For the 500th anniversary of Leonardo da Vinci’s death comes an immersive journey through five centuries of history to define the Leonardo mystique and uncover how the elusive Renaissance artist became a global pop icon. Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark. But how did Leonardo, a painter of very few works who died in obscurity in France, become the internationally renowned icon he is today, with the Mona Lisa and the Last Supper the most visited artworks in the world, attracting nearly a billion visitors each year, and Salvator Mundi selling as the most expensive artwork of all time, for nearly half a billion dollars? This extraordinary volume, lavishly illustrated with 130 color images, is the first book to unravel these mysteries by diving deep into the art, literature, science, and politics of Europe from the Renaissance through today. It gives illuminating context to both Leonardo and his accomplishments; explores why Leonardo’s fame vastly overshadowed that of his contemporaries and disciples; and ultimately reveals why despite finishing very few works, his celebrity has survived, even thrived, through five centuries of history.
This immersive dive into the life and work of Salvador Dali unlocks the secret of this creative genius and reveals for the first time how his erotically charged paintings changed the world of modern art. In turns beloved and reviled, twentieth-century painter, filmmaker, and designer Salvador Dali set Europe and the United States ablaze with his uncompromising genius, sexual sadism, and flirtations with megalomania. His shocking behavior and work frequently alienated critics; his views were so outrageous, even prominent Surrealists tried to ostracize him. Still, every morning he experienced “an exquisite joy—the joy of being Salvador Dalí,” and because of his remarkable talent, Dali rose to unprecedented levels of fame—forever shifting the landscape of the art world and the nature of celebrity itself. In this stunning volume, rich with more than 150 full-color images, noted art historians Jean-Pierre Isbouts and Christopher Heath Brown discuss the historical, social, and political conditions that shaped Dali's work, identify the impact of modern as well as old master art, and present an unflinching view of the master's personal relationships and motivations. With their deeply compelling narrative, Isbouts and Brown uncover how Dalí's visual wit and enduring cult of personality still impacts fashion, literature, and art, from Andy Warhol to Lady Gaga, and answer why, in an age of shock and awe, Dali's art still manages to distress, perplex, and entertain. An unparalleled guide to Dali and a critical resource for anyone keen to understand the development of modern art, The Dali Legacy is complemented by a contextualizing foreword from Frank Hunter, director of the Salvador Dali Archives.
Jean-Pierre Isbouts and Christopher Heath Brown depict Leonardo's seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to The Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that two long-ignored, life-size copies of The Last Supper, now in Belgium and the UK, were actually commissioned by the French king Louis XII and painted under Leonardo's direct supervision."--Publisher's description.
Following the announcement of another Mona Lisa portrait by Leonardo da Vinci, held in a Swiss bank vault for over 40 years, this book is the first to analyze the meaning of this astonishing discovery, and how it radically changes our understanding of the Mona Lisa in the Louvre. By tracing Leonardo's movements in Florence on an almost day-to-day basis, Drs. Isbouts and Brown are able to reconstruct the fascinating chronology of the Mona Lisa portrait, and show how the subject ultimately became an obsession in the latter part of Leonardo's life. The authors posit that whereas the Swiss Mona Lisa is clearly a portrait drawn from life of a young Florentine woman, the Louvre Mona Lisa is the culmination of Leonardo's lifelong quest for the mystery of motherhood, as expressed in his more than ten paintings of the Madonna motif. Written as narrative history, yet grounded in modern scholarship, The Mona Lisa Myth not only shatters the portrait's mythology, but also offers a bold new interpretation of the world's most famous painting that will revolutionize our understanding of Leonardo life and work.
Provocative and original, this fresh look at Leonardo da Vinci's formative years in Florence and Milan provides a radically different scenario of how he created his signature style that would transform Western art forever. Isbouts and Brown depict Leonardo's seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to the Last Supper. The authors also explore a mysterious link between the Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that a long-ignored, life-sized copy of the Last Supper, now in a remote convent in Belgium, were actually commissioned by the French King Louis XII and painted under Leonardo's direct supervision. Young Leonardo is a fascinating window into the artist's mind as he slowly develops the groundbreaking techniques that will produce the High Renaissance and change the course of European art.
