The new Burgener: Improve your interpretation skills with this bestselling comprehensive reference to interpreting abnormal CT findings Differential Diagnosis in Computed Tomography, 2nd edition, is an invaluable reference aid in the evaluation of CT images to help confidently gain a general diagnostic impression and a reasonable differential diagnosis. In contrast to disease-oriented radiology texts, this book is organized by CT findings, enabling the reader to quickly match the appropriate differential diagnosis to CT results. Special features of the second edition: Continuation of the successful Burgener concept: Comprehensive tables describe the imaging patterns of the various diseases that may present on CT, along with other characteristically associated imaging findings and pertinent physiopathologic, pathologic, and clinical data Over 2,000 detailed, high-quality images demonstrating a wide range of common and uncommon CT findings Chapters organized according to anatomic regions, from the brain to the pelvis and the musculoskeletal system, with new chapters on meningeal and calvarian lesions and on trauma Updated and revised sections reflecting the latest advances in CT technology and indications, including accurate staging of intra-articular and spinal fractures and evaluation of vascular diseases Extensive index systematically cross-references diseases and CT findings for optimal access to information Recognizing the central role that CT plays in the field of modern medical imaging, this book is essential for physicians who want to strengthen their diagnostic acumen and CT interpretation skills: radiologists in practice; residents preparing for board exams; and any other physician charged with understanding and interpreting CT images.
The 25 incredibly talented authors and poets in this anthology aren't politicians, policy wonks, or partisans. They're artists staring at the rising tide of fascism in the United States and asking you: "What kind of world do you want to live in tomorrow?" and "Who do you want to be today?" And they aren't asking quietly.
What is it like to experience rapture? For philosopher Christopher Hamilton, it is a loss of self that is also a return to self—an overflowing and emptying out of the self that also nourishes and fills the self. In this inviting book, he reflects on the nature of rapture and its crucial yet unacknowledged place in our lives. Hamilton explores moments of rapture in everyday existence and aesthetic experience, tracing its disruptive power and illuminating its philosophical significance. Rapture is found in sexual love and other forms of intense physical experience, such as Philippe Petit’s nerve-defying wire walk between the Twin Towers. Hamilton also locates it in quieter but equally joyous moments, such as contemplating a work of art or the natural world. He considers a range of examples in philosophy and culture—Nietzsche and Weil, Woolf and Chekhov, the extremes of experience in Werner Herzog’s films—as well as aspects of ordinary life, from illness to gardening. Conversational and evocative, this book calls on us to ask how we might make ourselves more open to experiences of rapturous joy and freedom.
Great art comes from great pain. Or that's the impression left by these haunting profiles. Pieced together, they form a revealing mosaic of the creative mind. It's like viewing an exhibit from the therapist's couch as each entry delves into the mental anguish that afflicts the artist and affects their art. The scope of the artists covered is as varied as their afflictions. Inside, you will find not just the creators of the darkest of dark literature, music, and art. While it does reveal what everyday problem kept Poe's pen to paper and the childhood catastrophe that kept Picasso on edge, it also uncovers surprising secrets of more unexpectedly tormented artists. From Charles Schultz's unrequited love to J.K. Rowling's fear of death, it's amazing the deep-seeded troubles that lie just beneath the surface of our favorite art. As much an appreciation of artistic genius as an accessible study of the creative psyche, Tortured Artists illustrates the fact that inner turmoil fuels the finest work.
