History is littered with evidence of humanity's fascination with drugs and the pursuit of altered states. From early Romanticism to late-nineteenth-century occultism and from fin de siècle Paris to contemporary psychedelic shamanism, psychoactive substances have playedcatalyzing people. Yet serious analysis of the religious dimensions of modern drug use is still lacking. the use of drugs and the pursuit of transcendence from the nineteenth century to the present day. Beginning with the Romantic fascination with opium, it chronicles the discovery of anesthetics, the psychiatric and religious interest in hashish, the bewitching power of mescaline and hallucinogenic fungi, the more recent uses of LSD, as well as the debates surrounding drugs and religious experience. This fascinating and wide-ranging sociological and cultural history fills a major gap in the study of religion in the modern world and our understanding of the importance of countercultural thought, offering new and timely insights into the controversial relationship between drugs and mystical experience.
Influence' is a slippery concept, yet one of tremendous relevance for those wishing to understand global politics. From debates on the changing sources of power in the international system, through to analyses of its value as an alternative to the active use of force as a policy instrument, influence has become a recurrent theme in discussions of international relations and foreign policy. In order to provide a better understanding of the multifaceted and shifting nature of influence, this volume looks at how the British government employed various forms of pressure and persuasion to achieve its goals across the twentieth century. By focusing on Britain - a global actor with great power objectives but declining physical means - the collection provides a wide range of case studies to assess how influence was brought to bear on a wide array of non-western cultures and societies. It furthermore allows for an assessment of just how effective - or ineffective - British efforts were at influencing non-Western targets over a hundred years of operations. By shedding important light on the efficacy of British efforts to sustain and advance its interests in the twentieth century, the volume will be of interest not only to historians, but to anyone interested in contemporary problems surrounding the operation of influence as a foreign policy tool.
From Victor Frankenstein to Dr. Moreau to Doc Brown in Back to the Future, the scientist has been a puzzling, fascinating, and threatening presence in popular culture. From films we have learned that scientists are either evil maniacal geniuses or bumbling saviors of society. Mad, Bad and Dangerous? puts this dichotomy to the test, offering a wholly engaging yet not uncritical history of the cinematic portrayal of scientists. Christopher Frayling traces the genealogy of the scientist in film, showing how the scientist has often embodied the predominant anxieties of a particular historical moment. The fear of nuclear holocaust in the 1950s gave rise to a rash of radioactive-mutant horror movies, while the possible dangers of cloning and biotechnology in the 1990s manifested themselves in Jurassic Park. During these eras, the scientist's actions have been viewed through a lens of fascination and fear. In the past few decades, with increased public awareness of environmental issues and of the impact of technology on nature, the scientist has been transformed once again—into a villainous agent of money-hungry corporate powers. Mad, Bad and Dangerous? also examines biographical depictions of actual scientists, illuminating how they are often portrayed as social misfits willing to sacrifice everything to the interests of science. Drawing on such classic and familiar films as Frankenstein, Metropolis, and The Wizard of Oz, Frayling brings social and film history together to paint a much larger picture of the evolving value of science and technology to society. A fascinating study of American culture and film, Mad, Bad and Dangerous? resurrects the scientists of late night movies and drive-in theaters and gives them new life as cultural talismans.
The inspiration for the primetime ITV series on Great Britain, this is the ultimate journey around England. Christopher Winn takes us to each county, to see where history happened, where people and ideas were born, where dreams took flight and where men and women now rest from their labours. To tread in their footsteps, to touch and experience some of what inspired and moved them is to capture some of the flavour of their lives and make their stories alive and real. Crammed with facts and information, I Never Knew That About England celebrates the places and people that make the country unique and includes history, legends, firsts, supremes, unusuals, inventions, birthplaces and gossip. You'll be able to visit the bridge where Pooh and Piglet played Poohsticks and see where Alfred burnt the cakes. In a small village in Bedfordshire you can visit the graveyard where Long John Silver and Wendy rest. These stories will bring any place that you visit to life (keep one copy in the car and one in the house!) and enable you to discover the rich and surprising history of England.
