This is it, folks! From the legendary creative team of Christopher Priest (Black Panther,Deadpool) and M.D. Bright (Green Lantern,?Iron Man), it?s the third volume of Quantum and Woody?s groundbreaking original series, collected in trade paperback for the very first time! An old enemy returned. An old friend dead at his hands. Once forced to be partners by the life changing accident that gave them their powers or dissipate forever if they didn?t ?klang? their control bands together every 24 hours, Quantum and Woody now have an even more important reason to work together: payback. Suited up and armed to the teeth, they?re taking the war onto international arms dealer Terrence Magnum?s home turf. They aim to make him pay for the murder of Taylor 88, and to prove they?re the last things anyone ever thought they could be? Heroes. Collecting?QUANTUM AND WOODY (1997) #14?21, and?#32?along with rarely seen materials fromQUANTUM AND WOODY: MAGNUM FORCE TP.
T. S. Eliot was raised in the Unitarian faith of his family in St. Louis but drifted away from their beliefs while studying philosophy, mysticism, and anthropology at Harvard. During a year in Paris, he became involved with a group of Catholic writers and subsequently went through a gradual conversion to Catholic Christianity. Many studies of Eliot's writings have mentioned his religious beliefs, but most have failed to give the topic due weight, and many have misunderstood or misrepresented his faith. More recently, scholars have begun exploring this dimension of Eliot's thought more carefully and fully. In this book readers will find Eliot's Anglo-Catholicism accurately defined and thoughtfully considered. Essays illuminate the all-important influence of the French Catholic writers he came to know in Paris. Prominent among them were those who wrote for or were otherwise associated with the Nouvelle Revue Française, including André Gide, Paul Claudel, and Charles-Louis Philippe. Also active in Paris at that time was the notorious Charles Maurras, whose influence on Eliot has been exaggerated by those who wished to discredit Eliot's traditionalist views. A more measured assessment of Maurras's influence has been needed and is found in several essays here. A wiser French Catholic writer, Jacques Maritain, has been largely ignored by Eliot scholars, but his influence is now given due consideration. The keynote of Eliot's cultural and political writings is his belief that religion and culture are integrally related. Several contributors examine his ideas on this subject, placing them in the context of Maritain's ideas, as well as those of the Catholic historian Christopher Dawson. Contributors take account of Eliot's intellectual relationship with such figures as John Henry Newman, Charles Williams, and the expert on church architecture, W. R. Lethaby. Eliot's engagement with other contemporaries who held a variety of Christian beliefs—including George Santayana, Paul Elmer More, C. S. Lewis, and David Jones—is also explored. This collection presents the subject of Eliot's religious beliefs in rich detail, from a number of different perspectives, giving readers the opportunity to see the topic in its complexity and fullness.
Frans Hals had een karakteristiek gebruik van verf. Welke functie en betekenis had zijn manier van werken? Dit boek is het resultaat van het eerste onderzoek dat daarnaar is gedaan. Christopher Atkins verkent de uniciteit van Frans Hals' aanpak, de relatie tussen zijn werkwijze en de zeventiende- eeuwse esthetiek, de economische motieven en voordelen van zijn methode, de ogenschijnlijke moderniteit van zijn stijl en de wijze waarop die een merknaam werd. Atkins laat zien hoe de door Frans Hals bewust gecultiveerde manier ven van schilderen functioneerde, zowel in zijn eigen tijd als voor latere generaties toeschouwers. Dit biedt een volledig nieuw begrip van het werk van deze Nederlandse grootmeester uit de Gouden Eeuw en een van de meest invloedrijke schilders uit de westerse kunstgeschiedenis. This richly illustrated study is the first consider the manifold functions and meanings of Halss distinctive handling of paint. Atkins explores the uniqueness of Halss approach to painting and the relationship of his manner to seventeenth-century aesthetics. He also investigates the economic motivations and advantages of his methods, the operation of the style as a personal and workshop brand, and the apparent modernity of the artists style. The book seeks to understand the multiple levels on which Halss consciously cultivated manner of painting operated for himself, his pupils and assistants, his clients, and succeeding generations of viewers. As a result, the book offers a wholly new understanding of one of the leading artists of the Dutch Golden Age, and one of the most formative painters in the history of art in the Western tradition. It also provides a much needed interrogation of the interrelationships of subjectivity, style, authorship, methods of artistic and commercial production, economic consumption, and art theory in early modernity.
This is it, folks! From the legendary creative team of Christopher Priest (Black Panther, Deadpool) and M.D. Bright (Green Lantern, Iron Man), itÕs the third volume of Quantum and WoodyÕs groundbreaking original series, collected in trade paperback for the very first time! An old enemy returned. An old friend dead at his hands. Once forced to be partners by the life changing accident that gave them their powers or dissipate forever if they didnÕt ÒklangÓ their control bands together every 24 hours, Quantum and Woody now have an even more important reason to work together: payback. Suited up and armed to the teeth, theyÕre taking the war onto international arms dealer Terrence MagnumÕs home turf. They aim to make him pay for the murder of Taylor 88, and to prove theyÕre the last things anyone ever thought they could beÉ Heroes. Collecting QUANTUM AND WOODY (1997) #14Ð21, and #32 along with rarely seen materials from QUANTUM AND WOODY: MAGNUM FORCE TP.
Frans Hals's (1580/85-1666) rough manner has always been considered the defining feature of the artist's works. In 1648, for example, Theodorus Schrevelius wrote of Hals, "Nor can I let this pass in mute silence, Frans and Dirck Hals, brothers, of whom one excels almost everyone with the superb and uncommon manner of painting which is uniquely his. His paintings are imbued with such force and vitality that they seem to breathe and live."1 Squarely focusing on the way that Hals painted, Schrevelius's brief characterization succinctly captures the three-fold impact of the artist's painting---it was lively, unique, and masterful.
This beautiful hardback book celebrates 100 years since the outbreak of World War One by featuring stories behind 100 memorials to the fallen from across Australia. In a distinctively original and captivating way, this unique book shows how the terrible sacrifice of young Australians has reverberated across this country through time, and how the memories still resonate in so many different ways. Selected for their unique design, their grandeur or their simplicity, the one hundred memorials have been arranged alphabetically and represent the diversity of memorials to the Anzac spirit from each state and territory across the nation. 'In the "War to End all Wars"Australians paid an extraordinary price. A generation of Australians was never the same. The ricochets have continued since. While Australia itself was not attacked, it was certainly changed forever. 100 years on, the search for understanding and the connections of family, place, institutions and community grow stronger every year. "Remembrance"is a timely tribute which captures the breadth of Australia's commitment and the endless quest to honour those who served and establish contemporary connections.' - Ted Baillieu MLA
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