Behind James Baldwin’s uncanny ability to evoke a nation’s crisis and potential hope lies his use of religious language to describe social and sexual transformation. The first study of its kind, James Baldwin and the Heavenly City shows that Baldwin’s novels use biblical ideas in partly but not fully secularized ways to express the possible human attainment of a new life embodying a real but undefinable holiness. Focusing on Baldwin’s six novels, along with essays, stories, and drama, the book first shows Baldwin’s method of recasting biblical and African American prophetic traditions to reveal their liberating core. It then examines several key themes: the prophet’s selection, seen in Baldwin’s debut novel, Go Tell It on the Mountain; the three linked ideas of prophetic art, the “apocalyptic body,” and the “apocalyptic city,” as presented in all his novels; and the polarity between prophecy and doubt, the subject of his last novel, Just Above My Head. This important work provides new readings of Baldwin’s novels, reassesses his once-neglected later fiction, and shows Gospel music’s centrality (with blues) in his fictional imagination.
Christopher Pastore traces how Narragansett Bay’s ecology shaped the contours of European habitation, trade, and resource use, and how littoral settlers in turn, over two centuries, transformed a marshy fractal of water and earth into a clearly defined coastline, which proved less able to absorb the blows of human initiative and natural variation.
This “standard text of the defining era of gay literati” tells the cultural history of the interconnected lives of the 20th century's most influential gay writers (Philadelphia Inquirer). In the years following World War II a group of gay writers established themselves as major cultural figures in American life. Truman Capote, the enfant terrible, whose finely wrought fiction and nonfiction captured the nation's imagination. Gore Vidal, the wry, withering chronicler of politics, sex, and history. Tennessee Williams, whose powerful plays rocketed him to the top of the American theater. James Baldwin, the harrowingly perceptive novelist and social critic. Christopher Isherwood, the English novelist who became a thoroughly American novelist. And the exuberant Allen Ginsberg, whose poetry defied censorship and exploded minds. Together, their writing introduced America to gay experience and sensibility, and changed our literary culture. But the change was only beginning. A new generation of gay writers followed, taking more risks and writing about their sexuality more openly. Edward Albee brought his prickly iconoclasm to the American theater. Edmund White laid bare his own life in stylized, autobiographical works. Armistead Maupin wove a rich tapestry of the counterculture, queer and straight. Mart Crowley brought gay men's lives out of the closet and onto the stage. And Tony Kushner took them beyond the stage, to the center of American ideas. With authority and humor, Christopher Bram weaves these men's ambitions, affairs, feuds, loves, and appetites into a single sweeping narrative. Chronicling over fifty years of momentous change-from civil rights to Stonewall to AIDS and beyond. Eminent Outlaws is an inspiring, illuminating tale: one that reveals how the lives of these men are crucial to understanding the social and cultural history of the American twentieth century.
The Aermotor Windmill Company, which commenced operations in Chicago in 1888, is the nation’s sole remaining full-time manufacturer of water-pumping machines. The company’s imprint on rural America, particularly across the West, is still visible today in the tens of thousands of its windmills that bring water to the earth’s surface. Still Turning is the first book to explore the rise of the American windmill through the experience of this important company. Aermotor founder La Verne Noyes and engineer Thomas Perry developed and perfected the all-metal wind pump in the 1880s. Within a decade, the “mathematical windmill” began to dominate the market. Aermotor continued to expand and innovate. The ruggedness and simplicity of the American mechanical windmill has allowed it to outlast many newer water-pumping technologies over the years with minimal maintenance and oversight. Christopher C. Gillis traces this story and more, from the early days of the company to Aermotor’s present-day relevance as it continues to produce its iconic windmills. Still Turning is a significant contribution not only to the history of wind power but also to the history of American enterprise.