This immersive dive into the life and work of Salvador Dali unlocks the secret of this creative genius and reveals for the first time how his erotically charged paintings changed the world of modern art. In turns beloved and reviled, twentieth-century painter, filmmaker, and designer Salvador Dali set Europe and the United States ablaze with his uncompromising genius, sexual sadism, and flirtations with megalomania. His shocking behavior and work frequently alienated critics; his views were so outrageous, even prominent Surrealists tried to ostracize him. Still, every morning he experienced “an exquisite joy—the joy of being Salvador Dalí,” and because of his remarkable talent, Dali rose to unprecedented levels of fame—forever shifting the landscape of the art world and the nature of celebrity itself. In this stunning volume, rich with more than 150 full-color images, noted art historians Jean-Pierre Isbouts and Christopher Heath Brown discuss the historical, social, and political conditions that shaped Dali's work, identify the impact of modern as well as old master art, and present an unflinching view of the master's personal relationships and motivations. With their deeply compelling narrative, Isbouts and Brown uncover how Dalí's visual wit and enduring cult of personality still impacts fashion, literature, and art, from Andy Warhol to Lady Gaga, and answer why, in an age of shock and awe, Dali's art still manages to distress, perplex, and entertain. An unparalleled guide to Dali and a critical resource for anyone keen to understand the development of modern art, The Dali Legacy is complemented by a contextualizing foreword from Frank Hunter, director of the Salvador Dali Archives.
Provocative and original, this fresh look at Leonardo da Vinci’s formative years in Florence and Milan provides a radically different scenario of how he created his signature style that would transform Western art forever. The traditional view of Leonardo da Vinci’s career is that he enjoyed a promising start in Florence and then moved to Milan to become the celebrated court artist of Duke Ludovico Sforza. Young Leonardo presents a very different view. It reveals how the young Leonardo struggled against the prevailing style of his master Verrocchio, was stymied in his efforts to produce his first masterpiece in Florence, and left for Milan on little more than a wing and a prayer. Once there, he was long ignored by Duke Ludovico, and enjoyed only tepid Sforza support after his great equestrian project came to nothing. Meanwhile, all the major Sforza commissions went to artists whose names are now forgotten. Isbouts and Brown depict Leonardo’s seminal years in Milan from an entirely new perspective: that of the Sforza court. They show that much of the Sforza patronage was directed on vast projects, such as the Milan Cathedral, favoring a close circle of local artists to which Leonardo never gained entry. As a result, his exceptional talent remained largely unrecognized right up to the Last Supper. The authors also explore a mysterious link between the Last Supper and the fresco of the Crucifixion on the opposite wall, a work that up to now has fully escaped public attention. Finally, they present a sensational theory: that two long-ignored, life-sized copies of the Last Supper, now in Belgium and the U.K., were actually commissioned by the French King Louis XII and painted under Leonardo’s direct supervision. Young Leonardo is a fascinating window into the artist’s mind as he slowly develops the groundbreaking techniques that will produce the High Renaissance and change the course of European art.
