Beyond the Congregation' utilizes data on almost 2,000 of the largest and most influential Christian nonprofits in the United States to answer some of the key questions raised by these organizations. What explains the growth of Christian nonprofits? What activities are they pursuing? How are they funded and how do they use those funds?
A new idea can become an expensive flop for TV executives. So from the earliest days of television, the concept of a pilot episode seemed like a good idea. Trying out new actors; new situations and new concepts before making a series was good economical sense. It was also tax deductible. Sometimes these pilots were shown on television; sometimes they were so awful they were hidden from sight in archives; and sometimes they were excellent one-offs, but a series seemed elusive and never materialised. Chris Perry has always been fascinated by the pilot episode. So many pilots are made annually, but never seen by audiences. Only a handful appear on screen. It's a hidden world of comedy, variety, drama and factual programming. This volume attempts to lift the lid on the world of the TV pilot by revealing the many transmitted and untransmitted episodes made through the decades.
Christopher Thomas offers the first detailed analysis of Bacon's design and the memorial as a system, including the statue of Lincoln by Daniel Chester French. Using extensive archival data, Thomas discusses just why the memorial looks as it does.".
True Friendship looks closely at three outstanding poets of the past half-century—Geoffrey Hill, Anthony Hecht, and Robert Lowell—through the lens of their relation to their two predecessors in genius, T. S. Eliot and Ezra Pound. The critical attention then finds itself reciprocated, with Eliot and Pound being in their turn contemplated anew through the lenses of their successors. Hill, Hecht, and Lowell are among the most generously alert and discriminating readers, as is borne out not only by their critical prose but (best of all) by their acts of new creation, those poems of theirs that are thanks to Eliot and Pound. “Opposition is true Friendship.” So William Blake believed, or at any rate hoped. Hill, Hecht, and Lowell demonstrate many kinds of friendship with Eliot and Pound: adversarial, artistic, personal. In their creative assent and dissent, the imaginative literary allusions—like other, wider forms of influence—are shown to constitute the most magnanimous of welcomes and of tributes.
American Corrections: Concepts and Controversies, by Barry Krisberg, Susan Marchionna, and Chris Hartney, presents an incisive view of every aspect of corrections (including jails, probation, sentencing, prisons, and parole), prompting students to think critically about the complex issues involved in responding to the current crisis in the U.S. correctional system. Incorporating theory, research, and the most recent available data, the book takes a contemporary and issues-oriented approach as it explores the most interesting and progressive developments in correctional policy and practice. Students will come away with practical knowledge, as well as a framework for thoughtful analysis of a subject that can seem mysterious or impenetrable. In addition, the book covers subjects many corrections texts treat only minimally, including women in corrections, the death penalty, and special populations. Perhaps most importantly, the book offers a point of view on what is plaguing the American correctional system and a realistic look at the solutions that offer real promise.
Moving beyond traditional state-centered conceptions of foreign relations, Christopher Endy approaches the Cold War era relationship between France and the United States from the original perspective of tourism. Focusing on American travel in France after World War II, Cold War Holidays shows how both the U.S. and French governments actively cultivated and shaped leisure travel to advance their foreign policy agendas. From the U.S. government's campaign to encourage American vacations in Western Europe as part of the Marshall Plan, to Charles de Gaulle's aggressive promotion of American tourism to France in the 1960s, Endy reveals how consumerism and globalization played a major role in transatlantic affairs. Yet contrary to analyses of globalization that emphasize the decline of the nation-state, Endy argues that an era notable for the rise of informal transnational exchanges was also a time of entrenched national identity and persistent state power. A lively array of voices informs Endy's analysis: Parisian hoteliers and cafe waiters, American and French diplomats, advertising and airline executives, travel writers, and tourists themselves. The resulting portrait reveals tourism as a colorful and consequential illustration of the changing nature of international relations in an age of globalization.
Justice and the Just War Tradition articulates a distinctive understanding of the reasons that can justify war, of the reasons that cannot justify war, and of the role that those reasons should play in the motivational and attitudinal lives of the citizens, soldiers, and statesmen who participate in war. Eberle does so by relying on a robust conception of human worth, rights, and justice. He locates this theoretical account squarely in the Just War Tradition. But his account is not merely theoretical: Justice and the Just War Tradition has a variety of practical aims, one of the most important of which is to serve as an aid to moral formation. The hope is that citizens, soldiers, and statesmen whose emotions and aspirations have been shaped by the Just War Tradition will be able to negotiate violent communal conflict in ways that respect the demands of justice. So Justice and the Just War Tradition articulates a theoretically satisfying and practically engaging account of the reasons that count in favor of war. Moreover, Eberle develops that account by engaging contemporary theorists, both philosophical and theological, by according due deference to venerable contributors to the Just War Tradition, and by integrating insights from military memoire, the history of war, and the author's experience of teaching ethics at the United States Naval Academy.