The narrative surrounding Charles Lindbergh’s life has been as varying and complex as the man himself. Once best known as an aviator—the first to complete a solo nonstop transatlantic flight—he has since become increasingly identified with his sympathies for white supremacy, eugenics, and the Nazi regime in Germany. Underexplored amid all this is Lindbergh’s spiritual life. What beliefs drove the contradictory impulses of this twentieth-century icon? An apostle of technological progress who encountered God in the wildernesses he sought to protect, an anti-Semitic opponent of US intervention in World War II who had a Jewish scripture inscribed on his gravestone, and a critic of Christianity who admired Christ, Lindbergh defies conventional categories. But spirituality undoubtedly mattered to him a great deal. Influenced by his wife, Anne Morrow Lindbergh—a self-described “lapsed Presbyterian” who longed to live “in grace”—and friends like Alexis Carrel (a Nobel Prize–winning surgeon, eugenicist, and Catholic mystic) and Jim Newton (an evangelical businessman), he spent much of his adult life reflecting on mortality, divinity, and metaphysics. In this short biography, Christopher Gehrz represents Lindbergh as he was, neither an adherent nor an atheist, a historical case study of an increasingly familiar contemporary phenomenon: the “spiritual but not religious.” For all his earnest curiosity, Lindbergh remained unwilling throughout his life to submit to any spiritual authority beyond himself and ultimately rejected the ordering influence of church, tradition, scripture, or creed. In the end, the man who flew solo across the Atlantic insisted on charting his own spiritual path, drawing on multiple sources in such a way that satisfied his spiritual hunger but left some of his cruelest convictions unchallenged.
In Bed with Sherlock Holmes provides a witty and well-researched discussion of the sexual elements in the Sherlock Holmes stories, and in Conan Doyle’s own life. An expert commentator on all things Victorian, Doyle also reflects that period’s attitudes toward sex and erotic love. This commentary will make the Sherlock Holmes stories even more interesting and intriguing since Redmond uses published and unpublished articles, books and letters, as well as quotes from speeches given at meetings, to enliven the text and give a broad out-look to this unusual assessment of Doyle’s best known stories. Each chapter opens with one of the original Sidney Paget illustrations. Bibliography. Index.
The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).
When in 2000 the Baseball Writers Association of America elected the ever-durable Carlton Fisk to the National Baseball Hall of Fame, many fans quietly pointed to the Hall's omission of Fisk' greatest American League contemporary, Thurman Munson. And when in 2001 the writers honored Kirby Puckett, the Twins star forced to retire with glaucoma after a brilliant but brief 12-year career, the same fans began to raise their voices in support of Munson, another short-timer who was once the toast of his team's hometown. In a position that requires the strapping on of hot, awkward equipment and the torturous alternation of standing and squatting, most catchers struggle to maintain electrolytes, let alone a respectable batting average. It is, in fact, a position so demanding, that men deemed good ball-handlers or pitcher confidants might hang on in the big leagues for years despite their drag on a team's offensive production. Munson, like Fisk and National Leaguer Johnny Bench, was a tough-as-nails backstop, a Gold Glove winner, and the unquestioned leader of his team. Like Bench and Fisk, too, though to a lesser degree, Munson had home run power. But the Yankee captain was in, at least one respect, an even rarer breed of catcher--one who manages despite the physical and mental demands of his position to finish each year somewhere near the .300 mark. Munson, who ranked in the top 10 among A.L. hitters five of the nine full seasons he played, was widely considered one of his generation's great clutch hitters. When the star catcher died at age 32, he was still in his prime, and it seems clear to many that on August 2, 1979, misfortune denied Munson his place in Cooperstown. Outlived by his contemporaries, who went on to post more impressive career numbers, and now overshadowed by the accomplishments of catchers from the current batter-biased era, Munson's chances for recognition grow increasingly faint. But for all the praiseworthy things he did on the field in his short career, Thurman Munson accomplished as much in between the innings and games he labored through. And it might be his influence for which he's ultimately remembered. In this work, author Chris Devine pays special attention to Munson as teammate, friend, husband, and father.
A look at the first five decades of 20th century American literature, covering a wide range of literary works, figures, and influences A History of American Literature 1900-1950 is a current and well-balanced account of the main literary figures, connections, and ideas that characterized the first half of the twentieth century. In this readable, highly informative book, the author explores significant developments in American drama, fiction, and poetry, and discusses how the literature of the period influenced, and was influenced by, cultural trends in both the United States and abroad. Considering works produced during America’s rise to prominence on the world stage from both regional and international perspectives, MacGowan provides readers with keen insights into the literature of the period in relation to America’s transition from an agrarian nation to an industrial power, the racial and economic discrimination of Black and Native American populations, the greater financial and social independence of women, the economic boom of the 1920s, the Depression of the 1930s, the impact of world wars, massive immigration, political and ideological clashes, and more. Encompassing five decades of literary and cultural diversity in one volume, A History of American Literature 1900-1950: Covers American theater, poetry, fiction, non-fiction, memoirs, magazines and literary publications, and popular media Discusses the ways writers dramatized the immense social, economic, cultural, and political changes in America throughout the first half of the twentieth century Explores themes and influences of Modernist poets, expatriate novelists, and literary publications founded by women and African-Americans Features the work of Black writers, Native Americans, Asian Americans, and Jewish Americans A History of American Literature 1900-1950 is essential reading for all students in upper-level American literature courses as well as general readers looking to better understand the literary tradition of the United States.
