British writer A. C. Benson is best remembered as a contributor to the genre of horror, having produced a series of groundbreaking ghost stories. But hailing from an exceptionally intellectual and well-read family, Benson's knowledge and insight far exceeded the realm of supernatural fiction. The Silent Isle is a volume of keenly observed personal essays that depict a young man stalled at a crossroads in life.
New Critical Nostalgia weighs the future of literary study by reassessing its past. It tracks today's impassioned debates about method back to the discipline’s early professional era, when an unprecedented makeover of American higher education with far-reaching social consequences resulted in what we might call our first crisis of academic life. Rovee probes literary study’s nostalgic attachments to this past, by recasting an essential episode in the historiography of English—the vigorous rejection of romanticism by American New Critics—in the new light of the American university’s tectonic growth. In the process, he demonstrates literary study’s profound investment in romanticism and reveals the romantic lyric’s special affect, nostalgia, as having been part of English’s professional identity all along. New Critical Nostalgia meticulously shows what is lost in reducing mid-century American criticism and the intense, quirky, and unpredictable writings of central figures, such as Cleanth Brooks, Josephine Miles, and W. K. Wimsatt, to a glib monolith of New Critical anti-romanticism. In Rovee’s historically rich account, grounded in analysis of critical texts and enlivened by archival study, readers discover John Crowe Ransom’s and William Wordsworth’s shared existential nostalgia, witness the demolition of the “immature” Percy Shelley in the revolutionary textbook Understanding Poetry, explore the classroom give-and-take prompted by the close reading of John Keats, consider the strange ambivalence toward Lord Byron on the part of formalist critics and romantic scholars alike, and encounter the strikingly contemporary quantitative studies by one of the mid-century’s preeminent poetry scholars, Josephine Miles. These complex and enthralling engagements with the romantic lyric introduce the reader to a dynamic intellectual milieu, in which professionals with varying methodological commitments (from New Critics to computationalists), working in radically different academic locales (from Nashville and New Haven to Baton Rouge and Berkeley), wrangled over what it means to read, with nothing less than the future of the discipline at stake.
The country's most noted writers, poets, and artists converge at a singular moment in American life, a great companion to fans of the film A Quiet Passion, starring Cynthia Nixon as Emily Dickinson. At the close of the Civil War, the lives of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade intersected in an intricate map of friendship, family, and romance that marked a milestone in the development of American art and literature. Using the image of a flitting hummingbird as a metaphor for the gossamer strands that connect these larger-than-life personalities, Christopher Benfey re-creates the summer of 1882, the summer when Mabel Louise Todd-the protégé to the painter Heade-confesses her love for Emily Dickinson's brother, Austin, and the players suddenly find themselves caught in the crossfire between the Calvinist world of decorum, restraint, and judgment and a new, unconventional world in which nature prevails and freedom is all.
From the Newberry Medal and Corretta Scott King Award winning author, three bestselling novels that have been called “a modern classic” by NPR and “marvelous” by The New York Times are now available for the first time in one ebook collection! Included in this set are three cherished and unforgettable books about Black family life, important moments in history, and dealing with tough situations with determination and humor: The Watsons Go to Birmingham—1963 features Kenny and his family on a road trip during the civil rights era; Bud, Not Buddy, a motherless boy on the run during the Depression (both books include special bonus content), plus The Mighty Miss Malone, which stars a character from Bud, Deza Malone, who is looking to get her family back together.
An ancient alien prophecy is on the verge of throwing Earth into the middle of a universal war that was thought to have come to an end eons ago. One doctor has discovered a man that has been frozen deep in the arctic for more than 60 years. The strange engravings on his skin compel him to discover the beings origins and uncover the mystery of why he was there. As he attempts to unravel this mystery he soon learns that his discovery may have inadvertently caught the eyes of an intergalactic war monger, as well as various U.S. factions. The alien war monger seeks to establish universal rule by any means necessary. With his eyes set on the people of Earth he will stop at nothing to build his ultimate army and fulfill the prophecy that was hidden from him. The race to restore peace begins on Earth. The quest for universal dominance may destroy it.
