New short stories from Christopher T. Leland that explore love in all of its forms and complexities. Whether it is romantic, parental, or platonic, we all aspire to find perfect love, even though we know love is notoriously imperfect. Depending on the lover and the beloved, love can be unrequited, blind, feigned, cowardly, confused, and even murderous. In this compelling new collection, Christopher T. Leland explores the notion of such imperfect love in eighteen stories, as characters struggle to understand both love's essential strangeness and its shifting meaning over time. While each story points to the tremendous task of understanding the human heart, each also suggests that the notion of loving—even at its most violent and terrible—is a gift. In the moment of murder, the nameless narrator of "Traveler" loves his victim just as estranged friends and former lovers Esther and Tim still somehow love each other in "Reprise." Young husband and wife Del and Dora love each other despite the pressures of war, meddling families, and childbirth in "How the Coe Boys Got Their Names," as Gogan loves his uncle even though the uncle's violence becomes too much to bear in "Last Frontier." Even the horrified father of "Swim" grants to his mad son an opportunity to control his own destiny, while the sentimental father of "Peach Queen" offers to his son a talisman of their bond. Leland's deftly crafted characters and narratives find their power in the thrilling space between love and uncertainty, distress, and even terror. Fans of short fiction will enjoy the profound and intriguing stories in Love/Imperfect.
Dana is my life force." --Christopher Reeve "A terrible thing happened. I wish it hadn't. But would I change who I married? Never." --Dana Reeve He was a hero in every sense of the word--the chiseled-from-granite star of four blockbuster Superman films and the romantic classic Somewhere in Time who, after being paralyzed in a freak horseback riding accident, became a symbol of hope for millions. Dana Reeve was no less heroic, standing steadfastly by her husband's side until his surprisingly sudden and unexpected death at age fifty-two. When Dana, a non-smoker, passed away from lung cancer just seventeen months after Chris's death, she left behind their thirteen-year-old son, Will, to be raised by friends and family. Dana was only forty-four years old. That fate could have dealt such a cruel hand to this golden couple seemed unfathomable. That they could endure it all with grace, courage, and humor defied belief. Yet for all the millions of words that have been written about their public causes and private struggles following Chris's accident, little is known about the lives they led as passionate young lovers. Now, in the manner of his poignant-yet-stirring bestsellers Jack and Jackie, Jackie After Jack, An Affair to Remember, The Day Diana Died, After Diana, and The Day John Died, No. l New York Times bestselling author Christopher Andersen draws on those who knew them best to examine in touching detail the Reeves' unique partnership and the romance, faith, and fortitude that defined it. Sometimes heartbreaking, often uplifting, always compelling, Somewhere in Heaven is more than just a portrait of a marriage. It is the profoundly human story of two souls whose brief lives made a difference, a bittersweet saga of tragedy, triumph, and loss, and--above all else--a love story for the ages.
In this chilling novel about a 1950s boys' summer camp gone awry, the former New York Times literary critic has created a brilliant coming-of-age story with undertones reminiscent of Lord of the Flies. Christopher Lehmann-Haupt's novel is at once a fantasy, a barbed portrait of boyhood in the dawning of the Eisenhower era, and a no-holds-barred story of terror of the sort that won him praise for his previous novel, A Crooked Man. Jerry Muller has been a regular at Camp Seneca for years. Now that he's a teenager and counselor, things don't seem quite right at his traditional summer haunt. As Jerry plunges into the mysteries around him, he finds himself growing up fast -- maybe too fast. He's attracted to T.J., a pretty girl who might have a boyfriend but who flirts anyway, and he's shocked by the truth about his friend Oz, who's more interested in Jerry than in the likes of T.J. He sees something is strangely amiss with the husband and wife who own the camp. But above all, he's scared of the cruel game masterminded by Buck. Of Seneca ancestry, Buck is a sinister, bigger-than-life expert on Indian lore. He is also an organizer of scary games who may just possibly be a psychopath and a killer, and in whose hands the camp's make-believe, designed to scare the kids, becomes first a savage and brutal test of strength, then, by small steps, genuinely dangerous. As Jerry unravels the mysteries surrounding the ordinary-looking camp, he struggles to understand how "the Forbidden Woods," which have always been off-limits to campers as a kind of game and dare, have somehow become genuinely frightening -- all the more reason to discover the secrets that lie behind Camp Seneca's facade. The story reaches its climax in a shocking scene that neither Jerry nor the reader is likely to forget. Christopher Lehmann-Haupt's new novel is a wicked, suspenseful, and deeply original tale.
