In Bed with Sherlock Holmes provides a witty and well-researched discussion of the sexual elements in the Sherlock Holmes stories, and in Conan Doyle’s own life. An expert commentator on all things Victorian, Doyle also reflects that period’s attitudes toward sex and erotic love. This commentary will make the Sherlock Holmes stories even more interesting and intriguing since Redmond uses published and unpublished articles, books and letters, as well as quotes from speeches given at meetings, to enliven the text and give a broad out-look to this unusual assessment of Doyle’s best known stories. Each chapter opens with one of the original Sidney Paget illustrations. Bibliography. Index.
The German filmmaker Alexander Kluge has long promoted cinema's relationship with the goals of human emancipation. Jean-Luc Godard and Filipino director Kidlat Tahimik also believe in cinema's ability to bring about what Theodor W. Adorno once called a "redeemed world." Situating the films of Godard, Tahimik, and Kluge within debates over social revolution, utopian ideals, and the unrealized potential of utopian thought and action, Christopher Pavsek showcases the strengths, weaknesses, and undeniable impact of their utopian visions on film's political evolution. He discusses Godard's Alphaville (1965) against Germany Year 90 Nine-Zero (1991) and JLG/JLG: Self-portrait in December (1994), and he conducts the first scholarly reading of Film Socialisme (2010). He considers Tahimik's virtually unknown masterpiece, I Am Furious Yellow (1981–1991), along with Perfumed Nightmare (1977) and Turumba (1983); and he constructs a dialogue between Kluge's Brutality in Stone (1961) and Yesterday Girl (1965) and his later The Assault of the Present on the Rest of Time (1985) and Fruits of Trust (2009).
When in 2000 the Baseball Writers Association of America elected the ever-durable Carlton Fisk to the National Baseball Hall of Fame, many fans quietly pointed to the Hall's omission of Fisk' greatest American League contemporary, Thurman Munson. And when in 2001 the writers honored Kirby Puckett, the Twins star forced to retire with glaucoma after a brilliant but brief 12-year career, the same fans began to raise their voices in support of Munson, another short-timer who was once the toast of his team's hometown. In a position that requires the strapping on of hot, awkward equipment and the torturous alternation of standing and squatting, most catchers struggle to maintain electrolytes, let alone a respectable batting average. It is, in fact, a position so demanding, that men deemed good ball-handlers or pitcher confidants might hang on in the big leagues for years despite their drag on a team's offensive production. Munson, like Fisk and National Leaguer Johnny Bench, was a tough-as-nails backstop, a Gold Glove winner, and the unquestioned leader of his team. Like Bench and Fisk, too, though to a lesser degree, Munson had home run power. But the Yankee captain was in, at least one respect, an even rarer breed of catcher--one who manages despite the physical and mental demands of his position to finish each year somewhere near the .300 mark. Munson, who ranked in the top 10 among A.L. hitters five of the nine full seasons he played, was widely considered one of his generation's great clutch hitters. When the star catcher died at age 32, he was still in his prime, and it seems clear to many that on August 2, 1979, misfortune denied Munson his place in Cooperstown. Outlived by his contemporaries, who went on to post more impressive career numbers, and now overshadowed by the accomplishments of catchers from the current batter-biased era, Munson's chances for recognition grow increasingly faint. But for all the praiseworthy things he did on the field in his short career, Thurman Munson accomplished as much in between the innings and games he labored through. And it might be his influence for which he's ultimately remembered. In this work, author Chris Devine pays special attention to Munson as teammate, friend, husband, and father.
A look at the first five decades of 20th century American literature, covering a wide range of literary works, figures, and influences A History of American Literature 1900-1950 is a current and well-balanced account of the main literary figures, connections, and ideas that characterized the first half of the twentieth century. In this readable, highly informative book, the author explores significant developments in American drama, fiction, and poetry, and discusses how the literature of the period influenced, and was influenced by, cultural trends in both the United States and abroad. Considering works produced during America’s rise to prominence on the world stage from both regional and international perspectives, MacGowan provides readers with keen insights into the literature of the period in relation to America’s transition from an agrarian nation to an industrial power, the racial and economic discrimination of Black and Native American populations, the greater financial and social independence of women, the economic boom of the 1920s, the Depression of the 1930s, the impact of world wars, massive immigration, political and ideological clashes, and more. Encompassing five decades of literary and cultural diversity in one volume, A History of American Literature 1900-1950: Covers American theater, poetry, fiction, non-fiction, memoirs, magazines and literary publications, and popular media Discusses the ways writers dramatized the immense social, economic, cultural, and political changes in America throughout the first half of the twentieth century Explores themes and influences of Modernist poets, expatriate novelists, and literary publications founded by women and African-Americans Features the work of Black writers, Native Americans, Asian Americans, and Jewish Americans A History of American Literature 1900-1950 is essential reading for all students in upper-level American literature courses as well as general readers looking to better understand the literary tradition of the United States.