Why are the economic interests and priorities of lower- and middle-class Americans so often ignored by the U.S. Congress, while the economic interests of the wealthiest are prioritized, often resulting in policies favorable to their interests? In Hijacking the Agenda, political scientists Christopher Witko, Jana Morgan, Nathan J. Kelly, and Peter K. Enns examine why Congress privileges the concerns of businesses and the wealthy over those of average Americans. They go beyond demonstrating that such economic bias exists to illuminate precisely how and why economic policy is so often skewed in favor of the rich. The authors analyze over 20 years of floor speeches by several hundred members of Congress to examine the influence of campaign contributions on how the national economic agenda is set in Congress. They find that legislators who received more money from business and professional associations were more likely to discuss the deficit and other upper-class priorities, while those who received more money from unions were more likely to discuss issues important to lower- and middle-class constituents, such as economic inequality and wages. This attention imbalance matters because issues discussed in Congress receive more direct legislative action, such as bill introductions and committee hearings. While unions use campaign contributions to push back against wealthy interests, spending by the wealthy dwarfs that of unions. The authors use case studies analyzing financial regulation and the minimum wage to demonstrate how the financial influence of the wealthy enables them to advance their economic agenda. In each case, the authors examine the balance of structural power, or the power that comes from a person or company’s position in the economy, and kinetic power, the power that comes from the ability to mobilize organizational and financial resources in the policy process. The authors show how big business uses its structural power and resources to effect policy change in Congress, as when the financial industry sought deregulation in the late 1990s, resulting in the passage of a bill eviscerating New Deal financial regulations. Likewise, when business interests want to preserve the policy status quo, it uses its power to keep issues off of the agenda, as when inflation eats into the minimum wage and its declining purchasing power leaves low-wage workers in poverty. Although groups representing lower- and middle-class interests, particularly unions, can use their resources to shape policy responses if conditions are right, they lack structural power and suffer significant resource disadvantages. As a result, wealthy interests have the upper hand in shaping the policy process, simply due to their pivotal position in the economy and the resulting perception that policies beneficial to business are beneficial for everyone. Hijacking the Agenda is an illuminating account of the way economic power operates through the congressional agenda and policy process to privilege the interests of the wealthy and marks a major step forward in our understanding of the politics of inequality.
This book focuses on Hamilton's Ricci flow, beginning with a detailed discussion of the required aspects of differential geometry, progressing through existence and regularity theory, compactness theorems for Riemannian manifolds, and Perelman's noncollapsing results, and culminating in a detailed analysis of the evolution of curvature, where recent breakthroughs of Böhm and Wilking and Brendle and Schoen have led to a proof of the differentiable 1/4-pinching sphere theorem.
Originally published between 1909 and 1917 under the name "Harvard Classics," this stupendous 51-volume set-a collection of the greatest writings from literature, philosophy, history, and mythology-was assembled by American academic CHARLES WILLIAM ELIOT (1834-1926), Harvard University's longest-serving president. Also known as "Dr. Eliot's Five Foot Shelf," it represented Eliot's belief that a basic liberal education could be gleaned by reading from an anthology of works that could fit on five feet of bookshelf. Volume XLVI features four of the masterpiece tragedies by the greatest playwright in the English language-WILLIAM SHAKESPEARE (1564-1616)'s Hamlet, King Lear, Macbeth, and The Tempest, all written between 1599 and 1611. Also included in this volume is Edward the Second, a 1592 drama of court intrigue, by CHRISTOPHER MARLOWE (1564-1593), who greatly influenced Shakespeare's writing and who-some speculate-may actually have penned the plays credited to Shakespeare after faking his own death and taking on an assumed name.
For the 500th anniversary of Leonardo da Vinci’s death comes an immersive journey through five centuries of history to define the Leonardo mystique and uncover how the elusive Renaissance artist became a global pop icon. Virtually everyone would agree that Leonardo da Vinci was the most important artist of the High Renaissance. It was Leonardo who singlehandedly created the defining features of Western art: a realism based on subtle shading; depth using atmospheric effects; and dramatic contrasts between light and dark. But how did Leonardo, a painter of very few works who died in obscurity in France, become the internationally renowned icon he is today, with the Mona Lisa and the Last Supper the most visited artworks in the world, attracting nearly a billion visitors each year, and Salvator Mundi selling as the most expensive artwork of all time, for nearly half a billion dollars? This extraordinary volume, lavishly illustrated with 130 color images, is the first book to unravel these mysteries by diving deep into the art, literature, science, and politics of Europe from the Renaissance through today. It gives illuminating context to both Leonardo and his accomplishments; explores why Leonardo’s fame vastly overshadowed that of his contemporaries and disciples; and ultimately reveals why despite finishing very few works, his celebrity has survived, even thrived, through five centuries of history.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.