Jack Nelson finds himself at the center of a storm. An unexpected candidate for President, he is virtually guaranteed to win if he follows the advice of his political advisors. But following their advice requires a compromise of his principles, and a betrayal of his father's memory. Jack Nelson is forced to deal with staff members more concerned with their professional success than his election. He and his family must confront a media biased in favor of controversy over accuracy, and the threat of scandal created by an unscrupulous incumbent President fighting to hold on to power. The Cronkite Campaign is a journey punctuated by choices between what is expedient and what is right. Jack Nelson lives in a political world, where the best choice is not always clear.
In many ways, being an outdoorsman on the plains and prairies of North America is much the same today as it was one hundred years ago. The hunting concept of "fair chase," the respect for the environment, even the dangers associated with being out on the prairie on a frigid winter day in pursuit of game hasn't changed over time. Frick's Creek and Other Tales takes the reader on a humorous and thought provoking journey across the plains. It loosely follows one extended family in a tight-knit community, showing how youngsters are taught the code and how adults live by it. A short novella about a champion bird dog, told through the mind of the dog, is included as well. The author has been training and competing with these rare dogs for over thirty-five years, and he has come to understand their true nature as much as a person can. Anyone who has owned, trained, and/or handled these dogs knows there is something different about the way they think. This novella gives the reader a good idea of what that thinking is. The journey starts at birth and continues well beyond the dog's competitive years. At times heartwarming and tragic, this story is riveting throughout.
Examining the interdependent nature of substance, space, and subjectivity, this book constitutes an interdisciplinary analysis of the intoxication indigenous to what has been termed "our narcotic modernity." The first section – Drug/Culture – demonstrates how the body of the addict and the social body of the city are both inscribed by "controlled" substance. Positing addiction as a "pathology (out) of place" that is specific to the (late-)capitalist urban landscape, the second section – Dope/Sick – conducts a critique of the prevailing pathology paradigm of addiction, proposing in its place a theoretical reconceptualization of drug dependence in the terms of "p/re/in-scription." Remapping the successive stages or phases of our narcotic modernity, the third section – Narco/State – delineates three primary eras of narcotic modernity, including the contemporary city of "safe"/"supervised" consumption. Employing an experimental, "intra-textual" format, the fourth section – Brain/Disease – mimics the sense, state or scape of intoxication accompanying each permutation of narcotic modernity in the interchangeable terms of drug, dream and/or disease. Tracing the parallel evolution of "addiction," the (late-)capitalist cityscape, and the pathological project of modernity, the four parts of this book thus together constitute a users’ guide to urban space.
“Beha tackles finance, faith, war, entitlement, and no end of self-destructive acts. I greatly admired both the writing and the ambition.” —Ann Patchett A New York Times Editors’ Choice Longlisted for the National Book Award Finalist for the Gotham Book Prize and the 2022 Joyce Carol Oates Prize A Best Book of the Year at Kirkus, The Christian Science Monitor, Library Journal, and BuzzFeed What makes a life, Sam Waxworth sometimes wondered—self or circumstance? On the day Sam Waxworth arrives in New York to write for the Interviewer, a street-corner preacher declares that the world is coming to an end. A data journalist and recent media celebrity—he correctly forecast every outcome of the 2008 election—Sam knows a few things about predicting the future. But when projection meets reality, life gets complicated. His first assignment for the Interviewer is a profile of disgraced political columnist Frank Doyle, known to Sam for the sentimental works of baseball lore that first sparked his love of the game. When Sam meets Frank at Citi Field for the Mets’ home opener, he finds himself unexpectedly ushered into Doyle’s crumbling family empire. Kit, the matriarch, lost her investment bank to the financial crisis; Eddie, their son, hasn’t been the same since his second combat tour in Iraq; Eddie’s best friend from childhood, the fantastically successful hedge funder Justin Price, is starting to see cracks in his spotless public image. And then there’s Frank’s daughter, Margo, with whom Sam becomes involved—just as his wife, Lucy, arrives from Wisconsin. While their lives seem inextricable, none of them know how close they are to losing everything, including each other. Sweeping in scope yet meticulous in its construction, The Index of Self-Destructive Acts is a remarkable family portrait and a masterful evocation of New York City and its institutions. Over the course of a single baseball season, Christopher Beha traces the passing of the torch from the old establishment to the new meritocracy, exploring how each generation’s failure helped land us where we are today. Whether or not the world is ending, Beha’s characters are all headed to apocalypses of their own making.