THE TWENTIETH-CENTURY AMERICAN FICTION Accessibly structured with entries on important historical contexts, central issues, key texts and the major writers, this Handbook provides an engaging overview of twentieth-century American fiction. Featured writers range from Henry James and Theodore Dreiser to contemporary figures such as Joyce Carol Oates, Thomas Pynchon, and Sherman Alexie, and analyses of key works include The Great Gatsby, Lolita, The Color Purple, and The Joy Luck Club, among others. Relevant contexts for these works, such as the impact of Hollywood, the expatriate scene in the 1920s, and the political unrest of the 1960s are also explored, and their importance discussed. This is a stimulating overview of twentieth-century American fiction, offering invaluable guidance and essential information for students and general readers.
This is the second book in a two-volume comparative history of negation in the languages of Europe and the Mediterranean. The work integrates typological, general, and theoretical research, documents patterns and directions of change in negation across languages, and examines the linguistic and social factors that lie behind such changes. The aim of both volumes is to set out an integrated framework for understanding the syntax of negation and how it changes. While the first volume (OUP, 2013) presented linked case studies of particular languages and language groups, this second volume constructs a holistic approach to explaining the patterns of historical change found in the languages of Europe and the Mediterranean over the last millennium. It identifies typical developments found repeatedly in the histories of different languages and explores their origins, as well as investigating the factors that determine whether change proceeds rapidly, slowly, or not at all. Language-internal factors such as the interaction of syntax, semantics, and pragmatics, and the biases inherent in child language acquisition, are investigated alongside language-external factors such as imposition, convergence, and borrowing. The book proposes an explicit formal account of language-internal and contact-induced change for both the expression of sentential negation ('not') and negative indefinites ('anyone', 'nothing'). It sheds light on the major ways in which negative systems develop, on the nature of syntactic change, and indeed on linguistic change more generally, demonstrating the insights that large-scale comparison of linguistic histories can offer.
Canadian Men and Masculinities: Historical and Contemporary Perspectives is a provocative new volume that examines men and masculinity across Canadian history and culture and sets it against the broader context of neoliberal globalization. This edited collection adopts a multi-perspective social inquiry and interdisciplinary approach and takes into careful consideration the intersections of the social and historical construction of gender with race, social class, sexuality, bodily abilities, and other social justice factors. The chief aim of this book is to examine, from historical and contemporary perspectives, the production and performance of men, boys, and embodied masculinity within the Canadian context. Within this framework, Canadian Men and Masculinities explores a range of issues including modern fatherhood, black male athleticism, indigenous masculinities, wrestling, and body building. This volume will be a valuable resource for general readers and professionals in sociology, history, education, and social and gender studies.
An expanded, fully illustrated, and up-to-date edition of the classic cultural history of vampires Vampyres is a comprehensive and generously illustrated history and anthology of vampires in literature, from the folklore of eastern Europe to the Romantics and beyond. It incorporates extracts from a huge range of sources—from Bram Stoker’s detailed research notes for Dracula to penny dreadfuls, to Angela Carter’s The Bloody Chamber (new to this edition) which is analyzed by the author in a broader cultural context. This revised and expanded edition of the 1978 classic brings Vampyres up to date with twenty-first-century vampire literature, including new text extracts, commentary, and a revised introduction. For the first time, Christopher Frayling also explores the development of the vampire in the visual arts in four color-plate sections, with illustrations ranging from eighteenth-century prints to twenty-first-century film stills, demonstrating the enduring appeal of the vampire from popular press to fine art and, finally, to film.
What is it like to experience rapture? For philosopher Christopher Hamilton, it is a loss of self that is also a return to self—an overflowing and emptying out of the self that also nourishes and fills the self. In this inviting book, he reflects on the nature of rapture and its crucial yet unacknowledged place in our lives. Hamilton explores moments of rapture in everyday existence and aesthetic experience, tracing its disruptive power and illuminating its philosophical significance. Rapture is found in sexual love and other forms of intense physical experience, such as Philippe Petit’s nerve-defying wire walk between the Twin Towers. Hamilton also locates it in quieter but equally joyous moments, such as contemplating a work of art or the natural world. He considers a range of examples in philosophy and culture—Nietzsche and Weil, Woolf and Chekhov, the extremes of experience in Werner Herzog’s films—as well as aspects of ordinary life, from illness to gardening. Conversational and evocative, this book calls on us to ask how we might make ourselves more open to experiences of rapturous joy and freedom.
This 1985 book offers a critical examination of the impact of the National Labor Relations Act on American unions. Dr Tomlins examines both the laws from the late nineteenth century and the history of the act's passage. He shows how public policy confined labour's role in the American economy and the problems faced by unions that stem from these laws.
