Featuring more than 120 illustrations, The Transformation of Greek Amulets in Roman Imperial Times is an essential reference for those interested in the religion, culture, and history of the ancient Mediterranean.
A study of poetic form in early Greek elegy. Christopher A. Faraone draws on analogies from Italian and English song and poetry of the Renaissance. All Greek is translated and all technical terms explained.
In Hexametrical Genres from Homer to Theocritus, Christopher Faraone discusses a number of short hexametrical genres such as oracles, incantations and laments that do not easily fit the generic models provided by the extant poetry of Hesiod and Homer. In the process, he gives us new insight into their ritual performance, their early history, and how poets from Homer to Theocritus embedded or imitated these genres to enrich their own hexametrical poems--by playing with and sometimes overturning the generic expectations of their audiences or readers. Christopher Faraone combines literary and ritual studies to produce a rich and detailed picture of hexametrical genres performed publicly for gods, such as hymns or laments for Adonis, or other that were performed more privately, such as epithalamia, oracles, or incantations. This volume deals primarily with the recovery of lost or under-appreciated hexametrical genres, which are often left out of modern taxonomies of archaic hexametrical poetry, either because they survive only in fragments or because the earliest evidence for them dates to the classical period.
In Greco-Roman Egypt, recipes for magical undertaking, called magical formularies, commonly existed for love potions, curses, attempts to best business rivals—many of the same challenges that modern people might face. In The Greco-Egyptian Magical Formularies: Libraries, Books, and Individual Recipes, volume editors Christopher Faraone and Sofia Torallas Tovar present a series of essays by scholars involved in a multiyear project to reedit and translate the various magical handbooks that were inscribed in the Roman period in the Greek or Egyptian languages. For the first time, the material remains of these papyrus rolls and codices are closely examined, revealing important information about the production of books in Egypt, the scribal culture in which they were produced, and the traffic in single recipes copied from them. Especially important for historians of the book and the Christian Bible are new insights in the historical shift from roll to codex, complicated methods of inscribing the bilingual papyri (in which the Greek script is written left to right and the demotic script right to left), and the new realization that several of the longest extant handbooks are clearly compilations of two or more shorter handbooks, which may have come from different places. The essays also reexamine and rethink the idea that these handbooks came from the personal libraries of practicing magicians or temple scriptoria, in one case going so far as to suggest that two of the handbooks had literary pretensions of a sort and were designed to be read for pleasure rather than for quotidian use in making magical recipes.
This is a collection of essays by leading American and European scholars. Its purpose is to remedy the tendency among scholars working in Greek religion to ignore the evidence for what have traditionally been called "magical" practices in ancient Greece. Because this neglect seems to arrive from adherence to a preconceived notion about a clear dichotomy between magical and religious ritual, the editors focus on the relationship between these two areas.
Greek magical texts sometimes contain peculiar triangular formations created by repeating the same word over and over again in the same column, but leaving off one letter at the beginning or end (or both). Interpretations shifted during the twentieth century: did the words inscribed in these shapes represent the names of diseases or evil demons which were forced to disappear as each letter of the name does? Or were they the work of Roman period scribes representing very different notions? This new study uses a masterly survey of the known examples of these texts to argue for a radical revision of recent views.
The real mystery is the Real Presence "The Grail Code satisfies the hunger that people have for knowledge of this mystery. The true Grail bears witness to a divine gift that exceeds even the deepest human longing." --Scott Hahn, author of "The Lamb's Supper "and "Hail, Holy Queen" The Holy Grail stories possess a mysterious power that has seized the human imagination for centuries. They tell of a great secret finally revealed, of a surprising answer to the most profound questions, of a hidden mystery that satisfies our deepest longings. Writers, poets, artists, composers, and filmmakers have pursued the Grail for 1,700 years. The great quest drives the legends of King Arthur, propels Indiana Jones's greatest adventure, and keeps many people turning the pages of "The Da Vinci Code." These tales of quests and miracles and of honor and betrayal have capti-vated humankind for so long, say the authors of "The Grail Code," because the stories really do touch the deepest parts of our hearts. They reveal our innate yearning to know Christ, to be in communion with the Divine. What we've lost in the pop-culture transformations of the Grail is what made it holy in the first place: the intimate link with the Eucharist. "The Grail Code "is a literary and theological detective story, centuries in the making, that ends where the Grail legends began--in the room where Jesus gathered his closest friends for the last time, spoke blessed words, broke bread, and shared a sacred cup.
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