In this chilling novel about a 1950s boys' summer camp gone awry, the former New York Times literary critic has created a brilliant coming-of-age story with undertones reminiscent of Lord of the Flies. Christopher Lehmann-Haupt's novel is at once a fantasy, a barbed portrait of boyhood in the dawning of the Eisenhower era, and a no-holds-barred story of terror of the sort that won him praise for his previous novel, A Crooked Man. Jerry Muller has been a regular at Camp Seneca for years. Now that he's a teenager and counselor, things don't seem quite right at his traditional summer haunt. As Jerry plunges into the mysteries around him, he finds himself growing up fast -- maybe too fast. He's attracted to T.J., a pretty girl who might have a boyfriend but who flirts anyway, and he's shocked by the truth about his friend Oz, who's more interested in Jerry than in the likes of T.J. He sees something is strangely amiss with the husband and wife who own the camp. But above all, he's scared of the cruel game masterminded by Buck. Of Seneca ancestry, Buck is a sinister, bigger-than-life expert on Indian lore. He is also an organizer of scary games who may just possibly be a psychopath and a killer, and in whose hands the camp's make-believe, designed to scare the kids, becomes first a savage and brutal test of strength, then, by small steps, genuinely dangerous. As Jerry unravels the mysteries surrounding the ordinary-looking camp, he struggles to understand how "the Forbidden Woods," which have always been off-limits to campers as a kind of game and dare, have somehow become genuinely frightening -- all the more reason to discover the secrets that lie behind Camp Seneca's facade. The story reaches its climax in a shocking scene that neither Jerry nor the reader is likely to forget. Christopher Lehmann-Haupt's new novel is a wicked, suspenseful, and deeply original tale.
While fishing, Senator Nick Schlafer reels in a dummy that looks like his young son. He had lost his teenaged daughter to a drug overdose only the year before. Now, the senator is about to introduce a piece of legislature that will change the face of America--by decriminalizing drugs. It's a bill that could make a man a lot of enemies.
Eratosthenes and the Measurement of the Earth's Circumference (c.230 BC) is an innovative and thought-provoking examination of one of the pivotal moments in the history of science. This text analyses a debate that has been going on for more than 2,300 years over the accuracy of Eratosthenes' experiment and calculations and puts to rest all prior theories that have come before. This work engages with this long running debate by applying innovative and multi-disciplinary methods such as linguistic analysis, mathematical modelling, satellite mapping, archaeological investigation and historical examination that creates the first ever combined exploration of this important event in the history of astronomy.
In a recent book, Following 9/11: Religion Coverage in the New York Times, Christopher Vecsey examines journalistic definitions of “religion,” before and (especially) after the terrible events of September 11, 2001. Here he explores Times portrayals of the cumulative religious tradition called Judaism, embodied by peoples who have called themselves Jews—from antiquity to modernity, throughout the world, and especially in the United States, where a plurality of Jews live today and where the Times is published. To understand Judaism today is to fathom its diverse texts, beliefs, rituals, ethics, and institutions, the contemporary concerns of Jews, and the relationships not only among Jews, but also between Jews and gentiles, and the continuing impact of anti-Semitism upon Jewish life. Since the 1940s, Jews and Judaism have been profoundly affected by the horrific course of the Holocaust, and by the formation of Israel as a Jewish nation-state. These have been the major themes in the Times' treatment of Judaism—chronicled in thousands of articles. Like an insider to Jewish tradition, the paper recounts favorite holy day recipes and tales of survival and travail in a multi-national and assimilative world. In so doing, however, the paper probes not only concurrence within Judaism, but more tellingly, a complex, multi-cultural, at-odds-with-itself Jewishness. Rather than thinking of the Times as a mouthpiece for Jewish interests, it is far more accurate to say that the Times has analyzed, like an outsider, the paradoxes, the tensions, and the culture wars in contemporary Jewish existence, in order to define pluralistic Judaism as a political, cultural, religious entity. The Times treats Judaism humanistically, showing that it is the Jewish people who are most important to Judaism, not merely the texts, the theology, or the institutions. The paper works from perspectival Talmudic principles, reporting multiple viewpoints in the circle of Jewish faith, observance, contestation, and disbelief, constantly questioning all sources, as an observant instrument of inquiry into Jewish existence, to expose Judaism's points of conflict as well as its areas of consensus.