What does it take to launch a career writing for magazines? In this comprehensive, up-to-date introduction to magazine writing, students will learn everything from the initial story pitch all the way through to the final production, taking with them the essential tools and skills they will need for today’s rapidly changing media landscape. Written by a team of experienced writers and editors, Magazine Writing teaches the time-tested rules for good writing alongside the modern tools for digital storytelling. From service pieces to profiles, entertainment stories and travel articles, it provides expert guidance on topics such as: developing saleable ideas; appealing to specific segments of the market; navigating a successful pitch; writing and editing content for a variety of areas, including service, profiles, entertainment, travel, human interest and enterprise Chock full of examples of published works, conversations with successful magazine contributors and bloggers, and interviews with working editors, Magazine Writing gives students all the practical and necessary insights they need to jumpstart a successful magazine writing career.
The #1 sports writer for kids offers a read as exciting as a fast ball. Pitcher Koby Caplin is the best thing to happen to the Monticello Cardinals in years--but is he ready for prime time?
Romantic Poetry and the Fragmentary Imperative locates Byron (and, to a lesser extent, Joyce) within a genealogy of romantic poetry understood not so much as imaginative self-expression or ideological case study but rather as what the German romantics call "romantische poesie"—an experimental form of poetry loosely based on the fragmentary flexibility and acute critical self-consciousness of Socratic dialogue. The book is therefore less an attempt to present yet another theory of romanticism than it is an effort to recover a more precise sense of the relationship between Byron's fragmentary or "workless" poetic and romantic poetry generally, and to articulate connections between romantic poetry and modern literature and literary theory. The book also argues that the "exigency" or "imperative" of the fragmentary works of Schlegel, Byron, Joyce, and Blanchot is not so much the expression of a style as it is an acknowledgment of what remains unthought in thinking.
When the first Superman movie came out I was frequently asked 'What is a hero?' I remember the glib response I repeated so many times. My answer was that a hero is someone who commits a courageous action without considering the consequences--a soldier who crawls out of a foxhole to drag an injured buddy to safety. And I also meant individuals who are slightly larger than life: Houdini and Lindbergh, John Wayne, JFK, and Joe DiMaggio. Now my definition is completely different. I think a hero is an ordinary individual who finds strength to persevere and endure in spite of overwhelming obstacles: a fifteen-year-old boy who landed on his head while wrestling with his brother, leaving him barely able to swallow or speak; Travis Roy, paralyzed in the first thirty seconds of a hockey game in his freshman year at college. These are real heroes, and so are the families and friends who have stood by them." The whole world held its breath when Christopher Reeve struggled for life on Memorial Day, 1995. On the third jump of a riding competition, Reeve was thrown headfirst from his horse in an accident that broke his neck and left him unable to move or breathe. In the years since then, Reeve has not only survived, but has fought for himself, for his family, and for the hundreds of thousands of people with spinal cord injuries in the United States and around the world. And he has written Still Me, the heartbreaking, funny, courageous, and hopeful story of his life. Chris describes his early success on Broadway opposite the legendary Katherine Hepburn, the adventure of filming Superman on the streets of New York, and how the movie made him a star. He continued to move regularly between film acting and theater work in New York, Los Angeles, and at the WIlliamstown Theatre Festival in the Berkshires. Reunited with his Bostonians director, James Ivory, in 1992, he traveled to England to work with Emma Thompson and Anthony Hopkins in The Remains of the Day. The Man who cannot move has not stopped moving. He has established a charitable foundation to raise awareness and money for research on spinal cord injuries. His work as director of the HBO film In the Gloaming earned him an Emmy nomination, one of five that the film received. His speeches at the Democratic National Convention and the Academy Awards inspired people around the country and the world. He has testified before Congress on behalf of health insurance legislation, lobbied for increased federal funding for spinal cord research, and developed a working relationship with President Clinton. With dignity and sensitivity, he describes the journey he has made--physically, emotionally, spiritually. He explores his complex relationship with his parents, his efforts to remain a devoted husband and father, and his continuing and heroic battle to rebuild his life. This is the determined, passionate story of one man, a gifted actor and star, and how he and his family came to grips with the kind of devastating, unexplainable shock that fate can bring to any of us. Chris and Dana Reeve have gathered the will and the spirit to create a new life, one responsive and engaged and focused on the future.