Great art comes from great pain. Or that's the impression left by these haunting profiles. Pieced together, they form a revealing mosaic of the creative mind. It's like viewing an exhibit from the therapist's couch as each entry delves into the mental anguish that afflicts the artist and affects their art. The scope of the artists covered is as varied as their afflictions. Inside, you will find not just the creators of the darkest of dark literature, music, and art. While it does reveal what everyday problem kept Poe's pen to paper and the childhood catastrophe that kept Picasso on edge, it also uncovers surprising secrets of more unexpectedly tormented artists. From Charles Schultz's unrequited love to J.K. Rowling's fear of death, it's amazing the deep-seeded troubles that lie just beneath the surface of our favorite art. As much an appreciation of artistic genius as an accessible study of the creative psyche, Tortured Artists illustrates the fact that inner turmoil fuels the finest work.
This book introduces educational practitioners, students, and scholars to the people, concepts, questions, and concerns that make up the field of critical social theory. It guides readers into a lively conversation about how education can and does contribute to reinforcing or challenging relations of domination in the modern era. Written by a group of experienced educators and scholars, in an engaging style, Critical Social Theories and Education introduces and explains the preeminent thinkers and traditions in critical social theory, and discusses the primary strands of educational research and thought that have been informed and influenced by them.
How did Brahms conduct his four symphonies? What did he want from other conductors when they performed these works, and to which among them did he give his approval? And crucially, are there any stylistic pointers to these performances in early recordings of the symphonies made in the first half of the twentieth century? For the first time, Christopher Dyment provides a comprehensive and in-depth answer to these important issues. Drawing together thestrands of existing research with extensive new material from a wide range of sources - the views of musicians, contemporary journals, memoirs, biographies and other critical literature - Dyment presents a vivid picture of historic performance practice in Brahms's era and the half-century that followed. Here is a remarkable panorama showcasing Brahms himself conducting, together with those conductors whom he heard, among them Levi, Richter, Nikisch, Weingartner and Fritz Steinbach, and their disciples, such as Toscanini, Stokowski, Boult and Fritz Busch. Here, too, are other famed Brahms conductors of the early twentieth century, including Furtwängler and Abendroth, whose connections with the Brahms tradition are closely examined. Dyment then analyses recordings of the symphonies by these conductors and highlights aspects which the composer might well have commended. Finally, Dyment suggests the importanceof his conclusions for those contemporary conductors who are currently attempting to rediscover genuine performance traditions in their own re-creations of the symphonies. This major study is complemented with forty photographs and a frontispiece. It is sure to fascinate musicians, Brahms enthusiasts and those interested in the history of recorded music. CHRISTOPHER DYMENT is author of Felix Weingartner: Recollections and Recordings(Triad Press 1976) and Toscanini in Britain (The Boydell Press 2012). He has published many articles about historic conductors over the last forty years.
Take an eclectic, evidence-based approach to orthopaedic manual therapy. From theory through practical application of soft tissue and joint mobilization techniques—this comprehensive resource delivers the depth and breadth of coverage you need to optimize patient outcomes through informed clinical decision-making as part of a comprehensive intervention regimen.
Philosophy goes to the Movies is a new kind of introduction to philosophy that makes use of movies including The Matrix, Antz, Total Recall and Cinema Paradiso, to explore philosophical ideas. Topics covered include: *the theory of knowledge *the self and personal Identity *moral philosophy *social and political philosophy *philosophy of science and technology *critical thinking. Ideal for the beginner, this book guides the student through philosophy using lively and illuminating cinematic examples. It will also appeal to anyone interested in the philosophical dimensions of cinema.
For tactical and strategic ingenuity, for daring and ruthless determination and the capacity to inspire troops, Frederick the Great was without equal. In this detailed life of ‘Old Fritz’, Christopher Duffy, who has written widely on the army of Frederick and on the armies of his adversaries, Austria and Russia, has produced a definitive account of his military genius.
Demonstrates how modern statistical techniques can measure the impact of counterfactual decisions. Examines the importance of counterfactual reasoning for both modern scholars and historical actors. Combines historical narrative, mathematical precision and data to create a straightforward presentation of both factual and counterfactual military history. Provides an original contribution to the debate over the validity and rigour of works of counterfactual history Written in a manner accessible to readers who have no formal training in History or Statistics.
This authoritative dictionary provides informative and analytical entries on the most important people, organizations, events, movements, and ideas that have shaped the world we live in. Covering the period from 1900 to the present day, this fully revised and updated new edition presents a global perspective on recent history, with a wide range of new entries from Tony Abbott, the European migration crisis and ISIL to Narendra Modi, Hassan Rouhani, and the Lisbon Treaty. All existing entries have been brought up to date. Handy tables include lists of office-holders for countries and organizations and winners of the Nobel Peace Prize. This accessible dictionary will be revised on a regular basis following the publication of this edition, as will A Guide to Countries of the World, ensuring that coverage of current affairs is up to date. This dictionary is a reliable resource for students of history, politics, and international relations as well as for journalists, policy-makers, and general readers interested in the modern world.
