wisdom for everything from reclaiming sexual power and arousing passion to banishing ties to an unrequited love relationship. Written for Witches, Pagans, and other magickal people, this guide tells you how to first build self-love and self-esteem, then use that energy to find a partner or rekindle the passion in your current relationship. It offers instruction on making love spells, potions, and talismans, and features a materia magica of flowers, herbs, stones, and metals to empower them. The Witch's Heart also explores divine inner alchemy, love deities, sexual healing, fertility, the ethics of love magick, twin flames and soul mates, and how to heal a broken heart.
Anyone concerned with social justice will find this book makes him question his assumptions, rethink his premises, and think!" —Andrew P. Morriss, professor, Bush School of Government and Public Service, School of Law, Texas A&M University What is social justice? In these pages, twenty-one accomplished academics seek to do justice to "social justice." Inequality exists and it obviously causes rifts in societies. But it's not obvious how the government should address those rifts, or if it should address them at all. Have we forgotten the perhaps more efficient power of personal choice—and the corollary obligation: to serve our neighbors—to make our society more humane? Beginning with the first political philosophers in ancient Athens, and continuing right through Marx into our post-modern era, men have wrestled with the question of justice; and the answers have been as earnest as they have been varied. Today, our "expert" class also claim to have answers—updated answers, more "equitable" answers, more technological answers ... in short, answers that are simply better suited to our times. But are those answers in any way correct? Do they work? Are they—just? In these elegant, nuanced essays, the authors use the wisdom of ancient and modern philosophers to shed light on these important questions—and the answers are revealing. Armed with ample evidence from real-world experiences, lessons from history, the wisdom of the classics, modern philosophers, and even the teachings of the world religions, the contributors of Is Social Justice Just? Illuminate the central role of the individual in achieving justice in all its aspects. Read Is Social Justice Just? And discover: how to do social justice wrong with the poison of resentment, envy, and ignorance; how to do social justice right with the insights of philosophers and theologians; how to respect people's rights and liberties without sacrificing true equality; and how to reform flawed public policies that just make everything worse. In a world of partisanship, hysteria, maliciousness, and good intentions attached to hellish outcomes, this landmark book enters the public discourse at a critical time. With a foreword by Jordan B. Peterson, a preface by Nicholas Rescher, and a collection of essays by some of the best and brightest scholars of our time, Is Social Justice Just? is a timely and urgent work. Read it, and you will begin to think about "social justice," and justice, in some surprising new ways.
Great art comes from great pain. Or that's the impression left by these haunting profiles. Pieced together, they form a revealing mosaic of the creative mind. It's like viewing an exhibit from the therapist's couch as each entry delves into the mental anguish that afflicts the artist and affects their art. The scope of the artists covered is as varied as their afflictions. Inside, you will find not just the creators of the darkest of dark literature, music, and art. While it does reveal what everyday problem kept Poe's pen to paper and the childhood catastrophe that kept Picasso on edge, it also uncovers surprising secrets of more unexpectedly tormented artists. From Charles Schultz's unrequited love to J.K. Rowling's fear of death, it's amazing the deep-seeded troubles that lie just beneath the surface of our favorite art. As much an appreciation of artistic genius as an accessible study of the creative psyche, Tortured Artists illustrates the fact that inner turmoil fuels the finest work.
A Political Biography of Sarah Fielding provides the most complete discussion of Fielding’s works and career currently available. Tracing the development of Fielding’s artistic and instructive agendas from her earliest publications forward, Johnson presents a compelling portrait of a deeply read author who sought to claim a place within literary culture for women’s experiences. As a practical didacticist, Fielding sought to teach her readers to live happier, more fulfilling lives by appropriating and at times resisting the texts that defined their culture. While Fielding often retreats from the overtly political concerns that captured the attention of her contemporaries, her works are daring forays into the public sphere that both challenge and reinforce the foundations of British society. Giving voice to those who have been marginalized, Fielding’s creative productions are at once conservative and radical, revealing her ambiguous appreciation for tradition, her fears of modernity, and her abiding commitment to women who must live within forever imperfect worlds.
This book is an investigation into Carl Schmitt’s critical thinking regarding the alleged deficiencies he identified in modern liberalism. Noted jurist, constitutional scholar, and a fierce critic of liberalism and pluralism, Schmitt mounted a sustained attack on the defects of the Weimar constitution between 1916 and 1934, contending that what Germany needed was a strong decisive leader to maintain political unity. This book provides a concise and clear explanation of Schmitt’s disagreements with other constitutional scholars, from his time as a university graduate up until Hitler’s rise to power. Although these disagreements were couched in legal terminology, they represented political criticisms that went directly to the heart of modern democracy, culminating in Schmitt's defence of the Reich against Prussia in the constitutional crisis of 1932. The book concludes with a strenuous defence of modern liberalism in response to the Schmittian critique. Thus, this book is not just an exploration of Carl Schmitt’s work, but a response to one of the harshest attacks on the modern liberal state, and a blueprint for a renewal of democracy, pluralism, and the rule of law.