An esteemed journalist travels to Turkey to investigate the legacy of the Armenian genocide and the quest for Kurdish statehood. In 2001, Christopher de Bellaigue, then the Economist's correspondent in Istanbul, wrote a piece about the history of Turkey for The New York Review of Books. In it, he briefly discussed the killing and deportation of half a million Armenians in 1915. These massacres, he suggested, were best understood as part of the struggles that attended the end of the Ottoman empire. After the story was published, the magazine was besieged with letters. This wasn't war, the correspondents said; it was genocide. And the death toll was not half a million but three times that many. De Bellaigue was mortified. How had he gotten it so wrong? He went back to Turkey, but found that the national archives had sealed all documents pertaining to those times. Undeterred and armed with a stack of contraband histories, he set out to the conflicted southeastern Turkish city of Varto to discover what had really happened. There, de Bellaigue found a place in which the centuries-old conflict among Turks, Armenians, and Kurds was still very much alive. His government escort began their association by marching with him arm in arm through the town's shopping district to show his presence; the local police chief, sent by the central office in Ankara to keep an eye on the Kurds, was sure he was a spy. He found houses built from the ruins of old Armenian churches, young boys playing soccer with old skulls, and a cast of villagers who all seemed unwilling to talk. What emerges is both an intellectual detective story and a reckoning with memory and identity that brings to life the basic conflicts of the Middle East: between statehood and religion, imperial borders and ethnic identity. Combining a deeply informed view of the area's history with the testimonials of the townspeople who slowly come to trust him, de Bellaigue unravels the enigma of the Turkish twentieth century, a time that contains the death of an empire, the founding of a nation, and the near extinction of a people. Rebel Land exposes the historical and emotional fault lines that lie behind many of today's headlines: about Turkey and its faltering bid for membership into the EU, about the Kurds and their bid for nationhood, and the Armenians' campaign for genocide recognition.
German typographer Paul Renner is best known as the designer of the typeface Futura, which stands as a landmark of modern graphic design. This is the first study of Renner's typographic career, detailing his life and work to reveal the breadth of his accomplishment and influence.
This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.
At last, a White House reminiscence that pulls no punches! Herbert Wadlough, personal assistant to President N. Tucker (TNT), offers his unique and utterly self-serving inside view of the historic years 1989-1993 of the ill-fated Tucker administration, in which he played such a crucial role. From the inauguration crisis—when President Reagan refused to vacate the White House—to the epochal War on Bermuda, to the delicate negotiations (sexual, for the most part) between the President and his First Lady, Wadlough gives an account that is open, honest, and hilarious. “This is the best piece of American political satire in years.”—The Cleveland Plain Dealer “This is a brilliant satire.... A witty, very funny, intricate spoof. Buckley gives new meaning to the phrase “He’ll never work again in politics.’”—Bob Woodward
* A New York Times Book Review Editors' Choice * The acclaimed author of Meetings with Remarkable Manuscripts introduces us to the extraordinary keepers and companions of medieval manuscripts over a thousand years of history The illuminated manuscripts of the Middle Ages are among the greatest works of European art and literature. We are dazzled by them and recognize their crucial role in the transmission of knowledge. However, we generally think much less about the countless men and women who made, collected and preserved them through the centuries, and to whom they owe their existence. This entrancing book describes some of the extraordinary people who have spent their lives among illuminated manuscripts over the last thousand years: a monk in Normandy, a prince of France, a Florentine bookseller, an English antiquary, a rabbi from central Europe, a French priest, a Keeper at the British Museum, a Greek forger, a German polymath, a British connoisseur and the woman who created the most spectacular library in America—all of them members of what Christopher de Hamel calls the Manuscripts Club. This exhilarating fraternity, and the fellow enthusiasts who come with it, throw new light on how manuscripts have survived and been used by very different kinds of people in many different circumstances. Christopher de Hamel’s unexpected connections and discoveries reveal a passion that crosses the boundaries of time. We understand the manuscripts themselves better by knowing who their keepers and companions have been. In 1850 (or thereabouts) John Ruskin bought his first manuscript “at a bookseller’s in a back alley.” This was his reaction: “The new worlds which every leaf of this book opened to me, and the joy I had in counting their letters and unravelling their arabesques as if they had all been of beaten gold—as many of them were—cannot be told.” The members of de Hamel’s club share many such wonders, which he brings to us with scholarship, style and a lifetime’s experience.
Summer of Deliverance is a powerful and moving memoir of anger, love, and reconciliation between a son and his father. Hailed as a literary genius of his generation, James Dickey created his art and lived his life with a ferocious passion. He was a heavy drinker, a destructive husband and father, a poet of grace and sensitivity, and, after the publication and subsequent film of his novel, Deliverance, a wildly popular literary star. Drawing on letters, notebooks, diaries, and his explicit conversations with his father, Christopher Dickey has crafted a superb memoir of the corrosive effects of fame, a moving remembrance of a crisis that united a family, and an inspiring celebration of love between father and son.