This book asserts that authority is a contested category and explores why traditional notions of authority are increasingly in tension with progressive and postmodern claims, devolving into stalemate, schizophrenia, or power plays. Offering a Christian framework as a philosophically coherent and practical alternative for teachers, the author argues that Jesus provides a pattern from which to reconstruct our conception of teaching authority in ways that align with evidence-informed teaching practices and cultivate intellectual virtues. Rather than examine “Jesus as teacher,” the book instead applies the central insight on authority that Jesus embodies. This authority with which Jesus taught, it argues, stemmed from his passion—that is, passive, even suffering, experience. The author aligns this to a subject-centered conception of teaching (as opposed to student-centered or teacher-centered) in which the subject is the authority and knowing is identified with being acted upon by the subject. Teaching with authority thereby becomes a matter of unveiling suffering with students and inviting them into their own suffering encounter with the subject. Building on the work on Parker Palmer and exploring pedagogical practice from a Christian perspective, this book will appeal to scholars and researchers with interests in higher education, evidence-based teaching, educational theory, religion and education, and Christian history and thought.
In 1962 Mick Jagger was a bright, well-scrubbed boy (planning a career in the civil service), while Keith Richards was learning how to smoke and to swivel a six-shooter. Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar) and the wryly opinionated Bill Wyman and Charlie Watts, and the potential was obvious. During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30 they are now approaching their seventies and, in 2012, will have been together for 50 years. In The Rolling Stones, Christopher Sandford tells thehuman drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stoneswill make sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.
Examines seminal films including Pulp Fiction, Blade Runner, and 2001 - A Space Odyssey, this volume looks at how Jungian ideas can help us understand films and the genres to which they belong.
Mirages have long astonished travelers of the sea and beguiled thirsty desert voyagers. Traditional Chinese and Japanese poetry and art depict the above-horizon, superior mirage, or fata morgana, as exhalations of clam-monsters. Indian sources relate mirages to the “thirst of gazelles,” a metaphor for the futility of desire. Starting in the late eighteenth century, mirages became a symbol in the West of Oriental despotism—a negative, but also enchanted, emblem. But the mirage motif is rarely simply condemnatory. More often, our obsession with mirages conveys a sense of escape, of fascination, of a desire to be deceived. The Waterless Sea is the first book devoted to the theories and history of mirages. Christopher Pinney navigates a sinuous pathway through a mysterious and evanescent terrain, showing how mirages have impacted politics, culture, science, and religion—and how we can continue to learn from their sublimity.
Everyone wants to be able to perform well at important moments, especially in the world of sports, where both team and individual efforts are necessary for success. A person who does well for the team is praised for his or her contributions. But when the team suffers a loss, especially at a key point in the season, one person is often blamed for it even though the team is just as responsible. This work considers baseball players whose careers have been defined and misrepresented by one moment in which they botched a play, costing their teams an important victory (often a pennant or World Series win), and ever since have taken most of the blame for the team's breakdown. It covers Fred Merkle, whose controversial failure to tag second base after a game-winning single lost the pennant for the Giants in 1908; Fred Snodgrass whose dropped fly ball contributed to the Red Sox's second championship in the 1912 series; Mickey Owen, whose passed ball resulted in the Dodgers losing Game 4 of the 1941 World Series to the Yankees; Ralph Branca, who delivered one of the most talked about home runs in history to Bobby Thomson in the 1951 NLCS; Mike Torrez, whose home run pitch to Bucky Dent was the final, improbable event in the Sox' great collapse of '78; Tom Niedenfuer, whose blown save in the 1985 NLCS cost the Dodgers the pennant; Donnie Moore, the California Angels pitcher remembered for giving up a home run in Game 5 of the 1986 ALCS; Bill Buckner, whose E-3 caused him to be blamed for the Red Sox's World Series loss in 1986; and Mitch Williams, blamed for his three-run home run pitch to Joe Carter in Game 6 of the 1993 World Series that lost the world championship for the Phillies.
The Swan King" is the biography of one of the most enigmatic figures of the 19th century, described by Verlaine as 'the only true king of his century'. A man of wildly eccentric temperament and touched by a rare, imaginative genius, Ludwig II of Bavaria is remembered both for his patronage of Richard Wagner and for the fabulous palaces which he created as part of a dream-world to escape the responsibilities of state. In realization of his fantasies, he created a ferment of creativity among artists and craftsmen, while his neglect of Bavaria's political interests made powerful enemies among those critical of his self-indulgence and excesses. At the age of 40, declared insane in a plot to depose him, Ludwig died in mysterious circumstances.
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