Hailed as “the John Grisham of Wall Street” by the New York Times, Christopher Reich returns to the world he knows so well--the dangerous, dazzling world of high finance and international intrigue. In this ingeniously crafted thriller, the bestselling author of Numbered Account and The First Billion introduces his most complex and engaging hero yet: forensic accountant Adam Chapel--and paints a frightening scenario where terrorism is big business and money is the ultimate weapon of war… The explosion that shatters the smart Parisian apartment reverberates around the globe. In an instant, a suspected terrorist is dead and half a million dollars has vanished. Within days, the CIA is certain it has found a connection between the dead man and a planned terrorist attack on U.S. soil. Determined to avert another 9/11, they have assembled an elite counterterrorist task force, code name: Blood Money. Its mission: to follow the money trail. Its secret weapon: forensic accountant Adam Chapel. A man who trusts numbers more than people, Chapel has his own reasons for wanting to get the job done-- four of his colleagues were killed in the Paris blast. Now Chapel is thrust back into the line of fire when he teams up with British intelligence agent Sarah Churchill. The two are assigned to hunt down a shadowy mastermind who is moving vast sums of money from country to country, from bank to bank, leaving no tracks--as he prepares for an Armaggedon of his own devising. As Chapel follows a disappearing money trail from Paris to Munich to the deserts of Saudi Arabia, Sarah uses her elite training to stalk the “shadow” and his elusive network. Meanwhile, their quarry is auditing their every move, laying a twisting trail of false clues and shocking surprises. With the clock ticking down, soon Chapel and Sarah have only days, hours, minutes to avert disaster as a master terrorist plots to unleash the first strike in a brilliantly orchestrated conspiracy--with an almost unimaginable goal. Hurtling us from the winding alleys of Pakistan to the elite banking houses of Europe, The Devil’s Banker creates an adrenaline-fueled world where following the money has never been more dangerous, and evil has never been harder to unmask.
*With a foreword from Tim Keller* A bold vision for Christians who want to engage the world in a way that is biblically faithful and culturally sensitive. In Biblical Critical Theory, Christopher Watkin shows how the Bible and its unfolding story help us make sense of modern life and culture. Critical theories exist to critique what we think we know about reality and the social, political, and cultural structures in which we live. In doing so, they make visible the values and beliefs of a culture in order to scrutinize and change them. Biblical Critical Theory exposes and evaluates the often-hidden assumptions and concepts that shape late-modern society, examining them through the lens of the biblical story running from Genesis to Revelation, and asking urgent questions like: How does the Bible's storyline help us understand our society, our culture, and ourselves? How do specific doctrines help us engage thoughtfully in the philosophical, political, and social questions of our day? How can we analyze and critique culture and its alternative critical theories through Scripture? Informed by the biblical-theological structure of Saint Augustine's magisterial work The City of God (and with extensive diagrams and practical tools), Biblical Critical Theory shows how the patterns of the Bible's storyline can provide incisive, fresh, and nuanced ways of intervening in today's debates on everything from science, the arts, and politics to dignity, multiculturalism, and equality. You'll learn the moves to make and the tools to use in analyzing and engaging with all sorts of cultural artifacts and events in a way that is both biblically faithful and culturally relevant. It is not enough for Christians to explain the Bible to the culture or cultures in which we live. We must also explain the culture in which we live within the framework and categories of the Bible, revealing how the whole of the Bible sheds light on the whole of life. If Christians want to speak with a fresh, engaging, and dynamic voice in the marketplace of ideas today, we need to mine the unique treasures of the distinctive biblical storyline.
The first ever modern edition of Bernard Barton’s selected verse, recovering an important and prolific figure from the Romantic era. Instantly recognisable to his contemporaries as ‘the Quaker poet’, Barton wrote nature and landscape poetry in a distinctive vein, as well as spanning strikingly diverse themes that engaged politics, society and religion. This selection encompasses all these tones and genres, providing freshly edited texts from the first printed sources, supplemented by textual apparatus, critical commentary and informative footnotes. The book also includes a selection of contextual material, including prefaces and reviews, as well as a selection of Barton’s lively epistolary correspondence. A substantial scholarly essay serves as the introduction, describing Barton’s life and career, as well as analysing his uniquely Quaker poetic identity in its full literary and historical context.
A thrilling account of how the Bomb Squad produced such a singular-sounding record—the engineering, sampling, scratching, constructing, deconstructing and reconstructing.
One oppressive June evening, Lenore de Warrenne returned from church (where she had, as usual, prayed fervently that her soon-expected first-born might be a daughter), and entered her dressing-room. Here her Ayah divested her of hat, dress, and boots, and helped her into the more easeful tea-gown and satin slippers. "Bootlair wanting ishweets for dinner-table from go-down, please, Mem-Sahib," observed Ayah, the change of garb accomplished. "The butler wants sweets, does he? Give me my keys, then," replied Mrs. de Warrenne, and, rising with a sigh, she left the dressing-room and proceeded, via the dining-room (where she procured some small silver bowls, sweet-dishes, and trays), to the go-down or store-room, situate at the back of the bungalow and adjoining the "dispense-khana"—the room in which assemble the materials and ministrants of meals from the extra-mural "bowachi-khana" or kitchen. Unlocking the door of the go-down, Mrs. de Warrenne entered the small shelf-encircled room, and, stepping on to a low stool proceeded to fill the sweet-trays from divers jars, tins and boxes, with guava-cheese, crystallized ginger, kulwa, preserved mango and certain of the more sophisticated sweetmeats of the West. It was after sunset and the hamal had not yet lit the lamps, so that this pantry, a dark room at mid-day, was far from light at that time. But for the fact that she knew exactly where everything was, and could put her hand on what she wanted, she would not have entered without a light.
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