The fascinating story behind the nineteenth-century artist who illustrated Poe’s classic poem—and the rediscovery of the drawings decades later. One of the most popular poems in the English language, Edgar Allan Poe’s “The Raven” has thrilled generations of readers. In 1882, the Anglo-American artist James Carling decided to produce the definitive series of illustrations for the poem. Carling’s bizarre images explore the darkest recesses of Poe’s masterpiece, its hidden symbolism, and its strange beauty. Although the series remained unpublished at the time of the artist’s early death in 1887, the drawings reemerged fifty years later, when they entered the collection of the Edgar Allan Poe Museum in Richmond. There they lined the blood-red walls of a Raven Room dedicated to their display. For the first time, Poe historian Christopher P. Semtner reproduces the entire series—and tells the story behind these haunting works.
In its brief seven-year existence, the Freedmen’s Bureau became the epicenter of the debate about Reconstruction. Historians have only recently begun to focus on the Bureau’s personnel in Texas, the individual agents termed the “hearts of Reconstruction.” Specifically addressing the historiographical debates concerning the character of the Bureau and its sub-assistant commissioners (SACs), Too Great a Burden to Bear sheds new light on the work and reputation of these agents. Focusing on the agents on a personal level, author Christopher B. Bean reveals the type of man Bureau officials believed qualified to oversee the Freedpeople’s transition to freedom. This work shows that each agent, moved by his sense of fairness and ideas of citizenship, gender, and labor, represented the agency’s policy in his subdistrict. These men further ensured the former slaves’ right to an education and right of mobility, something they never had while in bondage.
This is the first modern history of one of the most famous schools in the English-speaking world. It takes an even-handed approach, covering the schools failings as well as its successes. It includes frank discussions of Harrow's financial, educational, and sexual scandals along with a survey of its many great moments as the school of Byron, Churchill (and six other prime ministers), and Nehru.
THE EMPIRE STATE IS THE OTHER NEW YORK. A parallel-universe, Prohibition-era world of mooks and shamuses that is the twisted magic mirror to our bustling Big Apple, a place where sinister characters lurk around every corner while the great superheroes that once kept the streets safe have fallen into dysfunctional rivalries and feuds. Not that its colourful residents know anything about the real New York… until detective Rad Bradley makes a discovery that will change the lives of all its inhabitants. Playing on the classic Gotham conventions of the Batman comics and HBO’s Boardwalk Empire, debut author Adam Christopher has spun this smart and fast-paced superhero-noir adventure, the sort of souped-up thrill ride that will excite genre fans and general readers alike. File Under: Science Fiction [ Pocket Universe | Heroes or Villains | Speak Easy | Loyalties Divided ] e-book ISBN: 978-0-85766-194-4
The Phoenix Empire was thought to have been defeated near the end of the twenty-third century. They had, in reality, only gone into a cryogenic retreat. Two centuries later, they rise to power once again, and they rise for vengeance for their humiliating defeat 2 centuries prior, and for complete rule of the galaxy.The Terran Armed Services Command rises to the occasion by combating their every move, to the chagrin of a President in the Galactic Systems Alliance that is endeavoring to strike a peaceful accord with the Empire. TASCOM must fight to stop a war before it is declared.
Allusion to the words and phrases of ancestral voices is one of the hiding-places of poetry's power. Poets appreciate the great debts that they owe to previous poets, and are often duly and newly grateful. Allusion to the Poets consists of twelve essays - four published here for the first time - on allusion and its relations, in particular on the use that poets in English have made of the very words of poets in English. The first half of the book, on 'The Poet as Heir', consists of six chapters devoted to individual poets, Augustan, Romantic, and Victorian: Dryden and Pope, Burns, Wordsworth, Byron, Keats, and Tennyson. Allusion is always a form of inheritance, not to be hoarded or squandered. The critical and creative question is its imaginative co-operation with other kinds of legacy - with whatever for a particular poet or for a particular time is judged to be an unignorable inheritance: of a throne, perhaps, or of land; of intermixed languages; of the human senses; of money; of literature itself; or of our planet, long-lived but not eternal. The second half of the book is six essays on allusion's affiliations: to plagiarism (allusion being plagiarism's responsible opposite); to metaphor (allusion being a form that metaphor may take); to loneliness in poetry (allusion constituting company); to allusion within poetry to prose (on A E. Housman); to translation as exercising allusion (on David Ferry); and to the clash between one poet's practice and his critical principles (on Yvor Winters).