THE TWENTIETH-CENTURY AMERICAN FICTION Accessibly structured with entries on important historical contexts, central issues, key texts and the major writers, this Handbook provides an engaging overview of twentieth-century American fiction. Featured writers range from Henry James and Theodore Dreiser to contemporary figures such as Joyce Carol Oates, Thomas Pynchon, and Sherman Alexie, and analyses of key works include The Great Gatsby, Lolita, The Color Purple, and The Joy Luck Club, among others. Relevant contexts for these works, such as the impact of Hollywood, the expatriate scene in the 1920s, and the political unrest of the 1960s are also explored, and their importance discussed. This is a stimulating overview of twentieth-century American fiction, offering invaluable guidance and essential information for students and general readers.
This is the second book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The aim of both volumes is to set out an integrated framework for understanding the syntax of negation and how it changes. While the first volume (OUP, 2013) presented linked case studies of particular languages and language groups, this second volume constructs a holistic approach to explaining the patterns of historical change found in the languages of Europe and the Mediterranean over the last millennium. It identifies typical developments found repeatedly in the histories of different languages and explores their origins, as well as investigating the factors that determine whether change proceeds rapidly, slowly, or not at all. Language-internal factors such as the interaction of syntax, semantics, and pragmatics, and the biases inherent in child language acquisition, are investigated alongside language-external factors such as imposition, convergence, and borrowing. The book proposes an explicit formal account of language-internal and contact-induced change for both the expression of sentential negation ('not') and negative indefinites ('anyone', 'nothing'). It sheds light on the major ways in which negative systems develop, on the nature of syntactic change, and indeed on linguistic change more generally, demonstrating the insights that large-scale comparison of linguistic histories can offer.
Canadian Men and Masculinities: Historical and Contemporary Perspectives is a provocative new volume that examines men and masculinity across Canadian history and culture and sets it against the broader context of neoliberal globalization. This edited collection adopts a multi-perspective social inquiry and interdisciplinary approach and takes into careful consideration the intersections of the social and historical construction of gender with race, social class, sexuality, bodily abilities, and other social justice factors. The chief aim of this book is to examine, from historical and contemporary perspectives, the production and performance of men, boys, and embodied masculinity within the Canadian context. Within this framework, Canadian Men and Masculinities explores a range of issues including modern fatherhood, black male athleticism, indigenous masculinities, wrestling, and body building. This volume will be a valuable resource for general readers and professionals in sociology, history, education, and social and gender studies.
An expanded, fully illustrated, and up-to-date edition of the classic cultural history of vampires Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of eastern Europe to the Romantics and beyond. It incorporates extracts from a huge range of sources—from Bram Stoker’s detailed research notes for Dracula to penny dreadfuls, to Angela Carter’s The Bloody Chamber (new to this edition) which is analyzed by the author in a broader cultural context. This revised and expanded edition of the 1978 classic brings Vampyres up to date with twenty-first-century vampire literature, including new text extracts, commentary, and a revised introduction. For the first time, Christopher Frayling also explores the development of the vampire in the visual arts in four color-plate sections, with illustrations ranging from eighteenth-century prints to twenty-first-century film stills, demonstrating the enduring appeal of the vampire from popular press to fine art and, finally, to film.
