This book follows the story of the Second French Republic from its idealistic beginnings in February 1848 to its formal replacement in December 1852 by the Second Empire. Based on original archival research, The Second French Republic gives a detailed account of the internal tensions that irrevocably weakened France’s shortest republic. During this short period French political life was buffeted by strong and often contrary forces: universal manhood suffrage, fear of socialism, the President Louis-Napoleon Bonaparte, and the political ambitions of the military high command for the restoration of the monarchy.
This book follows the story of the Second French Republic from its idealistic beginnings in February 1848 to its formal replacement in December 1852 by the Second Empire. Based on original archival research, The Second French Republic gives a detailed account of the internal tensions that irrevocably weakened France’s shortest republic. During this short period French political life was buffeted by strong and often contrary forces: universal manhood suffrage, fear of socialism, the President Louis-Napoleon Bonaparte, and the political ambitions of the military high command for the restoration of the monarchy.
In this article, the author discusses the great Biblical verse, Luke 11: 9-10. The question here is what is the spiritual underpinning from which one must ask to bring forth that which one wants? Where is that placement in our hearts (or souls) from which we must ask? If only we could be in alignment in our asking--all would unfold perfectly in our lives. Author Bio: Christopher Alan Anderson (1950 - ) received the basis of his education from the University of Science and Philosophy, Swannanoa, Waynesboro, Virginia. He resides in the transcendental/romantic tradition, that vein of spiritual creativity of the philosopher and poet. His quest has been to define and express an eternal romantic reality from which a man and a woman could together stand in their difference and create a living universe of procreative love. Mr. Anderson began these writings in 1971. The first writings were published in 1985. On a personal note, when Mr. Anderson was asked to describe the writings and what he felt their message was he responded, "Spiritual procreation. Mankind has yet to distinguish the two sexes on the spiritual level. In this failure lies the root of our problems and why we cannot yet touch the eternal together. The message of man and woman balance brings each of us together in love with our eternal other half right now." Keywords: Man and Woman Balance, Relationships, Procreation, Spirituality, Love, Metaphysics, Eternal, Creation, Sexuality, & Soul.
Growing up, I had always had a strange fascination of the idea that a spiritual realm could exist. Every time ghost programs came on television, I'd be watching. Although I couldn't believe in God, Satan or anything else that wasn't tangible. I needed physical proof to comprehend the existence of everything. In high school I began going on paranormal investigations weekly. In my eleventh grade English class I received an Opposing Viewpoints project. The subject I chose was Paranormal Phenomenon. Instead of using the encyclopedias to research my subject like the rest of my class did, I went straight to the real source. The following week I found a Ouija Board, video camera, and other tools to carry out my own paranormal investigation. When I got more info from spirits than I had intended to, I began feeling the presence of something staring at me. The last night of the investigation, I got home late at night. When I stepped into the doorway something occurred that took everyone in the house complete surprise.
Millennium Clues for the Clueless -- As we face the turn of the century, many people are also facing uncertainty, fear, and anxiety. This book helps readers keep their focus on the peace and security of God's never-changing character, and His daily provision for His children.
This updated second edition is an in-depth exploration of Elgar's compositions and of writings by and about the composer and his music. The past 16 years have seen a steady increase in scholarly publications and the emergence of The Elgar Society Journal, as well as further discoveries of the composer's MSS and letters, and the new edition incorporates this latest research. The compositions are examined in a work-by-work catalog, in chronological order, in which each entry gives a complete census and collation of manuscript, proof, text, biographical, printed edition and bibliographical sources for each item. The listing also includes unfinished sketches and details of much unpublished material. The bibliography section covers selected established literature as well as details of reviews and articles contained in the European periodicals at the climax of Elgar's career.