The release of 'Things to Come' in 1936 was one of the key moments in the history of science fiction in the cinema. The film was the brainchild of H. G. Wells, whose worldwide reputation as a thinker had persuaded its producer, Alexander Korda, to offer him a contract giving him virtually total control over the project. Korda drafted a dazzling array of talents to render into pictures Wells's ideas of the future a hundred years hence. His brother, Vincent Korda, a distinguished painter, was employed as art director, and the Bauhaus artist Laszlo Moholy-Nagy contributed ideas for futuristic sets. As director, Korda hired William Cameron Menzies, who had practically invented the profession of Hollywood art director through his work with Douglas Fairbanks on 'The Thief of Baghdad 'and Rudolf Valentino on 'Son of the Sheik,' and whose career would climax with 'Gone With the WInd.' The result was a landmark in cinematic design. Christopher Frayling shows, with a wealth of illustrations, how the boldness and brilliance of the sets and costumes mark out 'Things to Come 'as British cinema's greatest contribution to the science fiction genre, amply justifying his judgement that ''Things to Come 'is to modernism as 'Blade Runner' is to postmodernism.
At the heart of this book is the problem of war termination. Britain won an almost unbroken string of tactical military victories during an undeclared war against the Republic of Indonesia in the 1960s, yet it proved difficult to translate this into strategic success. Using conflict termination theories, this book argues that British strategy during Confrontation was both exemplary and flawed, both of which need not be mutually exclusive. The British experience in Indonesia represents an illuminating case study of the difficulties associated with strategy and the successful termination of conflicts. The value of this book lies in two areas: as a contribution to the literature on British counter-insurgency operations and as a contribution to the debates on the problems of war termination in the context of strategic thought.
Contemporary Judaism is transforming, especially in America, from a community experience to more of a do-it-yourself religion focused on the individual self. In this book Christopher L. Schilling offers a critique of this transformation. Schilling discusses problematic aspects of Jewish mindfulness meditation, and the relationship between Judaism and psychedelics, proceeding to explore the science behind these developments and the implications they have for Judaism.
Challenging some assessments of religion in the West, this study argues that, although much organized religion, particularly Christianity, is in numerical decline, in actual fact we are witnessing an alternative spiritual re-enchantment of society and culture.
Christopher Wadlow's The Law of Passing-off is the only specialist practitioner's reference work dealing with the common law torts of unfair competition by misrepresentation, namely passing-off and injurious falsehood.
The Scottish crime master dishes out “equal parts adrenaline and empathy” in a thriller featuring a woman hacker and online intrigue (Diana Gabaldon). Sam Morpeth has had to grow up way too fast. Left to fend for a younger sister with learning difficulties when their mother goes to prison, she is forced to watch her dreams of university evaporate. But Sam learns what it is to be truly powerless when a stranger begins to blackmail her online. Meanwhile, reporter Jack Parlabane seems to have finally gotten his career back on track with a job at a flashy online news start-up, but his success has left him indebted to a volatile source on the wrong side of the law. Now that debt is being called in, and it could cost him everything. Thrown together by a common enemy, Sam and Jack are about to discover they have more in common than they realize—and might be each other’s only hope. (Published in the UK as Want You Gone) “Pure literary dynamite.” —Lorenzo Carcaterra, New York Times–bestselling author of Sleepers “Tremendous fun, with superb characterization, gripping moral complexity, and no shortage of clever villainy.” —Chris Pavone, New York Times–bestselling author of The Paris Diversion “A revelation . . . The computer is the scariest tool since the invention of the buzzsaw.” —Thomas Perry, New York Times–bestselling author of The Bomb Maker “Works exceptionally well as cybercrime fiction, but it’s the human element that makes it tick.” —Kirkus Reviews
Discusses the effects of expanding the Diagnostic and Statistical Manual of Mental Disorders (DSM)'s fourth edition on the psychiatric community, pharmaceutical companies, and the nation.