This groundbreaking study of the politics of secession combines traditional political history with current work in anthropology and gender and ritual studies. Christopher J. Olsen has drawn on local election returns, rural newspapers, manuscripts, and numerous county records to sketch a new picture of the intricate and colorful world of local politics. In particular, he demonstrates how the move toward secession in Mississippi was deeply influenced by the demands of masculinity within the state's antiparty political culture. Face-to-face relationships and personal reputations, organized around neighborhood networks of friends and extended kin, were at the heart of antebellum Mississippi politics. The intimate, public nature of this tradition allowed voters to assess each candidate's individual status and fitness for public leadership. Key virtues were independence and physical courage, as well as reliability and loyalty to the community, and the political culture offered numerous chances to demonstrate all of these (sometimes contradictory) qualities. Like dueling and other male rituals, voting and running for office helped set the boundaries of class and power. They also helped mediate the conflicts between nineteenth-century American egalitarianism, democracy, and geographic mobility, and the South's exaggerated patriarchal hierarchy, sustained by honor and slavery. The political system, however, functioned effectively only as long as it remained a personal exercise between individuals, divorced from the anonymity of institutional parties. This antiparty tradition eliminated the distinction between men as individuals and as public representatives, which caused them to assess and interpret all political events and rhetoric in a personal manner. The election of 1860 and success of the Republicans' antisouthern, free soil program, therefore, presented an "insulting" challenge to personal, family, and community honor. As Olsen shows in detail, the sectional controversy engaged men where they measured themselves, in public, with and against their peers, and linked their understanding of masculinity with formal politics, through which the voters actually brought about secession. Political Culture and Secession in Mississippi provides a rich new perspective on the events leading up to the Civil War and will prove an invaluable tool for understanding the central crisis in American politics.
The epic life story of a schoolteacher and preacher in Missouri, guerrilla fighter in the Civil War, Congressman, freethinking lecturer and author, and anarchist. A former Methodist preacher and Missouri schoolteacher, John R. Kelso served as a Union Army foot soldier, cavalry officer, guerrilla fighter, and spy. Kelso became driven by revenge after pro-Southern neighbors stole his property, burned down his house, and drove his family and friends from their homes. He vowed to kill twenty-five Confederates with his own hands and, often disguised as a rebel, proceeded to track and kill unsuspecting victims with "wild delight." The newspapers of the day reported on his feats of derring-do, as the Union hailed him as a hero and Confederate sympathizers called him a monster. Teacher, Preacher, Soldier, Spy: The Civil Wars of John R. Kelso is an account of an extraordinary nineteenth-century American life. During Reconstruction, Kelso served in the House of Representatives and was one of the first to call for the impeachment of President Andrew Johnson. Personal tragedy then drove him west, where he became a freethinking lecturer and author, an atheist, a spiritualist, and, before his death in 1891, an anarchist. Kelso was also a strong-willed son, a passionate husband, and a loving and grieving father. The Civil War remained central to his life, challenging his notions of manhood and honor, his ideals of liberty and equality, and his beliefs about politics, religion, morality, and human nature. Throughout his life, too, he fought private wars--not only against former friends and alienated family members, rebellious students and disaffected church congregations, political opponents and religious critics, but also against the warring impulses in his own character. In Christopher Grasso's hands, Kelso's life story offers a unique vantage on dimensions of nineteenth-century American culture that are usually treated separately: religious revivalism and political anarchism; sex, divorce, and Civil War battles; freethinking and the Wild West. A complex figure and passionate, contradictory, and prolific writer, John R. Kelso here receives a full telling of his life for the first time.
For most people in the United States, going almost anywhere begins with reaching for the car keys. This is true, Christopher Wells argues, because the United States is Car Country—a nation dominated by landscapes that are difficult, inconvenient, and often unsafe to navigate by those who are not sitting behind the wheel of a car. The prevalence of car-dependent landscapes seems perfectly natural to us today, but it is, in fact, a relatively new historical development. In Car Country, Wells rejects the idea that the nation's automotive status quo can be explained as a simple byproduct of an ardent love affair with the automobile. Instead, he takes readers on a tour of the evolving American landscape, charting the ways that transportation policies and land-use practices have combined to reshape nearly every element of the built environment around the easy movement of automobiles. Wells untangles the complicated relationships between automobiles and the environment, allowing readers to see the everyday world in a completely new way. The result is a history that is essential for understanding American transportation and land-use issues today. Watch the book trailer: http://www.youtube.com/watch?v=48LTKOxxrXQ
Throughout America's past, some men have feared the descent of their gender into effeminacy, and turned their eyes to the ring in hopes of salvation. This work explains how the dominant fight sports in the United States have changed over time in response to broad shifts in American culture and ideals of manhood, and presents a narrative of American history as seen from the bars, gyms, stadiums and living rooms of the heartland. Ordinary Americans were the agents who supported and participated in fight sports and determined its vision of masculinity. This work counters the economic determinism prevalent in studies of American fight sports, which overemphasize profit as the driving force in the popularization of these sports. The author also disputes previous scholarship's domestic focus, with an appreciation of how American fight sports are connected to the rest of the world.