This richly documented study of copyright in sixteenth-century Venice and Rome provides valuable new information about the privilegio and the printers, engravers, painters, mapmakers, and others who used it to protect their commercial interests in various types of printed images.
DIVA gripping thriller about contemporary gay politics/divDIV Ralph Eckhart, an unassuming bookstore manager in the East Village, meets Bill O’Connor online and they agree to get together during Ralph’s weekend visit to Washington, DC. The two start a heated, long-distance sexual relationship. But Ralph discovers that Bill is a closeted Republican journalist, whose new book trashes liberal women in Washington—including Ralph’s speechwriter friend, Nancy—and angrily breaks off the affair. When Bill is found murdered, Ralph becomes the prime suspect. This is a complex psychological and political thriller full of the sexy excitement of “sleeping with the enemy.”/div
The Hidden Holocaust: During the course of the First World War considerably over a million Armenians were slaughtered in one of the most horrific but least known genocides of recent history. The then government of Ottoman Turkey made a decision to liquidate their Armenian Christian subjects as a people. Armenian conscripts in the Ottoman armies were starved, beaten and machine gunned. Armenian intellectuals were murdered. In Armenian villages men were taken away and shot, while their women and children were rounded up and forced to walk southwards into the deserts, where many collapsed and died of hunger and exhaustion. The survivors were then incarcerated in open-air concentration camps, from which few emerged alive. All of this has been recorded in documents and individual memoirs. There can be no doubt that the genocide took place with full government knowledge and approval. But even today the present Turkish government denies the reality of the Armenian genocide and has erased it from official Turkish history. Yet for the Armenian people it is essential that the facts of their sufferings are recognized and their claims acknowledged. The Armenians is one of the few accessible accounts of this little known episode. But more than this, it gives an overview of past Armenian history and culture, the present situation of the Armenian diaspora around the world and prospects for the future. Written by David M. Lang and Christopher J. Walker, two leading writers on the Armenian situation, this new edition of this classic report also refers to the acute contemporary problems for Armenians in Lebanon and Iran as well as continuing repression in Turkey. An important report on an exceptional and cohesive minority group, which should be read by all those concerned with human rights and history as well as the Armenian people, wherever they live.
The most successful and useful new almanac of the decade is back, with reams of new material to help readers make the most of their lives in the coming year. This year's Practical Guide includes practical advice from over 500 experts, including O.J. Simpson's jury consultant on the ins and outs of jury duty Cal Ripken Jr., on how to go from Little League to the majors Master chef Jacques Pepin on his favorite low-fat gourmet desserts C. Everett Koop on how to pick a doctor in today's health-care environment. And more!
In this chilling novel about a 1950s boys' summer camp gone awry, the former New York Times literary critic has created a brilliant coming-of-age story with undertones reminiscent of Lord of the Flies. Christopher Lehmann-Haupt's novel is at once a fantasy, a barbed portrait of boyhood in the dawning of the Eisenhower era, and a no-holds-barred story of terror of the sort that won him praise for his previous novel, A Crooked Man. Jerry Muller has been a regular at Camp Seneca for years. Now that he's a teenager and counselor, things don't seem quite right at his traditional summer haunt. As Jerry plunges into the mysteries around him, he finds himself growing up fast -- maybe too fast. He's attracted to T.J., a pretty girl who might have a boyfriend but who flirts anyway, and he's shocked by the truth about his friend Oz, who's more interested in Jerry than in the likes of T.J. He sees something is strangely amiss with the husband and wife who own the camp. But above all, he's scared of the cruel game masterminded by Buck. Of Seneca ancestry, Buck is a sinister, bigger-than-life expert on Indian lore. He is also an organizer of scary games who may just possibly be a psychopath and a killer, and in whose hands the camp's make-believe, designed to scare the kids, becomes first a savage and brutal test of strength, then, by small steps, genuinely dangerous. As Jerry unravels the mysteries surrounding the ordinary-looking camp, he struggles to understand how "the Forbidden Woods," which have always been off-limits to campers as a kind of game and dare, have somehow become genuinely frightening -- all the more reason to discover the secrets that lie behind Camp Seneca's facade. The story reaches its climax in a shocking scene that neither Jerry nor the reader is likely to forget. Christopher Lehmann-Haupt's new novel is a wicked, suspenseful, and deeply original tale.
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