Celebrate the 25th anniversary of the Newbery and Coretta Scott King Honoree about an unforgettable family on a road-trip during one of the most important times in the civil rights movement. This special edition makes a perfect gift and includes bonus content. When the Watson family—ten-year-old Kenny, Momma, Dad, little sister Joetta, and brother Byron—sets out on a trip south to visit Grandma in Birmingham, Alabama, they don’t realize that they’re heading toward one of the darkest moments in America’s history. The Watsons’ journey reminds us that even in the hardest times, laughter and family can help us get through anything. "A modern classic." —NPR “Marvelous . . . both comic and deeply moving.” —The New York Times "One of the best novels EVER." —Jacqueline Woodson, Newbery Honor and National Book Award–winning author of Brown Girl Dreaming Bonus Content • New foreword and afterword from the author • Map of the Watsons’ journey • Original manuscript pages and letter from the Newbery committee • Personal essays celebrating the book’s legacy by award-winning authors Jacqueline Woodson, Varian Johnson, and Kate DiCamillo
Even death could not stop Britain’s greatest defenders. In 1838, William and Tamara Swift inherit a startling legacy from their dying grandfather, transforming them into the Protectors of Albion, mystical defenders of the soul of England. But the shocked, neophyte sorcerers also inherit unique allies in their battle against the dark forces. Fighting alongside them are the famous–even infamous–Ghosts of Albion: Lord Byron, Queen Bodicea, and Lord Admiral Nelson. When strange and hideous creatures appear in the slums of London, an unholy plague threatens to launch an epic battle that may rage all the way to Buckingham Palace . . . and beyond. Time is running out as William and Tamara must learn whether their friends will stand beside them, or seduce and betray them. From Amber Benson, known for her dramatic portrayal of Tara in Buffy the Vampire Slayer, and Christopher Golden, Bram Stoker Award—winning author of The Shadow Saga and Wildwood Road, comes a vengeful tale of demons, vampires, and ghosts set in nineteenth-century London. Based on the smash BBC Web series that took England by storm, Ghosts of Albion is a horror adventure laced with dark humor and darker lusts. From the Trade Paperback edition.
Celebrate the 25th anniversary of this Newbery and Coretta Scott King Honoree about a hilarious family on a road-trip at one of the most important times in America's history. This special edition makes a perfect gift and includes bonus content! Enter the hilarious world of ten-year-old Kenny and his family, the Weird Watsons of Flint, Michigan. There's Momma, Dad, little sister Joetta, and brother Byron, who's thirteen and an "official juvenile delinquent." When Byron gets to be too much trouble, they head South to Birmingham to visit Grandma, the one person who can shape him up. And they'll be in Birmingham during one of the darkest moments in America's history. "Every so often a book becomes a modern classic almost as soon as it arrives on bookshelves. That happened in the mid-'90s when Christopher Paul Curtis released his first book, The Watsons Go to Birmingham--1963." --NPR "One of the best novels EVER." --Jacqueline Woodson, Newbery Honor and National Book Award–winning author of Brown Girl Dreaming
A selection of new and revised essays from eminent scholar and critic Professor Christopher Ricks. Christopher Ricks brings together new as well as substantially augmented critical essays across a wide range. Several derive from his term as the Professor of Poetry at the University of Oxford, when his inaugural lecture engaged with the illuminatingly puzzled relations between poetry and prose. Comparison and analysis (the tools of the critic, as T.S. Eliot insisted) are enlivened by imaginative pairings: of Samuel Johnson with Samuel Beckett, of Norman Mailer with Dickens, of Shakespeare with George Herbert, or of secret-police surveillance in Ben Jonson's Rome with that of Carmen Bugan's Romania. Along Heroic Lines devotes itself to the heroic and to 'heroics' (Othello cross-examined by T.S. Eliot; Byron and role-playing; Ion Bugan, political protest and arrest). This knot is in tension with the English heroic line (Dryden's heroic triplets, Henry James's cadences, Geoffrey Hill's concluding book of prose-poems and how they choose to conclude). All alert to the balance and sustenance of alternate tones that prose and poetry can achieve in harmony.