Within the social and political upheaval of American cities in the decades surrounding the turn of the 20th century, a new scientific discipline, psychology, strove to carve out a place for itself. In this new history of early American psychology, Christopher D. Green highlights the urban contexts in which much of early American psychology developed and tells the stories of well-known early psychologists, including William James, G. Stanley Hall, John Dewey, and James McKeen Cattell, detailing how early psychologists attempted to alleviate the turmoil around them. American psychologists sought out the daunting intellectual, emotional, and social challenges that were threatening to destabilize the nation’s burgeoning urban areas and proposed novel solutions, sometimes to positive and sometimes to negative effect. Their contributions helped develop our modern ideas about the mind, person, and society. This book is ideal for scholars and students interested in the history of psychology.
At a time when disinformation, hate crimes, inequality, racial injustice, and white supremacy are on the rise, Brown Enough, part memoir and part social commentary, emerges, asking readers to proudly put their bodies, their identities, into the conversations of race. Brown Enough is a roller coaster of finding one's true self while simultaneously having a racial awakening amidst the struggle to be "perfectly" Latinx, woke, and as Brown as possible to make it in today's America. From world-renowned actor John Leguizamo: "Brown Enough is a celebration of Brownness and a manifesto about the magic, beauty, and heartbreak that comes with being Brown in America. Brownness is more than our skin color or language or where we grew up; it’s also about the common threads that connect us all. I’m excited to see Christopher’s impact continue to grow as one of the key voices of his generation.” Its pages are full of honest explorations of love, sex, fake-it-till-you-make-it ambition, bad Spanish, color, code-switching, white-washing, scandal, Hollywood, and more. This memoir navigates these necessary and often revealing topics through fourteen chapters, each a distinct moment where Rivas explores his Brownness and how to own it. Brown Enough opens with a moment that forever changed Christopher Rivas's life, the night Ta-Nehisi Coates shared, in an intimate gathering in downtown L.A., the Brown man's role in the race conversation. "All I hear is black and white. As a Brown man, a Latin man, where does that leave me?" Coates took a short breath and responded, "Not in it." Like a reprimanded child, Rivas took his seat and remained silent for much of the event. But the effects didn't end there. This conversation pushed Rivas to contemplate and rethink how whiteness and Blackness had impacted his sense of self and worth. "Why is Brown not in it?" became the unspoken question for the rest of his life and a thread moving through this collection. Eventually, in every conversation, during every date, at every job, Rivas began to ask, "What are the consequences of not being in the conversation?" "What does it take to be in it?" Brown Enough is the quest to find an answer. "Brown Enough is a must-read for anyone who wants a more expansive and inclusive view of race in America. Rivas fiercely asks us to consider tough questions and offers candid and provocative answers. He lays bare his soul on the pages." — Julissa Arce, author of You Sound Like a White Girl: The Case for Rejecting Assimilation Christopher Rivas is an actor, author, podcaster, and storyteller best known for his on-screen work on the Fox series, CALL ME KAT. In addition, he hosts two podcasts on SiriusXM's Stitcher: Rubirosa, a limited series about the life of Porfirio Rubirosa, and a weekly show, Brown Enough. He is a Ph.D. Candidate in Expressive Arts for Global Health & Peace Building from The European Graduate School and a Rothschild Social Impact fellow. Rivas resides in Los Angeles, CA.
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