Buckner looked into the wagon bed at the body, which now lay on its back, one bold onlooker having turned it to facilitate the viewing. He nodded in agreement. His lips twisted in disgust, and he found himself wondering again why he had taken a job that required him to look at the bodies of people dead by violence. James Buckner, the new police chief of Corinth, Missouri, must root out corruption and incompetence in his department, hire new officers, and avoid the pitfalls of small-town politics. When a boy playing hooky from school discovers a woman's body under the snow at the train station, Buckner drops everything else to focus on this startling development. During his investigation, he relies on the help of his friends, Dr. Jeff Peck, black saloonkeeper Elroy Dutton, and the attractive vice-principal of Corinth High School, Judith Lee. Buckner discovers the dead woman is a local farmer's mother, but he faces red tape when the county sheriff warns him not to go out of his jurisdiction in questioning potential suspects. However, it's when Buckner hires two black police officers in the strongly Southern town of Corinth that he faces potential career suicide. Can Buckner find the murderer and save his job before racial tensions explode?
Taking us back roughly 45 million years into the Eocene, "the dawn of recent life," Chris Beard, a world-renowned expert on the primate fossil record, offers a tantalizing new perspective on our deepest evolutionary roots. In a fast-paced narrative full of vivid stories from the field, he reconstructs our extended family tree, showing that the first anthropoids—the diverse and successful group that includes monkeys, apes, and humans—evolved millions of years earlier than was previously suspected and emerged in Asia rather than Africa. In The Hunt for the Dawn Monkey, Beard chronicles the saga of two centuries of scientific exploration in search of anthropoid origins, from the early work of Georges Cuvier, the father of paleontology, to the latest discoveries in Asia, Africa, and North America's Rocky Mountains. Against this historical backdrop, he weaves the story of how his own expeditions have unearthed crucial fossils—including the controversial primate Eosimias—that support his compelling new vision of anthropoid evolution. The only book written for a wide audience that explores this remote phase of our own evolutionary history, The Hunt for the Dawn Monkey adds a fascinating new chapter to our understanding of humanity's relationship to the rest of life on earth.
Next-level swords, shields, and more thermoplastic cosplay props! Working with plastics can be extremely intimidating, even to veteran cosplayers. Armor Up! Thermoplastics, the first volume in the Ultimate Cosplay Encyclopedia series, includes everything you need to know about working with plastics and synthetic materials. From basic to expert level tutorials, key professionals guide you to create the base piece and polish the finished product with techniques on modifying, color, heat form, and detail with modern materials. When warmed up, thermoplastics hardens to form a firm shell. Cosplay swords, shields, and more have a high-quality look and feel with the modern materials and pattern-making covered in the book. Key experts in cosplay and professional costuming offer their expertise to demystify working with thermoplastics and make them less intimidating! Safety first! Learn the technical information needed to safely and successfully work with modern materials Make your cosplay vision a reality with a wide range of materials and skills to produce props, armor, and accessories.
Updated in its 8th edition, Introducing Public Administration provides readers with a solid, conceptual foundation in public administration, and contains the latest information on important trends in the discipline.Known for their lively and witty writing style, Shafritz, Russell, and Borick cover the most important issues in public administration using examples from various disciplines and modern culture. This approach captivates readers and encourages them to think critically about the nature of public administration today.
The 7 Deadly Sins series that inspired four Lifetime original movies continues with this thrilling novel following a woman who wants more than just a relationship from her newly discovered half-sister—she wants her life. A heart at peace gives life to the body, but envy rots the bones. Gabrielle Wilson has the perfect life: a Beverly Hills mansion, a loving family, and a massively successful PR firm. When her father admits that an affair he had years before resulted in a daughter, Gabrielle is shocked, but is actually happy. Could this be the sister she has been praying for all her life? Keisha Jones’s life is a struggle. Her late mother worked on the streets, and school was its own nightmare. When Gabrielle offers to fly Keisha out of Arkansas to meet the family, Keisha instantly agrees. But Gabrielle doesn’t realize that Keisha has known about the Wilsons for years. Keisha is determined to have everything she has always envied, and nothing can stand in her way. Includes a reading group guide with an author Q&A and discussion questions for book clubs.
A marvelous debut...has everything a big, thick novel should have, and I hated to put it down." -- John Grisham "A page-turner." -- New York Times Book Review For readers of The Story of Edgar Sawtelle, this is a dramatic and deeply moving novel about an act of violence in a small Appalachian town and the repercussions that will forever change a young man's view of human cruelty and compassion. After seeing the death of his younger brother in a terrible home accident, fourteen-year-old Kevin and his grieving mother are sent for the summer to live with Kevin's grandfather. In this town of Medgar, Kentucky, a peeled-paint coal town deep in Appalachia, Kevin quickly falls in with a half-wild hollow kid named Buzzy Fink who schools him in the mysteries and magnificence of the woods. The town is beset by a massive mountaintop removal operation that is blowing up the hills and back filling the hollows. Kevin's grandfather and others in town attempt to rally the citizens against the "company" and its powerful owner to stop the plunder of their mountain heritage. But when Buzzy witnesses a brutal hate crime, a sequence is set in play that will test Buzzy and Kevin to their absolute limits in an epic struggle for survival in the Kentucky mountains.