American independence was inevitable by 1780, but British writers spent the several decades following the American Revolution transforming their former colonists into something other than estranged British subjects. Christopher Flynn's engaging and timely book systematically examines for the first time the ways in which British writers depicted America and Americans in the decades immediately following the revolutionary war. Flynn documents the evolution of what he regards as an essentially anthropological, if also in some ways familial, interest in the former colonies and their citizens on the part of British writers. Whether Americans are idealized as the embodiments of sincerity and virtue or anathematized as intolerable and ungrateful louts, Flynn argues that the intervals between the acts of observing and writing, and between writing and reading, have the effect of distancing Britain and America temporally as well as geographically. Flynn examines a range of canonical and noncanonical works-sentimental novels of the 1780s and 1790s, prose and poetry by Wollstonecraft, Blake, Coleridge, and Wordsworth; and novels and travel accounts by Smollett, Lennox, Frances Trollope, and Basil Hall. Together, they offer a complex and revealing portrait of Americans as a breed apart, which still resonates today.
In the corridors of Hamilton college lies a secret. Behind the facade of wealth and power is a world of brutality, where rugby controls lives and boys must learn to be men... even if it kills them. When one student takes a stand, another must decide what really matters. Events of the past avalanche into the present and bring students face to face with the shadows in the mirror.
The Empire State is dying. The Fissure connecting the pocket universe to New York has vanished, plunging the city into a deep freeze and the populace are demanding a return to Prohibition and rationing as energy supplies dwindle. Meanwhile, in 1954 New York, the political dynamic has changed and Nimrod finds his department subsumed by a new group, Atoms For Peace, led by the mysterious Evelyn McHale. As Rad uncovers a new threat to his city, Atoms For Peace prepare their army for a transdimensional invasion. Their goal: total conquest – or destruction – of the Empire State. File Under: Science Fiction [ Splitting the Atoms | Angry Robots | Crossing | Universal Destruction ]
Buy a new version of this textbook and receive access to the Connected eBook with Study Center on CasebookConnect, including: lifetime access to the online ebook with highlight, annotation, and search capabilities; practice questions from your favorite study aids; an outline tool and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. Evidence Under the Rules: Text, Cases, and Problems is one of the?most widely adopted Evidence casebooks ever published. Structured around the Federal Rules of Evidence, the book contains carefully edited cases and secondary materials, as well as numerous problems that allow students to apply new concepts during classroom exercises or on their own. Text boxes provide interesting background on select cases and additional perspectives on key issues. New to the 10th Edition: Additional problems are provided, and often these are combined into the Notes following cases and other materials. These problems generate good classroom discussion, without displacing conversations about the cases and the principles under consideration. The book is also redesigned, with more colors on the page, and other design features that provide clues to the content of the textual material. The Note material, found after cases and textual accounts, includes organizational headings that act as signposts calling the attention of students to the key issues. The book retains the old favorites, like Boys on the Bridge (Problem 2-C), A Papier Mache Man (Problem 3-I), and “If You Want to Stay Healthy (Problem 4_Q). New end-of-chapter quizzes are included to help in the review of the materials. A thoroughly updated and expanded Index. Benefits for instructors and students: Introductory text that provides a foundation for understanding the cases and materials that follow. Numerous problems that treat cutting-edge issues, allowing students to apply important concepts to contemporary evidentiary problems. A Teacher’s Manual that provides suggestions by the authors for discussing the Notes and cases. “Comment/Perspective” text boxes that provide broader perspectives to aid in understanding doctrine. Sidebars that contain photographs and text relating to important cases, offering background on how the evidence issue arose.
Arguing that a continuous genealogy of poetic satire links the writings of Dryden, Pope, Byron, Auden, and Merrill, Christopher Yu makes the case that the shared idiom of Augustanism developed by these satirists sponsors a meritocratic and ultimately radically liberal ideal of culture.
Born with white skin in segregated Eureka, Mississippi, in 1950, African-American albino Lee Cotton struggles with his identity as a black person capable of gaining entry into white society and experiences in the early years of his life a romance with a Klansmans daughter, a freight train attack, and the womens liberation movement. By the author of Mischief. Reprint.