In Forgotten Fruits, Christopher Stocks tells the fascinating - often rather bizarre - stories behind Britain's rich heritage of fruit and vegetables. Take Newton Wonder apples, for instance, first discovered around 1870 allegedly growing in the thatch of a Derbyshire pub. Or the humble gooseberry which, among other things, helped Charles Darwin to arrive at his theory of evolution. Not to mention the ubiquitous tomato, introduced to Britain from South America in the sixteenth century but regarded as highly poisonous for hearly 200 years. This is a wonderful piece of social and natural history that will appeal to every gardener and food aficionado.
The love story between Christopher Isherwood and Don Bachardy—in their own words The English novelist and screenwriter Christopher Isherwood was already famous as the author of Goodbye to Berlin when he met Don Bachardy, a California teenager, on the beach in Santa Monica in 1952. Within a year, they began to live together as an openly gay couple, defying convention in the closeted world of Hollywood. Isherwood was forty-eight; Bachardy was eighteen. The Animals is the testimony in letters to their extraordinary partnership, which lasted until Isherwood's death in 1986—despite the thirty year age gap, affairs and jealousy (on both sides), the pressures of increasing celebrity, and the disdain of twentieth-century America for love between two men. The letters reveal the private world of the Animals: Isherwood was "Dobbin," a stubborn old workhorse; Bachardy was the rash, playful "Kitty." Isherwood had a gift for creating a safe and separate domestic milieu, necessary for a gay man in midtwentieth-century America. He drew Bachardy into his semi-secret realm, nourished Bachardy's talent as a painter, and launched him into the artistic career that was first to threaten and eventually to secure their life together. The letters also tell of public achievements—the critical acclaim for A Single Man, the commercial success of Cabaret—and the bohemian whirl of friendships in Los Angeles, London, and New York with such stars as Truman Capote, Julie Harris, David Hockney, Vanessa Redgrave, Gore Vidal, and Tennessee Williams. Bold, transgressive, and playful, The Animals articulates the devotion, in tenderness and in storms, between two uniquely original spirits.
You can use this book to design a house for yourself with your family; you can use it to work with your neighbors to improve your town and neighborhood; you can use it to design an office, or a workshop, or a public building. And you can use it to guide you in the actual process of construction. After a ten-year silence, Christopher Alexander and his colleagues at the Center for Environmental Structure are now publishing a major statement in the form of three books which will, in their words, "lay the basis for an entirely new approach to architecture, building and planning, which will we hope replace existing ideas and practices entirely." The three books are The Timeless Way of Building, The Oregon Experiment, and this book, A Pattern Language. At the core of these books is the idea that people should design for themselves their own houses, streets, and communities. This idea may be radical (it implies a radical transformation of the architectural profession) but it comes simply from the observation that most of the wonderful places of the world were not made by architects but by the people. At the core of the books, too, is the point that in designing their environments people always rely on certain "languages," which, like the languages we speak, allow them to articulate and communicate an infinite variety of designs within a forma system which gives them coherence. This book provides a language of this kind. It will enable a person to make a design for almost any kind of building, or any part of the built environment. "Patterns," the units of this language, are answers to design problems (How high should a window sill be? How many stories should a building have? How much space in a neighborhood should be devoted to grass and trees?). More than 250 of the patterns in this pattern language are given: each consists of a problem statement, a discussion of the problem with an illustration, and a solution. As the authors say in their introduction, many of the patterns are archetypal, so deeply rooted in the nature of things that it seemly likely that they will be a part of human nature, and human action, as much in five hundred years as they are today.