The term “cult film” may be difficult to define, but one thing is certain: A cult film is any movie that has developed a rabid following for one reason or another. From highly influential works of pop art like Eraserhead and Faster, Pussycat! Kill! Kill! to trash masterpieces such as Miami Connection and Fateful Findings, thousands of movies have earned recognition as cult classics over the years, and new movies rise to cult status every year. So how do viewers searching for the best or most important cult films decide where to start? In 100 Greatest Cult Films, Christopher J. Olson highlights the most provocative, intriguing, entertaining, and controversial films produced over the last century. The movies included here have either earned reputations as bona fide cult classics or have in some way impacted our understanding of cult cinema, often transcending traditional notions of “good” and “bad” while featuring memorable characters, unforgettably shocking scenes, and exceptionally quotable dialogue. With detailed arguments for why these films deserve to be considered among the greatest of all time, Olson provides readers fodder for debate and a jumping-off point for future watching. A thought-provoking and accessible look at dozens of cinematic “treasures,” this resource includes valuable information on the films, creators, and institutions that have shaped cult cinema. Ultimately, The 100 Greatest Cult Films offers readers—from casual cinephiles, film scholars, and avid fans alike—a chance to discover or re-discover some of the most memorable films of all time.
New York Times Book Review Editors’ Choice • From the bestselling author of The Sleepwalkers comes an epic history of the 1848 revolutions that swept Europe, and the charismatic figures who propelled them forward “Refreshingly original . . . Familiar characters are given vibrancy and previously unknown players emerge from the shadows.”—The Times (UK) A BEST BOOK OF THE YEAR: New Yorker, The Economist, Financial Times As history, the uprisings of 1848 have long been overshadowed by the French Revolution of 1789 and the Russian revolutions of the early twentieth century. And yet in 1848 nearly all of Europe was aflame with conflict. Parallel political tumults spread like brush fire across the entire continent, leading to significant changes that continue to shape our world today. These battles for the future were fought with one eye kept squarely on the past: The men and women of 1848 saw the urgent challenges of their world as shaped profoundly by the past, and saw themselves as inheritors of a revolutionary tradition. Celebrated Cambridge historian Christopher Clark describes 1848 as “the particle collision chamber at the center of the European nineteenth century,” a moment when political movements and ideas—from socialism and democratic radicalism to liberalism, nationalism, corporatism, and conservatism—were tested and transformed. The insurgents asked questions that sound modern to our ears: What happens when demands for political or economic liberty conflict with demands for social rights? How do we reconcile representative and direct forms of democracy? How is capitalism connected to social inequality? The revolutions of 1848 were short-lived, but their impact on public life and political thought throughout Europe and beyond has been profound. Meticulously researched, elegantly written, and filled with a cast of charismatic figures, including the social theorist Alexis de Tocqueville, the writer George Sand, and the troubled priest Félicité de Lamennais, who struggled to reconcile his faith with politics, Revolutionary Spring offers a new understanding of 1848 that suggests chilling parallels to our present moment. “Looking back at the revolutions from the end of the first quarter of the twenty-first century, it is impossible not to be struck by the resonances,” Clark writes. “If a revolution is coming for us, it may look something like 1848.”
John F. Kennedy carried on a lifelong love affair with England and the English. From his speaking style to his tastes in art, architecture, theater, music, and clothes, his personality reflected his deep affinity for a certain kind of idealized Englishness. In Union Jack, noted biographer Christopher Sandford tracks KennedyÕs exploits in Great Britain between 1935 and 1963, and looks in-depth at the unique way Britain shaped JFK throughout his adult life and how JFK charmed British society. This mutual affinity took place against a backdrop of some of the twentieth centuryÕs most profound events: The Great Depression, BritainÕs appeasement of Hitler, the Second World War, the reconstruction of Western Europe, the development and rapid proliferation of weapons of mass destruction, and the ideological schism between East and West. Based on extensive archival work as well as firsthand accounts from former British acquaintances, including old girlfriends, Union Jack charts two paths in the life of JFK. The first is his deliberate, long-term struggle to escape the shadow of his father, Joseph Kennedy, former U.S. Ambassador to Great Britain. The second is the emergence of a peculiarly American personality whose consistently pro-British, rallying rhetoric was rivaled only by Winston Churchill. By explaining JFKÕs special relationship with Great Britain, Union Jack offers a unique and enduring portrait of another side of this historic figure in the centennial year of his birth.
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