The speakers of Christopher Locke's WAITING FOR GRACE & OTHER POEMS regard despair as an affront, something to be resisted as if one's life depended on it: "we always tried to make sense of it all, //even as the day turned cold and late, even as/dusk called the first stars up out of their graves." "These are honest and beautiful-sometimes wrenching-poems. Immaculately crafted, they are full of fresh metaphors and language, yet, at the same time, absolutely clear. I so admire them. -- Patricia Fargnoli "Christopher Locke is a poet with huge imaginative and metaphorical gifts, i.e., his imagination is poetic. An angry Nun stands over his speaker in the third grade '...her skirt as black/as a tornado before it inhales a barn.' Or, (in the same poem ) a teenage ballplayer's body 'is loose as rainwater.' Visceral, lucid, original--Waiting for Grace is a terrific (in the colloquial as well as its original meaning) book." --Thomas Lux "The post-punk speaker of these poems, who confesses 'I am tired of the way I shine, ' and who declares his own shadow 'redundant, ' still musters awe while gazing upon his daughter's school bus, not to mention the 'dubious bling' of the natural world. Robins, quartz, ferns, dirtsong and pebble: the world outside is both a threat and a source of salvation. Christopher Locke's poems remember rage, and are nearly undone by regret, but prove faithful to pathos in the end."--Christopher Bakken
This house has seen things it won't let you forget. When a new family moves in to the house at 25 Trumbulls Road, the narrator's vivid dreams of a teary-eyed, raw-smelling woman who lives beneath the floor turn chillingly real. Five years later, the house's new set of inhabitants are visited by the spectral presence of the little girl they lost. In these five tales linked by a single haunted house, the characters move through a world suspended between nightmare and loss, where the unexplainable and disquieting are fueled by ordinary grief and longing. Christopher Locke explores the ways in which our unspoken fears and everyday regrets sustain the darker heart of a home-its doorways and windows, its basements and lights-until it fills those corners of our lives with something close to terror. His stories ask: how does a home feed on this energy, growing stronger with each new, sinister end? As compulsively readable as it is unsettling, 25 Trumbulls Road takes us to the places we're afraid to go, then leaves us at a destination where we are our most human.
From one of today's most original, outspoken, and outrageous writers comes an extraordinary collection of essays, anecdotes, and observations on our life and times. Under his alter-egotistical nom de plume, RageBoy®, Chris Locke has entertained and enlightened thousands of readers from some of the world's largest companies, governments, and institutions-including those from which he's managed to escape.The Bombast Transcripts brings together the best of his worst. And his worst is very good indeed. Part scathing send-up of commercial techno- fetishism, part hysterical standup on the theme of spiritual bankruptcy, part intimate memoir, The Bombast Transcripts will rock you, shock you, and leave you deeply pondering what The Economist once called "the wisdom of RageBoy.
The Cluetrain Manifesto began as a Web site (cluetrain.com) in 1999 when the authors, who have worked variously at IBM, Sun Microsystems, the Linux Journal, and NPR, posted 95 theses about the new reality of the networked marketplace. Ten years after its original publication, their message remains more relevant than ever. For example, thesis no. 2: "Markets consist of human beings, not demographic sectors"; thesis no. 20: "Companies need to realize their markets are often laughing. At them." The book enlarges on these themes through dozens of stories and observations about business in America and how the Internet will continue to change it all. With a new introduction and chapters by the authors, and commentary by Jake McKee, JP Rangaswami, and Dan Gillmor, this book is essential reading for anybody interested in the Internet and e-commerce, and is especially vital for businesses navigating the topography of the wired marketplace.
What has gone wrong with the grand American experiment in "ordered liberty"? The liberal's answer is that America has failed to live up to its full promise of inclusiveness and equality--likely the result of corporate greed and white male ruling elites. The mainstream conservative or libertarian reply points to the Warren Court, the 1960s, or a loss of Constitutional rectitude. Christopher Ferrara, in Liberty, the God That Failed, offers an entirely different answer. In a counter-narrative of unique power and scope, he unmasks the order promised as a sham; the liberty guaranteed, a chimera. In his telling, the false god of a new political order--Liberty--was born in thought long before America's founding, and gained increasing devotion as it slowly amassed power during the first century of the nation's existence. Today it reveals its full might, as we bear the weight of its oppressive decrees, and experience the emptiness of the secular order it imposes upon us. The secular state has constructed a "myth of religious violence" to mask its own violent origins and ongoing displays of force. Ferrara destroys this myth with a relentless uncovering of truths hidden by both liberal and conservative/libertarian accounts of what has gone wrong. In this brilliant retelling of American history and political life, the author asks us to open our eyes to harsh realities, but also to the possibilities for a rightly ordered society and the true liberty that can still be ours.
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