In White Collar Fictions Christopher P. Wilson explores how turn-of-the-century literary representations of "white collar" Americans--the "middle" social strata H.L. Mencken dismissed as boobus Americanus--were actually part and parcel of a new social class coming to terms with its own power, authority, and contradictions. An innovative study that integrates literary analysis with social-history research, the book reexamines the life and work of Sherwood Anderson and Sinclair Lewis--as well as such nearly forgotten authors as O. Henry, Edna Ferber, Robert Grant, and Elmer Rice. Between 1885 and 1925 America underwent fundamental social changes. The family business faded with the rise of the modern corporation; mid-level clerical work grew rapidly; the "white collar" ranks--sales clerks, accountants, lawyers, advertisers, "middle managers, and professionals--expanded between capital and labor. During this same period, Wilson shows, white collar characters took on greater prominence within American literature and popular culture. Magazines like the Saturday Evening Post idolized "average Americans," while writers such as Sherwood Anderson and Sinclair Lewis produced portraits of "middle America" in Winesburg, Ohio and Babbitt. By investigating the material experience and social vocabularies within white collar life itself, Wilson uncovers the ways in which writers helped create a new cultural vocabulary--"Babbittry," the "little people," the "Average American"--That served to redefine power, authority, and commonality in American society.
This cultural history of humility reveals this lost virtue as a secret defense against arrogance and incivility History demonstrates that when the virtue of humility is cast aside, excessive individualism follows. A person who lacks humility is at risk of developing a deceptive sense of certitude and at worst denies basic human rights, respect, and dignity to anyone they identify as the enemy. Humility, a cultural history and biography of the idea of humility, argues that the frightening alternative to humility has been the death of civility. In this book, Bellitto explores humility in Greco-Roman history, philosophy, and literature; in the ancient and medieval Jewish, Christian, and Muslim scriptures and sermons; in the Enlightenment; and in contemporary discussions of education in virtue and citizenship. The author encourages readers to recover and reclaim this lost virtue by developing a new perspective on humility as an alternative to the diseases of hubris, arrogance, and narcissism in society. This book offers a fresh perspective on this lost virtue for readers concerned with the culture wars and those interested in finding a path to renewed civility.
Pausing, slowing, rewinding, replaying, reactivating, reanimating . . . Has manipulating video game timelines altered our experience of time? “Compelling.” —Choice Video game scholar Christopher Hanson argues that the mechanics of time in digital games have presented a new model for understanding time in contemporary culture, a concept he calls “game time.” Multivalent in nature, game time is characterized by apparent malleability, navigability, and possibility while simultaneously being highly restrictive and requiring replay and repetition. When compared to analog tabletop games, sports, film, television, and other forms of media, Hanson demonstrates, the temporal structures of digital games provide unique opportunities to engage players with liveness, causality, potentiality, and lived experience that create new ways of experiencing time. Features comparative analysis of key video games titles—including Braid, Quantum Break, Battle of the Bulge, Prince of Persia: The Sands of Time, Passage, The Legend of Zelda: The Ocarina of Time, Lifeline, and A Dark Room. “The text is well-researched, and the introduction is an excellent, focused overview of video game studies.” —Choice
George Johnson arrived in Australia from New Zealand in 1952 and in 1956 held his first exhibition of abstract painting in Melbourne. This book marks the artist's 80th birthday and fifty years of singular dedication to philosophy-based abstract imagery. Johnson's work is uniquely consistent - rarely straying from compositions based on primary shapes and a limited range of colour preferences, but demonstrating how these minimal means can, in combination, serve as surrogates for complex ideas. Additional contributors to the next include the artist's brother, renowned New Zealand poet, Louis Johnson; Australian poet and critic, Gary Catalano and Melbourne philosopher, Patrick Hutchings.
Long-positioned and long-respected as a bestseller for the U.S. history survey course that focuses on political history as its framework, this textbook's most significant strength is its rich and distinctive prose. For this Eleventh Edition, co-authors Mark Carnes of Barnard College at Columbia University and John Garraty have collaborated to retell the story of Americas past. For the Eleventh Edition, the authors have written a new prologue on pre-Columbian America and the continents earliest human inhabitants, revised each chapter to incorporate recent research and scholarship, integrated more social and cultural history, selected many new illustrations and written informative new captions to engage students visually, introduced two new features, and updated the final chapter (33) to carry the story through the election of 2000, the beginnings of the Bush administration, and the events and aftermath of September 11, 2001, which have profoundly changed the American nation and its people.
