In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it? Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam, Wilde's The Importance of Being Earnest, Stoker's Dracula, and Lawrence's Women In Love. In a study that will be of interest to all those concerned with the politics of gender, the history of sexuality, and the erotics of reading, Christopher Craft investigates questions fundamental to any history of present sexualities. How does the modern binary homosexual/heterosexual relate to earlier formulations like "sexual inversion" and "sodomy"? What part does literature play in the development of such categories, or in a culture's resistance to them? And what are the implications for the creation and maintenance of the presumed "natural" male heterosexual subject? How has male heterosexual subjectivity been established as a bulwark against the attractions of a homosexual desire that is repeatedly incited by the very culture that condemns it? Craft examines the discourses of nineteenth-century psychiatry and sexology; some of Freud's central writings; and Tennyson's In Memoriam, Wilde's The Importance of Being Earnest, Stoker's Dracula, and Lawrence's Women In Love.
Bestselling author Christopher Winn takes us on an intriguing journey through Britain's largest county, uncovering the hidden places, legends, secrets and fascinating characters of this unique and compelling piece of England. From England's largest vale and northern Europe's largest gothic cathedral to Britain's oldest city, Yorkshire is home to some of Britain's best architecture, most ravishing scenery and is the cradle of some of our country's most influential and individual characters. You will discover the only clog factory in the world, the first English actor to win an Oscar, the world's oldest association football club and largest expanse of medievel stained glass. This gem of a book will act as a wonderfully surprising and highly entertaining guide to one of England's best loved counties.
Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company); to allusion within poetry to prose (on A E. Housman); to translation as exercising allusion (on David Ferry); and to the clash between one poet's practice and his critical principles (on Yvor Winters).
Research in human evolution in Asia has long been thought to lag far behind similar research in Africa and Europe. However, the limited dissemination of findings is often to blame, rather than a lack of scholarship. The Paleoanthropology of Eastern Asia attempts to rectify this misconception by synthesizing research on human evolution in eastern Asia into a single authoritative and definitive text. Covering the span of time from more than two million years ago to the end of the last Ice Age 15,000 years ago, this book examines key events, such as the arrival of the earliest hominins in eastern Asia and the evolution and interaction of various hominin species, including Homo erectus, Homo sapiens, and and a few more in between. While fossils reveal what these hominins may have looked like, the rich Paleolithic archaeological record yields insights into their behavior: Hand axes have been found in eastern Asia where they were previously believed to have been absent. Watercraft was used by foragers as early as 40,000 years ago to voyage to the Japanese archipelago. In Indonesia, cave art paintings older than those from the Lascaux caves in France have been reported. Such new and important discoveries continue to emerge. Providing comprehensive coverage of paleoanthropological research in eastern Asia—from the groundbreaking finds in a cave near Beijing in the early twentieth century to the discovery and identification of new human species during the twenty-first century—this book will captivate anyone interested in the human evolutionary record.
A rewritten and re-organised edition of The Physiological Ecology of Seaweeds (1985). Seaweed Ecology and Physiology surveys the broad literature, but it is not merely an update of the earlier book. This book contains an introductory chapter reviewing seaweed morphology, cytology, and life histories. The chapter on community level ecology now includes six guest essays by senior algal ecologists which conveys the excitement of phycological research. The treatment of tropical seaweeds had been expanded, reflecting the growing literature from tropical regions, and the authors' experiences in the tropics. The final chapter on mariculture is much larger, and includes a case study on how principles of physiological ecology were applied in developing the carrageenan industry. Finally there is an appendix summarising the taxonomic position and nomenclature of the species mentioned in the book.
Bringing together knowledge accumulated from historical, archaeological and literary sources, Daniell paints a vivid picture of the entire phenomenon of medieval death and burial. A big contribution to medieval and early modern studies.
Since the end of the eighteenth century, Christopher Clausen asserts, poetry has steadily declined in cultural status in the English-speaking world, yielding its former place as a bearer of truth to the advancing sciences. As the position of poetry was more and more threatened, its defenders made ever higher claims for its importance, even maintaining for a time that it would take the place of religion. But, though the Romantics brought about a sustained revival of serious poetry for a broad audience, the audience began to dwindle toward the end of the nineteenth century, and the decline accelerated as the twentieth century advanced. Though some of the cultural changes responsible for this retreat were beyond the control of poets—"a society in which many people find their chief security and sense of meaning through the possession of certain objects will produce great advertising, not great poetry"—Clausen finds in this situation evidence of an abdication among artists. Because modernist poets and their successors abandoned some indispensable principles, he believes, serious contemporary poetry now has virtually no audience outside of English departments. Yet the need for poetry "is not less in an era like ours," and "the opportunities that the end of the twentieth century offers to poetry will not become fully apparent unless and until poets take advantage of them.
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