What is it like to experience rapture? For philosopher Christopher Hamilton, it is a loss of self that is also a return to self—an overflowing and emptying out of the self that also nourishes and fills the self. In this inviting book, he reflects on the nature of rapture and its crucial yet unacknowledged place in our lives. Hamilton explores moments of rapture in everyday existence and aesthetic experience, tracing its disruptive power and illuminating its philosophical significance. Rapture is found in sexual love and other forms of intense physical experience, such as Philippe Petit’s nerve-defying wire walk between the Twin Towers. Hamilton also locates it in quieter but equally joyous moments, such as contemplating a work of art or the natural world. He considers a range of examples in philosophy and culture—Nietzsche and Weil, Woolf and Chekhov, the extremes of experience in Werner Herzog’s films—as well as aspects of ordinary life, from illness to gardening. Conversational and evocative, this book calls on us to ask how we might make ourselves more open to experiences of rapturous joy and freedom.
This 1985 book offers a critical examination of the impact of the National Labor Relations Act on American unions. Dr Tomlins examines both the laws from the late nineteenth century and the history of the act's passage. He shows how public policy confined labour's role in the American economy and the problems faced by unions that stem from these laws.
Great art comes from great pain. Or that's the impression left by these haunting profiles. Pieced together, they form a revealing mosaic of the creative mind. It's like viewing an exhibit from the therapist's couch as each entry delves into the mental anguish that afflicts the artist and affects their art. The scope of the artists covered is as varied as their afflictions. Inside, you will find not just the creators of the darkest of dark literature, music, and art. While it does reveal what everyday problem kept Poe's pen to paper and the childhood catastrophe that kept Picasso on edge, it also uncovers surprising secrets of more unexpectedly tormented artists. From Charles Schultz's unrequited love to J.K. Rowling's fear of death, it's amazing the deep-seeded troubles that lie just beneath the surface of our favorite art. As much an appreciation of artistic genius as an accessible study of the creative psyche, Tortured Artists illustrates the fact that inner turmoil fuels the finest work.
This book introduces educational practitioners, students, and scholars to the people, concepts, questions, and concerns that make up the field of critical social theory. It guides readers into a lively conversation about how education can and does contribute to reinforcing or challenging relations of domination in the modern era. Written by a group of experienced educators and scholars, in an engaging style, Critical Social Theories and Education introduces and explains the preeminent thinkers and traditions in critical social theory, and discusses the primary strands of educational research and thought that have been informed and influenced by them.
Once a kingdom in its own right, Zanskar is now a unique part of Southern Ladakh, and comprises less than 16,000 inhabitants. Cut off entirely from the rest of the world for at least 7 months every year by heavy snow, with no road access or airport, the people are still resilient, hospitable and hard working. Their adversity gives rise to one of the most exciting treks in the world, known as the Chadar Ice Trek in January and February each year, going from Padum in the South, up the frozen Zanskar River, to Nimmo near Leh, a distance of some 105 Km. Chris Hertzog, a well known researcher in Anti-aging Medicine (AAM), has visited the area many times, and wanted in this brief book, to dedicate it to a very special community with their unique way of life, in an area known as ‘The Top of The World’.
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Jet lag is a momentary condition resulting from the human body and its inner clock being pitched against the time-leaping effects of modern aviation. But more than that, it is a situation that explains time, technology, and the human body. Jet lag epitomizes the accelerated world we live in. It makes the speed and discomfort of globalization tangible on a personal level. Tracing physiological, temporal, technological, and cultural meanings, Christopher J. Lee's Jet Lag ponders our intrinsic human limits in the face of modern innovation, revealing the latent costs of global cosmopolitanism today. Object Lessons is published in partnership with an essay series in The Atlantic.
How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.
The Swan King" is the biography of one of the most enigmatic figures of the 19th century, described by Verlaine as 'the only true king of his century'. A man of wildly eccentric temperament and touched by a rare, imaginative genius, Ludwig II of Bavaria is remembered both for his patronage of Richard Wagner and for the fabulous palaces which he created as part of a dream-world to escape the responsibilities of state. In realization of his fantasies, he created a ferment of creativity among artists and craftsmen, while his neglect of Bavaria's political interests made powerful enemies among those critical of his self-indulgence and excesses. At the age of 40, declared insane in a plot to depose him, Ludwig died in mysterious circumstances.
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