Set against a worldwide canvas that includes New York, Paris and Germany "News on the Home Front" tells the story of two women who have been friends since their childhood in West Lake, Maryland. The world war has torn apart their lives leaving each trying to find a way to put it back together. It's been a difficult few years with rationing and shortages starting to take their toll. Carole's boyfriend, Philip, is off to fly for the Army; and Irene has taken a job at the near-by aircraft factory. Carole promised Philip that she would wait for his return from the war -- but circumstances begin to conspire against her. She's waited her whole life for him, but can she make it until the end of the war?
James Murray is a young man with a dream -- he wants to be a writer just like his idol, Dashiell Hammett. While working as a clerk at a swank downtown department store, James pens a novel that turns out to be a surprise success. Now, he's the junior screenwriter at a major Hollywood studio.During his time there, productions at the studio have been plagued by a series of mysterious accidents including fires, damage to costumes, theft of miniatures used for trick shots -- and the worst: theft of an important scene from the studio's big picture, "King Kong." Not wanting to attract too much attention by calling the police, head of production Merian C. Cooper enlists James's help in trying to find out what's behind the sabotage."Sabotage at RKO Studio," and its predecessor "Murder at Eastern Columbia," are unlike any other books you've read: Not a single novel, it's two parallel novels, featuring two heroes, working two mysteries in two different versions of 1930s Hollywood. Join James and his alter ego as they each try to find the saboteurs behind the “accidents.” His hard-boiled alter ego -- neither a private detective nor a police officer: just someone "who wants to help" -- needs to find out who's trying to pin the “accidents” on him. Two men in two stories work their way through 1930s Hollywood following clews, interviewing people who might know something, going from location to location, with one goal in mind: find out who might want to damage the studio.Along the way, they meet a rich cast of characters including a glamorous movie star; a poor Mexican girl working as a secretary in a bank; a mysterious blonde secretary who harbors a deadly secret; the intriguing Mexican girl from a very wealthy family who still mourns the death of her brother; the silent-screen star who left movies to marry into oil; a handsome young police officer just trying to do his job; and the pretty, young girl who gives tours at the Richfield Oil Building."Sabotage at RKO Studio" is filled with twists, turns and a final scene at a glamorous Hollywood movie premiere at Grauman's Chinese Theatre.Come along for the ride in this, the second James Murray mystery: the story of a young man who dreams of something better.
James Murray is a young man with a dream -- he wants to be a writer just like his idol, Dashiell Hammett -- but there's a Depression on, and he's the only one in his family with a job. Even though it's a good job -- clerking in the Junior Boy's department at the swankest new department store in downtown Los Angeles: Eastern Columbia, Broadway at Ninth -- it's not writing. At the end of one typical day at work, there's a scream. James rushes toward the sound and finds his best friend -- co-worker Elizabeth "Bess" Flowers -- apparently shot and lying dead in the Better Furniture department. He finds a note in her purse telling her to be in front of the Orpheum Theater at 5:30 "or else." He looks at his watch: it's nearly that time now. Was she shot by a person she refused to meet? Or by someone who wanted to make sure she didn't make the meeting? James decides to keep the date in front of the theater where, with the help of his good friend, screen-star Charles "Buddy" Rogers, he begins a whirlwind ride through the crepuscular depths of downtown Los Angeles, trying to solve Elizabeth's murder. "Murder at Eastern Columbia" is not like any book you've ever read: Not a single novel, it's two parallel novels, featuring two heroes, working two murders in two different versions of 1930s Los Angeles. Join James and his alter ego as they each try to solve the murder of the girl with sorrel-colored hair. His hard-boiled alter ego -- neither a private detective nor a police officer: just someone "who wants to help" -- needs to find out who's trying to pin the murder on him, but finds himself in a jam: "Yeh. Strawberry preserves. All the way up to my neck." Two men in two stories work their way through downtown Los Angeles following clews, interviewing people who might know something, going from location to location, with one goal in mind: find out who might have wanted the girl dead. Along the way they meet a rich cast of characters including the notorious gangster, a gorgeous raven-haired dame, the beautiful young boy whose love is his undoing, a young doctor whose specialty is cancer research, the cleaning lady with a secret addiction, the struggling piano player who just wants to keep his nose clean, the gum-popping pawn-shop clerk and the sultry Chinese apartment manager who tries to hide behind the mysteries of the Orient. "Murder at Eastern Columbia" is filled with twists, turns and a climactic scene along the dizzying heights of the observation deck atop the brand new Los Angeles City Hall. Come along for the ride in this James Murray mystery: the story of a young guy, a kid really, who dreams of something better.
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