Its 1928, and the presidential election between Herbert Hoover and Al Smith is on everybodys mindeveryone but Police Chief James Buckner of Corinth, Missouri. A young womans corpse has been discovered buried in the cellar wall of a boarding house in the nearby mining village of Taylor. Knowing hes one of the best detectives they have, Corinths officials allow Chief Buckner to investigate. Buckner learns the woman was strangled and then immersed in acid before being buried. Worse, she was pregnant. His investigation takes him to Arkansas and Tennessee, where he realizes he may be on the trail of a serial killerone who specializes in murdering young prostitutes. But as Buckner closes in on the killer, he knows that coming up with enough evidence for a conviction may be difficult, if not downright impossible. Tragically, no one seems to care about the dead women except Buckner. One thing is for sure: the murderer will kill again. But in this hardboiled world of nasty politics, questionable morals, and ruthless ambition, stopping his prey might exact a price that Buckner isnt willing to pay. From Missouri backwoods to seedy brothels, Rest Her Soul reveals the dark underbelly of America in the 1920s.
With the mainstream's growing acceptance of worlds and storytelling spread among several different texts - e.g., films, television series, novels, and comics - this pioneering study employs a multidisciplinary approach combining transmediality, network theory, and narratology to analyze the narrative network of the Marvel Cinematic Universe. In this analysis, Christopher Hansen thoroughly examines storytelling techniques while providing a fresh theoretical framework to develop a structural model for interconnected narratives. He redefines our understanding of narrative dynamics in one of the most successful cinematic franchises of all time.
A study of representations of the French Atlantic slave trade in the history, literature, and film of France and its former colonies in Africa and the Caribbean.
With Blood Image, Paul Anderson shows that the symbol of a man can be just as important as the man himself. Turner Ashby was one of the most famous fighting men of the Civil War. Rising to colonel of the 7th Virginia Cavalry, Ashby fought brilliantly under Thomas J. "Stonewall" Jackson during the 1862 Shenandoah Valley campaign until he died in battle. Anderson demonstrates that Ashby's image -- a catalytic, mesmerizing, and often contradictory combination of southern antebellum cultural ideals and wartime hopes and fears -- emerged during his own lifetime and was not a later creation of the Lost Cause. The stylistic synergy of Anderson's startling narrative design fuels a poignant irony: men like Ashby -- a chivalrous, charismatic "knight" who had difficulty complying with Stonewall Jackson's authority -- become trapped by the desire to have their real lives reflect their imagined ones.
Completely updated and now in full color throughout with many new illustrations, the Fourth Edition of this practical manual is a step-by-step guide to performing regional anesthesia procedures. This edition's improved and expanded program of illustrations includes detailed full-color anatomical drawings and clinical photographs correlated to drawings of needle placements. The state-of-the-art coverage includes the latest advances in ultrasound-guided procedures and continuous catheterization. A consistent outline format throughout this edition makes the text accessible and easy to use. Chapters cover all areas of regional anesthesia, including peripheral, central, obstetric, pediatric, ophthalmic, head and face, ambulatory anesthesia, and postoperative pain management.
Emerging as the dark side of Romanticism, horror is one of literature’s oldest genres. Its history is so diverse it’s sometimes difficult to define. Are moody stories about ghosts and vampires related to gory tales of beasts and zombies? And what about the more realistic terrors of murderous rogues and diabolical doctors? The emotion of fear unifies the 14 stories in First Came Fear: New Tales of Horror. But fear is legion in its varieties. The authors skillfully navigate terror of all types. M.P. Diederich’s “Dressage for Beginners” and Christopher Calix’s “The Wedding Gift” are fine examples of the ghoulish humor tradition while J.P. Whitmer’s “Loved to Death” will frighten you in a stunningly visceral way. Oliver Ledesma’s “Atabey” and Samantha Pilecki’s “Roser and the Guide to the Inexplicable” impart fear through non-traditional storytelling and Sarah K. Stephens’ “The Factory” shows how effectively, and chillingly, horror can tackle social issues. All the stories are accompanied by Luke Spooner’s dramatic art, which combines Gothic macabre with echoes of classic horror illustration. The entire collection will have you gripping the edge of your seat or biting your fingernails, yet leave you longing for more!
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