This book provides a historical cultural sociological analysis of cultural representations of Italy in England and later Britain, from the period of the Italian Renaissance to the present day. Rooted in a critical account of orthodox social scientific approaches to thinking and theorising cultural representation, the study combines analytical frames and conceptual apparatus from Bourdieu’s Field theory and Yale School cultural sociology. Drawing from a wide range of empirical data and studies, the book demonstrates the significance of representations of the Italian peninsula and its people for exploring a range of cultural sociological phenomena, from the ‘classing’ and ‘commodification’ of Italy to the role of Italian symbolism for negotiating cultural trauma, identify formation, and expressions of cultural edification, veneration, and emulation. As such, it will be of interest to scholars of (cultural) sociology, history, anthropology, Italian studies as well as scholars in international studies interested in intercultural exchange and representations of other nations, national cultures, and otherness.
Shakespeare, Daniel, Herbert, Swift, Johnson, Burke, Blake, Austen, Browning, Tennyson, Conrad, Forster, and finally the anti-Protestant Waugh. Written in a lively and accessible style, Reforming Empire will be of interest to all scholars and students of English literature."--Jacket
In this masterly biography Hibbert reveals the personal life of one of the most fascinating men of the 19th century and England's most eccentric prime minister, Benjamin Disraeli.
A pioneering overview of the travel books produced by fourteen French Romantic writers - including Chateaubriand, Staël, Stendhal, Hugo, Nerval, Sand, Mérimée, Dumas, and Tristan - whose journeys ranged from Peru to Russia and from North America to North Africa and the Near East.
Review: "Written to stress the crosscurrent of ideas, this cultural encyclopedia provides clearly written and authoritative articles. Thoughts, themes, people, and nations that define the Romantic Era, as well as some frequently overlooked topics, receive their first encyclopedic treatments in 850 signed articles, with bibliographies and coverage of historical antecedents and lingering influences of romanticism. Even casual browsers will discover much to enjoy here."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
In Testosterone Inc.: Tales of CEOs Gone Wild, bestselling author and New York Post columnist Chris Byron chronicles the Gatsby-like saga of the rise and fall of the celebrity CEO. During the height of the 1990s bull market, they were America’s new heroes: the heroes of business. They were our bold new leaders, cutting the fat, pushing for productivity, implementing visionary plans, and making strategic deals. When the bull market turned to bust and the applause turned to cat-calls, the world was shocked at the truth. Drenched in money and public acclaim, our CEO-heroes—mostly white, mostly male, mostly middle-aged—turned out to be not much different than a group of twenty-something rock stars—drunk on power and driven by sex, greed, and glamour. Testosterone Inc. goes behind the boardroom doors to show the serial affairs and marriages of these acquisitive corporate titans. At the center of this story is Jack Welch, the biggest of America’s rock star CEOs and the former head of General Electric Co., surrounded by “mini-me” CEOs Ron Perelman of Revlon, Al Dunlap of Sunbeam, and Dennis Kozlowski of Tyco—all gone wild in public displays of consumption and predatory appetites writ large. Byron gets inside the bars where Welch liked to hang out and pick up women with his early “business soul mate” buddies. Byron hovers unseen at the elbow of Ron Perelman and his mistress aboard the Concorde for a week in Paris in his mistaken belief that his wife knows nothing about his secret affair. Byron peeks behind the curtains of a U.S. Army officers’ quarters to behold Al Dunlap horrifying his first wife, who claimed in her divorce action that Dunlap would point his knife at her and say, “I often wondered what human flesh tasted like.” Byron becomes a fly on the wall to chronicle the longing for respect and serial womanizing of Dennis Kozlowski. Frequently hilarious, sometimes heartbreaking, Testosterone Inc. follows the intertwined lives of these four corporate heroes, from childhood to their ultimate moments of glory and the crash-and-burn calamities that followed, as man’s age-old hunger for power, greed, and temptation undid them all. From suicide to murder, from dysfunctional childhoods to dysfunctional marriages in adulthood, from business chutzpah to financial suicide, here is the ultimate untold business story of our time: what went on at century’s end, when testosterone got the best of businessmen everywhere, and CEOs went wild.
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