The question was, “What am I supposed to do in life?” The answer: “Be generous.” Think about the most successful people you know—those with wealth, power, and status. Are they happy? Are they enlightened? Are they fulfilled? Maybe . . . and maybe not. Sometimes, the glitz of a social media façade hides a lonely, unfilled, and unrewarding life. Chances are, the happiest, most grateful, and most graceful people you know are the ones who have prioritized more than simple “success.” Instead, these are the women and men who have chosen a different path—an others-first perspective that prioritizes giving over self-gratification and self-promotion. And not just generosity—WISEgenerosity. In this landmark work, Chris Gabriel presents the guidebook on generosity for the modern age. Forgoing outdated and superficial assumptions about vague, undirected, merely “feel-good” giving, Chris brings laser focus to generosity that is W.I.S.E.: Well-grounded Inspired Satisfying Effective Filled with practical instruction, uplifting stories, challenging self-examination exercises, and detailed models, WISEgenerosity cuts through the confusion surrounding why to give, how to give, what to give, when to give, and where to give. Then, it takes you by the hand and walks you down a thoughtful, proven path to a purposeful and productive life—your best life—with generosity that is meaningful and effective for both the giver and the receiver. This is WISEgenerosity.
The media are in a constant state of change, accelerated by the recent turn in digital technology. The new 2015 update of Media and Culture keeps up with the newest changes unfolding over YouTube, Twitter, Facebook, and other feeds—because the speed of today's media stories requires an understanding of the complex connections between media and our culture. The 2015 update includes the latest media developments and coverage of the political, economic, and cultural issues affecting our mass media and culture. But the authors go beyond the addition of current events and trends to focus on what these changes mean, extending the bridge between media history and the media right now.
This issue of Emergency Medicine Clinics focuses on Observation Medicine in the ED. Editors R. Gentry Wilkseron and Christopher Baugh have assembled an expert team of authors on topics such as: History and Principles of Observation Medicine; Observation Unit Design and Establishing an Observation Unit; Care of the Patient with Chest Pain in an Observation Unit; Care of Cardiovascular Conditions in an Observation Unit; Care of Gastrointestinal Conditions in an Observation Unit; Care of Metabolic / Endocrine Conditions in an Observation Unit; Care of Neurologic Conditions in an Observation Unit; Care of Respiratory Conditions in an Observation Unit; Care of Infectious Conditions in an Observation Unit; Care of Traumatic Conditions in an Observation Unit; Care of Extremes of Age in an Observation Unit.
James Collard and his son are scheduled to fly to New York together for Christmas but he changes his mind at the last minute, leaving his son to go on alone." "A bomb explodes on their US airliner, killing all on board. Collard goes to search for his son's body, only to become the target of hardened security men who seem determined to prove his son was part of a plot to destroy the airliner." "The few remaining certainties of his life are shattered as he learns that his son might not have been on the plane after all and may be alive." "Determined to find his son, innocent or guilty, Collard is lured into a personal nightmare which takes an innocent civilian into a treacherous underworld of intelligence agents and international terrorists. The deeper Collard gets, the more he exposes the official version as a lie. Isolated and afraid, he knows he and his son are as expendable as the victims of the crash. A ruthless professional, with a deep history of covert activity, is desperate to frame them in a cover-up that goes all the way to the top, and - deadliest of all - the bigger the cover-up, the more personal it gets."--BOOK JACKET.
Throughout Canada, they are searching: engaging in complex but deeply relaxing contortions at Salt Spring Island's ashtanga yoga center; feeling "the blast of divine light of the Resurrection" at St. Herman's of Alaska, a non-ethnic Orthodox church in Edmonton; taking the healing waters at Alberta's Lac Ste. Anne pilgrimage; grasping for the Good News at a Billy Graham gathering in Ottawa. These are the Canadians at the cutting edge of today's spiritual quests, says Peter Emberley, men and women seeking to satisfy today's raw hunger for spiritual wholeness, for what is real, for what is. Divine Hunger is a first-ever portrait of the spiritual searches of Canada's babyboomers. It offers a fascinating commentary on our modern state of religious consciousness, looking at the dichotomy between our belief that we are free and self-determining beings, yet willing to submit to religions and movements that require subjugation and a large leap of faith.
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